{"product_id":"nautilus88at-gr-c1280200362","title":"Korg NAUTILUS88AT GR","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88AT GR (Gray)\u0026lt;\/strong\u0026gt; is a new \u0026lt;strong\u0026gt;Workstation\u0026lt;\/strong\u0026gt; model available in a \u0026lt;strong\u0026gt;limited edition\u0026lt;\/strong\u0026gt; with an elegant matte gray finish and an \u0026lt;strong\u0026gt;88-key RH3 weighted keyboard\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;aftertouch\u0026lt;\/strong\u0026gt;. The extensive internal sound library has been optimized to leverage the expressive capabilities of this control. \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; features \u0026lt;strong\u0026gt;9 sound engines\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;Smooth Sound Transition\u0026lt;\/strong\u0026gt; for seamless sound switching, and a powerful \u0026lt;strong\u0026gt;DSP\u0026lt;\/strong\u0026gt; section that generates up to \u0026lt;strong\u0026gt;16 simultaneous effects\u0026lt;\/strong\u0026gt;. The user interface is based on a color \u0026lt;strong\u0026gt;Touch Display\u0026lt;\/strong\u0026gt; and physical rotary controls, while all sound resources for live performances can be managed via \u0026lt;strong\u0026gt;128 Set Lists\u0026lt;\/strong\u0026gt;. \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; is equipped with a versatile \u0026lt;strong\u0026gt;MIDI \u0026amp; Audio Sequencer\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Full Editing\u0026lt;\/strong\u0026gt; for composing or arranging, easily integrable into the most popular \u0026lt;strong\u0026gt;DAW\u0026lt;\/strong\u0026gt; environments.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"NAUTILUS-88AT GR (Grey) is a new model of the Workstation available in a limited edition with an elegant matte gray finish and an 88-key RH3 weighted keyboard with aftertouch.\" src=\"\/images\/uploads\/\/NAUTILUS_AT_GRAY_88_1200x630.jpg\" title=\"NAUTILUS-88AT GR (Grey) is a new model of the Workstation available in a limited edition with an elegant matte gray finish and an 88-key RH3 weighted keyboard with aftertouch.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Follow the features of KORG NAUTILUS-88 AT GR in this Video Playlist\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write;encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLMVub_heeXOg6UT9jIn8_E7\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG\u0026lt;\/strong\u0026gt; \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; expands the capabilities of \u0026lt;strong\u0026gt;Synth Workstations\u0026lt;\/strong\u0026gt; thanks to its \u0026lt;strong\u0026gt;9\u0026lt;\/strong\u0026gt; sound engines, extensive PCM library, integrated \u0026lt;strong\u0026gt;MIDI \u0026amp; Audio recording\u0026lt;\/strong\u0026gt;, and studio-quality effects section, all enabled by the high computing power of the employed technology. \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; provides a wealth of resources for sound design, creation, and musical production, with a logical and intuitive Workflow, thanks to \u0026lt;strong\u0026gt;KORG's\u0026lt;\/strong\u0026gt; many years of experience in developing and refining powerful and versatile instruments like \u0026lt;strong\u0026gt;NAUTILUS\u0026lt;\/strong\u0026gt; with which you can immediately connect.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features of NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Nine different sound engines\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SST Smooth Sound Transition\u0026lt;\/strong\u0026gt; seamless sound switching\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Sound Library optimized for aftertouch\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Real-time dynamics control with the \u0026lt;strong\u0026gt;DYNAMICS\u0026lt;\/strong\u0026gt; knob\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Real-time parameter editing with \u0026lt;strong\u0026gt;RT Controls\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Intuitive graphical interface\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Color \u0026lt;a href=\"#TouchDisplay\"\u0026gt;\u0026lt;strong\u0026gt;TouchView\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; display\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Polyphonic arpeggiator and Drum Track\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;a href=\"#SetList\"\u0026gt;\u0026lt;strong\u0026gt;Set List mode\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; essential for Live Performances\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Open Sampling System\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;16-track MIDI \u0026amp; Audio Sequencer with Full Edit\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Up to 16 simultaneous effect processors\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Control surfaces can be connected to the USB\/MIDI ports\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;88-key keyboard with velocity and aftertouch\u0026lt;\/strong\u0026gt;.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The nine sound engines of NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; features nine different sound engines, each specializing in the production or synthesis of a specific timbre family. \u0026lt;strong\u0026gt;SGX-2\u0026lt;\/strong\u0026gt; generates a wide selection of acoustic pianos drawing from an extensive \u0026lt;strong\u0026gt;PCM\u0026lt;\/strong\u0026gt; library without \u0026lt;em\u0026gt;Loops\u0026lt;\/em\u0026gt;, articulated across \u0026lt;strong\u0026gt;12 dynamic levels\u0026lt;\/strong\u0026gt;, including nuances such as string resonance and key release noise. \u0026lt;strong\u0026gt;EP-1\u0026lt;\/strong\u0026gt; realistically reproduces the timbres of the most famous models of electric pianos with tines and reeds. \u0026lt;strong\u0026gt;CX-3\u0026lt;\/strong\u0026gt; emulates the unmistakable timbre of \u0026lt;em\u0026gt;Tone Wheel\u0026lt;\/em\u0026gt; organs, including the essential \u0026lt;strong\u0026gt;Rotary Speakers\u0026lt;\/strong\u0026gt; amplifier. These are joined by the synthesis modules \u0026lt;strong\u0026gt;MOD-7: VPM \/ FM, PolysixEX\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;MS-20EX\u0026lt;\/strong\u0026gt; for analog modeling, and \u0026lt;strong\u0026gt;STR-1\u0026lt;\/strong\u0026gt; for physical modeling. Used individually as Programs or combined in Combinations, the Sound Engines produce all the sounds of \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;, from \u0026lt;strong\u0026gt;Vintage\u0026lt;\/strong\u0026gt; to the most modern or futuristic.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"KORG NAUTILUS-61 Integrates an advanced multi-synthesis sound engine with 9 different Sound Engines\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_02.jpg\" title=\"KORG NAUTILUS-61 Integrates an advanced multi-synthesis sound engine with 9 different Sound Engines\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR SST Smooth Sound Transition\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;, selecting various operating modes or musical resources does not cause any sound interruption. It is possible to recall \u0026lt;strong\u0026gt;Programs\u0026lt;\/strong\u0026gt; or \u0026lt;strong\u0026gt;Combis\u0026lt;\/strong\u0026gt;, or switch from Program mode to Combi, or even switch between Songs on the Sequencer, always maintaining the original decay and effects during changes, with a smooth, seamless transition. This feature is widely appreciated and praised by all musicians.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR the Sound Library\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;For timbre selection on \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;, a completely new approach was applied, setting aside all preconceptions and conventions regarding Workstations, and thus devising a new type of classification capable of surpassing the boundaries of sampling and Sound Design. On \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;, sounds are divided into three main groups:\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Exclusive Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In this category, \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; offers exclusive and particular sounds such as: \u0026lt;em\u0026gt;Loops\u0026lt;\/em\u0026gt; with musical phrases, prepared pianos, original percussion, and much more. Characteristic musical phrases of rare, difficult-to-find and play instruments have been created and included in the internal sound library, freely usable in your musical pieces; and other unusual timbres like the \"\u0026lt;em\u0026gt;prepared\u0026lt;\/em\u0026gt;\" piano, whose timbre is modified by inserting screws, pieces of wood, and other objects between the strings, with very evocative results; or percussion sounds made using ordinary objects like kitchen tools or other items. These sounds can add original colors to your compositions or arrangements, and also represent a valuable resource for musicians who create sound design and music for images.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Modern Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; features the most up-to-date timbres suitable for the current music scene for genres such as: \u0026lt;strong\u0026gt;EDM, Electro, and Chiptune\u0026lt;\/strong\u0026gt;; with advanced Synth timbres, Drum Kits, and special effects that also facilitate the creation of effective Beats and Grooves for Dance music. The over 50 Drum Kits on this instrument offer a wide variety of percussive sounds capable of adequately representing the rhythmic evolution in musical styles of recent decades.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Standard Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;On \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt;, essential workstation sounds have been carefully crafted: acoustic pianos, electric pianos, guitars, basses, etc., to satisfy all musical genres. For the new acoustic piano sounds, the acoustics of the recording room were also sampled, with the possibility of personally mixing the direct sound with the ambiance; a new electric piano model with a characteristic full-bodied timbre, particularly suitable for Funk, has also been added.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR real-time dynamics control\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Using the \u0026lt;strong\u0026gt;DYNAMICS\u0026lt;\/strong\u0026gt; knob, it's possible to control timbre and volume variations introduced by keyboard \u0026lt;em\u0026gt;Velocity\u0026lt;\/em\u0026gt;, and make them match the style of the played piece. Turning this knob allows for a completely different \u0026lt;em\u0026gt;feeling\u0026lt;\/em\u0026gt;, even when using the same sound. This is an additional method to adapt the instrument to your needs. By playing the keyboard and turning the \"\u0026lt;em\u0026gt;Dynamics\u0026lt;\/em\u0026gt;\" knob to the left, you get a softer sound with a wider dynamic range, which allows for delicate and expressive passages, ideal for accompanying singers or solo instruments. Turning the knob to the right, on the other hand, makes the dynamic response more energetic and uniform; particularly useful for making a timbre stand out more, such as in solos.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR physical controls\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The six \u0026lt;strong\u0026gt;RT (Real Time)\u0026lt;\/strong\u0026gt; knobs on the panel allow for direct modification of \u0026lt;strong\u0026gt;PROGRAM\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;COMBI\u0026lt;\/strong\u0026gt;. Each knob can be assigned a variety of functions, such as timbre editing with: Filter Cut Off, effect level; control of the arpeggiator or Drum Track with Gate, tempo speed, Swing, Snare type, and much more. In COMBI mode, it's possible to group different timbres and control their volume with a single knob. To prevent accidental modification during a Performance, they can be fully recessed into the panel by simply pressing them, thus locking their position. This also allows you to select only the most frequently used ones, hiding the others.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"KORG NAUTILUS-61 features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_06.jpg\" title=\"KORG NAUTILUS-61 features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR user interface\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;For \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR KORG\u0026lt;\/strong\u0026gt; has designed a user interface capable of speeding up and facilitating every operation. Normally, adding functions tends to increase the number of physical controls on the panel; in this case, however, the path of maximizing operational speed and intuitiveness has been followed. The \u0026lt;strong\u0026gt;MODE\u0026lt;\/strong\u0026gt; button displays the selection of operating modes: PROGRAM, COMBI, SET LIST, SAMPLING, SEQUENCE, and GLOBAL on a single screen. In each MODE, access to functions is achieved through TABs, while the PAGE buttons allow for more in-depth modifications with intuitive procedures. This navigation system allows you to always return to the initial phase by simply pressing the MODE button. The display operates in \u0026lt;em\u0026gt;Dark\u0026lt;\/em\u0026gt; mode, which uses black as the main color to reduce eye strain. There are also \u0026lt;strong\u0026gt;6 programmable shortcut buttons\u0026lt;\/strong\u0026gt;, which can be assigned to a range of functions such as: selecting Program or Combi modes, transport buttons for the Sequencer, etc. 4 different ready-to-use Templates are available, but it is possible to create and save your own settings.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR the \u0026lt;a id=\"TouchDisplay\" name=\"TouchDisplay\"\u0026gt;Touch Display\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The nerve center of the \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; user interface is the large color \u0026lt;strong\u0026gt;(800 x 480 pixel) WVGA TouchView\u0026lt;\/strong\u0026gt; display; with which it is possible to select or directly modify a sound or parameter with a simple touch of a finger thanks to \u0026lt;strong\u0026gt;Touch Drag\u0026lt;\/strong\u0026gt;. A series of graphical and interactive tools are also available that facilitate programming, such as adjusting the grand piano lid opening on \u0026lt;strong\u0026gt;SGX-2\u0026lt;\/strong\u0026gt;, or connecting virtual patch cables on MS-20EX. The display features a search function: \u0026lt;strong\u0026gt;Search\u0026lt;\/strong\u0026gt;, useful for locating any musical resource based on a search key.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR the \u0026lt;a id=\"SetList\" name=\"SetList\"\u0026gt;Set Lists\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The SET LIST mode of \u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; allows for personal organization of sound resources. Each SET LIST is composed of a fundamental unit called a \u0026lt;strong\u0026gt;SLOT\u0026lt;\/strong\u0026gt;; there are 128 SLOTS in each SET LIST, and 128 SET LISTs are immediately available. Each SLOT can be given a name and assigned a musical resource based on needs: PROGRAM, COMBI, or SONG. From this, it is also possible to control parameters such as the volume of the selected resource, display text, or color it appropriately to highlight it within the list; each SLOT can also be moved and positioned where desired, or copied or deleted. This operational mode can meet any Live requirement, thanks to the possibility of programming the exact succession of musical resources needed. Finally, each SET LIST has a \u0026lt;strong\u0026gt;9-band graphic equalizer\u0026lt;\/strong\u0026gt;, placed at the end of the audio chain and \u0026lt;strong\u0026gt;independent\u0026lt;\/strong\u0026gt; of the effects section, with which to modify or correct the overall tonal response of NAUTILUS depending on the environment in which the Performance takes place.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"NAUTILUS-88 offers great versatility in Live use thanks to programmable Set Lists\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_10.jpg\" title=\"NAUTILUS-88 offers great versatility in Live use thanks to programmable Set Lists\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR Open Sampling System\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; utilizes the KORG Open Sampling System, for quickly sampling an external audio source, or resampling a Performance executed on NAUTILUS, regardless of the selected operating mode. The timbral possibilities offered by the instrument's vast internal Sample library are significantly expanded by the \u0026lt;strong\u0026gt;SAMPLE USER\u0026lt;\/strong\u0026gt; area, which, thanks to \u0026lt;strong\u0026gt;VMT (Virtual Memory Technology)\u0026lt;\/strong\u0026gt;, allows the use of personal samples, maximizing the Workstation's SSD capacity. \u0026lt;strong\u0026gt;Samples\u0026lt;\/strong\u0026gt; in various formats can be loaded via the USB port: AIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000; if the amount of data is truly significant, it is also possible to use a high-speed Ethernet USB adapter. On NAUTILUS, it is therefore possible to use samples created on a computer for your compositions, arrangements, or productions.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR the Sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 AT GR\u0026lt;\/strong\u0026gt; features a powerful Sequencer\/Recorder with \u0026lt;strong\u0026gt;16 MIDI tracks\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;16 Audio tracks\u0026lt;\/strong\u0026gt; for creating songs or musical arrangements. This section has functions that facilitate and stimulate musical inspiration, with the ability to record polyphonic arpeggiators, Drum Tracks, or RPPR (Realtime Pattern Play\/Recording), resulting in professional quality in a short time. The 16-track Audio Recorder captures up to 4 tracks simultaneously in: 16-bit\/24-bit 48 kHz format.\u0026lt;\/p\u0026gt;During their Playback, it is possible to add effects, resample the obtained result, and import the Wav file into a Sequencer track. Editing functions such as Copy, Paste, Normalize, and mixing automation are also present.\u003c\/p\u003e\u003ch2\u003e\u003cstrong style=\"text-align: justify;\"\u003ePolyphonic Arpeggiator and Drum Track\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align:justify\"\u003eThese modules provide effective interactive musical support for every performance, with a wide library of rhythmic and melodic patterns; 4 different scenes are also available where different patterns can be set and recalled instantly; ideal for improvising, for Performances, or for quickly recording backing tracks or complete arrangements on the Sequencer.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eNAUTILUS-88 AT GR effects\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003eThe powerful DSP section of \u003cstrong\u003eNAUTILUS-88 AT GR\u003c\/strong\u003e can produce up to \u003cstrong\u003e16 effects\u003c\/strong\u003e simultaneously, selectable from \u003cstrong\u003e197 different types,\u003c\/strong\u003e divided into 3 categories: Insert, Master, and Total FX. Insert effects apply to single or multiple timbres of a Combi's or Sequencer's Timbre\/Track. \u003cstrong\u003eMaster 1\u00262\u003c\/strong\u003e effects can be adjusted for all tracks with their respective sends (\u003cstrong\u003eSend 1\u00262\u003c\/strong\u003e), while \u003cstrong\u003eTotal\u003c\/strong\u003e effects act globally on the entire instrument. Additionally, for each timbre, MIDI, and Audio track of the Sequencer, a three-band equalizer is available to correct tonal balances or to creatively modify the sound.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eControl surfaces can be connected to the USB\/MIDI ports\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e can be connected directly to any USB\/MIDI Class-Compliant controller, such as \u003cstrong\u003eKORG MIDI USB\u003c\/strong\u003e controllers with Pads like: nanoPAD, nanoPAD2, padKONTROL with these it is possible to play percussion parts, for example, or trigger chords in Chord mode.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eNAUTILUS-88 AT GR Bundle Software\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eNAUTILUS-88 AT GR \u003c\/strong\u003ecomes with a wide range of music software including: Izotope's \"Ozone Elements\", an AI-powered mastering software, \"Skoove\", an educational application to improve keyboard skills, \"Lite Reason\" DAW Software, as well as various synth software from KORG and other brands. In other words, as soon as you get your hands on this Synth, you have a variety of applications that help create your music.\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eApps for iPad\/iPhone\u003c\/li\u003e    \u003cli\u003eKORG Gadget 2 Le (music production studio DAW app)\u003c\/li\u003e    \u003cli\u003eKORG Module (piano\/keyboard sound module app)\u003c\/li\u003e    \u003cli\u003eSoftware for Mac\/Windows\u003c\/li\u003e    \u003cli\u003eKORG Collection - M1 Le (synthesizer sound module)\u003c\/li\u003e    \u003cli\u003eUVI Digital Synsations (synthesizer sound module)\u003c\/li\u003e    \u003cli\u003eAAS Ultra Analog Session (synthesizer sound module)\u003c\/li\u003e    \u003cli\u003eAAS Strum Session (acoustic guitar sound module)\u003c\/li\u003e    \u003cli\u003eAAS Lounge Lizard Session (electric piano sound module)\u003c\/li\u003e    \u003cli\u003eReason Studios Reason Lite (DAW music production software)\u003c\/li\u003e    \u003cli\u003eSkoove free 3 month trial of Skoove Premium (online piano lesson)\u003c\/li\u003e    \u003cli\u003eKORG Gadget 2 Le for Mac (DAW music production software)\u003c\/li\u003e    \u003cli\u003eiZotope Ozone Elements (Audio Mastering Plug-in Software)\u003c\/li\u003e\u003c\/ul\u003e\u003chr \/\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eKORG NAUTILUS-88 AT GR Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003e[System] - N\u003c\/strong\u003eAUTILUS System Version 3.0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKeyboard - 88 Keys: RH3 Weighted, A - C, Velocity Sensitive, \u003cu\u003ewith After Touch\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e[Sound Generator] - Synthesis Types: \u003c\/strong\u003e9\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eSGX-2\u003c\/strong\u003e: Premium Piano (Acoustic Piano)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEP-1\u003c\/strong\u003e: MDS Electric Piano (Electric Piano)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eHD-1\u003c\/strong\u003e: High Definition Synthesizer (PCM)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAL-1\u003c\/strong\u003e: Analog Synthesizer (Analog Modeling)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCX-3\u003c\/strong\u003e: Tonewheel Organ (Tonewheel Organ Modeling)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSTR-1\u003c\/strong\u003e: Plucked String (Physical Modeling)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMOD-7\u003c\/strong\u003e: Waveshaping VPM Synthesizer (VPM Synthesis)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMS-20EX\u003c\/strong\u003e: Component Modeling Technology (Analog Modeling)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePolysixEX\u003c\/strong\u003e: Component Modeling Technology (CMT Analog Modeling)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMaximum Polyphony *1*2:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eSGX-2: 100 Voices *3\u003c\/li\u003e    \u003cli\u003eEP-1: 104 Voices\u003c\/li\u003e    \u003cli\u003eHD-1: 140 Voices\u003c\/li\u003e    \u003cli\u003eAL-1: 80 Voices\u003c\/li\u003e    \u003cli\u003eCX-3: 200 Voices\u003c\/li\u003e    \u003cli\u003eSTR-1: 40 Voices\u003c\/li\u003e    \u003cli\u003eMOD-7: 52 Voices\u003c\/li\u003e    \u003cli\u003eMS-20EX: 40 Voices\u003c\/li\u003e    \u003cli\u003ePolysixEX: 180 Voices\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cem\u003e*1: In some rare cases, when using many system-intensive effects simultaneously (e.g., 14 instances of O-Verbs), polyphony may be slightly reduced.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e*2: A portion of the multicore processor in NAUTILUS is dedicated to voice generation and a portion to effects. NAUTILUS dynamically allocates processing power between generators as needed. The maximum number of voices cited applies when 100% of the processing power is dedicated to a single generator.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e*3: 100 Dual-Stereo Voices are equivalent to 400 Mono Voices\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePreset PCM - \u003c\/strong\u003e496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInternal PCM Sound Libraries:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eEXs301: German2 D Piano\u003c\/li\u003e    \u003cli\u003eEXs302: Italian F Piano\u003c\/li\u003e    \u003cli\u003eEXs303: Japanese Upright U Piano\u003c\/li\u003e    \u003cli\u003eEXs304: Prepared Piano\u003c\/li\u003e    \u003cli\u003eEXs305: Historical Keyboards\u003c\/li\u003e    \u003cli\u003eEXs306: Vintage Keyboards 2\u003c\/li\u003e    \u003cli\u003eEXs307: Strings \u0026 Synths\u003c\/li\u003e    \u003cli\u003eEXs308: Guitar Collection\u003c\/li\u003e    \u003cli\u003eEXs309: Bass Collection\u003c\/li\u003e    \u003cli\u003eEXs310: World Essence\u003c\/li\u003e    \u003cli\u003eEXs311: Background Loops\u003c\/li\u003e    \u003cli\u003eEXs312: SFX \u0026 Hits\u003c\/li\u003e    \u003cli\u003eEXs313: Found Percussions\u003c\/li\u003e    \u003cli\u003eEXs314: Expansion Drums\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePCM RAM Capacity: \u003c\/strong\u003eApproximately 2GB *4\u003c\/p\u003e\u003cp\u003e\u003cem\u003e*4: The memory available for Samples varies depending on the use of expansion PCM libraries and User Sample banks. Approximately 760 MB are available from the factory (during the loading of the file named “PRELOAD.KSC”).\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWave Sequences: \u003c\/strong\u003e598 User memory, 377 Preload\u003c\/p\u003e\u003cp\u003eSupport Stereo multisamples, single note synchronization, and Tempo (BPM) based settings.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[SGX-2 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePremium Piano:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eChromatic sampling of all 88 piano keys across 12 Velocity levels, without Loops.\u003c\/li\u003e    \u003cli\u003eReproduction of: Damper resonance and mechanical noises (pedals, key releases).\u003c\/li\u003e    \u003cli\u003eSupports Sample: Una Corda sample\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePCM: \u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eEXs301 – German2 D Piano - 12 Velocity levels, adjustable recording environment\u003c\/li\u003e    \u003cli\u003eEXs302 – Italian F Piano - 12 Velocity levels – No Una Corda\u003c\/li\u003e    \u003cli\u003eEXs303 – Japanese Upright U Piano - 8 Velocity levels\u003c\/li\u003e    \u003cli\u003eExs304 – Prepared Piano – 1 to 4 Velocity levels\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePiano Types: \u003c\/strong\u003e28\u003c\/p\u003e\u003cp\u003e(With Factory settings, 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. This option must be downloaded. (Will be released later.). \u003cstrong\u003eGeneration Control: \u003c\/strong\u003eDamper Resonance, Damper Noise, Mechanical Noise, Note Release, Modeled String Resonance, Una Corda.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[EP-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eMDS Electric Piano: \u003c\/strong\u003eReproduces typical electric pianos: Tine and Reed using Multi-Dimensional Synthesis (MDS) technology, and vintage effects.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eElectric Piano Models:\u003c\/strong\u003e 7 Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eGeneration Control: \u003c\/strong\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eControl Panel: \u003c\/strong\u003eTine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive) Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEffect Types: \u003c\/strong\u003e9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[HD-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Vector Synthesis: \u003c\/strong\u003eControl of oscillator volume, synthesis parameters, and effects via Vector Joystick and Tempo-synchronized Vector Envelope.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003c\/li\u003e    \u003cli\u003eDouble mode: allows two independent synthesis channels to be superimposed, each with its own: oscillators, filters, EG, LFO, etc.\u003c\/li\u003e    \u003cli\u003eDrums: 1 Drum Kit, Double Drums: 2 Drum Kits.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOscillators: \u003c\/strong\u003e8 Velocity Zones per oscillator, with Switching, Crossfades and Layering - each zone can reproduce mono or stereo Multisamples or Wave Sequences\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003eTwo multi-mode filters per voice: low-pass, high-pass, band-pass, and band-reject), 4 different filter Routings: single, serial, parallel, and 24dB mode)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e: 3 Bands, with Sweepable Mids\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDriver: \u003c\/strong\u003eNon-linear Driver and Low Boost circuits for each voice\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e3 Envelope Generators, 2 LFO per voice, Common LFO, 4 Key Tracking Generators, AMS (Alternate Modulation Source), 2 AMS Mixers\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFunctions: Quick Layer\/Split \u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003e[EXi Program Common]\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAdvanced Vector Synthesis: \u003c\/strong\u003eControl of oscillator volume, synthesis parameters, and effects via Vector Joystick and Tempo-synchronized Vector Envelope.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEQ: \u003c\/strong\u003e3 Bands, with \u003cem\u003eSweepable\u003c\/em\u003e Mids\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[AL-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eOscillators: \u003c\/strong\u003eUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM, and Sync\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAudio Input: \u003c\/strong\u003eExternal audio sources can be processed through: Ring Modulator, Filter, Driver, Amp, and EQ\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003e2 multi-mode filters: low-pass, high-pass, band-pass, and band-reject. 4 types of Routings: single, serial, parallel, and 24dB mode), Multi Filter mode only Filter-A; a modulable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDriver: \u003c\/strong\u003eNon-linear Driver and Low Boost circuits for each voice\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e5 Envelope Generators, 4 LFO per voice, 2 AMS Mixers; Step Sequencer Per voice.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eQuick Layer \/ Split Function\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[CX-3 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eTonewheel Organ Modeling: \u003c\/strong\u003ePhase-synchronous tonewheels, models: clean and vintage, percussion, key click, wheel brake\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEX Mode: \u003c\/strong\u003e4 user-specified additional Drawbars, expanded percussion.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eInternal Effects: \u003c\/strong\u003eRotary Speaker, Vibrato\/Chorus, Amp Modeling with Overdrive, 3-Band EQ\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDrawbar Control: \u003c\/strong\u003eFrom the TouchView Display\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSplit: \u003c\/strong\u003eUpper, Lower (Also in EX mode)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulation: \u003c\/strong\u003e2 AMS Mixers\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[STR-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003ePhysically Modeled String: \u003c\/strong\u003ePhysical modeling of: damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters are controllable in real time.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eString Excitation: \u003c\/strong\u003e3 different excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 types of Preset “pluck” with modulation and randomization. Noise generator with saturation and dedicated Low Filter.         \u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePCM Oscillators: \u003c\/strong\u003eUltra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eExcitation Filter: \u003c\/strong\u003eDedicated 2-pole multimode filter, for modeling the string exciter. The filter can be activated\/deactivated separately for each excitation source. Modes: Low Pass, High Pass, Band Pass, and Band Reject.  \u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAudio Input Audio and Feedback:\u003c\/strong\u003e it is possible to pass real-time audio through the string, Feedback included also through the effects. Feedback includes distance and orientation from instrument to amplifier, both modulable.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003e2 Multi-mode filters per voice; configurations: Single, Serial, Parallel (with Stereo Split output), and 24dB (4-pole). Modes: Low Pass, High Pass, Band Pass, and Band Reject.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMulti Filter Mode (Filter A Only). \u003c\/strong\u003eA modulable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e5 Envelopes, 4 LFO per voice, 2 Key Track Generators, String Tracking Generators, 4 AMS Mixers.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[MOD-7 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eWaveshaping VPM Synthesizer: \u003c\/strong\u003eCombines: Variable Phase Modulation (VPM), Waveshaping Ring Modulation, PCM Sample Playback, and Subtractive Synthesis; Capable of converting SYX type files.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOscillators:\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003e6 VPM\/Waveshaper\/Ring Modulation: \u003c\/strong\u003ePhase and Pitch Modulation for each oscillator. 101 Waveshaper Tables plus modulable Drive and Offset. Possibility of use: as oscillators, Waveshapers or Ring Modulators for other signals.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePCM Oscillators: \u003c\/strong\u003eUltra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAudio Inputs: \u003c\/strong\u003epossibility of real-time audio processing through VPM oscillators and filters.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003eDual Multi-Mode filter per voice. Modes: Low Pass, High Pass, Band Pass, and Band Reject, 2 types of Filter Looping: Parallel and 24 dB “4-Pole”)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMulti Filter Mode (Filter A Only): \u003c\/strong\u003eA modulable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePatch Panel: \u003c\/strong\u003eSupports: 78 types of preset algorithms and Free Patching (free connection). 3 Mixers: 2-in\/1-out for audio processing, fully modulable, with Phase Inversion.\u003c\/li\u003e\u003c\/ul\u003eMain 6-Input Stereo Mixer, with modulable pan and volume, plus Phase Inversion.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e10 Envelopes, 4 LFOs per voice, 9 Key Tracking Generators, Step Sequencer per voice, 4 Standard AMS Mixers plus 4 simple AMS Mixers.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[MS-20EX Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eOscillators: \u003c\/strong\u003eUltra-low-aliasing Oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAudio Inputs: \u003c\/strong\u003eIt's possible to process audio signals through the synthesis engine and the ESP (External Signal Processor)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003e12dB\/octave High Pass and Low Pass self-oscillating\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eESP Section: \u003c\/strong\u003e24dB\/octave Low Cut and High Cut Filters, available per voice.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePatch Panel: \u003c\/strong\u003ePatchable Audio and Modulation, Audio Rate\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePatch Points:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eKeyboard\u003c\/strong\u003e - \u003cstrong\u003eKeyboard: \u003c\/strong\u003eKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eVCO: \u003c\/strong\u003eVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eVCF: \u003c\/strong\u003eExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eVCO+VCF: \u003c\/strong\u003eTotal External Modulation In\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eVCA: \u003c\/strong\u003eExternal Initial Gain Control In, VCA In\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEG: \u003c\/strong\u003eEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMG: \u003c\/strong\u003eTriangle Out, Rectangle Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eNoise Generator: \u003c\/strong\u003ePink Noise Out, White Noise Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSample and Hold: \u003c\/strong\u003eClock Trigger In, Sample Signal In, S\/H Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulation VCA: \u003c\/strong\u003eControl Voltage In, Signal In, Signal Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eManual Controller\u003c\/strong\u003e - \u003cstrong\u003eManual Controller: \u003c\/strong\u003eControl Wheel Out, Momentary Switch\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eESP: \u003c\/strong\u003eSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOther: \u003c\/strong\u003eEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eESP (External Signal Processor): \u003c\/strong\u003eUses the input audio as a Trigger and\/or CV source.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and-Hold, MVCA, NAUTILUS: 4 additional multi-stage envelopes, 4 additional LFOs per voice, and 4 AMS Mixers.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[PolysixEX Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eOscillators: \u003cstrong\u003eVCO\u003c\/strong\u003e: Saw, Pulse, PWM - \u003cstrong\u003eSub Oscillator\u003c\/strong\u003e: Off, 1 octave below, 2 octaves below\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e: 24dB(4-Pole) Octave Low Pass with self-oscillation\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e: Built-in Polysix Chorus, Phaser, and Ensemble\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e: Built-in MIDI syncable Arpeggiator, with: adjustable Range, Mode, and Latch\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e: Polysix: Original ADSR EG and MG (with MIDI sync). NAUTILUS: 2 additional multi-stage envelopes, 2 additional LFOs per voice, and 4 AMS Mixers.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[Combination]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eNumber of Timbres, Master Keyboard functions\u003c\/strong\u003e: Max.16\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eUses up to 16 programs in: Keyboard \u0026amp; Velocity Splits, Layers, and Crossfades and\/or control of external MIDI devices.\u003c\/li\u003e    \u003cli\u003eThe Tone Adjust Parameter function allows you to modify Programs, while the Master Keyboard function controls external MIDI devices.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Vector Synthesis:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eControls oscillator levels, synthesis parameters, and effects via Vector Joystick and\u003c\/li\u003e    \u003cli\u003eVector Envelope, syncable to tempo.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eQuick Layer\/Split Function\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[Drumkit]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSystem\u003c\/strong\u003e: Assignment of Stereo\/Mono samples with 8 velocity zones per oscillator (with Crossfade functions)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e[Number of Programs\/Combinations\/Drum kits]\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e2,560 User Program Memory (1,920 [1,280 HD-1+ 640 EXi] Preloaded)\u003c\/li\u003e    \u003cli\u003e1,792 Combinations User Memory (256 Preloaded)\u003c\/li\u003e    \u003cli\u003e264 Drum Kits User Memory (104 Preloaded)\u003c\/li\u003e    \u003cli\u003e256 GM Level2 Programs Preset + 9 GM Level 2 Drum Programs Preset\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[Set List]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eNumber of Set Lists\/Slots\u003c\/strong\u003e: 128 Set Lists, 128 Slots per Set List - Each Set List has a 9-band Graphic EQ, and for each Slot, the following functions are available: Tone Adjust which regulates Program settings, Transpose, Hold Time for SST (Smooth Sound Transition).\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[Sampling] - System\u003c\/strong\u003e: Open Sampling System (Resampling, In-Track Sampling)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eBit Resolution \/ Sampling Frequency:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eRAM: 16-bit\/48 kHz Stereo\/Mono Sampling\u003c\/li\u003e    \u003cli\u003eDISK: 16 or 24-bit\/48 kHz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSampling Times: RAM: Depends on the amount of available PCM RAM - DISK: 80 minutes Stereo Max. (879MB: 16bit)\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eSample Locations\u003c\/strong\u003e: 16,000 Samples\/4,000 Multisamples (128 index per Multisample)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFormats\u003c\/strong\u003e: KORG, AKAI S1000\/S3000 data (with \"Advanced Program Parameter Conversion\"); SoundFont 2.0, AIFF, and WAVE\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEditing\u003c\/strong\u003e: Time Stretch, Time Slice, Crossfade Loop, and other Standard Audio Editing functions.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e[Effects]\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eInsert Effects: \u003c\/strong\u003e12 - Stereo in \/ stereo out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMaster Effects:\u003c\/strong\u003e 2 - Stereo in \/ stereo out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eTotal Effects: \u003c\/strong\u003e2 - Stereo in \/ stereo out\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eTimbre EQ: \u003c\/strong\u003ea 3-band EQ for each Timbre\/Track\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eEffect Types: \u003c\/strong\u003e197\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003eDynamic Modulation and Common LFO\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEffect Control Busses: \u003c\/strong\u003eStereo Side-Chaining for: compressors, gates, vocoders, etc.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eEffect Presets: \u003c\/strong\u003e783 total Presets, Max. 32 per effect (User Presets)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e[Arpeggiator]\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eArpeggiator Modules: \u003c\/strong\u003e1 module in Program mode, 2 modules in Combination and Sequencer mode\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eArpeggio Pattern: \u003c\/strong\u003e5 presets + ARP A 2,048 Slots (1,593 Preload) + ARP B 128 slots\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eControls: \u003c\/strong\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[Drum Track]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eDrum Track Patterns: \u003c\/strong\u003e1,272 Preset (Shared with MIDI Sequencer Preset Patterns)\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e1,000 User Patterns\u003c\/li\u003e    \u003cli\u003ePatterns created on the Sequencer can be converted into Drum Track User Patterns.\u003c\/li\u003e    \u003cli\u003eTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo can be set.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[Sequencer\/HDR]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e16-track MIDI Sequencer + 16-track Audio (Hard Disk Recorder) + 1 Master Track.\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eNumber of Songs: \u003c\/strong\u003e200 Songs\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eResolution: \u003c\/strong\u003e1\/480\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eTempo:\u003c\/strong\u003e 40.00 – 300.00 (1\/100 BPM resolution)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMemory Capacity: \u003c\/strong\u003e400,000 MIDI events or 300,000 Audio events\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eMIDI Tracks: \u003c\/strong\u003e16 Tracks + 1 Master Track, 697 Preset \/ 100 User Patterns (per Song), 18 Preset\/16 User Template Songs\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFormats: \u003c\/strong\u003eKORG (NAUTILUS, KRONOS, OASYS), SMF formats 0 and 1.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAudio Tracks: \u003c\/strong\u003e16-Track Playback, 4-Track simultaneous recording, Format: WAV file 16bit\/24bit.\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eMaximum recording time for a single audio file (Mono): \u003c\/strong\u003e80 minutes\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eAutomation: \u003c\/strong\u003eVolume, Pan, EQ, Send1\/2; 10,000 Regions (max.), Event Anchors, BPM adjustment\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eRPPR (Realtime Pattern Play \u0026amp; Record): \u003c\/strong\u003e 1 Pattern Set Per Song\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eFunction: Auto Song Setup \u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[General]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eDisk Mode: \u003c\/strong\u003eLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eControls: \u003c\/strong\u003eJoystick, Switches 1 \u0026amp; 2\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eArpeggiator Controls: \u003c\/strong\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDRUM TRACK: \u003c\/strong\u003eOn\/Off, Swing, Drum SD, Tempo\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDisplay: \u003c\/strong\u003e\"TouchView\" graphical User Interface, 7-inch color TFT, WVGA (800 x 480), adjustable brightness\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eGeneral Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e20Hz-22kHz, +\/-1.0dB, 10k Ω load\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eTHD+N: \u003c\/strong\u003e20Hz-22kHz, 0.01%, 10k Ω load (typical)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eS\/N: \u003c\/strong\u003e95dB (typical)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eDynamic Range: \u003c\/strong\u003e95dB (typical)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e: 95dB, at 1kHz (typical)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eOutputs: L\/MONO, R, Individual 1-4: \u003c\/strong\u003e1\/4” TRS Balanced\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\u003c\/li\u003e    \u003cli\u003eNominal Level: +4.0 dBu,\u003c\/li\u003e    \u003cli\u003eMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eThe MAIN VOLUME slider controls AUDIO OUTPUT (MAIN) L\/MONO and R only\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHeadphones: \u003c\/strong\u003e1\/4” stereo phone jack\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eOutput Impedance: 33 Ω,\u003c\/li\u003e    \u003cli\u003eMaximum Level: 60+60 mW (when load impedance is 33 Ω),\u003c\/li\u003e    \u003cli\u003eMAIN VOLUME knob (connected to: AUDIO OUTPUT (MAIN)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eUSB-B: \u003c\/strong\u003e 24-bit, Sampling Frequency: 48 kHz, 2 Audio Channels - (Digital signal of outputs: AUDIO OUTPUT (MAIN) L\/MONO and R\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Inputs 1 \u0026amp; 2: \u003c\/strong\u003e1\/4” TRS Balanced\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eInput Impedance: 10 kΩ\u003c\/li\u003e    \u003cli\u003eNominal Level: LINE +4 dBu\u003c\/li\u003e    \u003cli\u003eMaximum Level: LINE +16 dBu\u003c\/li\u003e    \u003cli\u003eNominal Level: MIC –22 dBu\u003c\/li\u003e    \u003cli\u003eMaximum Level: MIC -10 dBu\u003c\/li\u003e    \u003cli\u003eSource Impedance: 600 Ω\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eUSB-B: \u003c\/strong\u003e24-bit, Sampling Frequency: 48 kHz, 2 Audio Channels\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eControl Inputs: \u003c\/strong\u003eDamper pedal (Half Damper supported), Assignable Switch, Assignable Pedal\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMIDI:\u003c\/strong\u003e In, Out, Thru (DIN)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUSB:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eUSB A (TYPE A) : for connecting USB devices such as: QWERTY keyboard, MIDI controllers, ethernet adapters, mass storage\u003c\/li\u003e    \u003cli\u003eUSB B (TYPE B) : Audio\/MIDI Interface, MIDI: 1 (16 channels) input \/ 1 (16 channels) output, Audio: 2 input channels \/ 2 output channels\u003c\/li\u003e    \u003cli\u003e*2 High-Speed USB ports (supports 480Mbps)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDisk Drives: \u003c\/strong\u003e60 GB SSD (2.5”)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e AC power terminal, Switch\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions: (W x D x H)\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eKORG NAUTILUS 61: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eKORG NAUTILUS 61\u003c\/strong\u003e: \u003cstrong\u003e13.0 kg\u003c\/strong\u003e \/ 28.66 lbs.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePower Consumption: \u003c\/strong\u003e40 W\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIncluded Accessories: \u003c\/strong\u003eAC power cable, Quick Start Guide\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[Optional Accessories]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e== Hardware == \u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eXVP-20: Expression\/Volume Pedal\u003c\/li\u003e    \u003cli\u003eEXP-2: Foot Controller\u003c\/li\u003e    \u003cli\u003eDS-1H: Damper Pedal\u003c\/li\u003e    \u003cli\u003ePS-1: Pedal Switch\u003c\/li\u003e    \u003cli\u003ePS-3: Pedal Switch\u003c\/li\u003e\u003c\/ul\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58036775453017,"sku":"C1280200362","price":2666.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/30-korg-nautilus88at-gr-c1280200362_0.jpg?v=1778514535","url":"https:\/\/yourmusiconline.it\/en\/products\/nautilus88at-gr-c1280200362","provider":"yourmusiconline.it","version":"1.0","type":"link"}