{"product_id":"jad-freer-audio-capo-preamplificatore-per-basso","title":"Jad Freer Audio Capo Preamplificatore per Basso","description":"\u003ch2\u003eDescrizione\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eJad \u0026amp; Freer Audio Capo Preamplificatore per Basso\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eCAPO è un preamplificatore per basso Multiple Preamp – DI – Saturator – FX Loop. \u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eDa puliti cristallini degni delle migliori macchine da studio a saturazioni spinte, passando per infinite sfumature di overdrive; il CAPO è stato pensato per mantenere integra tutta la gamma dinamica e l’intero spettro naturale di frequenze dello strumento. \u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePiù di un semplice pedale, un vero e proprio “studio-in-a-box“.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eQuattro preamplificatori con caratteristiche molto diverse fra loro, da sfruttare con possibilità di routing pressoché infinite, in un formato estremamente compatto e pedalboard friendly.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eA SIDE\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eÈ il cuore della macchina, ed è basato su tre preamplificatori indipendenti che possono essere miscelati in parallelo tra loro a seconda delle esigenze.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLa base dell’ A-Side è un preamp pulito ad alta impedenza, con guadagno fisso e moltissima headroom, che enfatizza le armoniche naturali dello strumento esaltandone il carattere senza snaturarlo.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e A questa base possono essere miscelati, tramite il controllo BLEND, due saturatori ad alta dinamica (J, F) miscelabili a loro volta, a piacere, tramite il controllo STYLE; questo controllo nella posizione centrale N trova il bilanciamento neutrale ed al contempo il range di suoni che caratterizzano maggiormente questo preamp.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIn entrambi i saturatori nessun stadio di gain coinvolge l’utilizzo di diodi, garantendo un feeling dinamico paragonabile a quello di un amplificatore vero e proprio e non di un semplice pedale.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e J e F condividono i controlli GAIN e LEVEL ed entrambi hanno una notevole riserva di pulito prima della saturazione, mentre differiscono fortemente per la pasta sonora che li caratterizza.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eJ Saturator: bassi profondi, alti presenti ed aggressivi che evidenziano l’attacco della nota, rendendolo intellegibile anche nei mix più densi;\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eF Saturator: sound più incentrato sulle frequenze medie, di ispirazione più vintage.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIl concetto è quello di andare a miscelare ad una base flat response due suoni complementari, miscelati a loro volta in parallelo, per ottenere una trama sonora estremamente complessa ed articolata mantenendo la massima risposta in frequenza e dinamica possibile.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eUn EQ attivo a 3 bande permette di scolpire ulteriormente a piacere il suono creato dal mix dei diversi preamp:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eBASSI: ±12dB@80Hz (shelving)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eMEDI Semi-parametrici: ±9dB@100Hz-10KHz (band pass)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eALTI: ±12dB@4KHz (shelving)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eswitch DEEP e BITE: il primo fornisce il giusto boost sulle basse per rendere il suono più corposo -senza appesantire il mix o nascondere altre frequenze fondamentali-, mentre il secondo permette di enfatizzare l’attacco della nota e le armoniche superiori.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eB SIDE\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eUn carattere morbido e caldo che richiama la risposta di una valvola.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIl B-Side è costituito da un FET preamp dalla risposta lineare, con controlli di guadagno e volume dedicati. Il suo carattere richiama la risposta e il suono dei classici preamp valvolari, con un range dinamico che spazia dal pulito a vari stadi di saturazione dalla risposta morbida e naturale.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePuò essere usato come preamp stand-alone, in alternativa ad A-Side, o può lavorare in serie ad esso in due modi diversi, selezionabili tramite lo switch dedicato PRE\/POST che ne definisce la posizione rispetto ad A-Side:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePRE ne permette un utilizzo come gain boost\/overdrive, in modo da spingere la saturazione dell’A-Side a livelli superiori mantenendo inalterate definizione e dinamica.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePOST ne permette l’uso sia come semplice volume boost da attivare quando necessario, sia come preamp base su cui costruire il proprio suono, utilizzando poi A-Side come drive, o come EQ supplementare.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eRouting e altre funzioni\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eStudio Ready e pedalboard friendly CAPO è stato pensato per garantire la massima possibilità di interazione con la tua pedaliera e la tua signal chain, oltre che ad un utilizzo in studio. Per questo è stata prestata particolare attenzione al routing del segnale e a quelle funzioni che permettono di risolvere i problemi legati all’integrazione in setup già esistenti. Uscite D.I. multiple:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eDIRECT OUT: fornisce il suono naturale del tuo strumento, preleva il suono direttamente dall’ingresso INPUT\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePREAMP OUT: fornisce il suono processato dai preamp presenti nel CAPO, identico a quello dell’OUTPUT\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eInversione fase per la  DIRECT OUT: permette di allineare la fase dei due segnali bilanciati nel caso in cui vengano usati altri pedali in catena che ne determinino il ribaltamento.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eFiltro passa basso:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003erealizzato per eliminare le frequenze sgradevoli che si vengono a generare ad alti livelli di gain usando sistemi audio full-range (P.A. o casse con tweeter)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003einfluenza l’uscita del pedale sia nella DI che in quella sbilanciata, sia usando A-side che il B-side ed anche a pedale spento, in modo da poter usare il CAPO come cabinet simulator per altri fuzz e overdrive presenti in pedaliera.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLoop Effetti:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLOOP PRE: loop effetti passivo che preleva il segnale prima che venga processato dal CAPO, pensato per usare qualsiasi pedale tu voglia prima di esso ma mantenendo pulita e inalterata l’uscita DIRECT OUT per varie necessità.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLOOP POST: send return che preleva il segnale dopo essere stato processato dal CAPO, pensato per poter usare altri pedali a valle dei nostri preamp udendone l’intervento anche nell’uscita d.i. PREAMP OUT. Di default è attivo anche a pedale spento, ma il suo funzionamento può essere collegato all’accensione del Lato A (LOOP LINK).\u003c\/p\u003e\u003cp\u003ePeso\t0.7 kg\u003c\/p\u003e\u003cp\u003eDimensioni\t10.5 × 12.5 × 8 cm\u003c\/p\u003e\u003cp\u003eColore \u003c\/p\u003e\u003cp\u003enero\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAlimentazione \u003c\/p\u003e\u003cp\u003e9 VDC\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCorrente assorbita \u003c\/p\u003e\u003cp\u003e350mA\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCanali \u003c\/p\u003e\u003cp\u003eA Side, B Side\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifiche\u003c\/h2\u003e\u003cp style=\"text-align: justify; \"\u003eCAPO is the new Jad Freer Audio bass preamp, or Multiple Preamp – DI – Saturator – FX Loop, as we like to call it . From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content, while keeping your instrument’s natural low-end presence. More than just a pedal, a real “studio-in-a-box“.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eA SIDE\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eThe core of the machine, based on three very different preamps that can be used in parallel to achieve unheard-of and unique sounds.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eThe base of the A-Side is a clean high impedance preamp, with fixed gain and lots of headroom; it improves the tone of the instrument, enhancing its character without altering it. Two high dynamic range saturators (J, F) can then be mixed to the clean preamp using the BLEND control. The mix ratio between J and F can be changed as well using the STYLE control: in central position N you get the neutral balance between them and, at the same time, the range of sounds that defines the A-Side tone the most.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eNo clipping diodes are used in both saturators, providing a dynamic feeling comparable to a real amplifier… not just an ordinary stompbox! J and F share GAIN and LEVEL controls and both have a lot of clean headroom before saturation, while they differ strongly in their sonic focus.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eJ Saturator: huge bottom, aggressive highs that brings the note attack upfront in the mix\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eF Saturator: sound focused on mid frequencies, more vintage inspired.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eThe concept of this side of CAPO is to mix a flat response sound with two complementary amp-like tones (running in parallel and mixed as well), to obtain an extremely complex and articulated texture while keeping the maximum frequency and dynamic response.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eA three band eq allows you to further sculpt the blended sound you create:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eBASS: ±12dB@80Hz (shelving)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eSemi-parametric MID: ±9dB@100Hz-10KHz (band pass)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eHIGH: ±12dB@4KHz (shelving)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eDEEP and BITE switches provide a perfectly tailored bottom end boost and just the right enhance of string attack.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eB SIDE\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eTube-like tone preamp.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eSide B is a linear response FET preamp with dedicated volume and gain controls. It reminiscent of some classic tube preamps and has a dynamic range that goes from clean to various saturation stages with a smooth, natural response.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIt can be used as a stand-alone preamp as an alternative to the A-Side, or it can work in series with it choosing the order with the PRE \/ POST switch:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePRE allows it to be used as a gain boost, to push the saturation of the A side to higher levels while keeping definition and dynamics\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePOST allows it to be used either as a simple volume boost available at your feet, or as a preamp base to build your own sound, then using the A-side as an additional gain stage or clean EQ.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eRouting and other features\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eStudio Ready and pedalboard friendly CAPO has been designed to be a studio-ready machine and also to provide the less effort and best interaction when used with your existing pedalboard and signal chain. Great attention was paid to routing possibility and functionality for live and studio applications. Multiple DI:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eDIRECT OUT: provides the natural sound of your instrument without any preamp stage\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePREAMP OUT: balanced signal after all the pedal preamps, eq and loops\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ephase control for the DIRECT OUT to realign PREAMP OUT phase in case you are using other pedals that flip the phase together with the capo.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLPF:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ea low pass filter (means a treble cut) carefully designed to cut out all the nasty frequencies at high gain levels, useful with full-range sound systems (going to a P.A. or with tweeter equipped bass cabs)\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eit affects both PREAMP OUT and OUTPUT when using the A Side, B Side and also when the pedal is bypassed (aka when the switch is on, it’s ALWAYS on) and allows to use the CAPO as a cabinet simulator for your favorite drives and fuzz pedals.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLoop effects:\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eLOOP PRE: a passive send-return loop before the pedal preamps; for whatever pedal you want to use before the CAPO (while keeping unprocessed your natural bass sound from the DIRECT OUT)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLOOP POST: a send-return loop after all CAPO preamps, for whatever pedal you want to use after them while affecting both PREAMP OUT and OUTPUT. This loop can be always active or linked to the A Side with the switch LOOP LINK.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003efour preamps packed in a pedalboard friendly format\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003efrom crystal cleans to high saturations and infinite shades of overdrive\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eA SIDE , consisting of a clean preamp and two high dynamics saturators ( J , F )\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eActive 3-band EQ and DEEP and BITE buttons to further sculpt the sound\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eB SIDE , a linear FET preamp with a soft and warm character, usable both PRE and POST\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003etwo D.I. outputs : DIRECT OUT and PREAMP OUT\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ephase inversion on DIRECT OUT to realign the phase of balanced signals\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eLPF to eliminate any unpleasant frequencies generated at high gain levels\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003efx loop PRE and fx loop POST to use pedals before and \/ or after the CAPO and include their intervention also in the D.I.output\u003c\/p\u003e","brand":"JAD \u0026 FREER AUDIO","offers":[{"title":"Default Title","offer_id":58011509719385,"sku":"CAPORV","price":549.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/nff09n9r2lhje3lspvzn_2__bsov_ht32_o.jpg?v=1778231024","url":"https:\/\/yourmusiconline.it\/products\/jad-freer-audio-capo-preamplificatore-per-basso","provider":"yourmusiconline.it","version":"1.0","type":"link"}