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Asm Hydrasynth Desktop
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.
Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.
As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.
The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.
8 Voice Advanced Wavetable synthesis
2 Wavemorphing Oscillators
219 single cycle waveforms
User wavetables - 8 user selectable ‘wavelist’ per osc to build user wavetables
Every osc and patch can have its own user wavetable
WaveScan parameter for modulating through wavetables.
Keytracking – 0-200%
+/- 3 octave tuning range
1 fixed Wave OSC
219 single cycle waveforms
+/- 3 octave tuning range
Keytracking – 0-200%
Dual Mutators per oscillator
FM – Linear FM
Selectable Modulator source
Built in Sine & Triangle, OSC1, OSC2, OSC3, Mutators A, B, C, D, Noise gen, Ring Mod, External Mod 1&2 input.
WaveStack – Generates 5 detuned waves from input source. Detune amount.
Pulse Width Mod – Adjust pulse width of ALL waveforms.
PWSqueeze – Compresses the center section of the waveform. Differnnt type of PWM
PW-ASM – 8 User adjustable wave squeeze/stretch points.
Hard Sync – gives that classic sync sweep sound.
Selectable Sync input source.
Harmonic Sweep – will scan through the harmonics of the incoming sound.
PhazDiff - creates a new sound by combining phhase shifting and summing techniques.
Dry/Wet mix to blend the original OSC source.
Noise Generator
White, Pink, Brown, Red, Blue, Violet, Grey noise sources
Ring modulator
Selectable input sources
OSC1, OSC2, OSC3, Noise, All Mutator outputs, External Mod ½ in.
Depth control
Sound source mixer
Mix the following sources - OSC1, OSC2, OSC3, Noise, and Ring Mod.
Panning for each source
Filter routing mix
Solos for each source (solo status is saved in the patch)
Two Filters
Series or parallel routing
Filter 1
12 & 24db modern ladder (compensated)
12 & 24db vintage ladder (uncompensated)
Threeler HP, LP
MS20 HP, LP
Low Pass Gate
STN LP, BP, HP
1 pole LP
8 pole LP
Vocal filter
Multiple vowel order parameter
Formant parameter
Filter 2
Continuously Variable
Lowpass > Band pass > High pass
Lowpass > Notch > High Pass (Oberheim SEM style)
5x Low Frequency Oscillators
10 static waves
Sine, triangle, Square, Saw up, Saw down, S&H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%.
Step Wave – 64 steps that the user can set (like a step sequencer).
Step smoothing
Step glide
SemiLock for pitch sequencing
Clock sync
Starting phase
Start delay
Fade in
Master output gain
Trigger modes – mono, poly, free
One shot mode
5x Envelope Generators
6 stage DAHDSR envelopes
Delay, Attack, Hold, Decay, Sustain, Release
Slope curves for ADR stages
Variable from full exponential to full logarithmic
Tempo or Time option for setting length of each stage.
Looping of AHD stages for creating LFO types of modulations.
Trigger modes – Legato, Reset, Retrigger
Trigger Sources - 4 simultanious souces can be assigned to each Env.
Matrix modulation
32 slots for source-destination mod routings with amount
Modulation matrix slots can be mod destinations
8x Macro knobs and buttons
Each macro knobs allows positive and negative of up to 8 destination controls
Macros can be modulation destinations
Arpeggiator
Arp parameters can be modulation destinations.
Modes
Up, down, up/down, Up&down, random, note order, chord, pattern
Octave
Range, 1,2,3,4
Play order
Up, down, up/down
Swing
Gate time
Ratchet – repeats notes
Chance – sets how often the ratchet takes place.
No downloadable documents available. For more information, contact us at info@yourmusiconline.it
Expander
Not available
Expander
Not available
Free shipping
Expander
Not available
Free shipping
Expander
Available in store and online
Free shipping
Expander
Not available
Free shipping
Expander
Available in store and online
Free shipping
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