{"product_id":"qu-sb-gal61931990","title":"Allen \u0026 Heath Qu-SB","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; is a digital mixer with 18 inputs and 14 outputs. The \u0026lt;strong\u0026gt;SuperStrip\u0026lt;\/strong\u0026gt; of each individual channel is replaced in this model by touchscreen controls on the \u0026lt;strong\u0026gt;iOS app for iPad\u0026lt;\/strong\u0026gt;, which offers the same ability to adjust preamps, high-pass filters, parametric EQ, GEQ, gate, compressor, and pan as the version with onboard controls. 4 effects processors can be configured as inserts or sends from the channel or mix bus. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; integrates a 32 In\/32 Out USB audio interface for multitrack recording to USB mass storage devices or for integrated use with DAW software. Through the \u0026lt;strong\u0026gt;QU-Pad (iOS) app\u0026lt;\/strong\u0026gt;, scenes and presets can be saved and recalled on the mixer.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Capture all the details with \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Allen \u0026amp;amp; Heath Qu-SB has been designed from the ground up to deliver professional sound quality from input to output. The Qu-SB mixer features sixteen digitally controlled AnalogiQ preamps. The AnalogiQ preamp design has been perfected to offer transparency and minimal distortion, with extremely low noise floor. All while maintaining a warm and musical sound that some digital consoles unfortunately lack. Input signal conversion occurs at 24-bit with high-end, low-latency converters. The same applies to digital-to-analog conversion to ensure the same output quality.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;High-level effects and signal processors\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"gli effetti della  serie Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" src=\"\/images\/uploads\/\/effetti.jpg\" title=\"gli effetti della  serie Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" \/\u0026gt;h\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;RackFX\u0026lt;\/strong\u0026gt; dynamics processors and effect algorithms of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/tag\/i-mixer-digitali-della-serie-qu-di-allenheath\"\u0026gt;Qu\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt; series are derived from the iLive series. Some of the most renowned sound engineers have chosen to use RackFX during their tours for convenience and quality, preferring onboard effects over plugins or external effects racks. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; boasts 4 stereo RackFX engines, carefully crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers, and much more. The effects are returned to the mix on dedicated return channels; therefore, they do not occupy mono or stereo input channels, and each stereo FX return has a dedicated 4-band parametric EQ.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Total control via the QU-Pad app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tramite l'app Qu-Pad abbiamo a disposizione tutti i controlli della superstrip e tutte le funzioni del mixer\" src=\"\/images\/uploads\/\/channel strip.jpg\" title=\"Tramite l'app Qu-Pad abbiamo a disposizione tutti i controlli della superstrip e tutte le funzioni del mixer\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB is entirely controlled via the iOS app (not available on Android) Qu-Pad.\u0026lt;\/strong\u0026gt; On its main screen, the master fader section is located on the left side of the screen, the controls for the various faders are in the central part of the screen, and at the top, there is the option to view effects and signal processors which can be selected on the left side of the screen.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;I\/O Patching\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite I\/OPatch possiamo gestire il routing routing completo del mixer\" src=\"\/images\/uploads\/\/in out patching.jpg\" title=\"tramite I\/OPatch possiamo gestire il routing routing completo del mixer\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Through the I\/O Patch screen, we can set the signal path for inputs and outputs of a stage box connected via dSNAKE, monitor routing, and the configuration of the 32 USB channels if we want to connect the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; to any DAW software.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Effects Configuration\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has 4 internal stereo effects processors. These are effects found in the flagship \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; iLive\u0026lt;\/strong\u0026gt; digital mixing system and are based on emulations of popular effects that have become industry standards over time. We can access the effects linking menu via the \u0026lt;strong\u0026gt;'back panel'.\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"il signal flow degli effetti viene impostato tramite la schermata dedicata dell'app Qu-Pad\" src=\"\/images\/uploads\/\/fx routing.jpg\" title=\"il signal flow degli effetti viene impostato tramite la schermata dedicata dell'app Qu-Pad\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;From here we can select the signal flow of our effects.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Mix\u0026amp;gt;Return -\u0026lt;\/strong\u0026gt; Known as a \u0026amp;ldquo;system effect\u0026amp;rdquo;.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It uses a bus to send a mix of channels to an effect and a dedicated stereo FX Return channel to add the \u0026amp;quot;wet\u0026amp;quot; effect to the original \u0026amp;quot;dry\u0026amp;quot; sound. It is used for effects such as reverb and delay. Choose which mix bus to use as input; for the \u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath Qu-SB\u0026lt;\/strong\u0026gt;, the dedicated buses for this are FX1 and FX2. If you want to use FX3 or FX4 as another system effect, you can patch the effect to an input of Mix1-10 buses.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Ch\u0026amp;gt;Return \u0026amp;ndash;\u0026lt;\/strong\u0026gt; This is similar to Mix\u0026amp;gt;Return\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;System effect, but in this case it is fed from a channel rather than a mix of channels. It uses the assigned Direct Output as its source. Some examples include a delay on a vocal channel, a gated reverb on a snare, or a chorus added to the guitar.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Insert \u0026amp;ndash;\u0026lt;\/strong\u0026gt; Here the effect is patched in-line with an input channel or master mix. It is inserted using the channel's Insert control. Effects applied with inserts have a Dry\/Wet control to balance the effect with the original signal.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;DCA Groups\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; gives us the ability to create \u0026lt;strong\u0026gt;DCA groups\u0026lt;\/strong\u0026gt; to control multiple faders simultaneously. These groups can be muted, and the command to do so can be mapped to the \u0026lt;strong\u0026gt;soft keys\u0026lt;\/strong\u0026gt;. To access the masters and to name and assign the groups, we use this submenu:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite questa schermata possiamo assegnare con un tocco i canali che vogliamo ai gruppi DCA\" src=\"\/images\/uploads\/\/DCA groups.jpg\" title=\"tramite questa schermata possiamo assegnare con un tocco i canali che vogliamo ai gruppi DCA\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026amp;nbsp;It can be useful to assign a mute or a DCA group to the effects returns, thus providing a quick way to mute or reduce effects between tracks.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Inputs and Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heat Qu-SB\" src=\"\/images\/uploads\/\/in out.jpg\" title=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heat Qu-SB\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has 16 inputs for line-level signals on \u0026amp;frac14;\u0026amp;rdquo; TRS connectors or for microphone signals on XLR connectors, a footswitch input, and 1 stereo line input on 2 \u0026amp;frac14;\u0026amp;rdquo; TRS connectors. As for outputs, we have 10 mix outputs on XLR connectors, 2 XLR Main mix L\/R outputs, a headphone output on \u0026amp;frac14;\u0026amp;rdquo; TRS, a stereo MTRX 1-2 output on 2 \u0026amp;frac14;\u0026amp;rdquo; TRS connectors, a dSNAKE port, USB type B for DAW connection, a \u0026lt;strong\u0026gt;Qu-Drive\u0026lt;\/strong\u0026gt; USB input for mass storage devices, and an RJ45 network port.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Computer-Free Recording\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"registrazione multitraccia diretta su memorie di massa USB\" src=\"\/images\/uploads\/\/qudrive.jpg\" title=\"registrazione multitraccia diretta su memorie di massa USB\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; features a built-in multitrack recorder, providing 18 channels of 48 kHz, 24-bit recording and playback directly to USB mass storage devices, making it easy to record shows or studio performances. A selectable stereo pair can be recorded along with the 16 mono channels, and multitrack audio can be played back to the 16 mono inputs plus ST1. In addition, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, Main LR (pre, post, or summed to mono), or even from the PAFL bus, with 2-track stereo playback to ST3.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;AMM: Automatic Mic Mixer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;AMM\u0026lt;\/strong\u0026gt; is highly functional in applications such as conferences and meetings where multiple microphones are open simultaneously. \u0026lt;strong\u0026gt;AMM\u0026lt;\/strong\u0026gt; works by reducing background noise, minimizing the risk of feedback, and keeping all sound sources at the same level, ensuring that each speaker's contribution is heard clearly, thanks also to the D-Classic gain algorithm, inspired by industry-standard automixers.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Customizable monitor mixes for musicians with the Qu-You app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite l'app Qu-You i musicisti possono personalizzare i prorpi monitor mix\" src=\"\/images\/uploads\/\/qu-you.jpg\" title=\"tramite l'app Qu-You i musicisti possono personalizzare i prorpi monitor mix\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Qu-You\u0026lt;\/strong\u0026gt; is an \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;\u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; app designed for musicians, allowing up to seven artists to control their monitor mixes via WiFi using an iPhone\u0026amp;reg;, iPad\u0026amp;reg;, iPod Touch\u0026amp;reg;, or Android device.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;USB audio streaming and MIDI control\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Want to live stream? Easy. Just send a stereo mix via USB, and your streaming software will do the rest. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; can be used as a multitrack interface; the device will be recognized by all computers with Asio drivers and the most commonly used DAWs including Logic, Cubase, Reaper, and Pro Tools. Standard MIDI control is sent via the USB connections and the network port, which allows us to map DAW faders using the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; MIDI Control\u0026lt;\/strong\u0026gt; app, providing easy setup and emulation of HUI or Mackie Control protocols.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Three-tier security lock\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;For control security, three user profiles are available:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Admin -\u0026lt;\/strong\u0026gt; has access to everything. Can configure the mixer and set user permissions and passwords.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Standard - \u0026lt;\/strong\u0026gt;Can control the live mix but is locked out of system and configuration functions.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Basic -\u0026lt;\/strong\u0026gt; Can only control faders and mutes and may be excluded from certain channels or limited only to custom fader levels.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026amp;nbsp;Passwords can be set for each of these three users, which are required for access and surface lock. The Qu-Pad app follows the same user permissions. The administrator can set a separate password for Qu-You and Qu-Control users. Standard and Basic users can also be restricted to using only selected scenes.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Robust and Quiet\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Made from cold-rolled 18-gauge Zintec steel, the chassis of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has been designed and tested to ensure strength and durability. \u0026lt;\/p\u0026gt;Silence is a precious commodity both in live sound and in the studio, and no one wants it ruined by the hum of cooling fans. Keeping this in mind, **Allen \u0026 Heath** has designed a series of mixers capable of optimal air recirculation without the need for fans.\n\u003ch2\u003e\u003cstrong \u003eMain features of \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\" \u003eAllen \u0026 Heath\u003c\/a\u003e Qu-SB\u003c\/strong \u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4 stereo effects returns and 4 effects engines\u003c\/li\u003e\n\u003cli\u003e15 virtual soft keys (on QU-Pad iOS app) customizable with user-assignable functions\u003c\/li\u003e\n\u003cli\u003eOn all inputs: trim, polarity, HPF, gate, insert, 4-band parametric EQ, compressor, and delay\u003c\/li\u003e\n\u003cli\u003eOn all outputs: insert, 1\/3 octave graphic equalizer, compressor, and delay on Main LR and Mono Mix outputs\u003c\/li\u003e\n\u003cli\u003eOn all stereo outputs: Insert, 4-band parametric EQ, compressor, and delay\u003c\/li\u003e\n\u003cli\u003ePreamps: High-end 24-bit AnalogiQ with very low latency ensuring extremely low distortion levels\u003c\/li\u003e\n\u003cli\u003e4 stereo effects engines, effects bank derived from iLive professional effects\u003c\/li\u003e\n\u003cli\u003eQu-Drive: 18-track and stereo track recording and playback directly from a USB stick or external hard drive\u003c\/li\u003e\n\u003cli\u003e32x32 USB audio interface\u003c\/li\u003e\n\u003cli\u003ePlug \u0026 play on Mac drivers, MDM, and ASIO for Windows\u003c\/li\u003e\n\u003cli\u003eAudio offset for dSnake remote control via Cat5e cable for connection to an AB168, AR2412, or AR84 audiorack\u003c\/li\u003e\n\u003cli\u003eCompatible with ME personal monitoring system: connection via the console's dSnake port or an AR2412 audiorack\u003c\/li\u003e\n\u003cli\u003eQu-Pad application: remote control with iPad via Wi-Fi (Wi-Fi router not included)\u003c\/li\u003e\n\u003cli\u003eQu-You application: personal monitoring controlled via iPhone, iPad, iPod Touch, and Android.\u003c\/li\u003e\n\u003cli\u003eQu-Control app: user-customizable wireless control interface on iPhone, iPad, or iPod Touch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong \u003eTechnical specifications of \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\" \u003eAllen \u0026 Heath\u003c\/a\u003e Qu-SB\u003c\/strong \u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMic\/Line Inputs:\u003c\/strong \u003e balanced, XLR and 1\/4\" TRS\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput sensitivity: \u003c\/strong \u003eXLR -60 to +5dBu \/ TRS -50 to +15dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAnalog Gain: \u003c\/strong \u003e-5 to +60dB, 1dB steps\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum input level: \u003c\/strong \u003eXLR +19dB \/ TRS +29dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput Impedance: \u003c\/strong \u003eXLR \u003e5kΩ \/ TRS \u003e10 kΩ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTHD+N, Unity gain 0dB: \u003c\/strong \u003e0.0005% -89dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTHD+N, Mid gain +30dB: \u003c\/strong \u003e0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo Line Inputs\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2 connectors: \u003c\/strong \u003e1\/4\" balanced TRS jacks, half-normalled\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3 connector: \u003c\/strong \u003e3.5mm unbalanced stereo mini-jack\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput sensitivity \u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2: \u003c\/strong \u003e+4dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003e0dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTrim: \u003c\/strong \u003e+\/- 24dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum input level: \u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003e+18dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput impedance: \u003c\/strong \u003e\u003e7kΩ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMix1-10 and L\/R Out\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eConnectors: \u003c\/strong \u003ebalanced XLR\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutput impedance: \u003c\/strong \u003e\u003c75Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNominal output: \u003c\/strong \u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum output level: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eResidual output noise: \u003c\/strong \u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutput impedance: \u003c\/strong \u003e\u003c75Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNominal output: \u003c\/strong \u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum output level: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eResidual output noise: \u003c\/strong \u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAES digital output: \u003c\/strong \u003e2 channels, 48kHz sample rate, XLR, 2.5 Vpp balanced terminated 110 Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003edSNAKE\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInputs: \u003c\/strong \u003eremote source for CH 1-32, ST1, ST2, ST3\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutputs: \u003c\/strong \u003epatchable from Mix1-10, L\/R, Grp1-8, MTX1-4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eCompatible with AudioRacks AR2412, AR84, AB168\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eCompatible with ME mix system\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSystem: \u003c\/strong \u003eBalanced XLR measured at XLR output, 0dB gain, 0dBu Input\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDynamic range: \u003c\/strong \u003e112dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eFrequency response: \u003c\/strong \u003e+0\/-0.5dB 20Hz to 20kHz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eHeadroom: \u003c\/strong \u003e+18dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInternal operating level: \u003c\/strong \u003e0dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003edBFS Alignment: \u003c\/strong \u003e+18dBu = 0dBFS (+22dBu at XLR output)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMeter Calibration: \u003c\/strong \u003e0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePeak meter indications: \u003c\/strong \u003e-3dBFS (+19dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSignal meter indications: \u003c\/strong \u003e-48dBFS (-26dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMeter type: \u003c\/strong \u003efast response (peak)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSample rate: \u003c\/strong \u003e48kHz +\/-100PPM\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eADC, DAC: \u003c\/strong \u003e24-bit Delta-Sigma\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eLatency: \u003c\/strong \u003e1.2 ms (XLR to XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; 0.7 ms (XLR to AES out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTemperature range: \u003c\/strong \u003e0 degrees Celsius to 35 degrees Celsius\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePower supply: \u003c\/strong \u003e100-240V AC, 50\/60Hz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput Processing\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSource\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCH1-32: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1,ST2: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB source: \u003c\/strong \u003eQu-Drive or USB B Streaming\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo link: \u003c\/strong \u003eeven\/odd input pairs\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eLink options: \u003c\/strong \u003epreamp, polarity, sidechain, fader\/mute, pan\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePolarity: \u003c\/strong \u003enormal\/inverted\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eHigh-pass filter: \u003c\/strong \u003e12dB\/octave 20Hz-20kHz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInsert: \u003c\/strong \u003eAssign FX1-4 to input channels\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDelay: \u003c\/strong \u003eup to 85ms\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eGate: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Depth\u0026nbsp; -72dBu to +18dBu \/ 0 to 60dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Hold \/ Release 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePEQ: \u003c\/strong \u003e4 fully parametric bands, 20-20kHz, +\/-15dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bands 2\/3: bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bandwidth: Non-constant Q, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCompressor: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Release: 300us \u0026ndash; 300ms \/ 100ms - 2s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Knee: soft \/ hard\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMix processing\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eChannel Direct Out to USB: \u003c\/strong \u003eFollow Fader, Follow Mute (global option)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSource selection (global): \u003c\/strong \u003ePost-Preamp, Pre-Eq, Post-Delay\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInsert: \u003c\/strong \u003eAssign FX to Mix channels\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDelay: \u003c\/strong \u003eup to 170ms\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eGEQ:\u003c\/strong \u003e Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/- 12 dB Gain\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePEQ: \u003c\/strong \u003e4 PARAMETRIC BANDS, 20Hz-20kHz, +\/-15dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bands 2\/3: bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bell bandwidth: Non-constant Q, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCompressor: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Release: 300us \u0026ndash; 300ms \/ 100ms - 2s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Knee: soft\/hard\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eFX\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eInternal effects: 4 x RackFX engine, Send\u003eReturn or Insert\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAudio Tools\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eTypes: reverb, delay, gated reverb, ADT\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Chorus, symphonic chorus, phaser, flanger\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e4 dedicated stereo returns: fader, pan, mute, routing to mix\/LR, 4-band PEQ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePAFL: \u003c\/strong \u003ePFL or stereo in-place AFL, 0 to -24dB Trim, 85ms delay\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTalkback: \u003c\/strong \u003eassignable to any mix, 12dB\/octave HPF\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSignal generator: \u003c\/strong \u003eassignable to any mix, sine wave\/pink noise\/white noise\/band-pass noise\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eRTA: \u003c\/strong \u003e31 bands 1\/3 octave 20-20kHz, PAFL source\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB audio\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eQu-Drive: \u003c\/strong \u003eUSB A\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo recording: \u003c\/strong \u003e2 channels, WAV 48kHz, 24-bit, patchable\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo playback: \u003c\/strong \u003e2 channels, WAV, 44.1 or 48kHz, 16 or 24-bit, or to ST3\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMultitrack recording: \u003c\/strong \u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMultitrack playback: \u003c\/strong \u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB audio streaming:\u003c\/strong \u003e USB B, Core Audio compliant\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSends (upstream): \u003c\/strong \u003e32 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eReturns (downstream): \u003c\/strong \u003e32 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eControls\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSoft keys: \u003c\/strong \u003e10\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMute groups:\u003c\/strong \u003e 4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDCA groups: \u003c\/strong \u003e4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNetwork: \u003c\/strong \u003eTCP\/IP Ethernet for MIDI and iPad app\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eWeight and Dimensions\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMixer: 435.5x174.5x161mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eRack-mounted: 483x135.4x177mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eShipped package dimensions: 550x270x270mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMixer weight: 5.7KG\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong \u003eMixing app \u003c\/strong \u003e\u003c\/h3\u003eQu-Pad\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Having plenty of processing power and advanced features is great, but it counts for nothing without the ability to quickly access the controls.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-SB is designed to integrate seamlessly with the Qu-Pad app for iPad, providing easy and immediate access to all settings, including the channel processing screen, meters and RTA, FX rack, scene management, USB audio control, menu setup and more.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-Pad connects to the mixer via Wi-Fi* and allows you to adjust monitors on stage, walk around the venue fine-tuning the PA, and mix the show among the audience.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;*Wi-Fi router or access point connection to the Qu Network port is required.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_Qu-Pad_Live_Main.jpg\" style=\"height:262px; width:394px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;AnalogiQTM Preamps\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's 16 fully recallable AnalogiQTM preamps feature zero-crossing detection and an advanced 1dB step padless gain stage, linked to the DSP for optimal gain precision and maximum audio transparency.\u0026lt;br \/\u0026gt;The analog signal is captured by high-class, low-latency 24-bit analog-to-digital converters, coupled with high-quality 24-bit digital-to-analog converters to provide the necessary outputs.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The AnalogiQTM design has been refined over many months to offer excellent transparency, minimal distortion, and incredibly low noise floor, with a warm and musical sound that is missing in other digital consoles.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-Close-Up-03.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;iLive FX\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's effects algorithms are derived from the FX used in the professional touring iLive series.\u0026lt;\/p\u0026gt;A group of the world's most respected sound engineers have chosen to use iLive effects in preference to high-end plug-ins and other external effects units. \u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-SB features 4 stereo iLive FX engines, with faithful emulations of classic legendary reverbs, gated reverbs, delays, modulators, flangers etc.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_iLive-FX.jpg\" style=\"height:351px; width:532px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Automatic Mic Mixer (AMM)\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;The AMM feature is vital for reducing background noise and minimising the risk of feedback in applications such as conferences, meetings and round tables where many microphones are open at the same time. The Automatic Microphone Mixer helps the engineer manage the levels of the various microphone inputs, ensuring audibility for each speaker. The D-Classic dynamic gain sharing algorithm is inspired by industry-standard automixers. Up to 16 microphone sources can be mixed simultaneously, with each channel having a priority definition that determines its \"weight\" on the system's total gain.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-AMM.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;USB Audio Streaming\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's integrated interface transmits up to 32 selectable tracks to your Mac or PC. Returns from Mac or PC can be easily assigned to input channels. The interface is compatible with OS X - truly plug 'n play. It is immediately recognised by all DAWs that support Core Audio, including Logic, Cubase, Reaper and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Standard MIDI control is via the USB connection: it's easy to map faders for tracks in your favourite DAW. A DAW Control driver is available for immediate setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-Audio.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Remote Audio Rack via dSNAKE\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB can be expanded to 38 inputs via dSNAKE, which allows remote Cat5 connection to a combination of AB168, AR2412 or AR84 AudioRacks. dSNAKE is our proprietary network solution boasting a transport latency of only 105us over cables up to 120m long.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;With AudioRacks, you can unleash the full power of Qu-SB, with access to additional outputs for Stereo Matrix, Group or Monitor Mix.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_dSnake_Feature.jpg\" style=\"height:406px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt; \u0026lt;iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZQv-tJdGGrE\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;br \/\u0026gt;\u0026lt;iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8S775isd3iQ\" frameborder=\"0\" allowfullscreen\u0026gt;\u0026lt;\/iframe\u0026gt;","brand":"ALLEN\u0026HEATH","offers":[{"title":"Default Title","offer_id":58003733774681,"sku":"GAL61931990","price":1121.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11-allen-heath-qu-sb-gal61931990_0.jpg?v=1778130973","url":"https:\/\/yourmusiconline.it\/en\/products\/qu-sb-gal61931990","provider":"yourmusiconline.it","version":"1.0","type":"link"}