Korg KRONOS3-88

Description

<h1 style="text-align: justify;"><strong>KORG</strong> is making <strong>KRONOS</strong>, the flagship Music Workstation, available again with <strong>KRONOS 3-88,</strong> a model that incorporates all the technical features of its predecessor while introducing important hardware and software updates such as: a faster and quieter <strong>new motherboard</strong> <strong>without a cooling fan</strong>, which guarantees greater system speed and a boot time of just <strong>40 seconds</strong>. In addition, it features a larger <strong>internal SSD</strong>, new sound resources, and an attractive, very elegant and professional black <strong>look</strong>.</h1><p style="text-align: center;"><img align="" height="" src="/filer/sharing/1771509261/16178/" title="KORG proposes a new version of the Top Music Workstation KRONOS, with KRONOS 3 introducing some important technological updates to this instrument" width=""></p><h3><strong>The return of the ultimate icon</strong></h3><p>Since its debut in 2011, KRONOS has quickly won over musicians worldwide for its advanced tonal quality and performance. This instrument has evolved over time with various hardware and software updates, driven by feedback from musicians who have successfully used it on the most prestigious stages and studios around the world, thus setting the reference standard in this sector. Now, by popular demand, this Top Workstation is once again available with the KRONOS 3-88 model, further updated and refined in both hardware and software.</p><h2><strong>KRONOS 3-88 key features</strong></h2><ul>    <li>New fast motherboard without cooling fan</li>    <li>Significantly reduced boot times, only 40 seconds</li>    <li>256 new Programs</li>    <li>Increased internal SSD size from 60 to 120GB</li>    <li>Improved Display functionality</li>    <li>New elegant black look with real wood side panels</li>    <li>Control surface and switches like previous series</li></ul><h3><strong>The new sound resources of KRONOS 3-88</strong></h3><p>To expand the tonal versatility of <strong>KRONOS 3-88</strong>, <strong>256 Programs</strong> have been added, developed in collaboration with a team of world-renowned designers, including the best of their creations, such as: <strong>Italian Grand</strong>, a renowned grand piano with physical modeling string resonance, or the famous classic electric piano <strong>Tine EP I Early</strong>, as well as FM digital pianos, synth Pads, Leads, and much more – a sound palette that spans every genre and style.</p><h3><strong>Exclusive Programs and Combis</strong></h3><p><strong>KRONOS 3-88</strong> features the most representative sounds from the original KRONOS libraries.</p><ul>    <li><strong>KRS-08 Best of TRITON</strong>: a collection of 128 Programs from one of KORG's most successful synthesizers.</li>    <li><strong>KRS-04 Pro Splits and Layers</strong>: a series of Split and Layer Programs already optimized for real-time performance.</li>    <li><strong>KRS-05 Combination Ensemble</strong>: Combis suitable for performances with a band including: brass, strings and synthesizers.</li>    <li><strong>KRS-06 and KRS-06B CX-3 Signature Sounds:</strong> created from the collaboration between KORG and renowned organists, with 256 carefully selected CX-3 organ Programs, ready to play. This sound collection ensures every musician has access to the best sounds KRONOS 3 can generate.</li></ul><h3><strong>Controlling KRONOS 3-88</strong></h3><p>The control system of <strong>KRONOS 3-88</strong> has been meticulously refined through various versions to provide musicians with an intuitive and fast user interface. Its layout features a large control surface that includes various physical controls such as: eight knobs, nine sliders, and a series of switches for direct interaction with the instrument, allowing the musician or producer to focus solely on their performance. The heart of the user interface is the large, fast, and responsive <strong>TouchView Display</strong>, offering immediate access to navigation and parameter editing, with an environment that ensures immediate use for those familiar with KRONOS.</p><p style="text-align: center;"><img alt="The KRONOS 3-88 layout features a large control surface that includes physical controls such as: eight knobs, nine sliders, and a series of switches for direct interaction with the instrument" src="/images/uploads//KRONOS-3_PERFORMANCE-08_1200x630.jpg" title="The KRONOS 3-88 layout features a large control surface that includes physical controls such as: eight knobs, nine sliders, and a series of switches for direct interaction with the instrument"></p><h3><strong>Redesigned Look and Feel</strong></h3><p>The design of <strong>KRONOS 3-88</strong> features substantial updates, such as a robust and durable powder-coated metal body that offers excellent tactile feel, and refined black real wood side panels with their natural grain adding an elegant touch. These aesthetic improvements ensure recognizability and attention from the audience.</p><h3><strong>Speed and precision</strong></h3><p><strong>KRONOS 3-88</strong> achieves new levels of performance thanks to a significantly improved startup phase. Thanks to the redesigned system architecture, the boot time is now 60% faster than previous models, drastically reducing downtime upon power-on. This way, KRONOS 3 ensures a greater degree of responsiveness and interaction.</p><h3><strong>KRONOS 3-88 built to last</strong></h3><p>Since its introduction in 2011, every KRONOS model has undergone systematic updates, ensuring the growth and optimization of its performance, as well as compatibility and continuity between the various series. KORG's dedication to long-term support guarantees that all generations of KRONOS can use dedicated sound libraries, preserving the investment and allowing for continuous evolution of the instrument.</p><ul>    <li><em>KORG will release a Soundpack in the second half of 2025 dedicated to owners of previous KRONOS and NAUTILUS models, allowing them to load KRONOS 3 sounds onto their instruments and thus benefit from this upgrade.</em></li>    <li><em>*For the new model, two types of preloaded data are available to support both KRONOS 1/X and KRONOS 2, in both Program orders.</em></li>    <li><em>**</em><em> Austrian Piano, Italian Piano</em><em>, etc. not included in earlier models, can be used by purchasing the relevant sound libraries.</em></li></ul><p style="text-align: center;"><em><img alt="KRONOS Sound Libraries are collections of high-quality Programs and Samples continuously published since its introduction, with a catalog of over 300 titles featuring a diverse tonal selection compared to factory Programs." src="/images/uploads//KRONOS-3_PERFORMANCE-14_1200x630.jpg" title="KRONOS Sound Libraries are collections of high-quality Programs and Samples continuously published since its introduction, with a catalog of over 300 titles featuring a diverse tonal selection compared to factory Programs."></em></p><ul></ul><h3><strong>SGX-2 Sound Engine dedicated to grand pianos</strong></h3><p>This engine, dedicated to acoustic pianos, produces high-quality sounds based on <strong>loop-free stereo samples</strong>, sampled for each key on premium instruments with their natural decay, and the ability to customize each timbre according to individual needs. KRONOS 3-88, using <strong>SGX-2</strong>, offers four distinct grand pianos with unique characters: <strong>German Grand, Japanese Grand, Berlin Grand, and Italian Grand</strong>, all very dynamic, with a modern and expressive timbre, also reproducing typical acoustic piano phenomena such as <em>Sympathetic String Resonance</em>, key release, timbre variation caused by lid opening, and the "una corda" effect (*).</p><p><em>(*) Not included in the Italian Grand.</em></p><p><b>The KRONOS 3-88 sound library</b></p><p>KRONOS possesses a tonal palette composed of thousands of sounds, created using various synthesis engines and drawing from approximately <strong>21 GB</strong> of internal waveforms, carefully developed by the KORG Sound Designer team. The <strong>120 GB internal SSD</strong> can host User Samples, audio recording files, and Sound Library data.</p><p><em>* SSD capacity is subject to change without notice.</em></p><p><strong>Multi Synthesis Generation</strong></p><p>Each of the sound generators of <b>KRONOS 3-88</b> can be considered an independent synthesizer employing the most advanced digital technology. Synthesis is accompanied by real-time parameter control via the extensive control surface and the processing of high-quality and effective integrated effects.</p><p style="text-align: center;"><img alt="The neuralgic center of the KRONOS 3-61 user interface is the large eight-inch (800 x 600 pixels) SVGA color TouchView display, which allows navigation between pages, selection, and precise control of parameters directly by touch." src="/images/uploads//KRONOS-3_PERFORMANCE-07_1200x630.jpg" title="The neuralgic center of the KRONOS 3-88 user interface is the large eight-inch (800 x 600 pixels) SVGA color TouchView display, which allows navigation between pages, selection, and precise control of parameters directly by touch."></p><p> </p><h3><strong>Set List Mode</strong></h3><p>With the Set Lists of <b>KRONOS 3-88</b>, you can organize the musical resources needed for a concert or session according to your needs. By activating this operating mode, the display shows <strong>16 color-coded touch-screen slots</strong>, which can be touched to recall the assigned Program, Combi, or Sequence, appropriately setting some parameters such as: volume, transpose, title, or performance notes such as: "Sing on the chorus", "Transpose half a tone", "Wait for the sax solo", etc., with the possibility to change the color, edit the text by using a PC keyboard connected to the USB port, thus simplifying text and number entry. <strong>128 Set Lists</strong> are available, each with <strong>128 slots</strong>.</p><h3><strong>The KRONOS 3-88 Sequencer</strong></h3><p>Like all Workstations, <b>KRONOS 3-88</b> includes a very powerful <strong>16 MIDI + 16 Audio Full Editing Sequencer/Recorder</strong>, which allows for quick storage of ideas or entire musical pieces. The audio recorder can record up to <strong>4 tracks</strong> simultaneously (16/24 bit linear at 48 kHz), with the possibility of also acquiring tracks already recorded on <b>KRONOS 3-88</b> complete with effects, placing the obtained audio file in one of the Sequencer tracks. Editing functions such as: Mixer Automation, Copy, Paste, Normalize, and some sophisticated tools that facilitate the composition or arrangement process like <strong>KARMA</strong> or <strong>Drum Tracks,</strong> are also present, shortening the creation of entire songs.</p><h3><strong>The sequencer's composition tools</strong></h3><p>In addition to MIDI and audio tracks, the <b>KRONOS 3-88</b> Sequencer offers the ideal tools to transform your musical ideas into a complete composition, using interactive real-time techniques not available or difficult to use on a computer-based system.</p><p><strong>KARMA:</strong> This algorithmic function generates elaborate musical phrases, grooves, and backing tracks, based on notes and chords played in real-time, and the movement of knobs, sliders, and switches. KARMA also allows for Wave-Sequencing, Note Mapping, and 8 different scenes for each Layer, expanding performance possibilities in Live.</p><p><strong>Drum Tracks:</strong> Automatically producing rhythmic patterns, Drum Tracks can be helpful in various situations, such as during study or composition, or become part of a musical piece or arrangement. They are capable of performing complete percussive performances with all the nuances of a real drummer, thus going beyond the role of a simple Drum Machine.</p><p style="text-align: center;"><img alt="The neuralgic center of the KRONOS 3-61 user interface is the large eight-inch (800 x 600 pixels) SVGA color TouchView display, which allows navigation between pages, selection, and precise control of parameters directly by touch." src="/images/uploads//KRONOS-3_PERFORMANCE-11_1200x630.jpg" title="The neuralgic center of the KRONOS 3-88 user interface is the large eight-inch (800 x 600 pixels) SVGA color TouchView display, which allows navigation between pages, selection, and precise control of parameters directly by touch."></p><h3><strong>Open Sampling System</strong></h3><p><b>KRONOS 3-88</b> can sample an external audio source or resample its own performance. The User Sample area allows for the creation of personal sample libraries using the internal SSD, also importing them via USB in the most common formats and editing them using the internal <strong>Sample Editor</strong>. This allows you to center your music production system exclusively on KRONOS 3 without the need for other devices.</p><h3><strong>Effects Processor</strong></h3><p><b>KRONOS 3-88</b> features a powerful effects processor capable of processing any internal or external sound source, generating up to <strong>12 Insert effects</strong> applicable to individual timbres in a Program, on the Timbre/Tracks of a Combination, or the Sequencer; <strong>2 Master effects</strong> individually adjustable with sends, and <strong>2 Total effects</strong> as a global sound processing stage. Additionally, a three-band equalizer is available on each individual timbre of a Combi or a Sequencer Song (MIDI or Audio) for further tonal control.</p><h3><strong>Color TouchView Display</strong></h3><p>The nerve center of the <b>KRONOS 3-88</b> user interface is the large <strong>eight-inch (800 x 600 pixels) SVGA color TouchView display</strong>, which allows navigation between pages, selection, and precise control of parameters directly by touch. The display also features the <strong>Search</strong> function, useful for quickly finding sounds based on characters contained in their names.</p><h3><strong>Control Surfaces</strong></h3><p>In addition to the parameters accessible from the TouchView Display, <b>KRONOS 3-88</b> also offers a variety of physical controls useful for both performance and navigation: a four-axis Joystick, <strong>Ribbon Controller</strong>, two assignable buttons, and a <strong>Vector Joystick</strong>. Above the keyboard, there are nine Sliders, eight rotary controls, and various buttons that interact with the sound generator's parameters. On the rear panel, there are inputs for pedals: Damper with <em>half-pedal</em> and two assignable pedals, one continuous and one switch type. Furthermore, <b>KRONOS 3-88</b> allows direct connection of any USB/MIDI Class Compliant controller, such as <strong>KORG nanoPAD, nanoPAD2, or padKONTROL</strong>, to the USB port.</p>In this way, their Pads 1 to 8 are automatically mapped to KRONOS virtual pads to play percussive sounds, trigger, or change chords in Chord mode. The SST Smooth Sound Transition function is made possible by the high computational capacity of KRONOS3-61, and allows the selection of different resources and operating modes (Program, Combi, Song), ensuring continuous transition of sounds and effects without interruption. ### **SMOOTH SOUND TRANSITION - seamless sound transitions** This feature, made possible by the high computational capacity of **KRONOS 3-88**, allows the selection of different resources and operating modes (Program, Combi, Song), ensuring continuous transition of sounds and effects without interruption, a characteristic that is highly appreciated and praised by many artists and musicians because it allows for a performance without annoying blackouts between the various musical parts used during a performance. ### **RH3 Weighted Hammer Action Keyboard** **KRONOS 3-88** features the KORG **RH-3 Real Weighted Hammer Action** keybed, providing a solid and consistent response with a gradually weighted mechanism that reproduces the mass difference of hammers between the bass and treble regions, typical of an acoustic piano. ### **Additional Sound Libraries for KRONOS 3-88** KRONOS Sound Libraries are collections of high-quality Programs and Samples continuously released since its introduction, with a catalog of over 300 titles featuring a diverse timbral selection compared to the factory Programs. These can be purchased and used with all KRONOS models. These sound resources are distributed directly by [KORG on their Shop (click here)](https://korg.shop/sound-libraries/kronos-nautilus.html), where you can search for titles by instrument: Piano, Strings, Organ, Bass, etc., publication year, price range, and developer name. Two types of libraries are available: EXs, which include new PCM data, and KRS, which include only Program data. The *Artist Signature* libraries also offer valuable Programs created or used by top musicians and artists in their most famous hits or prestigious concerts. Demo sounds and videos are also available for these libraries, allowing users to evaluate their content. For users who own multiple KRONOS units, the library license allows sharing each title with up to three units. * *** The Demo version has a usage limitation: volume fluctuates cyclically during playback. * *** A total of 3 units can also include **NAUTILUS**. ## **KRONOS 3-88 Technical Specifications** **System**: KRONOS System Version 3.2 **Keyboard**: 88 Keys **RH3** (Real Weighted Hammer Action 3) **Sound Generator**: 9 Synthesis Types * SGX-2: Premium Piano (Acoustic Piano) * EP-1: MDS Electric Piano (Electric Piano) * HD-1: High Definition Synthesizer (PCM) * AL-1: Analog Synthesizer (Analog Modeling) * CX-3: Tonewheel Organ (Tonewheel Organ Modeling) * STR-1: Plucked Strings (Physical Modeling) * MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis) * MS-20EX: Component Modeling Technology (Analog Modeling) * PolysixEX: Component Modeling Technology (CMT Analog Modeling) **Maximum Polyphony*1*2** * SGX-2: 100 voices *3 * EP-1: 104 voices * HD-1: 140 voices * AL-1: 80 voices * CX-3: 200 voices * STR-1: 40 voices * MOD-7: 52 voices * MS-20EX: 40 voices * PolysixEX: 180 voices * *1: In rare cases, when a large number of effects that heavily load the processor are active simultaneously (e.g., more than 14 O-Verbs), polyphony may be slightly reduced. * *2: A portion of the KRONOS multicore processor is dedicated to voice generation, while a separate portion is dedicated to effects generation. KRONOS dynamically allocates voice processing power between the two engines as needed. The maximum voice counts indicated apply when 100% of the voice processing power is dedicated to a single engine. * *3: 100 dual-stereo notes (equivalent to 400 mono voices) **Preset PCM**: 314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples) **Built-in PCM Expansion Libraries** * EXs1 - ROM Expansion * EXs2 - Concert Grand Piano * EXs3 - Brass & Woodwinds * EXs4 - Vintage Keyboards * EXs5 - ROM Expansion 2 * EXs6 German D Piano * EXs7 - Japanese C Piano * EXs8 - Rock Ambience Drums * EXs9 - Jazz Ambience Drums * EXs17 – SGX-2 Berlin D Piano * EXs18 – KORG EXs Collections * EXs22 - SGX-2 Italian F Piano LE * EXs23 - 2 Church Pianos * EXs206 - A2D 10 Selections * EXs207 - Bolder 10 Selections * EXs208 - K-Sounds 10 Selections * EXs209 - KApro 10 Selections * EXs210 - KARO 10 Selections * EXs211 - Kelfar 10 Selections * EXs212 - Kid Nepro 10 Selections * EXs213 - PCreek 10 Selections Vol.1 * EXs214 - PCreek 10 Selections Vol.2 * EXs215 - Q Up Arts 10 Selections * EXs216 - Soundiron 10 Selections * EXs217 - SOP 10 Selections * EXs218 - Irish Acts 10 Selections **PCM RAM Capacity**: approximately 2GB *4 *4: Available memory for sampling changes based on the use of PCM expansion libraries and User Sample banks. Approximately 760 MB are available when shipped from the factory (loading the "PRELOAD.KSC" file). **Wave Sequences**: 598 User memory, 207 Preload, Stereo Multisample support, single note synchronization, and tempo-based settings. **SGX-2 Program Premium Piano** **Virtual Memory Technology (VMT)** reproduces large samples directly from the internal SSD. Stereo sampling on each key, up to 12 velocity levels, seamless looping, reproduction of damper resonance and mechanical noise, reproduction of string resonance, "Una Corda" sample support. **PCM** * EXs6：SGX-1 German D Piano * EXs7：SGX-1 Japanese C Piano * EXs12：SGX-1 Austrian D Piano (Optional Sound Libraries) * 8 velocity levels, no Una Corda * EXs17：Berlin D Piano * 12 velocity levels, Una Corda samples **Piano Types**: 80 (With factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded). (The 16 types of EXs21 SGX-2 Italian F Piano are the same piano types as the 16 types of EXs22 SGX-2 Italian F Piano LE and refer to the latest installation of EXs21 or EXs22). **Oscillator Control**: Damper Resonance, Damper Noise, Mechanical Noise, Note Release, String Resonance, Una Corda **EP-1 Program MDS Electric Piano** * Reed and tine electric pianos with Multi-Dimensional Synthesis (MDS) and vintage effects. * **Electric Piano Model Types**: 7 - Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP 200, Reed EP 200A * **Oscillator Control**: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width * **Control Panel**: Tine Type, Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5, Reed Type, Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5 * **Effect Types**: 9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah **HD-1 Program** * **Advanced Vector Synthesis**: Control oscillator volumes and synthesis/effect parameters via the Vector Joystick and tempo-synced Vector Envelope. * **Structures**: Single: OSC1 only, Double: OSC1 and OSC2. - Double mode allows layering two completely separate synthesizer voices, each with its own velocity-switched oscillator, dual filter, EG, LFO, etc. Drums: One drum kit, Double Drums: Two drum kits. * **Oscillators**: Virtual Memory Technology (VMT) reproduces large samples directly from the internal SSD. 8 velocity zones per oscillator, with switching, crossfades, and layering. Each zone can play mono or stereo Multisamples or Wave Sequences. * **Filters**: Two multimode filters per voice (low-pass, high-pass, band-pass, and band-reject), four filter routing modes: single, serial, parallel, and 24dB), Driver - Non-linear driver per voice and Low Boost-EQ circuit: Three-band, with sweepable mid-range. * **Modulations**: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers. **EXi Program Common** * **Advanced Vector Synthesis**: Control oscillator volumes and synthesis/effect parameters via the Vector joystick and tempo-synced Vector Envelope. * **Modulations**: Common Step Sequencer, AMS (Alternate Modulation Source), common LFO, 2 Key Tracking Generators, EQ Three-band, with sweepable mid-range. **AL-1 Program** * **Oscillators**: Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator, and noise generator; ring modulation, FM, and Sync. * **Audio Input**: External audio can be processed through the ring modulator, filter, driver, amplifier, and equalizer. * **Filters**: Two multimode filters: low-pass, high-pass, band-pass, and band-reject, with four filter routing types: single, serial, parallel, and 24dB. Multi-filter mode: filter-A only, modulable mix of low-pass, high-pass, band-pass, and dry input, to create a wide variety of unique filter types and effects. Driver - Non-linear driver per voice and low boost circuit. * **Modulations**: Five envelope generators, four LFOs per voice, two AMS mixers; Step Sequencer per voice. **CX-3 Program** * **Electromagnetic organ (tonewheel) modeling**: Phase-synchronized tonewheels (clean and vintage modes), percussion, key click, tonewheel brake. * **EX Mode**: Four additional, user-specified drawbars, and expanded percussion. * **Internal Effects**: Rotary Speaker, vibrato/chorus, amplifier modeling with overdrive, 3-band EQ. * **Drawbar Control**: Via the nine front panel sliders (via Tone Adjust). * **Split**: Upper, lower (also in EX mode). * **Modulations**: Two AMS mixers. **STR-1 Program** * **Physically modeled strings**: Including damping, decay, dispersion, non-linearity, harmonics, dual pickups, and more, most string parameters can be controlled in real time. * **String Excitation**: Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM, 16 preset "pluck" types, with modulable amplitude and randomization. Noise generator with saturation and dedicated low-pass filter. * **PCM Oscillator**: KORG's low-aliasing technology, introduced in the HD-1; * **4 velocity zones** per oscillator; Uses any mono multisample, including ROM, EX, User Sample Bank, or Sample mode. Supports virtual memory. * Excitation Filter: Dedicated 2-pole multimode filter to shape string excitation. The filter can be enabled/disabled separately for each excitation source. Low-pass, high-pass, band-pass, and band-reject modes. * **Audio Input and Feedback**: Plays real-time audio through the string, including feedback through effects. Modeled feedback includes modulable distance and orientation between instrument and amplifier. * **Filters**: Dual multimode filter per voice; single, serial, parallel (with split stereo output), and 24dB (4-pole) configurations. Low-pass, high-pass, band-pass, and band-reject modes. Multi-filter mode (filter A only). Modulable blend of low-pass, high-pass, band-pass, and dry input, to create a wide variety of unique filter types and effects. * **Modulations**: 5 envelopes, 4 LFOs per voice, 2 Key Track generators, String Tracking generators, 4 AMS mixers. **MOD-7 Program** * **Waveshaping VPM Synthesizer**: Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; capable of converting and loading SYX files. * **Oscillators**: 6 VPM/Waveshaper/Ring modulation oscillators: Modulable phase and pitch for each oscillator. 101 Waveshaper tables plus modulable Drive and Offset. Usable as oscillators or as Waveshapers or Ring Modulators for other signals. * **PCM Oscillator**: KORG's ultra-low-aliasing technology, introduced in the HD-1. 4 velocity zones per oscillator. Uses any mono multisample, including ROM, EX, User Sample Bank, or Sampling mode.Supports virtual memory. * **Audio input**: Process audio in real-time through the VPM's oscillators and filters. * **Filters**: Dual multi-mode filters per voice. (low-pass, high-pass, band-pass, and band-reject modes). Two types of filter looping (parallel and 24 dB "4-pole"). Multi-filter mode (filter A only): Blendable mix of low-pass, high-pass, band-pass, and dry input filters to create a wide variety of unique filter types and effects. * **Patch Panel**: Supports both preset algorithm selection (78 types) and free patching. * Three 2-input, 1-output mixers for scaling and merging audio, fully modulable, with phase inversion. Six-input main stereo mixer, with modulable pan and volume and phase inversion. * **Modulations**: 10 envelopes, 4 LFOs per voice, 9 Key Tracking generators, per-voice Step Sequencer, 4 standard AMS mixers plus 4 simple AMS mixers. **Program MS-20EX** * **Oscillators**: Low-aliasing oscillators; VCO1, VCO2, Ring Mod, pink and white noise generator * Audio Input: Processes real-time audio through the synthesis engine and ESP (External Signal Processor) * Filters: 12 dB/octave self-resonant high-pass and low-pass filters * **ESP Section:** 24 dB/octave Low Cut and High Cut filters, available per voice. Patch Panel. Audio and modulation patchable at audio frequency. **Patch Points:** * **Keyboard:** Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In * **VCO:** VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out * **VCF:** External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out * **VCO+VCF:** Total External Modulation In * **VCA:** External Initial Gain Control In, VCA In * **EG:** EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out * **MG:** Triangle Out, Rectangle Out * **Noise Generator:** Pink Noise Out, White Noise Out * **Sample and Hold:** Clock Trigger In, Sample Signal In, S/H Out * **Modulation VCA:** Control Voltage In, Signal In, Signal Out * **Manual Controller:** Control Wheel Out, Momentary Switch * **ESP:** Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out * **Others:** EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out * **ESP** (External Signal Processor) - Use input audio as a trigger source and/or CV. * **Modulations**: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 and 2, Original MG (with MIDI sync), Sample-and-Hold, MVCA, KRONOS: 4 additional multi-stage envelopes, 4 additional LFOs per voice and 4 AMS mixers. **Program PolysixEX** * **Oscillators**: **VCO:** Saw, Pulse, PWM - **Sub Oscillator:** Off, 1 octave below, 2 octaves below * **Filter**: 24 dB per octave (4 pole) self-resonant low-pass filter * **Effects**: Built-in Chorus, Phaser, and Ensemble * **Arpeggiator**: Built-in MIDI-syncable arpeggiator, with adjustable Range, Mode, and Latch * **Modulations**: Polysix: Original ADSR EG and MG (with MIDI sync). KRONOS: 2 additional multi-stage envelopes, 2 additional LFOs per voice and 4 AMS mixers. ### **Combi (Combination)** * Number of timbres, Master Keyboard features: 16 maximum * Splits and velocity, layers and crossfades of up to 16 programs and/or external MIDI devices * The tone adjust function allows you to modify program settings and Master Keyboard functions to control external MIDI devices. * Advanced vector synthesis: Controls oscillator volumes and synthesis and effect parameters via the Vector joystick and the time-synchronized Vector envelope. **Drumkit** Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions) **Number of Programs/Combinations/Drum kits** * User Memory Programs: 2,560 (1,792 [896 HD-1+896 EXi] Preloaded) * User Memory Combinations: 1,792 (512 preloaded) * User Memory Drum Kits: 264 (78 preloaded) - 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs **Set List** **Number of Set Lists/Slots**: 128 set lists, 128 slots per set list - Each Set List offers a 9-band graphic EQ and a Tone Adjust function that allows you to adjust program settings: Transpose setting, Smooth Sound Transition (SST) Hold Time setting supported for each slot. **Sampling** * **System**: Open Sampling System (resampling, In-Track sampling) * **Resolution and Sampling Rate** - (Bit Depth/Sampling Frequency): RAM: 16-bit/48 kHz stereo/mono sampling - DISK: 16 or 24-bit/48 kHz * **Sampling Time**: RAM: Depends on available PCM RAM - DISK (SSD): Maximum 80 minutes stereo (879MB: 16bit) * **Sample Locations**: 16,000 samples/4,000 multisamples (128 indices per multisample) * Ripping: Direct sampling (ripping) from audio CD (CD-DA) * **Formats**: KORG, AKAI S1000/S3000 data (with advanced program parameter conversion); SoundFont 2.0, AIFF, WAVE * **Editing**: Time Stretch, Time Slice, Crossfade Loop, and other standard editing functions. ### **Effects** * **Insert Effects**: 12 Stereo in / stereo out - Master Effects: 2 Stereo in / stereo out - Total Effects: 2 Stereo in / stereo out * **Timbre EQ**; One 3-band EQ for each timbre/track * **Effect Types**: 197 * **Modulations**: Dynamic Modulation and Common LFO * **Effects Control Busses**: Stereo side-chaining for compressors, gates, vocoders, etc. * **Effect Presets**: 783 Total, Max. 32 per effect (User Preset) **KARMA** * **KARMA Modules**: One module in Program mode, four modules in Combi and Sequencer mode * **Generated Effects** (GE): 2,048 presets, 1,536 Users (96 Preload) * **Controls**: On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scenes [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup * **Drum Track Patterns**: 718 preset (common with MIDI sequencer Preset Patterns), 1,000 user patterns. Patterns created in Sequencer mode can be converted to drum track user patterns. Trigger Mode/Sync/Zone settings can be determined. **Sequencer/HDR** * **Tracks**: 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track. * **Number of Songs**: 200 songs * **Resolution**: 1/480 * **Tempo**: 40.00 – 300.00 (1/100 BPM resolution) * **Maximum Capacity**: 400,000 MIDI events or 300,000 audio events * **MIDI Tracks**: 16 + Master Track - 718 preset/100 user patterns (per song) - 18 preset/16 user template songs, * **Audio Tracks**: 16-playback tracks, 4-simultaneous recording tracks, WAV 16bit/24bit formats. * **Other functions**: RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function **General** * Disk Mode: Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. * Controls: Vector joystick, joystick, ribbon controller, switches 1 & 2 **Control Surface:** * **Control Assign Switches**: Assign the control surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, Tone/EQ adjustment * **Mixer Knobs Switch**: Assign mixer knobs to Channel Strip or individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider * **KARMA Controls**: On/Off, Latch, Module Control * **DRUM TRACK**: On/Off **Display**: TouchView graphical interface, 8-inch color TFT, SVGA (800x600 dots), adjustable brightness **Outputs** **== Analog ==** **(MAIN) L/MONO, R:** 1/4” TRS balanced - * Output impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO only), * Nominal level: +4.0 dBu, * Maximum level: +16.0 dBu (when load impedance is 600 Ω or greater) * The MAIN VOLUME knob only controls the AUDIO OUTPUTS (MAIN) L/MONO and R * **Individual 1-4:** 1/4” TRS balanced * Output impedance: 350 Ω Stereo; 175 Ω Mono, * Nominal level: +4.0 dBu, * Maximum level: +16.0 dBu (when load impedance is 600 Ω or greater) **Headphones**: 1/4” stereo phone jack, Output impedance: 33 Ω, Maximum level: 60+60 mW (when load impedance is 33 Ω), **MAIN VOLUME knob** (link to AUDIO OUTPUT (MAIN)) **= Digital =** * **S/P DIF:** Optical, 24-bit, IEC60958, EIAJCP-1201, sampling rate: 48 kHz, (same signals as L/MONO, R), Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R * **USB-B:** 24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R) ### **Inputs** **== Analog ==** * Audio Inputs 1 and 2: * 1/4” TRS balanced * MIC/LINE input level switches, LEVEL knobs * Input impedance: 10 kΩ * Nominal level: LINE * +4 dBu (LEVEL knob = min), -36 dBu (LEVEL knob = max) * Nominal level: MIC * -22 dBu (LEVEL knob = min), -62 dBu (LEVEL knob = max) * Maximum level: LINE * +16 dBu (LEVEL knob = min), -24 dBu (LEVEL knob = max) * Maximum level: MIC * -10 dBu (LEVEL knob = min), -50 dBu (LEVEL knob = max) * Source impedance: 600 Ω * Signal-to-noise ratio: 95 dB (typical) * Dynamic range: 95 dB (typical) * Crosstalk: 95 dB, at 1 kHz (typical) **== Digital ==** **S/P DIF:** Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz **USB-B:** 24-bit, Sampling rate: 48 kHz, 2 channels **Control inputs:** Damper pedal (half-pedal supported), assignable switch, assignable pedal **MIDI**: In, Out, Thru (DIN) * USB*5 : USB A (TYPE A) x 2, for connecting to external USB devices (QWERTY keyboards, MIDI controllers, Ethernet adapters, and storage). * USB B (TYPE B) x 1, MIDI/audio interface * MIDI: 1 input (16 channels) / 1 output (16 channels) * Audio: 2 input channels / 2 output channels * *5 high-speed USB ports (supports 480 Mbps) **Disk drive:** 120 GB SSD (2.5") Power consumption: 40W **Dimensions** (W x D x H) **KRONOS 3-88 keys**: 1,457 x 370 x 148 mm / 57.36” x 14.57” x 5.83” **Weight** **KRONOS 3-88 keys**: 23.4 kg / 51.59 lb **Included accessories**: AC cable, Quick Start Guide **Main Specifications** * Frequency response: 20 Hz-22 kHz, +/-1.0 dB, 10 kΩ load * THD+N: 20 Hz-22 kHz, 0.01%, 10 kΩ load (typical) * S/N 95 dB (typical) * Dynamic range: 95 dB (typical) * Crosstalk: 95 dB, at 1 kHz (typical) * All product, company, and standard names are trademarks or registered trademarks of their respective holders. * Product appearance and specifications are subject to change without notice. * The color of the actual instrument may differ slightly from the image shown here. * Since natural wood is used in the side panels of this instrument, there will be individual differences in wood grain and figuring. ### **Details on the KRONOS 3 - 88 multi-synthesis generation system** Thanks to the advanced technology employed and the sophisticated dynamic voice allocation system, KRONOS can simultaneously use the nine integrated sound engines to achieve highly interesting timbral results. **SGX-2 (Premium Piano)** Provides the most popular concert grand pianos globally: German, Japanese, Berlin, and Italian Grand, all with loop-free stereo samples, sampled key-by-key with their natural decay, 12-level velocity switches, key releases, string resonance, and "una corda" pedal, to reproduce the finest details of a grand piano. * **String resonance**: Reproduces the typical phenomenon of an acoustic piano obtained by pressing the Damper pedal and allowing all strings to resonate freely. When one or more keys are then played, the other strings begin to vibrate sympathetically. Harmonics generated by resonance can be viewed in the relevant Edit screen. * **Una corda**: The left pedal on a grand piano is the soft pedal. Its technical name is "una corda."Normally, the piano hammer strikes all strings associated with a given note, usually three or two. The <em>Una Corda</em> shifts the entire piano mechanism so that the hammer strikes only one string, generating a typical sound with a characteristic attenuated and muted timbre. <em>Italian Grand does not have Una Corda.</em></li></ul><p><strong>EP-1 (MDS Electric Piano) </strong></p><p>Accurately reproduces the timbres of six famous vintage electric pianos with tines (<strong>Tine</strong>) and reeds (<strong>Reed</strong>), including the renowned Tine EP I Early. <strong>EP-1 </strong>uses <strong>MDS (Multi-Dimensional Synthesis)</strong> technology for this, which smooths the transition between the dynamic levels of the multi-samples, also allowing control over the "virtual" sound tines and other elements like hammer mass. Additionally, it includes simulations of amplifiers, speakers, and the most typical vintage effects.</p><p><strong>CX-3 (Electromagnetic Organ) </strong></p><p>Accurately simulates the typical elements of an electromagnetic organ, including tube amplifiers and characteristic effects such as <strong>Vibrato/Chorus, Rotary Speaker, </strong>Fold-back, Leakage, and tonewheel noise. The 9 sliders on the panel allow control via the <strong><em>Drawbars</em></strong>, just like on the original models. The KRS-06 and 06B Sound Libraries, with a total of 256 Programs featuring a careful selection of electromagnetic organs, are also included in the User Memory of <strong>KRONOS 3-88</strong>.</p><p><strong>HD-1 (High-Definition Synthesizer) - PCM, Sampling and Wave Sequencing</strong></p><p><strong>HD-1</strong> is based on <strong>PCM</strong> sampling, accessing a large Sample Library residing on the internal SSD with low <em>aliasing</em> KORG oscillators, multimode filters with resonance, envelopes, and LFOs (Low Frequency Oscillators). HD-1 produces typical sounds for every style and musical repertoire: from orchestral to classic Rock; from Hip Hop to Funk, this wide assortment allows the use of <strong>KRONOS 3-88</strong> in many musical situations.</p><p><strong>MS-20EX (Legacy Analog Collection) </strong><strong>Analog</strong><strong> physical modeling generator</strong></p><p>The vintage KORG MS-20 semi-modular monophonic synth was introduced in 1978 and quickly gained popularity thanks to the characteristic timbre of its oscillators, aggressive filters, extensive patching capabilities, and sound design possibilities. MS-20EX accurately reproduces the timbral character of the MS-20 through KORG's proprietary CMT (Component Modeling Technology), which allows extensive programming possibilities such as filter modulation with audio frequency oscillators, transforming audio inputs into control signals, controlling virtual knobs with modulation sources like additional envelopes, LFOs, and real-time controls, all with ample polyphonic articulation.</p><p><strong>PolysixEX (Legacy Analog Collection) </strong><strong>Analog</strong><strong> physical modeling generator</strong></p><p>The Polysix, a 6-voice analog polyphonic synth with programmable memories, appeared in 1981 with a seemingly very simple structure featuring a single oscillator and sub-oscillator, a four-pole filter, LFO, envelopes, an effective Chorus/Ensemble, and an integrated arpeggiator. It was capable of generating very effective and iconic sounds like Strings or Pad. PolysixEX can accurately simulate these with high polyphonic capability and greater synthesis possibilities.</p><p><strong>AL-1 (Analog Synthesizer) - Analog synthesis generator for physical models </strong></p><p>It features low-aliasing virtual oscillators that recreate the same impact as analog synthesizers, along with multimode filters with resonance and typical modulation controls to achieve classic analog sounds or hybrid sounds of great timbral interest.</p><p><strong>MOD-7 (Waveshaping VPM Synthesizer) - VPM/Waveshaping/PCM Sound Generator</strong></p><p><b>It </b>combines various synthesis techniques: Variable Phase Modulation (VPM), Wave-Shaping, Ring Modulation, Sampling, subtractive synthesis, with a complex patching system worthy of a large modular synth. It produces sounds ranging from classic FM synthesis (bells, basses, electric pianos, etc.), with the ability to import sounds directly from vintage DX series synths; to the production of very articulated and complex soundscapes.</p><p><strong>STR-1 (Plucked Strings) - Physical modeling generation</strong></p><p>Physically models plucked and struck string instruments with advanced proprietary technology, producing very interesting timbres with dynamic-timbral nuances that are extremely difficult to reproduce with other systems. STR-1 can also generate sounds that obey the laws of physics but do not exist in reality, such as playing the harmonics of a metal bar struck by a piano hammer, singing inside a guitar string, processing samples and audio signals through physical models, including the effects returns of KRONOS 3 itself.</p><p><img alt="After a long wait, KORG is offering a new version of the Top Music Workstation KRONOS, with KRONOS 3 introducing some important technological updates to this instrument" src="/images/uploads//KRONOS3_Snap8_1200x630_01.jpg" title="After a long wait, KORG is offering a new version of the Top Music Workstation KRONOS, with KRONOS 3 introducing some important technological updates to this instrument"></p>