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TWO NOTES TORPEDO STUDIO PURPLE
You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love!
Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night ! Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume.
Highly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic).
Many parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour such as frequency response and distortion. Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi: all the settings you need to achieve great recordings are here.
Amplifier input: Jack 6.35 mm (1/4) unbalanced (TS, Tip/Sleeve), to connect the speaker output of your tube or solid state amplifier
Speaker Thru: Jack 6.35mm (1/4”) unbalanced (TS), to connect an optional cabinet instead of using the internal loadbox)
Line inputs: 2 x Combo XLR – Jack 6.35 mm (1/4”) balanced (TRS)/unbalanced (TS)
Line outputs: 2 x XLR balanced
Headphones output: Jack 6.35 mm (1/4”) balanced (TRS) stereo
Digital inputs: AES & S/PDIF 2 channels input
Digital outputs: AES & S/PDIF 2 channels output
Wordclock sync BNC
MIDI In, Out/Thru
USB port
The Torpedo Studio is fully controllable via MIDI. Program Changes are used to change presets. Control Changes are used to control the parameters of the Torpedo Studio.
Casse per Chitarra
2Notes CSG : Two notes Custom 1×12″ ElectroVoice® EVM12L
Alichino : Cornford® Harlequin 1×12″ OB Celestion® Vintage 30 UK
Angl VintC : Engl® 4×12″ Celestion® V30
Bayou : Jenkins® Sound Lab 2×12″ OB Eminence® Patriot Swamp Thang
BDeLuxe : Fender® Blues Deluxe 1×12″
Blonde 63 : Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″
Brit 65C : Marshall® 1965A 4×10″ Celestion® G10L-35 closed back
Brit 650 : Marshall® 1965A 4×10″ Celestion® G10L-35 open back
Brit Std : Marshall® JCM900 2×12″ Celestion® G12T
Brit VintC : Marshall® Slash Signature 4×12″ Celestion® V30 closed back
Brit VintO : Marshall® Slash Signature 4×12″ Celestion® V30 open back
Calif C90 : Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow)
Calif StdC : Mesa/Boogie® Rectifier® Standard 4×12″” Celestion® V30 closed back
Calif StdO : Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 open back
Eddie : Peavey® 5150 2×12″ Sheffield 1200
Forest : Elmwood® 2×12″ Celestion® V30
Free Rock : VHT® Deliverance 4×12″ Eminence® P50E
Free Rock2 : VHT® Deliverance 2×12″ Eminence® P50E
Green Tri : Hughes&Kettner® Triamp 4×12″ Celestion® Greenback
Jazz 120 : Vintage Roland® JC120 2×12″
JubilGreen : Marshall® 2550 2×12″ Celestion® Greenback
JubilV30 : Marshall® 2550 2×12″ Celestion® V30
Kerozen : Diezel® 4×12″ Celestion® G12K-100
R2D2 : Musicman® 112 RD 1×12″ Electro-Voice® EVM12L
Silver77 : Vintage Fender® Twin Reverb® 2×12″ orange JBL®
SilverJen : Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K
StrongBack :
The One : Brunetti® Neo1512 1×15″ + 1×12″
Twill 15 : VHT® Fat Bottom 4×12″ Eminence® P50E
Vibro Utah : Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker
Vibro V30 : Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30
Voice 30 : Original Vox® AC30 JMI 2×12″” Celestion® « Silver Bell »
Voice 65 : 1965 Vox® 2×12″
VoiceModrn : Vox® V212H, 2×12″ Celestion® Alnico Blue
Watt FanC : Hiwatt® 2×12″ Fane closed back
Watt FanO : Hiwatt® 2×12″ Fane open back
XTCab : Bogner® 4×12″ Celestion® V30
Casse per Basso
2Notes CSB : Two notes Custom 1×15″
Alu XL : Hartke® XL 4×10″
AZ Ben : SWR® Big Ben 1×18″
AZ Work : SWR® WorkingMan 4×10″
Calif Low : Mesa/Boogie® 2×10″
Fridge : Ampeg® 8×10″
Heaven Bot : David Eden® 1×15″
Heaven Top : David Eden® 4×10″
Marco : Markbass® 2×10″
New York : Markbass® 4×6″
Rea One : AER® Cab One 2×10″
Voice V125 : Vox® V125 2×12″
WgrandBlvd : Ampeg® B15N 1×15″ CB Jensen® C15N, Vintage Ceramic
Simulazione di Testate
4 TUBES TYPE:
EL84
EL34
6L6
KT88
2 CIRCUITS TYPE:
class A / single ended
class AB / push pull
2 DIFFERENT MODES:
pentode
triode
SETTINGS:
Volume
Presence
Depth
Mixing
Settings :
Choice of speaker cab and microphone
Microphone position (distance, axis, front/back)
Variphi: phase control
Overload: natural speaker distortion control
Dry/Wet
Post-FX :
6-band Semi parametric EQ
Exciter (low, high)
Compressor (threshold, ratio, attack and release time, make-up gain)
Reverb (8 room + 1 custom)
Reactive or Resistive load (relay),
Nominal impedance: 4 or 8 or 16 Ohms (switch)
Maximum admissible power: 150 W (200 Watt peak)
Cooled by temperature-controlled fan
Inputs / Outputs
Speaker Input : Jack 6.35 mm (1/4″) unbalanced (TS, Tip/Sleeve)
Speaker Thru : Jack 6.35mm (1/4″) unbalanced (TS)
Line Inputs : 2 X Combo XLR – Jack 6.35 mm (1/4″) balanced (TRS)/unbalanced (TS) – Maximum level: 8,7 dBu – Impedance : 20 kOhms
Line Outputs : 2 x XLR balanced – Maximum level: 11 dBu – Impedance : 600 Ohms
Phones : Jack 6.35mm stereo (TRS)
AES/EBU numeric Input/Output
S/PDIF numeric numeric Input/Output
MIDI Input/Output
USB Connexion
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