{"product_id":"two-notes-torpedo-studio-purple","title":"Two Notes Torpedo Studio Purple","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eTWO NOTES TORPEDO STUDIO PURPLE\u003c\/p\u003e\u003cp\u003eYou love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love!\n\u003c\/p\u003e\u003cp\u003e\nEverything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night ! Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume.\u003c\/p\u003e\u003cp\u003eHighly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic).\n\u003c\/p\u003e\u003cp\u003e\nMany parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour such as frequency response and distortion. Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi: all the settings you need to achieve great recordings are here.\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L9eK8hDAQw4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eAmplifier input: Jack 6.35 mm (1\/4) unbalanced (TS, Tip\/Sleeve), to connect the speaker output of your tube or solid state amplifier\n\u003c\/p\u003e\u003cp\u003eSpeaker Thru: Jack 6.35mm (1\/4”) unbalanced (TS), to connect an optional cabinet instead of using the internal loadbox)\n\u003c\/p\u003e\u003cp\u003eLine inputs: 2 x Combo XLR – Jack 6.35 mm (1\/4”) balanced (TRS)\/unbalanced (TS)\n\u003c\/p\u003e\u003cp\u003eLine outputs: 2 x XLR balanced\n\u003c\/p\u003e\u003cp\u003eHeadphones output: Jack 6.35 mm (1\/4”) balanced (TRS) stereo\n\u003c\/p\u003e\u003cp\u003eDigital inputs: AES \u0026amp; S\/PDIF 2 channels input\n\u003c\/p\u003e\u003cp\u003eDigital outputs: AES \u0026amp; S\/PDIF 2 channels output\n\u003c\/p\u003e\u003cp\u003eWordclock sync BNC\n\u003c\/p\u003e\u003cp\u003eMIDI In, Out\/Thru\n\u003c\/p\u003e\u003cp\u003eUSB port\u003c\/p\u003e\u003cp\u003eThe Torpedo Studio is fully controllable via MIDI. Program Changes are used to change presets. Control Changes are used to control the parameters of the Torpedo Studio.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eGuitar Cabinets\u003c\/p\u003e\u003cp\u003e2Notes CSG : Two notes Custom 1×12″ ElectroVoice® EVM12L\n\u003c\/p\u003e\u003cp\u003eAlichino : Cornford® Harlequin 1×12″ OB Celestion® Vintage 30 UK\n\u003c\/p\u003e\u003cp\u003eAngl VintC : Engl® 4×12″ Celestion® V30\n\u003c\/p\u003e\u003cp\u003eBayou : Jenkins® Sound Lab 2×12″ OB Eminence® Patriot Swamp Thang\n\u003c\/p\u003e\u003cp\u003eBDeLuxe : Fender® Blues Deluxe 1×12″\n\u003c\/p\u003e\u003cp\u003eBlonde 63 : Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″\n\u003c\/p\u003e\u003cp\u003eBrit 65C : Marshall® 1965A 4×10″ Celestion® G10L-35 closed back\n\u003c\/p\u003e\u003cp\u003eBrit 650 : Marshall® 1965A 4×10″ Celestion® G10L-35 open back\n\u003c\/p\u003e\u003cp\u003eBrit Std : Marshall® JCM900 2×12″ Celestion® G12T\n\u003c\/p\u003e\u003cp\u003eBrit VintC : Marshall® Slash Signature 4×12″ Celestion® V30 closed back\n\u003c\/p\u003e\u003cp\u003eBrit VintO : Marshall® Slash Signature 4×12″ Celestion® V30 open back\n\u003c\/p\u003e\u003cp\u003eCalif C90 : Mesa\/Boogie® 1×12″ Celestion® C90 (Black Shadow)\n\u003c\/p\u003e\u003cp\u003eCalif StdC : Mesa\/Boogie® Rectifier® Standard 4×12″” Celestion® V30 closed back\n\u003c\/p\u003e\u003cp\u003eCalif StdO : Mesa\/Boogie® Rectifier® Standard 4×12″ Celestion® V30 open back\n\u003c\/p\u003e\u003cp\u003eEddie : Peavey® 5150 2×12″ Sheffield 1200\n\u003c\/p\u003e\u003cp\u003eForest : Elmwood® 2×12″ Celestion® V30\n\u003c\/p\u003e\u003cp\u003eFree Rock : VHT® Deliverance 4×12″ Eminence® P50E\n\u003c\/p\u003e\u003cp\u003eFree Rock2 : VHT® Deliverance 2×12″ Eminence® P50E\n\u003c\/p\u003e\u003cp\u003eGreen Tri : Hughes\u0026amp;Kettner® Triamp 4×12″ Celestion® Greenback\n\u003c\/p\u003e\u003cp\u003eJazz 120 : Vintage Roland® JC120 2×12″\n\u003c\/p\u003e\u003cp\u003eJubilGreen : Marshall® 2550 2×12″ Celestion® Greenback\n\u003c\/p\u003e\u003cp\u003eJubilV30 : Marshall® 2550 2×12″ Celestion® V30\n\u003c\/p\u003e\u003cp\u003eKerozen : Diezel® 4×12″ Celestion® G12K-100\n\u003c\/p\u003e\u003cp\u003eR2D2 : Musicman® 112 RD 1×12″ Electro-Voice® EVM12L\n\u003c\/p\u003e\u003cp\u003eSilver77 : Vintage Fender® Twin Reverb® 2×12″ orange JBL®\n\u003c\/p\u003e\u003cp\u003eSilverJen : Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K\n\u003c\/p\u003e\u003cp\u003eStrongBack :\n\u003c\/p\u003e\u003cp\u003eThe One : Brunetti® Neo1512 1×15″ + 1×12″\n\u003c\/p\u003e\u003cp\u003eTwill 15 : VHT® Fat Bottom 4×12″ Eminence® P50E\n\u003c\/p\u003e\u003cp\u003eVibro Utah : Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker\n\u003c\/p\u003e\u003cp\u003eVibro V30 : Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30\n\u003c\/p\u003e\u003cp\u003eVoice 30 : Original Vox® AC30 JMI 2×12″” Celestion® « Silver Bell »\n\u003c\/p\u003e\u003cp\u003eVoice 65 : 1965 Vox® 2×12″\n\u003c\/p\u003e\u003cp\u003eVoiceModrn : Vox® V212H, 2×12″ Celestion® Alnico Blue\n\u003c\/p\u003e\u003cp\u003eWatt FanC : Hiwatt® 2×12″ Fane closed back\n\u003c\/p\u003e\u003cp\u003eWatt FanO : Hiwatt® 2×12″ Fane open back\n\u003c\/p\u003e\u003cp\u003eXTCab : Bogner® 4×12″ Celestion® V30\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBass Cabinets\u003c\/p\u003e\u003cp\u003e2Notes CSB : Two notes Custom 1×15″\n\u003c\/p\u003e\u003cp\u003eAlu XL : Hartke® XL 4×10″\n\u003c\/p\u003e\u003cp\u003eAZ Ben : SWR® Big Ben 1×18″\n\u003c\/p\u003e\u003cp\u003eAZ Work : SWR® WorkingMan 4×10″\n\u003c\/p\u003e\u003cp\u003eCalif Low : Mesa\/Boogie® 2×10″\n\u003c\/p\u003e\u003cp\u003eFridge : Ampeg® 8×10″\n\u003c\/p\u003e\u003cp\u003eHeaven Bot : David Eden® 1×15″\n\u003c\/p\u003e\u003cp\u003eHeaven Top : David Eden® 4×10″\n\u003c\/p\u003e\u003cp\u003eMarco : Markbass® 2×10″\n\u003c\/p\u003e\u003cp\u003eNew York : Markbass® 4×6″\n\u003c\/p\u003e\u003cp\u003eRea One : AER® Cab One 2×10″\n\u003c\/p\u003e\u003cp\u003eVoice V125 : Vox® V125 2×12″\n\u003c\/p\u003e\u003cp\u003eWgrandBlvd : Ampeg® B15N 1×15″ CB Jensen® C15N, Vintage Ceramic\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePower Amp Simulation\u003c\/p\u003e\u003cp\u003e4 TUBES TYPE:\n\u003c\/p\u003e\u003cp\u003eEL84\n\u003c\/p\u003e\u003cp\u003eEL34\n\u003c\/p\u003e\u003cp\u003e6L6\n\u003c\/p\u003e\u003cp\u003eKT88\n\u003c\/p\u003e\u003cp\u003e2 CIRCUITS TYPE:\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eclass A \/ single ended\n\u003c\/p\u003e\u003cp\u003eclass AB \/ push pull\n\u003c\/p\u003e\u003cp\u003e2 DIFFERENT MODES:\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003epentode\n\u003c\/p\u003e\u003cp\u003etriode\n\u003c\/p\u003e\u003cp\u003eSETTINGS:\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eVolume\n\u003c\/p\u003e\u003cp\u003ePresence\n\u003c\/p\u003e\u003cp\u003eDepth\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMixing\u003c\/p\u003e\u003cp\u003eSettings :\n\u003c\/p\u003e\u003cp\u003eChoice of speaker cab and microphone\n\u003c\/p\u003e\u003cp\u003eMicrophone position (distance, axis, front\/back)\n\u003c\/p\u003e\u003cp\u003eVariphi: phase control\n\u003c\/p\u003e\u003cp\u003eOverload: natural speaker distortion control\n\u003c\/p\u003e\u003cp\u003eDry\/Wet\n\u003c\/p\u003e\u003cp\u003ePost-FX :\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e6-band Semi parametric EQ\n\u003c\/p\u003e\u003cp\u003eExciter (low, high)\n\u003c\/p\u003e\u003cp\u003eCompressor (threshold, ratio, attack and release time, make-up gain)\n\u003c\/p\u003e\u003cp\u003eReverb (8 room + 1 custom)\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eReactive or Resistive load (relay),\n\u003c\/p\u003e\u003cp\u003eNominal impedance: 4 or 8 or 16 Ohms (switch)\n\u003c\/p\u003e\u003cp\u003eMaximum admissible power: 150 W (200 Watt peak)\n\u003c\/p\u003e\u003cp\u003eCooled by temperature-controlled fan\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eInputs \/ Outputs\n\u003c\/p\u003e\u003cp\u003eSpeaker Input : Jack 6.35 mm (1\/4″) unbalanced (TS, Tip\/Sleeve)\n\u003c\/p\u003e\u003cp\u003eSpeaker Thru : Jack 6.35mm (1\/4″) unbalanced (TS)\n\u003c\/p\u003e\u003cp\u003eLine Inputs : 2 X Combo XLR – Jack 6.35 mm (1\/4″) balanced (TRS)\/unbalanced (TS) – Maximum level: 8,7 dBu – Impedance : 20 kOhms\n\u003c\/p\u003e\u003cp\u003eLine Outputs : 2 x XLR balanced – Maximum level: 11 dBu – Impedance : 600 Ohms\n\u003c\/p\u003e\u003cp\u003ePhones : Jack 6.35mm stereo (TRS)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eAES\/EBU numeric Input\/Output\n\u003c\/p\u003e\u003cp\u003eS\/PDIF numeric numeric Input\/Output\n\u003c\/p\u003e\u003cp\u003eMIDI Input\/Output\n\u003c\/p\u003e\u003cp\u003eUSB Connexion\u003c\/p\u003e","brand":"TWO NOTES ENGINEERING","offers":[{"title":"Default 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