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Stage microphone
KM 105
Studio stage microphone for vocals
. Supercardioid pickup pattern.
Supercardioid pattern with excellent feedback rejection
Studio quality condenser capsule
Transparent sound with gentle treble lift
Highly effective, foam-free pop filter
I PLAY NEUMANN ON STAGE
The KMS 105 is a studio vocal microphone for use on stage. Its precisely manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability and high resistance to feedback, thanks to its tight supercardioid pattern.
STUDIO QUALITY FOR STAGE VOICES
The KMS 105 brings studio quality sound to the stage. Unlike ordinary stage microphones, which use dynamic capsules, the KMS 105 features a true condenser microphone capsule that delivers the superior clarity that has made Neumann studio microphones famous around the world. At the same time, the KMS 105 possesses the robustness required of a stage microphone, thus dispelling the myth that condenser microphones have to be "fragile". The KMS 105 can handle huge SPLs of up to 150dB without clipping, and its tight, frequency-independent supercardioid pattern ensures high gain before feedback. The KMS 105 has a much smoother frequency response than dynamic microphones and an airy top end. Compared to dynamic microphones, the Neumann KMS 105 has a far superior transient response which results in a more immediate and exciting vocal sound.
As a stage microphone, the KMS 105 is optimized for close miking; a fixed low cut filter compensates for proximity effect and ensures clear bass, even if the singer's lips touch the microphone. The head grille is made of hardened steel and features a carefully designed multi-level pop filter made of wire mesh. Despite its effectiveness, this acoustic filter does not create sibilance problems or compromise the directivity of the capsule. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Thanks to its low output impedance of only 50 ohms, the KMS 105 can drive very long cables up to 300 m (1000 ft) without transmission losses.
APPLICATIONS
The KMS 105 is primarily designed as a portable vocal microphone, but can also be used for other onstage applications, thanks to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior audio quality, the KMS 105 is also an excellent microphone for broadcast and home recording applications. Because it's optimized for close mic placement, the KMS 105 will pick up a dry sound with very little ambiance, which is a big plus in untreated rooms.
Supercardioid directional pattern
Frequency range 20Hz ... 20kHz
Sensitivity at 1 kHz into 1 kohm 4.5 mV/Pa ± 1 dB equ. -47dBV
Nominal impedance 50 ohms
Nominal load impedance 1 kohm
Equivalent noise level, CCIR¹⁾ 28 dB
Equivalent noise level, A-weighted¹⁾ 18 dB-A
Maximum SPL for THD 0.5%²⁾ 150dB
Signal to Noise Ratio, CCIR (re. 94 dB SPL)¹⁾ 66 dB
Signal-to-Noise Ratio, A-weighted (relative to 94 dB SPL)¹⁾ 76 dB
Maximum output voltage 12 dBu
Supply voltage (P48, IEC 61938) 48V ± 4V
Current consumption (P48, IEC 61938) 3.5mA
Corresponding XLR 3 F connector
Weight approx. 300 grams
Diameter 48mm
Length 180mm
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