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Allen&Heath Zed 12Fx

Cod: AL61930070


€498.00

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The product is available in our store and ready for same-day shipping for orders placed by 12:00 PM. Delivery in Rome (GRA) is same-day, and within 24/72 hours across the national territory.

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Allen&Heath Zed 12Fx

The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beautiful county of Cornwall in the UK and is manufactured alongside a wide range of professional audio mixing consoles. Many of the components used in ZED are exactly the same as in the

larger Allen & Heath products and the construction methods are also very similar — utilising individual vertically mounted channel circuit

boards with each rotary control fixed with a metal nut to the front panel. This provides a very robust product that will resist damage and

give years of reliable use. It also makes servicing much easier should it be required, with the ability to remove one particular channel from

the mixer at a time, or easily change a fader.

The audio circuitry is based on years of continual development and refinement , the performance of all the elements within the mixer scrutinised and perfected to ensure the very best sound quality possible.

Multi-application:

ZED’s are great for live mixing! Their layout makes them very easy to use and the 100mm faders give much better control of the mix compared to most products at a similar price.

They are also great for recording, either a live show or an audio project at home can be built up track by track and studio monitor speakers

can be fed from the Alt Outputs.

ZED mixers are also ideal for teaching establishments, houses of worship, hotels and conference centres where their ease of use and robust

qualities make them a top choice.

Mic/Line Pre-amps:

Based on the pre-amps from the PA series, the ZED-12FX, 16FX & 22FX pre-amps use a two stage design, with carefully controlled amounts

of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge (69dB of range to be exact) and is very evenly

distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is

kept to a minimum. There is no “pad” switch, or pad circuit — line level signals are simply plugged into the second stage of the pre-amp by

using the line input jack socket. This has the great advantage of lower noise when using the line input. (It is common to attenuate line level

signals, the amplify them back up again which can give more noise or hiss).

EQ:

The ZED series mixers are equipped with a 3-band equaliser circuit on each mono input and a 2-band EQ on the stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources.

AUX system:

Zed 12FX, 16FX & 22fX mixers have 4 Aux buses. 3 are used for connecting external equipment such as foldback stage monitors, or external effects processors, and one is used for the internal effects processor.

Effects Processor:

Zed-12FX, 16FX & 22FX mixers have a professional quality effects processor built in which uses our own effects algorithms developed by

our talented engineering staff at Allen & Heath. The effects range from classic reverbs, cascaded delay plus reverbs to shimmering flanger &

chorus effects. The different effects types are selected with a simple up/down button interface and the tempo of the delay settings can be

entered using the TAP button. Holding the TAP button allows the parameters of the effects to be adjusted. The audio signal to the DSP is

converted using 24 bit high dynamic range converters running at 48kHz sample rate, ensuring low noise, low distortion, transparent effects.

Mono and Stereo Channels:

One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the mono channels there are

three stereo channels, each with a main stereo input on jack sockets, two of them have the ability to take additional stereo inputs from phono sockets, the third can take the USB audio input. Flexibility gives you control.

USB:

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your computer to get to the

soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the

mixer and the device on your computer and that’s it! Quality audio to and from your PC or MAC. 

Input

Mono channel (XLR) Input +6 to –63dBu for nominal (+17dBu in max)

Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBu maximum)

Insert point (TRS Jack socket) 0dBu nominal +21dBu maximum

Stereo Input (Jack sockets) 0dBu nominal (control = Off to +10dB)

Stereo input (phono sockets) 0dBu nominal (control = Off to +10dB)

Output

L, R & Mono Outputs (L&R XLR, Mono Jack) 0dBu nominal. +21dBu maximum.

Aux Outputs (Jack sockets) 0dBu nominal. +21dBu maximum.

Alt Outputs (phono sockets) 0dBu nominal. +21dBu maximum.

Rec Outputs (phono sockets) 0dBu nominal. +21dBu maximum.

Frequency Response

Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 20Hz to 20kHz.

Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 30kHz

Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz

THD+n

Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out 0.004%

Mic in to Mix L/R Out, 30dB gain 1kHz 0.014%

Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.005%

Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.003%

Headroom

Analogue Headroom from nominal (0Vu) 21dB

USB in & out headroom from nominal (0Vu) 14dB

USB Audio CODEC (Coder/Decoder)

USB Audio In/Out USB 1.1 compliant 16bit.

Sample Rate 32, 44.1, or 48kHz

Noise

Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu

Mix L/R out, L/R faders = 0, 22-22kHz ZED-12FX -88dBu

Mix L/R out, L/R faders = 0, 22-22kHz ZED-16FX -86dBu

Mix L/R out, L/R faders = 0, 22-22kHz ZED-22FX -84dBu

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