Korg NAUTILUS-61

€1.535,00

Korg NAUTILUS-61

Sintetizzatori

Korg NAUTILUS-61

Name: Korg NAUTILUS-61
Brand: KORG
SKU: C1280200365
Price: 1535.00 EUR
Availability: OutOfStock

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C1280200365

€1.535,00

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Description

<h1 style="text-align: justify;">KORG NAUTILUS-61 is an advanced music workstation featuring nine synthesis engines, Smooth Sound Transition technology for seamless switching between sound resources, an extensive PCM library, and a DSP with 197 effects across Insert, Master, and Total categories. All functions are managed via a large color touch display, supported by dedicated physical controls. Set Lists allow for quick instrument organization for any live context. The MIDI & Audio Sequencer with comprehensive editing functions simplifies composition and arrangement, integrating effectively with major DAW environments.</h1><h2>A Video Playlist to discover KORG NAUTILUS-61</h2><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/videoseries?list=PLmwacsrItvLMVub_heeXOg6UT9jIn8_E7" width="560"></iframe><hr>With NAUTILUS-61 KORG expands the boundaries of operational and timbral possibilities of Synth Workstations, featuring 9 sound generators, an innovative approach to synthesis, a large quantity of samples, MIDI & Audio recording, a high-quality effects section, and extensive processing power. NAUTILUS-61 provides a wealth of resources for sound design, music creation, and production, with a logical and intuitive workflow. KORG has spent years developing and perfecting the technology used in NAUTILUS: digital and analog electronics, software, and hardware, to offer every musician a powerful and versatile instrument that they can immediately connect with.<ul> <li>Nine different sound generators with great timbral versatility</li> <li>SST Smooth Sound Transition for seamless sound changes</li> <li>Sound library organized into three main categories</li> <li>Real-time dynamics control with the DYNAMICS knob</li> <li>Real-time parameter modification with RT Controls</li> <li>New, even more intuitive graphical interface</li> <li>TouchView color display</li> <li>Polyphonic arpeggiator and Drum Track</li> <li>Set List Mode essential for Live Performances</li> <li>Open Sampling System</li> <li>16-track MIDI & Audio Sequencer with full editing</li> <li>Up to 16 simultaneous effects processors</li> <li>Control surfaces can be connected to the USB/MIDI ports</li> <li>Three models available: 61 keys with weighted RH3 keyboard, 73 and 61 with semi-weighted keys.</li></ul><h2>NAUTILUS-61 the nine sound generators</h2>NAUTILUS-61 has nine different sound engines, each specialized in reproducing or synthesizing a specific timbre family. Starting with SGX-2, which generates a wide choice of acoustic pianos drawing from a vast PCM library without Loops, with all their nuances, even minimal ones, articulated across 12 Velocity levels, with string resonance, key-release noise, etc. EP-1 realistically reproduces the timbres of the most famous electric piano models with reeds and tines. CX-3 emulates the unmistakable timbre of Tone Wheel organs, including the characteristic Rotary Speakers amplifier. Added to these are the synthesis modules MOD-7: VPM / FM, PolysixEX and MS-20EX for analog modeling, and STR-1 for physical modeling. Used individually as Programs or combined together in Combinations, these Sound Engines are capable of producing all types of sounds, from Vintage to the most modern or futuristic.<img alt="KORG NAUTILUS-61 Integrates an advanced multi-synthesis sound engine with 9 different Sound Engines" src="https://www.algameko.com/images/uploads/Nautilus_LS_Photo_02.jpg" title="KORG NAUTILUS-61 Integrates an advanced multi-synthesis sound engine with 9 different Sound Engines"><h2>NAUTILUS-61 SST Smooth Sound Transition</h2>On NAUTILUS-61, selecting various operating modes or internal musical resources does not cause any sound interruption. You can recall Programs or Combos, switch from Program to Combi mode, or even move between Songs on the Sequencer, always maintaining sound tails and effects during changes with a smooth, seamless transition. This feature is widely appreciated and praised by all musicians.<h3>NAUTILUS-61 the Sound Library</h3>For sound selection on NAUTILUS-61, a completely new approach was applied, setting aside all preconceptions and conventions regarding Workstations, and thus creating a new type of classification capable of surpassing the boundaries of sampling and sound design. On NAUTILUS-61 the sounds are divided into three main groups:<ul> <li> Exclusive Sounds </li></ul>In this category, NAUTILUS-61 offers exclusive and particular sounds such as: Loops with musical phrases, prepared pianos, original percussion, and much more. Characteristic musical phrases from rare, hard-to-find and play instruments have been created and included in the internal sound library, freely usable in your musical pieces; and other unusual timbres like the "prepared" piano, meaning a piano with a modified timbre, achieved by inserting screws, pieces of wood, and other objects between the strings, with very evocative results; or percussion sounds created using ordinary objects like kitchen utensils or other items. These sounds can add original colors to your compositions or arrangements, and also represent a valuable resource for musicians who create soundtracks and music for images.<ul> <li> Modern Sounds </li></ul>NAUTILUS-61 features the most up-to-date timbres suitable for the current music scene for genres like: EDM, Electro, and Chiptune; with the most modern Synth and Drum Kit timbres, along with special effects that also facilitate the creation of effective Beats and Grooves for Dance. The over 50 Drum Kits on this instrument offer a wide variety of percussive sounds capable of adequately representing the rhythmic evolution in musical styles of recent decades.<ul> <li>Standard Sounds</li></ul>On NAUTILUS-61, the essential sounds for a Workstation have been carefully crafted: acoustic and electric pianos, guitars, basses, etc., to satisfy all musical genres. In the new acoustic piano sounds, the acoustics of the recording room have also been sampled, with the ability to personally mix the direct sound with the environment; and a new electric piano model with a characteristic full-bodied timbre, particularly suitable for Funk, has also been added.<h2>NAUTILUS-61 dynamics management</h2>Using the DYNAMICS knob, you can control timbre and volume variations introduced by keyboard Velocity, and make them match the style required by the current song. Turning this knob allows you to achieve a completely different feel, even when using the same sound. This is an additional method to adapt the instrument to your performing needs. Playing the keyboard and turning the "Dynamics" knob to the left produces a softer sound with a wider dynamic range, allowing for delicate and expressive passages, ideal for accompanying singers or solo instruments. Turning the knob to the right, on the other hand, makes the dynamic response more energetic and uniform; particularly useful when playing in a band or orchestra to make a timbre stand out more, such as in a solo.<h2>NAUTILUS-61 physical controls</h2>The six RT (Real Time) knobs on the panel allow direct modification of PROGRAM and COMBI. A variety of functions can be assigned to each knob, such as timbre editing with: Filter Cut Off, effect level; arpeggiator or Drum Track control with Gate, tempo speed, Swing, Snare type, and much more. In COMBI mode, different timbres can be grouped, and their volume controlled with a single knob. To prevent accidental modification during a Performance, they can be pushed in, fully retracting into the panel, thereby locking their position. This also allows you to select only the most frequently used ones, hiding the others.<img alt="KORG NAUTILUS-61 Features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel" src="https://www.algameko.com/images/uploads/Nautilus_LS_Photo_06.jpg" title="KORG NAUTILUS-61 Features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel"><h2>NAUTILUS-61 the user interface</h2>For NAUTILUS-61 KORG has redesigned the user interface to speed up and facilitate every operation. Normally, adding functions tends to increase the number of physical controls on the panel; in this case, however, the approach was to rationalize and optimize operational speed and intuitiveness as much as possible. The MODE button displays the selection of operating modes: PROGRAM, COMBI, SET LIST, SAMPLING, SEQUENCE, and GLOBAL, all on a single screen. Within each MODE, access to functions is gained via TABs, while the PAGE buttons allow for more in-depth modifications with intuitive procedures. This navigation system allows you to always return to the initial stage by simply pressing the MODE button. The display operates in Dark mode, which uses black as the primary color to reduce eye strain. There are also 6 programmable shortcut buttons that can be assigned to a range of functions such as: selecting Program or Combi modes, transport controls for the Sequencer, etc. Four different ready-to-use Templates are available, but you can also create and save your own settings.<h2>NAUTILUS-61 the Touch Display</h2>The nerve center of the NAUTILUS-61 user interface is the large color (800 x 480 pixel) WVGA TouchView display; with it, you can select or modify a sound or parameter directly with a simple touch of a finger thanks to Touch Drag. A series of graphical and interactive tools are also available that facilitate programming, such as adjusting the grand piano lid opening on SGX-2, or connecting virtual patch cables on MS-20EX. The display features a Search function, useful for locating any musical resource based on a search key.<h2 style="text-align: justify;">NAUTILUS-61 the Set Lists</h2>The SET LIST mode on NAUTILUS-61 allows for personalized organization of sound resources. Each SET LIST is composed of a fundamental unit called a SLOT; each SET LIST contains 128 SLOTS, and 128 SET LISTs are immediately available. Each SLOT can be given a name and assigned a musical resource as needed: PROGRAM, COMBI, or SONG. From here, parameters like the volume of the selected resource can also be controlled, text can be displayed, or colored appropriately to highlight it within the list; each SLOT can also be moved and positioned as desired, or copied or deleted. This operational mode can meet any Live requirement, thanks to the ability to program the exact succession of musical resources needed. Finally, each SET LIST has a 9-band graphic equalizer, located at the end of the audio chain and independent of the effects section, with which to modify or correct the overall timbral response of NAUTILUS according to the environment in which the Performance takes place.<img alt="NAUTILUS-88 offers great versatility in Live use thanks to its programmable Set Lists" src="https://www.algameko.com/images/uploads/Nautilus_LS_Photo_10.jpg" title="NAUTILUS-88 offers great versatility in Live use thanks to its programmable Set Lists"><h2>NAUTILUS-61 Open Sampling System</h2>NAUTILUS-61 uses the KORG Open Sampling System to quickly sample an external audio source, or resample a Performance played on NAUTILUS, regardless of the selected operating mode. The timbral possibilities offered by the instrument's vast internal Sample library are significantly expanded by the USER SAMPLE area, which, thanks to VMT (Virtual Memory Technology), allows you to use personal samples, maximizing the capacity of the Workstation's SSD. Samples in various formats can be loaded via the USB port: AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000; in cases where the data quantity is truly significant, a high-speed Ethernet USB adapter can also be used. On NAUTILUS, it is therefore possible to use samples created on a computer for your compositions, arrangements, or productions.<h2>NAUTILUS-61 the Sequencer</h2>NAUTILUS-61 features a powerful Sequencer/Recorder with 16 MIDI tracks and 16 Audio tracks; an important resource for personal musical creations or arrangements; this section has functions that facilitate and stimulate musical inspiration, with the ability to record polyphonic arpeggiators, Drum Tracks, or RPPR (Realtime Pattern Play/Recording), yielding professional-quality results quickly. The 16-track Audio Recorder acquires up to 4 tracks simultaneously in 16 bit/24 bit 48 kHz format. During playback, effects can be added, the resulting output resampled, and the Wav file imported into a Sequencer track. Editing functions such as Copy, Paste, Normalize, and mixing automation are also present.<h2 style="text-align: justify;">Polyphonic arpeggiator and Drum Track</h2>These modules provide effective interactive musical support for every performance, with an extensive library of rhythmic and melodic Patterns; additionally, 4 different scenes are available where various Patterns can be set and instantly recalled; ideal for improvising, for Performances, or for quickly creating complete songs or arrangements on the Sequencer.<h2>NAUTILUS-61 the effects</h2>The powerful NAUTILUS-61 DSP section can produce up to 16 effects simultaneously, selected from 197 different types, divided into 3 categories: Insert, Master, and Total FX. Insert effects apply to single or multiple timbres of the Timbre/Track of a Combi or the Sequencer. Master 1 & 2 effects can be adjusted for all tracks using the corresponding sends (Send 1 & 2), while Total effects act globally on the entire instrument.In addition, for each tone, MIDI track, and audio track of the Sequencer, a three-band equalizer is available to correct tonal balances or to creatively modify the sound. ### **Control surfaces can be connected to the USB/MIDI ports** **NAUTILUS** can be connected directly to any USB/MIDI Class-Compliant controller, such as KORG MIDI USB controllers with pads like: nanoPAD, nanoPAD2, padKONTROL, which can be used to play percussion parts, for example, or to trigger chords in Chord mode. ### **NAUTILUS is available in 3 models: NAUTILUS-61 with a 61-key keyboard, [NAUTILUS-73](https://www.algameko.com/it/music-workstation/korg/nautilus73) with semi-weighted keys, and [NAUTILUS-88](https://www.algameko.com/it/music-workstation/korg/nautilus88)** with a weighted **KORG RH3** keyboard that simulates the mechanism of a concert grand piano, including the difference in hammer mass between the bass and treble sections of the keyboard. ## **NAUTILUS-61 The Bundled Software** **NAUTILUS-61** comes with a wide range of music software including: Izotope's "Ozone Elements", an AI-based mastering software, "Skoove", an educational application to improve keyboard skills, "Lite Reason" DAW software, as well as various synth software from KORG and other brands. In other words, when you get this synth, you have a variety of applications available to help you create your music. * iPad/iPhone Apps * KORG Gadget 2 Le (music production studio DAW app) * KORG Module (piano/keyboard sound module app) * Software for Mac/Windows * KORG Collection - M1 Le (synthesizer sound module) * UVI Digital Synsations (synthesizer sound module) * AAS Ultra Analog Session (synthesizer sound module) * AAS Strum Session (acoustic guitar sound module) * AAS Lounge Lizard Session (electric piano sound module) * Reason Studios Reason Lite (DAW music production software) * Skoove free 3 month trial of Skoove Premium (online piano lesson) * KORG Gadget 2 Le for Mac (DAW music production software) * iZotope Ozone Elements (Audio Mastering Plug-in Software) --- ## **KORG NAUTILUS 61 Technical Specifications** **[System] - N**AUTILUS System Version 3.0 **Keyboard - 61 Keys: Natural Touch Semi-Weighted, C – C, Velocity Sensitive, No Aftertouch.** **[Sound Generator] - Synthesis Types: **9 * **SGX-2**: Premium Piano (Acoustic Piano) * **EP-1**: MDS Electric Piano (Electric Piano) * **HD-1**: High Definition Synthesizer (PCM) * **AL-1**: Analog Synthesizer (Analog Modeling) * **CX-3**: Tonewheel Organ (Tonewheel Organ Modeling) * **STR-1**: Plucked String (Physical Modeling) * **MOD-7**: Waveshaping VPM Synthesizer (VPM Synthesis) * **MS-20EX**: Component Modeling Technology (Analog Modeling) * **PolysixEX**: Component Modeling Technology (CMT Analog Modeling) **Maximum Polyphony *1*2:** * SGX-2: 100 Voices *3 * EP-1: 104 Voices * HD-1: 140 Voices * AL-1: 80 Voices * CX-3: 200 Voices * STR-1: 40 Voices * MOD-7: 52 Voices * MS-20EX: 40 Voices * PolysixEX: 180 Voices *1: In some rare cases, when using many system-intensive effects simultaneously (e.g. 14 instances of O-Verbs), polyphony may be slightly reduced.* *2: Part of the multi-core processor in NAUTILUS is dedicated to voice generation and part to effects. NAUTILUS dynamically allocates processing power between generators as needed. The maximum number of voices mentioned applies when 100% of processing power is dedicated to a single generator.* *3: 100 Dual-Stereo Voices are equivalent to 400 Mono Voices* **Preset PCM -** 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples) **Internal PCM Sound Libraries:** * EXs301: German2 D Piano * EXs302: Italian F Piano * EXs303: Japanese Upright U Piano * EXs304: Prepared Piano * EXs305: Historical Keyboards * EXs306: Vintage Keyboards 2 * EXs307: Strings & Synths * EXs308: Guitar Collection * EXs309: Bass Collection * EXs310: World Essence * EXs311: Background Loops * EXs312: SFX & Hits * EXs313: Found Percussions * EXs314: Expansion Drums **PCM RAM Capacity: **Approx. 2GB *4 *4: The memory available for Samples changes depending on the use of expansion PCM libraries and User Sample banks. Approximately 760 MB are available from the factory (when loading the file named "PRELOAD.KSC").* **Wave Sequences: **598 User memory, 377 Preload Support stereo multisamples, individual note synchronization, and tempo-based (BPM) settings. ### **[SGX-2 Program]** **Premium Piano:** * Chromatic sampling of all 61 piano keys across 12 Velocity levels, without loops. * Reproduction of: Damper resonance and mechanical noises (pedals, key releases). * Supports Sample: Una Corda sample **PCM: ** * EXs301 – German2 D Piano - 12 Velocity levels, adjustable recording environment * EXs302 – Italian F Piano - 12 Velocity levels – No Una Corda * EXs303 – Japanese Upright U Piano - 8 Velocity levels * Exs304 – Prepared Piano – 1 to 4 Velocity levels **Piano Types: **28 (With Factory settings, 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano produce no sound. This option must be downloaded. (They will be released later.)) **Generation Control: **Damper Resonance, Damper Noise, Mechanical Noise, Note Release, Modeled String Resonance, Una Corda. ### **[EP-1 Program]** **MDS Electric Piano: **Reproduces typical electric pianos: Tine and Reed using Multi-Dimensional Synthesis (MDS) technology, and vintage effects. **Electric Piano Models:** 7 Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A **Generation Control: **Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width **Control Panel: **Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive) Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive) **Effect Types: **9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah ### **[HD-1 Program]** **Advanced Vector Synthesis: **Control of oscillator volume, synthesis parameters and effects via Vector Joystick and Tempo-synchronized Vector Envelope. **Structure:** * Single: only OSC1, Double: OSC1 and OSC2. * Double mode: allows layering two independent synthesis channels, each with its own: oscillators, filters, EGs, LFOs, etc. * Drums: 1 Drum Kit, Double Drums: 2 Drum Kits. **Oscillators: **8 Velocity Zones per oscillator, with Switching, Crossfades and Layering - each zone can reproduce mono or stereo Multisamples or Wave Sequences **Filters: **Two multi-mode filters per voice: low-pass, high-pass, band-pass and band-reject), 4 different filter routings: single, serial, parallel and 24dB mode) **EQ**: 3 Bands, with Sweepable Mids **Driver: **Non-linear Driver and Low Boost circuits for each voice **Modulations: **3 Envelope Generators, 2 LFOs per voice, Common LFO, 4 Key Tracking Generators, AMS (Alternate Modulation Source), 2 AMS Mixers **Functions: Quick Layer/Split** **[EXi Program Common]** **Advanced Vector Synthesis: **Control of oscillator volume, synthesis parameters and effects via Vector Joystick and Tempo-synchronized Vector Envelope. **Modulations: **Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators **EQ: **3 Bands, with Sweepable Mids ### **[AL-1 Program]** **Oscillators: **Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync **Audio Input: **External audio sources can be processed through: Ring Modulator, Filter, Driver, Amp, and EQ **Filters: **2 multi-mode filters: low-pass, high-pass, band-pass and band-reject. 4 routing types: single, serial, parallel and 24dB mode), Multi Filter mode only Filter-A; a modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects. **Driver: **Non-linear Driver and Low Boost circuits for each voice **Modulations: **5 Envelope Generators, 4 LFOs per voice, 2 AMS Mixers; Per voice Step Sequencer. **Quick Layer / Split Function** ### **[CX-3 Program]** **Tonewheel Organ Modeling: **Phase-synchronous tonewheels, clean and vintage models, percussion, key click, wheel brake **EX Mode: **4 additional user-specified Drawbars, expanded percussion. **Internal Effects: **Rotary Speaker, Vibrato/Chorus, Amp Modeling with Overdrive, 3-Band EQ **Drawbar Control: **From TouchView Display **Split: **Upper, Lower (Also in EX mode) **Modulation: **2 AMS Mixers ### **[STR-1 Program]** **Physically Modeled String: **Physical modeling of: damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters are controllable in real time. **String Excitation: **3 different excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 types of Preset "pluck" with modulation and randomization. Noise generator with saturation and dedicated Low Filter. **PCM Oscillators: **Ultra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory. **Excitation Filter: **Dedicated 2-pole multimode filter, for modeling the string exciter. The filter can be activated/deactivated separately for each excitation source. Modes: Low Pass, High Pass, Band Pass, and Band Reject. **Audio Input Audio and Feedback:** Real-time audio can be passed through the string, including Feedback, also through effects. Feedback includes distance and orientation from instrument to amplifier, both modulatable. **Filters: **2 Multi-mode Filters per voice; configurations: Single, Serial, Parallel (with Stereo Split output), and 24dB (4-pole). Modes: Low Pass, High Pass, Band Pass, and Band Reject. **Multi Filter Mode (Filter A Only). **A modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects. **Modulations: **5 Envelopes, 4 LFOs per voice, 2 Key Track Generators, String Tracking Generators, 4 AMS Mixers. ### **[MOD-7 Program]** **Waveshaping VPM Synthesizer: **Combines: Variable Phase Modulation (VPM), Waveshaping Ring Modulation, PCM Sample Playback, and Subtractive Synthesis; Capable of converting SYX type files. **Oscillators:** **6 VPM/Waveshaper/Ring Modulation: **Phase and Pitch Modulation for each oscillator. 101 Waveshaper Tables plus modulatable Drive and Offset. Possibility of use: as oscillators, Waveshapers or Ring Modulators for other signals. **PCM Oscillators: **Ultra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory. **Audio Inputs: **Possibility to process real-time audio through VPM oscillators and filters. **Filters: **Dual Multi-Mode filter per voice. Modes: Low Pass, High Pass, Band Pass, and Band Reject, 2 types of Filter Looping: Parallel and 24 dB "4-Pole") **Multi Filter Mode (Filter A Only): **A modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects. **Patch Panel: **Supports: 78 types of preset algorithms and Free Patching (free connection). 3 Mixers: 2-in/1-out for audio processing, fully modulatable, with Phase Inversion.6-Input Stereo Main Mixer, with modulable pan and volume, plus Phase Inversion.

Modulations: 10 Envelopes, 4 LFOs per voice, 9 Key Tracking Generators, Step Sequencer per voice, 4 Standard AMS Mixers plus 4 Simple AMS Mixers.

[MS-20EX Program]

Oscillators: Ultra-low-aliasing Oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Inputs: Audio signals can be processed through the synthesis engine and the ESP (External Signal Processor)

Filters: 12dB/octave auto-oscillating High Pass and Low Pass filters

ESP Section: 24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel: Patchable Audio and Modulation, Audio Rate

Patch Points:

Keyboard - Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF: Total External Modulation In
VCA: External Initial Gain Control In, VCA In
EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG: Triangle Out, Rectangle Out
Noise Generator: Pink Noise Out, White Noise Out
Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA: Control Voltage In, Signal In, Signal Out
Manual Controller: Control Wheel Out, Momentary Switch
ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Other: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor): Uses the input audio as Trigger and/or CV source.

Modulations: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and-Hold, MVCA, NAUTILUS: 4 additional multi-stage envelopes, 4 additional LFOs per voice, and 4 AMS Mixers.

[PolysixEX Program]

Oscillators:

VCO: Saw, Pulse, PWM
Sub Oscillator: Off, 1 octave down, 2 octaves down

Filter: 24dB (4-Pole) Octave Low Pass with auto-oscillation

Effects: Built-in Polysix Chorus, Phaser, and Ensemble

Arpeggiator: Built-in MIDI syncable arpeggiator, with: adjustable Range, Mode, and Latch

Modulations: Polysix: Original ADSR EG and MG (with MIDI sync). NAUTILUS: 2 additional multi-stage envelopes, 2 additional LFOs per voice, and 4 AMS Mixers.

[Combination]

Number of Timbres, Master Keyboard functions: Max. 16

Uses up to 16 programs in: Keyboard & Velocity Splits, Layers, and Crossfades and/or control of external MIDI devices.
The Tone Adjust Parameter function allows program modification, while the Master Keyboard function controls external MIDI devices.

Advanced Vector Synthesis:

Controls oscillator level, synthesis parameters, and effects via Vector Joystick and
Vector Envelope, tempo syncable.

Quick Layer/Split Function

[Drumkit]

System: Assignment of Stereo/Mono samples with 8 velocity zones per oscillator (with Crossfade functions)

[Number of Programs/Combinations/Drum kits]

2,560 User Program Memory (1,920 [1,280 HD-1+ 640 EXi] Preloaded)
1,792 Combinations User Memory (256 Preloaded)
264 Drum Kits User Memory (104 Preloaded)
256 GM Level2 Programs Preset + 9 GM Level 2 Drum Programs Preset

[Set List]

Number of Set Lists/Slots: 128 Set Lists, 128 Slots per Set List - Each Set List has a 9-band Graphic EQ, and for each Slot, the following functions are available: Tone Adjust which regulates Program settings, Transpose, Hold Time for SST (Smooth Sound Transition).

[Sampling] - System: Open Sampling System (Resampling, In-Track Sampling)

Bit Resolution / Sampling Rate:

RAM: 16-bit/48 kHz Stereo/Mono Sampling
DISK: 16 or 24-bit/48 kHz

Sampling Times:

RAM: Dependent on available PCM RAM
DISK: 80 minutes Stereo Max. (879MB: 16bit)

Sample Locations: 16,000 Samples/4,000 Multisamples (128 index per Multisample)

Formats: KORG, AKAI S1000/S3000 data (with “Advanced Program Parameter Conversion”); SoundFont 2.0, AIFF, and WAVE

Editing: Time Stretch, Time Slice, Crossfade Loop, and other Standard Audio Editing functions.

[Effects]

Insert Effects: 12 - Stereo in / stereo out
Master Effects: 2 - Stereo in / stereo out
Total Effects: 2 - Stereo in / stereo out
Timbre EQ: a 3-band EQ for each Timbre/Track

Effect Types: 197

Modulations: Dynamic Modulation and Common LFO

Effect Control Bus: Stereo Side-Chaining for: compressors, gates, vocoders, etc.

Effect Presets: 783 Total Presets, Max. 32 per effect (User Preset)

[Arpeggiator]

Arpeggiator Modules: 1 module in Program mode, 2 modules in Combination and Sequencer mode

Arpeggio Pattern: 5 presets + ARP A 2,048 Slots (1,593 Preload) + ARP B 128 slots

Controls: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

[Drum Track]

Drum Track Patterns: 1,272 Preset (Shared with MIDI Sequencer Preset Patterns)

1,000 User Patterns
Patterns created on the Sequencer can be converted into Drum Track User Patterns.
Trigger Mode/Sync/Zone/Swing, Drum SD, Tempo can be set.

[Sequencer/HDR]

Tracks: 16-track MIDI Sequencer + 16-track Audio (Hard Disk Recorder) + 1 Master Track.

Number of Songs: 200 Songs
Resolution: 1/480
Tempo: 40.00 – 300.00 (1/100 BPM resolution)
Memory Capacity: 400,000 MIDI events or 300,000 Audio events
MIDI Tracks: 16 Tracks + 1 Master Track, 697 Preset / 100 User Patterns (per Song), 18 Preset/16 User Template Songs
Formats: KORG (NAUTILUS, KRONOS, OASYS), SMF formats 0 and 1.

Audio Tracks: 16-Track Playback, 4-Track Simultaneous Recording, Format: WAV file 16bit/24bit.

Maximum recording time for a single audio file (Mono): 80 minutes
Automation: Volume, Pan, EQ, Send1/2; 10,000 Regions (max.), Event Anchors, BPM adjustment
RPPR (Realtime Pattern Play & Record): 1 Pattern Set Per Song
Function: Auto Song Setup

[General]

Disk Mode: Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controls: Joystick, Switches 1 & 2

Arpeggiator Controls: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

DRUM TRACK: On/Off, Swing, Drum SD, Tempo

Display: “TouchView” graphical user interface, 7-inch color TFT, WVGA (800 x 480), adjustable brightness

General Specifications:

Frequency Response: 20Hz-22kHz, +/-1.0dB, 10k Ω load
THD+N: 20Hz-22kHz, 0.01%, 10k Ω load (typical)
S/N: 95dB (typical)
Dynamic Range: 95dB (typical)
Crosstalk: 95dB, at 1kHz (typical)

Outputs: L/MONO, R, Individual 1-4: 1/4” TRS Balanced

Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)

The Slider: MAIN VOLUME controls only AUDIO OUTPUT (MAIN) L/MONO and R

Headphones: 1/4” stereo phone jack

Output Impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME Knob (connected to: AUDIO OUTPUT (MAIN))

USB-B: 24-bit, Sampling Rate: 48 kHz, 2 Audio Channels - (Digital signal from outputs: AUDIO OUTPUT (MAIN) L/MONO and R

Inputs:

Audio Inputs 1 & 2: 1/4” TRS Balanced

Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 Ω

USB-B: 24-bit, Sampling Rate: 48 kHz, 2 Audio Channels

Control Inputs: Damper pedal (Half Damper supported), Assignable Switch, Assignable Pedal

MIDI: In, Out, Thru (DIN)

USB:

USB A (TYPE A) : for connecting USB devices such as: QWERTY keyboard, MIDI controllers, ethernet adapters, mass storage devices
USB B (TYPE B) : Audio/MIDI Interface, MIDI: 1 (16 channels) input / 1 (16 channels) output, Audio: 2 input channels / 2 output channels
*2 High-Speed USB ports (supports 480Mbps)

Disk Drives: 60 GB SSD (2.5”)

Power Supply: AC power terminal, Switch

Dimensions: (W x D x H)

KORG NAUTILUS 61: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”

Weight:

KORG NAUTILUS 61: 13.0 kg / 28.66 lbs.

Power Consumption: 40 W

Included Accessories: AC power cable, Quick Start Guide

[Optional Accessories]

== Hardware ==

XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch

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