{"title":"Keyboard Synth","description":"","products":[{"product_id":"modal-electronics-cobalt8-665894","title":"Modal Electronics Cobalt8","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCOBALT8 explores the full creative potential of analogue waveforms. This powerful and inspiring instrument redefines the aesthetic of analogue sounds and invites musicians, producers, and sound designers to delve into a new era of textures, well beyond limits.\u003cbr\u003e\u003cbr\u003eIn addition to the innovative oscillator engine, COBALT8 incorporates a new 4-pole 'LADDER' filter with Morphing. Combined with Modal's unparalleled modulation options, inspiring real-time\/step sequencer, incredible arpeggiator, premium 37-note FATAR keyboard, MPE compatible control, studio-quality effects, and MODALapp integration, COBALT8 is the perfect synthesizer for anyone who wants a versatile electronic music instrument to reproduce vintage synth sounds and is eager to delve into new sonic dimensions.\u003cbr\u003eSpecifications:\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing the application of polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 64 high-resolution virtual analog oscillators, up to 8 per voice\u003cbr\u003eWaveforms: Sine, Pulse, Triangle, and Sawtooth, 40 different algorithms including: complex analog synthesis techniques, integrated cross-modulation (SYNC, RM, and many others), PWM, seamless morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003eFilter: Multi-modal 4-pole ladder filter with morphing and resonance, and four switchable settings\u003cbr\u003eModulation:\u003cbr\u003e Three dedicated envelope generators for AMP, MOD, and FILTER that can be accessed independently or all three simultaneously, including negative (inverse) versions for MOD and FILTER ENV\u003cbr\u003eThree tempo-syncable audio-rate LFOs (two poly, one global) with seven different shapes\u003cbr\u003eEight assignable mod slots and four additional fixed mod paths for common assignments with 12 mod sources and 55 mod destinations\u003cbr\u003eSequencer and Arpeggiator:\u003cbr\u003eReal-time polyphonic sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFOs, sequencer, and arpeggiator can be synced internally or externally)\u003cbr\u003ePolyphonic step sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and pause function\u003cbr\u003eSophisticated integrated 32-step programmable arpeggiator with hold capability up to 2048 steps before repeat\u003cbr\u003eFX: Three incredibly powerful, independent, and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay, and Reverb, which can be arranged in any order\u003cbr\u003eUser Memory:\u003cbr\u003e500 patch memories, all fully editable and preloaded with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick arrangement loading\u003cbr\u003e100 FX presets\u003cbr\u003e8 quick recall slots accessible from the panel for quickly loading your favorite patches\u003cbr\u003ePremium 37-key FATAR keyboard with velocity and channel aftertouch\u003cbr\u003e29 endless encoders, 24 buttons\u003cbr\u003e4-axis joystick that can be assigned to a wide range of mod destinations and virtually 'locked' when desired\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2, and Stack 4 Glide\/Portamento with legato and staccato modes\u003cbr\u003eInputs and Outputs:\u003cbr\u003eDual-mono 6.35 mm \/ 1\/4″ TS line outputs\u003cbr\u003e6.35 mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5 mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eMIDI DIN In and Out\u003cbr\u003e3.5 mm \/ 1\/8″ TS analog clock sync In and Out\u003cbr\u003eUSB class-compliant MIDI connection\u003cbr\u003e6.35 mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35 mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0 V - 1.5 A center positive\u003cbr\u003eEditor Software: Free MODALapp software editor available for macOS, Windows, iOS, and Android, with VST3 and AU versions available\u003cbr\u003e\u003cbr\u003eDimensions: (Length x Width x Height): 555 x 300 x 100 mm \/ 21.9″ x 11.8″ x 4″\u003cbr\u003eWeight: 5.60 kg","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001283187033,"sku":"665894","price":658.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665894-1-1.jpg?v=1778095275"},{"product_id":"modal-electronics-cobalt8x-665895","title":"Modal Electronics Cobalt8x","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCOBALT8 explores the full creative potential of analogue waveforms. This powerful and inspiring instrument redefines the aesthetics of analogue sounds and invites musicians, producers, and sound designers to deep-dive into a new era of textures, well beyond the limits.\u003cbr\u003e\u003cbr\u003eBeyond the innovative oscillator engine, COBALT8 incorporates a new 4-pole Morphing 'LADDER' Filter. Combined with Modal’s unparalleled modulation options, inspiring real-time\/step sequencer, incredible arpeggiator, 61-note FATAR Premium Keyboard, MPE control compatible, studio-quality effects and MODALapp integration, COBALT8 is the perfect synth for anyone wanting a versatile electronic music instrument to play vintage synth sounds and is eager to deep-dive into new sonic dimensions.\u003cbr\u003eSpecifications:\u003cbr\u003e\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing you to apply polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 64 high-resolution virtual-analogue oscillators, up to 8 per voice\u003cbr\u003eWaveforms: Sine, Pulse, Triangle, and Sawtooth waves, 40 different algorithms including: complex analogue synthesis techniques, built-in cross-modulation (SYNC, RM and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003eFilter: 4-Pole Morphing Ladder filter with resonance and four switchable configurations\u003cbr\u003eModulation:\u003cbr\u003e Three dedicated envelope generators for AMP, MOD, and FILTER that can be accessed independently or all three simultaneously, including negative (inverse) versions for MOD and FILTER ENVs\u003cbr\u003eThree tempo-syncable audio-rate LFOs (two poly, one global) with seven different shapes\u003cbr\u003eEight assignable mod slots and four additional fixed mod routings for common assignments with 12 mod sources and 55 mod destinations\u003cbr\u003eSequencer and Arpeggiator:\u003cbr\u003eRealtime polyphonic sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFO’s, sequencer and arpeggiator can be internally or externally clocked)\u003cbr\u003ePolyphonic Step Sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and rest function\u003cbr\u003eSophisticated programmable 32-step arpeggiator with rest capability of up to 2048 steps before repeating\u003cbr\u003eFX: Three incredibly powerful, independent, and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb, that can be arranged in any order\u003cbr\u003eUser memory:\u003cbr\u003e500 patch memories, all fully editable and ships with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick loading of arrangements\u003cbr\u003e100 FX presets\u003cbr\u003e8 Quick Recall slots accessible from the panel for quickly loading your favourite patches\u003cbr\u003e61-key premium FATAR keyboard with velocity and channel aftertouch\u003cbr\u003e29 endless encoders, 24 buttons\u003cbr\u003e4-axis joystick that can be assigned to a range of modulation destinations and virtually ‘locked’ when desired\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2 and Stack 4 Glide\/Portamento with both legato and staccato modes\u003cbr\u003eInputs and outputs:\u003cbr\u003e6.35mm \/ 1\/4″ TS dual-mono line outputs\u003cbr\u003e6.35mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eMIDI DIN in and out\u003cbr\u003e3.5mm \/ 1\/8″ TS analog clock sync in and out\u003cbr\u003eUSB class-compliant MIDI connection\u003cbr\u003e6.35mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0 V - 1.5 A centre-positive\u003cbr\u003eEditor software: Free MODALapp software editor available for macOS, Windows, iOS and Android, with VST3 and AU versions available\u003cbr\u003e\u003cbr\u003eDimensions: (Length x Width x Height): 855 x 300 x 100 mm \/ 33.7″ x 11.8″ x 4″\u003cbr\u003eWeight: 9 kg\u003cbr\u003e","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001283645785,"sku":"665895","price":790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665895-1-1.jpg?v=1778095278"},{"product_id":"arturia-polybrute-artpbrute","title":"ARTURIA PolyBrute","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Arturia PolyBrute is the result of years of research and development, culminating in a unique synthesizer that perfectly combines the power of a polysynth with the expressive capabilities of its controls. Featuring two oscillators, six voices of polyphony, a Steiner-Parker filter, and a 24 dB per octave Ladder filter, the PolyBrute draws inspiration from Arturia's traditional Brute line, setting a new standard for what is now the new 'flagship' of Arturia synthesizers. Arturia's analog polysynth boasts several truly important features: the \"Dual State\" mode which allows for exciting new creative possibilities, the \"Morphée\" touchpad which focuses entirely on expressiveness, and morphing functionalities that enable movement from one sound to another within the same preset. The PolyBrute also integrates top-tier digital effects, a multi-function modulation matrix, and three LFOs. Each of the over 350 presets contains two parts that can be mixed and transformed, smoothly and simultaneously altering every parameter. The PolyBrute also features an intuitive Motion Recorder that allows you to record any changes or touches and reactivate them whenever you wish. From its keyboard to the ribbon controller, the PolyBrute has been designed to offer synth enthusiasts the most expressive instrument possible. The \"Morphée\" touchpad combines a capacitive sensor and an XYZ motion sensor, allowing you to use every sound created to send different signals, each of which can be assigned to any parameter you desire. The PolyBrute offers musicians access to a timeless polyphonic synthesis experience, evoking the same magic and creativity of iconic instruments from the past, with a host of totally modern features and musical potential. Each preset features two different states, and the transformation from one to the other brings a new dimension to the modern sound designer. This allows for experimentation, exploration, transformation, and performance with entirely new, unique, and evocative sounds. The user interface features intuitive parameters and controls. The modulation matrix offers 32 customizable destinations for each patch. The PolyBrute's matrix can operate in various modes, offering unparalleled control and depth for creating unique sounds. First, Preset mode allows you to select any of the 768 preset locations on the synth. Modulation mode offers the ability to scroll through four pages of modulation assignments. Choose the modulation slot and touch the parameter you want to modulate: all in an extremely easy and intuitive way. The PolyBrute Editor software allows you to connect directly to your computer to control or modify parameters in real-time. Arturia produces powerful hardware synthesizers but has an equally excellent reputation for software. With this in mind, they have brought some of their most popular digital effects directly from the Pigments software synthesizer into the PolyBrute. The unit has exceptional build quality thanks to long and meticulous design and construction phases. From the precise OLED screen to the Pro Feel keyboard, from the wood inlays to the aluminum casing, the PolyBrute is an instrument destined to last for a long time and quickly become an authentic classic. Key features: Two analog oscillators with FM and Sync 12 dB Steiner-Parker multimode filter 24 dB low-pass ladder filter Three envelope generators Three LFOs Noise generator Motion recorder Matrix OLED screen and preset navigation functions Digital effects (Modulation, Delay, Reverb) Polyphonic sequencer 61-note keyboard, Velocity and Aftertouch Morphée XYZ controller Octave, Pitch Bend, Mod Wheel controls Sync input and output Three pedal inputs MIDI and USB","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680007513,"sku":"ARTPBRUTE","price":2379.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/polybrute_f.jpg?v=1778098990"},{"product_id":"arturia-microfreak-artfreak","title":"ARTURIA MicroFreak","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe new Arturia MicroFreak hybrid synthesizer combines digital oscillators with analog filters and features a capacitive keyboard with polyphonic aftertouch. This small but powerful synth also offers all the versatility of wavetable synthesis to create interesting new sounds with extreme ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave offer musicians the ability to explore totally new and unprecedented creative possibilities.Perfect for both young musicians and experienced professionals, MicroFreak's powerful and flexible synthesis engine features physical modeling, wavetable, and virtual analog synthesis. MicroFreak is equipped with 11 oscillators, 4 custom Arturia engines, and 7 modes inspired by the Mutable Instruments brand. The MicroFreak's filter is based on the 12 dB Oberheim SEM filter, is state-variable, and also includes self-oscillation. There are no limits to filter management; you can automate the cutoff by modulating it with keyboard pressure and the built-in sequencer, but also use it to best emphasize the sounds generated by wavetable synthesis. Record up to four automations, edit notes step by step, or use the sequencer's innovative Spice and Dice functions. Add randomization to create original evolving patterns and virtually re-wire and reconfigure the signal chain and controls with the 5x7 modulation matrix. Whether you are looking for your first hardware synthesizer or you are an industry insider looking for original sounds and a unique interface, MicroFreak is the synthesizer you need.Main features• Synthesizer with 192 preset slots and 128 factory presets• 11 digital oscillators with integrated open-source Plaits engine created by Mutable Instruments• Analog State Variable Filter, 12dB\/octave, resonant, Low Pass, Band Pass, High Pass• ADSR Envelope• Cycling Envelope with two modes• Envelope• LFO• LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random• Modulation matrix with 5 sources and 7 destinations (3 custom destinations)• Monophonic or Paraphonic mode - Up to 4 voices• 25-key keyboard with polyphonic aftertouch• Capacitive touch strip• Crisp OLED display• Arpeggiator• Up, Order, Random, Pattern modes• Spice \u0026amp; Dice Gate randomizers• 64-step sequencer• 2 patterns per preset• 4 automation tracks per preset• CV \/ Gate \/ Mod outputs• USB, Clock, and MIDI in and out• 6.35mm master output and 3.5mm headphone output","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680367961,"sku":"ARTFREAK","price":298.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/microfreak_f.jpg?v=1778099001"},{"product_id":"expressive-osmose-49-xpeosm49-1","title":"EXPRESSIVE Osmose 49","description":"\u003ch2\u003eDescription\u003c\/h2\u003eOsmose is a polyphonic synthesizer that breaks new ground in sound control and features a powerful synthesis engine created in collaboration with Haken Audio, a long-time industry leader.The main innovative feature of Osmose, derived from Expressive E's first product Touché, is that each individual note can be articulated independently with unique expressive possibilities.The powerful synthesis engine developed in partnership with Haken Audio offers more than 500 presets, each of which has been developed to offer performance and macros ready for recording. The preset selection covers many musical genres, such as modern pop, urban, soundtracks, electronic music, sound design, and traditional instrumental music.By providing new levels of expressiveness, the device required perfect interaction between Osmose's unique keybed mechanism and its sound engine. For this reason, Expressive E collaborated closely with Haken Audio to integrate its powerful EaganMatrix sound engine with Osmose.Its modular sound engine combines many types of digital synthesis (including physical modeling, FM, and more), making it a complete tool for every need. Designed to maximize creativity and inspiration, Osmose offers a playability experience based on already known functions and therefore has an easy learning curve, ensuring all the advantages of MPE instruments without the need to completely relearn the instrument. Main features:49 full-size keys with three-dimensional controlsStandalone synthesizer, MPE MIDI Controller, and classic MIDI ControllerEaganMatrix sound engine, modular digital engine by Haken AudioUp to 24 voices of polyphonyColor LCD screenPitch and modulation sliders2 assignable pedal inputs for sustain or synth parametersMIDI In, MIDI Out\/Thru, USB Type B1⁄4\" TS audio outputs and 1⁄4\" TRS headphone outputDimensions 894 x 316 x 87.5 mm Weight: 8.3kgExternal power supplySoftware editor for Mac\/PC to create and edit sounds","brand":"EXPRESSIVE E","offers":[{"title":"Default Title","offer_id":58001726505305,"sku":"XPEOSM49-1","price":1614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/osmose_f.jpg?v=1778099628"},{"product_id":"moog-grandmother","title":"Moog Grandmother","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Grandmother\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Grandmother\u003c\/b\u003e is a semi-modular analog synthesizer with a built-in arpeggiator, sequencer, and spring reverb.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Grandmother\u003c\/b\u003e is the latest result of Moog's research and roots, a place where synthesis is not about results but about exploration, journey, and continuous experimentation. Despite the complexity of the work behind this release, the Grandmother's semi-modular design doesn't require any patching to function; it's already a very interesting standalone product.\u003c\/p\u003e\u003cp\u003eInspired by the idea of the classic modular \u003ca href=\"https:\/\/www.yourmusiconline.it\/it\/moog\"\u003eMoog\u003c\/a\u003e synthesizer (now the \"grandmother\" of many modern products), the sound concept of the \u003cu\u003eGrandmother\u003c\/u\u003e, its integrated modules, and the onboard spring reverb is completely analog. In addition, the \u003cu\u003eMoog Grandmother\u003c\/u\u003e has a very convenient and easy-to-use \u003cb\u003eArpeggiator\u003c\/b\u003e and \u003cb\u003eSequencer\u003c\/b\u003e.\u003c\/p\u003e\u003cp\u003eWhile it can be easily used standalone, using patches and exploring its functionalities are the keys to enhancing the relationships between modules and truly unlocking the infinite sources of inspiration of the \u003cb\u003e\u003cu\u003eMoog Grandmother\u003c\/u\u003e\u003c\/b\u003e. Patches can also be used to override internal connections, allowing each section to function exactly as an independent module would.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIn addition to all this, the \u003ci\u003eMoog Grandmother\u003c\/i\u003e is also an ideal audio processor for external sources and a powerful controller for expanding Mother-32, DFAM, and \u003ci\u003eEurorack\u003c\/i\u003e modular systems.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/55Pu5avr7qU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e● New all-black color scheme\n\u003c\/p\u003e\u003cp\u003e● Hardware spring reverb also usable for processing external audio sources\n\u003c\/p\u003e\u003cp\u003e● ¼\" audio input for external signals such as guitars, basses, drum machines, etc.\n\u003c\/p\u003e\u003cp\u003e● Semi-modular, no patching required\n\u003c\/p\u003e\u003cp\u003e● Easy-to-use Arpeggiator and Sequencer\n\u003c\/p\u003e\u003cp\u003e● Ability to store 3 sequences of 256 events each\n\u003c\/p\u003e\u003cp\u003e● 2 analog oscillators with selectable waveform and hard sync\n\u003c\/p\u003e\u003cp\u003e● Classic 4-Pole 10Hz-20kHz Ladder Filter\n\u003c\/p\u003e\u003cp\u003e● Patchable 1-Pole high-pass filter\n\u003c\/p\u003e\u003cp\u003e● Analog ADSR envelope generator\n\u003c\/p\u003e\u003cp\u003e● Analog LFO\n\u003c\/p\u003e\u003cp\u003e● Fatar 32-key keyboard with velocity\n\u003c\/p\u003e\u003cp\u003e● All normalized connections can be interrupted for total modularity\n\u003c\/p\u003e\u003cp\u003e● DIN MIDI In\/Out\/Thru and USB MIDI\n\u003c\/p\u003e\u003cp\u003e● Patchable bipolar attenuator\n\u003c\/p\u003e\u003cp\u003e● Perfect in combination with Mother-32, DFAM, Eurorack modular systems, and more\n\u003c\/p\u003e\u003cp\u003e● 41 patch points - 21 inputs and 16 outputs plus 4 multiple connections\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915281753,"sku":"GRANDM","price":1059.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/708fc1634d21b6f0ee2be755dc96396c9580e06d.jpg?v=1781167456"},{"product_id":"moog-subsequent-25-lps-sub-007-06","title":"Moog Subsequent 25","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Subsequent 25\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Subsequent 25\u003c\/b\u003e is a paraphonic analog synthesizer that best combines the most classic features of the \"analog sound\" that distinguishes every Moog instrument with the practicality and workflow of a modern sound design tool. The Subsequent 25 effectively becomes Moog's most compact keyboard synthesizer, yet retains all the sound and design characteristics that have helped make the American brand the absolute international reference in the sector.\u003c\/p\u003e\u003cp\u003eThe approach guaranteed by this type of instrument is the ultimate in fun, practicality, and gratification: you can start from a preset patch and then redefine the sound in every detail using all the easily accessible functions from the front panel, ultimately achieving a new and never-before-created sound. The newly created sound can then be saved and recalled at any time thanks to the free Editor\/Librarian software.\u003c\/p\u003e\u003cp\u003eA possible example of creating a unique and powerful patch is the ability to converge the three available oscillators in Unison mode, to create a rich and extremely powerful bass line. You can then activate the new Duo mode to 'split' oscillators 1 and 2, opening up new scenarios of expressiveness and musicality by playing two different notes simultaneously. Through the four onboard CV inputs, you can trigger the Subsequent 25's analog sound engine with other voltage-controlled analog devices and then interface with the DAW via DIN and USB MIDI connections.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eThe Subsequent 25's analog filter section includes the Multidrive circuit, a perfect combination of OTA distortion and FET drive, which greatly contributes to characterizing the sound of this instrument. With the combined and creative use of the Multidrive circuit, the Mixer Section (with optimized headroom), and the Ladder Filter, there are almost infinite possibilities for sound generation.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eWith a perfect balance between classic full analog sound design and total integration into digital domain and DAW workflows, the Subsequent 25 features full MIDI implementation, allowing automation and recall of all functions and parameters accessible from the front panel and beyond.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eDesigned for extreme portability, the Subsequent 25 is the most suitable full-size Moog synthesizer to be transported with great ease due to its reduced size and compact design, for a stress-free studio-to-stage journey. Naturally, the space required on the desk or stage will also be minimal, favoring the inclusion of the synth in your setup.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eThe Subsequent 25 is a versatile new instrument designed for maximum creativity and expressiveness. Thanks to its simple and practical interface and the flexibility of the range of sounds it can generate, it is a synthesizer destined to revolutionize and perfect the connection between human and machine, opening up new, previously unthinkable scenarios for your musical experience. If you are looking for a powerful and accessible tool to create that unique and never-before-made bass line or that lead that will characterize your performance or your latest track to be produced, this is the right instrument.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eSound Engine: Analog (2 Oscillators, 1 Sub Oscillator, 1 Noise Generator)\u003c\/p\u003e\u003cp\u003eNumber of keys: 25\u003c\/p\u003e\u003cp\u003eKeyboard Type: Semi-weighted, Velocity-Sensitive\u003c\/p\u003e\u003cp\u003eOther controls: Pitchbend, Mod Wheel\u003c\/p\u003e\u003cp\u003ePolyphony: Monophonic, 2-Note Paraphonic\u003c\/p\u003e\u003cp\u003eLFO: Triangle, Square, Sawtooth, Ramp, Sample \u0026amp; Hold\u003c\/p\u003e\u003cp\u003eFilter: Moog Ladder Filter 6\/12\/18\/24 dB per Octave\u003c\/p\u003e\u003cp\u003eNumber of Presets: 16 (4 Banks of 4)\u003c\/p\u003e\u003cp\u003eEffect Types: Multidrive\u003c\/p\u003e\u003cp\u003eAudio Inputs: 1 x 1\/4\" (ext in)\u003c\/p\u003e\u003cp\u003eAudio Outputs: 1 x 1\/4\"\u003c\/p\u003e\u003cp\u003eUSB: 1 x Type B\u003c\/p\u003e\u003cp\u003eMIDI I\/O: In\/Out\/USB\u003c\/p\u003e\u003cp\u003eOther I\/O: Filter CV in, Pitch CV in, Volume CV in, KB Gate in\u003c\/p\u003e\u003cp\u003eSoftware: Editor\/librarian for Mac\/PC in plug-in and standalone versions\u003c\/p\u003e\u003cp\u003ePower Supply: 110V AC-240V AC (Internal)\u003c\/p\u003e\u003cp\u003eHeight: 17.1 cm\u003c\/p\u003e\u003cp\u003eWidth: 51.5 cm\u003c\/p\u003e\u003cp\u003eDepth: 37.5 cm\u003c\/p\u003e\u003cp\u003eWeight: approx. 7kg\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915576665,"sku":"LPS-SUB-007-06","price":1199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/13ed7a93ae2fb30c1a4c79564d557f6f66d4dc58.jpg?v=1781167459"},{"product_id":"moog-music-subsequent-37-lps-sub-006-06","title":"MOOG MUSIC Subsequent 37","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Subsequent 37 is a paraphonic (2-note) analog synthesizer built on the multi-award-winning architecture of the powerful Sub 37 Tribute Edition. The control panel features 40 potentiometers and 74 selectors for immediate control over a wide range of analog sound design tools and sequencer control. The Subsequent 37, as requested by users, now implements several sonic and functional improvements. Each improvement maintains the magic and characteristics of its predecessor, while offering access to new dimensions of sound and improved playability. The mixer section of the Subsequent 37 offers double the headroom of the Sub 37 Tribute Edition. This allows access to a new range of classic clean tones in both mono and duo modes. Leveraging the new flexibility of the mixer, the gain stage in the Ladder filter has been redesigned to increase harmonic saturation and analog compression, which leads to an overall enrichment of the low end. Completing the sonic evolution of the Subsequent 37, the Multidrive circuit has been revised, now extending well beyond the \"grit and growl\" of the original Sub 37. In addition to the enhanced sound engine, the Subsequent 37 offers an updated keyboard for improved playability, an enhanced headphone amplifier powerful enough to be used with the most demanding headphones, and a software plugin\/editor for both Windows and Mac. FEATURES SUB 37 ARCHITECTURE – All controls and features offered by the Sub 37 Tribute Edition SOUND ENGINE EVOLUTION – Richer bass and increased sonic dimension MORE MULTIDRIVE – Wider and \"dirtier\" range than ever before ROOM FOR TWO - More headroom means that sounds in Duo mode sound even better 37-NOTE KEYBOARD – Lightweight, with swift action and aftertouch. HIGH-POWER HEADPHONE OUTPUT – You can prepare your sounds even in the noisiest environment. EXTENDED MODULATION AND SEQUENCING - 2 assignable mod buses, 2 looping DAHDSR envelopes, and an ultra-powerful arpeggiator\/sequencer 256 PRESETS - 16 banks of 16 patches FREE SOFTWARE EDITOR – Works as a DAW plugin or as a standalone editor SPECIFICATIONS SOUND ENGINE: 100% Analog POLYPHONY: Selectable Monophonic or Paraphonic KEYBOARD: 37 semi-weighted notes with After Pressure LCD: 128 x 64 pixel LCD with white backlight CONTROLLERS: Pitch Bend, Mod Wheel, After Pressure, Velocity SOUND SOURCES: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Analog Noise Generator, 1 External Input\/Filter Feedback OSCILLATOR CALIBRATION RANGE: 22Hz-6.8KHz. Note range at 8’ = 18 - 116 GLIDE MODULE: Assignable to Osc1\/Osc2\/Both. Type - LCR, LCT, EXP, Gated, Legato FILTER: 20Hz-20KHz Moog Ladder Filter w\/ 6\/12\/18\/24 dB\/Oct Filter Slopes and MultiDrive TRANSPOSE: +\/- 2 Octaves ARPEGGIATOR\/SEQUENCER: Up, Down, Order, Random, Latching, Back\/Forth, Invert, +\/-2 Range, Tie, Rest, MIDI Sync, 64-note sequencer MODULATION BUS SOURCES: LFO (Triangle, Square, Saw, Ramp, Sample \u0026 Hold), Filter EG\/PGM PROGRAMMABLE SOURCES: Amp Env, Constant ON, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, and Seq Mod. DESTINATIONS: Osc 1 Pitch, Osc 2, Osc 1 \u0026 2 Pitch, Filter, LFO Rate, VCA Level, Osc 1 Wave, Osc 2 Wave, Osc 1 \u0026 2 Wave, Noise Level, EG Time\/PGM PROGRAMMABLE DESTINATIONS: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In\/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In\/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back\/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide OSC Choice, Glide Type, Glide Gate, Glide Legato, Glide On, LFO 1 Clock Division, LFO 1 Range, LFO 1 Sync, LFO 1 Keyboard Reset, LFO 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, LFO 2 Clock Division, LFO 2 Range, LFO 2 Sync, LFO 2 Keyboard Reset, LFO 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 DUO Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, and Bend Down. LFO PANEL FEATURES: Hi\/Low Range from .01Hz–1kHz, MIDI Sync, KB Reset ENVELOPES: DAHDSR Envelopes with Multi-Trigger, Reset, Looping, MIDI Sync, Latch, and Variable control of EG Delay, Hold, Velocity Amount, KB Tracking. INPUTS\/OUTPUTS: AUDIO INPUT: 1xTS AUDIO OUTPUT: 1xTS, 1xTRS Headphone with separate volume control PRESETS: 256 Presets - 16 Banks x 16 presets MIDI I\/O: DIN In\/Out, and MIDI over USB CV\/GATE INPUTS: Filter CV, Pitch CV, Volume CV, KB Gate CV\/GATE OUTPUTS: 4x Assignable CV, 2x Assignable Gate CV DESTINATIONS: KB Pitch (also sequence pitch), Velocity, Aftertouch, Mod 1, Mod 1x Ctrl, Mod 2, Mod 2 x Ctrl, Filter EG, Amp EG, Pitch Wheel, Mod Wheel, Seq Mod, Duo Pitch. GATE DESTINATIONS: KB Gate (also sequence gate), Ext. Gate, Arp\/Seq Clock, Arp\/Seq Run\/Stop, Arp\/Seq Step 1 Trig, Filt EG Trigger, Amp EG Trigger, LFO 1 Rate, LFO 2 Rate. DIMENSIONS: Height 17.14 cm x Width 67.94 cm x Depth 35.56 cm WEIGHT: 10 Kg POWER SUPPLY: 110VAC-240VAC Universal Power Supply with IEC connector","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915642201,"sku":"LPS-SUB-006-06","price":1690.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/moogsubsequent37.jpg?v=1778101130"},{"product_id":"sledge-20-black-edition","title":"StudioLogic Sledge 2.0 - Black Edition","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch3\u003eThe best SLEDGE ever!\u003c\/h3\u003e\u003cbr\u003e\u003cp\u003eThis version of Sledge features a new, \u003cstrong\u003eexclusive Dark \"Look\"\u003c\/strong\u003e, including the cabinet and the semi-weighted keyboard with Aftertouch, and inverted-color keys with a more solid feel.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe instrument's sound palette has also been updated with a new set of Presets created and signed by important Sound Designers, taking full advantage of the possibilities offered by the internal sound engine, which allows blending synthesis and samples.\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eMore dynamic sound\u003c\/h3\u003e\u003cbr\u003e\u003cp\u003eThe audio output level has been increased to achieve an even more powerful, dynamic, and clean sound. LFO 2 is now synchronized, allowing it to maintain the same phase in the modulation of all notes.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eInstrument Overview\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/SledgeBEFrontale_02_a337.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eStudiologic\u003c\/strong\u003e is pleased to present the \u003cstrong\u003eBlack Edition\u003c\/strong\u003e of its renowned \u003cstrong\u003eSLEDGE\u003c\/strong\u003e synthesizer.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis new version introduces interesting technical and operational features that position this instrument above any competitor.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/Pannello_e198.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn fact, the powerful synthesis system is now complemented by the ability to use samples, perfectly integrated with the user interface with extensive real-time controls and great immediacy. The new features further enhance the instrument's sonic power and versatility. The Studiologic and Waldorf Labs technical team has made \u003cstrong\u003eSledge Black Edition\u003c\/strong\u003e more versatile than a simple synthesizer, with the introduction of the \u003cstrong\u003eDUAL\u003c\/strong\u003e function, sample loading (\u003cstrong\u003e60 MB\u003c\/strong\u003e of internal Flash memory), and increased polyphony.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/SledgeBE_Slant_f0f8.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eAdditional Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eAuto Dual mode\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eSledge Black Edition\u003c\/strong\u003e can play two timbres simultaneously, thanks to the \u003cstrong\u003eDUAL\u003c\/strong\u003e mode. This function is appropriately controlled by a new page in GLOBAL mode, which allows intuitive selection of SPLIT mode (split keyboard) or LAYER (two superimposed sounds), and the sound assigned to them. The combination of the two sounds can naturally be stored in any of the 1,000 available locations.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eGlobal Pitch \u0026amp; Hold Controls\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA new GLOBAL page allows enabling Pitch Bend and Hold independently for the UPPER and LOWER sounds selected in DUAL mode. This allows, for example, enabling Pitch Bend only on the UPPER sound for solo parts, while the LOWER sound plays chords unaffected by Bending. Similarly, the HOLD pedal can act only on the LOWER part to maintain, for example, a DRUM GROOVE, or function as a DAMPER for a piano sound, or vice versa. Naturally, HOLD can be enabled on the sounds of both the UPPER and LOWER sections.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eReverb + Delay\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis function allows combining both effects, maintaining the previous reverb settings, while the real-time controls (Time \u0026amp; Level) adjust the Delay parameters even when it is mixed with the reverb.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eSamples\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNew sounds and samples can be loaded into the internal 60MB Flash memory and played by oscillator 1 (OSC1). The new samples can be edited directly from the control panel, with the possibility of adding other oscillators, filters, envelopes, effects, etc. This function creates an innovative combination of synthesis and sampling, allowing further development of the instrument's sounds.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eIncreased polyphony\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe number of simultaneous notes has now been increased to 24, to achieve better results using the new operational features introduced with DUAL mode and samples.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eSledge SPECTRE\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIt is a \u003cstrong\u003efree application\u003c\/strong\u003e downloadable from the \u003cstrong\u003e\u003ca href=\"http:\/\/www.studiologic-music.com\/products\/sledge2\/#downloads\" target=\"_blank\"\u003eStudiologic website\u003c\/a\u003e\u003c\/strong\u003e \u003ca href=\"http:\/\/www.studiologic-music.com\/products\/sledge2\/#downloads\" target=\"_blank\"\u003e(\u003cstrong\u003eclick here\u003c\/strong\u003e)\u003c\/a\u003e, which allows editing the main parameters of the samples: keyboard range, tuning, and more, and transmits them to SLEDGE 2.0 via the USB port. With this simple Editor, it is possible to load samples onto your computer and then download them into the instrument's memory.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/Spectre_ad54.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard: 61 high-quality Fatar TP 9 keys, 5 octaves with After Touch\n\u003c\/p\u003e\u003cp\u003eControls: 32 Potentiometers, 3 rotary Chicken Head switches (7 positions), 1 rotary encoder with Push function, Pitch \u0026amp; Modulation Wheel\n\u003c\/p\u003e\u003cp\u003eDisplay: Backlit 2 x 16 character LCD\n\u003c\/p\u003e\u003cp\u003eSounds: Up to 1,000 Sounds and quick sound selection via numeric Key Pad\n\u003c\/p\u003e\u003cp\u003eSound generation: 2 fast LFOs per voice, adjustable speed and depth\n\u003c\/p\u003e\u003cp\u003e1x Extra modulation path for Mod Wheel, with adjustable modulation speed and depth\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sawtooth, Rectangular, Triangle, Sine, Sample \u0026amp; Hold, Ramp\n\u003c\/p\u003e\u003cp\u003eDestination: Osc 1, Osc2, Ocs3, PWM \/ Wave \/ FM, Volume, Filter Cutoff\n\u003c\/p\u003e\u003cp\u003ePolyphony: 24 voices\n\u003c\/p\u003e\u003cp\u003eModes: Single, DUAL, Split or Layer selectable\n\u003c\/p\u003e\u003cp\u003eMono with Single or Multiple Trigger\n\u003c\/p\u003e\u003cp\u003e3x Oscillators per voice\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sawtooth, Square, Triangle, Sine, Pulse (with PWM Pulse Width Modulation)\n\u003c\/p\u003e\u003cp\u003eOscillator 1 with 66 original PPG Wavetables: Frequency Modulation\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sine, Triangle, Oscillator Hardsync (Osc 2 to Osc 3), External Sample Import (60MB internal Flash), Noise Generator selectable - White\/Pink, Mixer with Volume and ON\/OFF switch for oscillators and noise\n\u003c\/p\u003e\u003cp\u003e1x Multi Mode Filter per voice: 24 \/ 12dB, Lowpass, Highpass, Bandpass, Resonance up to self-oscillation, Keytrack and adjustable Drive\n\u003c\/p\u003e\u003cp\u003e2x \"fast Envelopes\" generators per voice (Filter\/Amplifier)\n\u003c\/p\u003e\u003cp\u003eArpeggiator: \"Latch\" mode, Synchronizable to MIDI Clock, Directions: Up, Down, Alternate, Range up to 10 Octaves\n\u003c\/p\u003e\u003cp\u003eEffects: 2x Simultaneous effects: Effect 1: Chorus \/ Phaser \/ Flanger, Effect 2: Reverb \/ Delay, Reverb + Delay\n\u003c\/p\u003e\u003cp\u003eOutputs: Stereo Line L\/R, Headphone Output\n\u003c\/p\u003e\u003cp\u003ePedal input: Expression Pedal, Hold Pedal\n\u003c\/p\u003e\u003cp\u003eMIDI: MIDI IN\/OUT\n\u003c\/p\u003e\u003cp\u003eUSB Port\n\u003c\/p\u003e\u003cp\u003ePower supply: Internal\n\u003c\/p\u003e\u003cp\u003eColor: Black\n\u003c\/p\u003e\u003cp\u003eDimensions: 970 x 405 x 110mm\n\u003c\/p\u003e\u003cp\u003eWeight: 8.3kg\u003c\/p\u003e","brand":"STUDIOLOGIC","offers":[{"title":"Default Title","offer_id":58003184419161,"sku":"11900059","price":949.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11900059_m.jpg?v=1778114005"},{"product_id":"lead-a1-15700002","title":"Nord LEAD A1","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Lead A1 \u0026lt;\/strong\u0026gt;is an \u0026lt;strong\u0026gt;analog physical modeling\u0026lt;\/strong\u0026gt; synthesizer, with a powerful and distinctive sound, consisting of \u0026lt;strong\u0026gt;4 independent modules\u0026lt;\/strong\u0026gt; also in effects, configurable in \u0026lt;strong\u0026gt;Split\/Layer\u0026lt;\/strong\u0026gt;. Each oscillator can generate \u0026lt;strong\u0026gt;Analog and Digital waveforms\u0026lt;\/strong\u0026gt;, while thanks to the \"\u0026lt;strong\u0026gt;Analog Style\u0026lt;\/strong\u0026gt;\" control panel, it is possible to quickly and intuitively modify or create highly effective sounds.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_rXX2kickc?si=YIzMwXMZG7nZxfbC\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features of Nord Lead A1\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It consists of \u0026lt;strong\u0026gt;4 independent modules\u0026lt;\/strong\u0026gt; also in the effects section, configurable in Split\/Layer. Capable of generating Analog and Digital waveforms - 8 oscillator configurations: Pitch, Detune, Shape, Sync, AM, Noise, Sub Mix, FM; LFO with 5 waveforms, Mod. Envelope; Multi-mode filter 12\/24 dB Low-Pass, High\/Band-Pass; simulation of Mini and TB-303 filters; FX Modulation: Ensemble, Chorus, Phaser, Flanger, Ring Mod., Drive - Delay (Tap\/MIDI Sync) - Reverb; Arpeggiator, Velocity and Mod. Wheel Morph, USB MIDI, 4 independent audio outputs; 49-key velocity sensitive keyboard, controls: Stone Wheel\/Pitch Stick\/pedals.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"Nord Lead A1 is an analog physical modeling synthesizer, with a powerful and distinctive sound, consisting of 4 independent modules also in effects\" src=\"\/images\/uploads\/\/Nord-A1_02.jpg\" title=\"Nord Lead A1 is an analog physical modeling synthesizer, with a powerful and distinctive sound, consisting of 4 independent modules also in effects\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;THE MOST ADVANCED NORD PHYSICAL MODELING TECHNOLOGY\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;NORD Lead A1 \u0026lt;\/strong\u0026gt;implements a new physical modeling generation system that entirely recreates the entire path of an analog signal with great realism and consequent tonal versatility.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;THE OPERATIONAL SIMPLICITY OF NORD \u0026lt;\/strong\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;Fundamental to \u0026lt;strong\u0026gt;Lead A1 \u0026lt;\/strong\u0026gt;is the intuitive control panel interface; its structure is the result of suggestions and advice from professional musicians and the most experienced Sound Designers, who need to create high-quality sounds quickly, both in the studio and live. The structure of the oscillators, modulation matrix, and envelopes allows for sound creation and experimentation much faster than any other synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The oscillator section of Lead A1 generates \u0026lt;strong\u0026gt;47 different waveforms\u0026lt;\/strong\u0026gt;: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content. \u0026lt;br \/\u0026gt;The \u0026lt;strong\u0026gt;Oscillator Configuration Shortcuts\u0026lt;\/strong\u0026gt; allow you to immediately select your preferred configuration: \u0026lt;strong\u0026gt;Pitch, Detune, Shape, Sync, Sub Mix, FM, AM, or Noise\u0026lt;\/strong\u0026gt;; while the \u0026lt;em\u0026gt;\u0026lt;strong\u0026gt;Osc. Ctrl \u0026lt;\/strong\u0026gt;\u0026lt;\/em\u0026gt;knob appropriately adjusts its parameters. This method eliminates the complexity of these processes, leaving ample room for creativity and experimentation, useful for both less experienced and more advanced users.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;img alt=\"The oscillator section of Lead A1 generates 47 different waveforms: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_04.jpg\" title=\"The oscillator section of Lead A1 generates 47 different waveforms: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content.\" \/\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR CONFIGURATION:\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;PITCH A\u0026lt;\/strong\u0026gt; Adjusts the frequency (Pitch) of the original oscillator.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DETUNE\u0026lt;\/strong\u0026gt; Adds a second oscillator, with control over its frequency (Pitch).\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SUB MIX\u0026lt;\/strong\u0026gt; Adds a second oscillator, with a selection of waveforms and frequencies.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SHAPE\u0026lt;\/strong\u0026gt; Waveform shaping: Panel Analog, Extended Analog, and Fixed Pulse, uses a traditional Waveshaping system. Other waveforms are modified via a Spectral Shaping process.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SYNC\u0026lt;\/strong\u0026gt; Simulates Hard Sync by adding an oscillator that acts as a reference for the Sync itself.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt; Oscillator 1 is high-frequency modulated by a sine wave generated by oscillator 2. Several Pitch Offsets are available for oscillator 2: from -12 to +48 semitones.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;AM\u0026lt;\/strong\u0026gt; Uses a second oscillator to generate amplitude modulation.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;NOISE\u0026lt;\/strong\u0026gt; Adds Noise to the original oscillator, Osc Control adjusts the mix.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;FILTER SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The Filter section of Lead A1 features the classic 12 and 24 db Low Pass, a High Pass and a Band Pass, as well as simulating the filters of the legendary Mini and TB-303 synthesizers.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_03.jpg\" title=\"The Filter section of Lead A1 features the classic 12 and 24 db Low Pass, a High Pass and a Band Pass, as well as simulating the filters of the legendary Mini and TB-303 synthesizers.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The Filter section of Lead A1 features the classic \u0026lt;strong\u0026gt;12 and 24 dB Low Pass\u0026lt;\/strong\u0026gt;, a \u0026lt;strong\u0026gt;High Pass\u0026lt;\/strong\u0026gt; and a \u0026lt;strong\u0026gt;Band Pass\u0026lt;\/strong\u0026gt;, as well as simulating the filters of the legendary \u0026lt;strong\u0026gt;Mini \u0026lt;\/strong\u0026gt;and \u0026lt;strong\u0026gt;TB-303\u0026lt;\/strong\u0026gt; synthesizers. The filters have a smooth response with a typically analog warmth; the modeling successfully captured the character and performance of the originals.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;NORD LEAD A1 EFFECTS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The effects section of Lead A1 features two new Ensemble and Chorus effects with a particularly warm character, accurately modeled on those of some renowned vintage Synths\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_05.jpg\" title=\"The effects section of Lead A1 features two new Ensemble and Chorus effects with a particularly warm character, accurately modeled on those of some renowned vintage Synths\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The effects section of \u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; features two new \u0026lt;strong\u0026gt;Ensemble \u0026lt;\/strong\u0026gt;and \u0026lt;strong\u0026gt;Chorus \u0026lt;\/strong\u0026gt;effects with a particularly warm character, accurately modeled on those of some renowned vintage synths. Alongside these, you can choose between: Ring Modulation, Phaser, Flanger, or Drive, plus a Delay with Tap Tempo and Reverb; independently for each \u0026lt;strong\u0026gt;Slot\u0026lt;\/strong\u0026gt;.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;LFO \u0026amp;amp; MODULATION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has an LFO with various waveforms and a three-stage envelope (Modulation Envelope): ADR\/ASR, with Velocity adjustment and Invert function; the LFO speed can be synchronized to the Master or MIDI Clock.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SPECIAL FUNCTIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"NORD Lead A1 has the new \"Like\" function, to be used while creating sounds. \" src=\"\/img\/media\/images\/html\/Tasto_Like_45ca.jpg\" title=\"NORD Lead A1 has the new \"Like\" function, to be used while creating sounds. \" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/LIKE-Logo_a392.jpg\" style=\"height:22px; width:24px\" \/\u0026gt;\u0026lt;strong\u0026gt;\"LIKE\" BUTTON\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;NORD Lead A1 features the new \u0026amp;nbsp;\"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\" function, to be used while creating sounds. Often when programming, it is not immediately clear whether the result achieved is the desired one or not. Now on Lead A1, you can save what has been created to a temporary location with \"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\" and continue editing. You can save up to 50 rapidly selectable variations with \"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\", recall a specific version, compare them, and modify them further. Once satisfied with the result, you can save it to a memory location.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;\"MUTATOR\" FUNCTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The \u0026lt;strong\u0026gt;Mutator \u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function automatically adds tonal variations to a sound by selecting the elements to act upon and setting the desired percentage of variation. \u0026amp;nbsp;\u0026lt;strong\u0026gt;Randomize\u0026lt;\/strong\u0026gt;, on the other hand, creates a completely new sound by randomly changing all of its parameters.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;FAT UNISON MODE\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The newly designed \u0026lt;strong\u0026gt;Unison Mode\u0026lt;\/strong\u0026gt; allows Lead A1 to generate \"Fat\" vintage sounds with great impact.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;ARPEGGIATOR\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has \u0026lt;strong\u0026gt;4 independent arpeggiators\u0026lt;\/strong\u0026gt; with Up\/Down and Random modes, a 4-octave range, and the ability to synchronize to the Master Clock.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MASTER CLOCK\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Master Clock\u0026lt;\/strong\u0026gt; allows the LFO, arpeggiator, and Delay to be synchronized to the internal Clock, or an external MIDI Clock. The \u0026lt;strong\u0026gt;Tap Tempo\u0026lt;\/strong\u0026gt; button sets the tempo speed, to follow a drummer or audio tracks.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SPLITS AND LAYERS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;Having four identical and equally powerful synthesizers available at the same time opens up incredible possibilities for tonal and rhythmic layering. \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode offers two Slots on each side of the split. The \u0026lt;strong\u0026gt;Hold\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function sustains played notes and chords even after releasing the keys.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MULTI FOCUS MODE\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The \u0026lt;strong\u0026gt;Multi Focus\u0026lt;\/strong\u0026gt; mode allows editing and control of all four \u0026lt;strong\u0026gt;Slots \u0026lt;\/strong\u0026gt;simultaneously; and can be saved as a Performance parameter for refined real-time control of all parts generated by the synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MOD WHEEL AND VELOCITY MORPH\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;The \u0026amp;nbsp;\u0026lt;strong\u0026gt;Morph\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function allows simultaneous control of multiple parameters via \u0026lt;strong\u0026gt;Modulation Wheel, Velocity, or Pedal\u0026lt;\/strong\u0026gt; and is easy to set up and use; simply turn the desired knob while holding down the \u0026lt;strong\u0026gt;Morph\u0026lt;\/strong\u0026gt; button.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;INDIVIDUAL AUDIO OUTPUTS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Lead A1\u0026lt;\/strong\u0026gt; has \u0026lt;strong\u0026gt;4 independent audio outputs\u0026lt;\/strong\u0026gt;, with the possibility of routing each Slot to a different output, and it is also possible to control the \u0026lt;strong\u0026gt;Pan \u0026lt;\/strong\u0026gt;via a knob on the front panel.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SOUND MANAGER\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has a dedicated version of the \u0026lt;strong\u0026gt;NORD Sound Manager,\u0026lt;\/strong\u0026gt; (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MIDI CONTROL\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Lead A1 \u0026lt;\/strong\u0026gt;can be used via MIDI or USB, with an external Sequencer or with the Sound Manager; all its knobs transmit the relevant MIDI Control Data.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Lead A1 has a dedicated version of the NORD Sound Manager, (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_06.jpg\" title=\"Lead A1 has a dedicated version of the NORD Sound Manager, (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Nord Lead A1 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;General Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;26 voices of polyphony, 4-part multi-timbral.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Effects section; 3 effects: FX, Delay and Reverb, for each part.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;49-key velocity sensitive keyboard with Octave Shift button +\/-2 octaves.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Keyboard Split with 2 slots for upper and lower sections.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Modulation Wheel\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Pitch Stick without \"Dead Zone\" at Zero Crossing\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Programmable Pitch Bend Range, up to +\/- 4 octaves.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Separate Pitch Bend Up\/Down Range: -12 or -24 semitones, + 2 semitones.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;One pedal input for Sustain.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;One input for Expression Pedal.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;USER INTERFACE\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;3 LED displays, 23 knobs, 3 encoders and 20+ buttons for Program and Performance editing.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Oscillator modeling with multiple waveforms: traditional analog, extended analog, pulse waveforms, real-time algorithmic waveforms with additive synthesis, FM, and formants.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;OSC configuration knob: 11 categories (Pitch, Shape, Osc Sync, Noise Mix, Osc 2 Detune, Sine Mix, Tri Mix, Saw Mix, Square Mix, Freq Modulation, Amp Modulation)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;FILTER SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Multi-mode filter with 12 dB (2-pole) low pass, 24 dB (4-pole) low pass and band pass, plus Ladder M and Ladder TB.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Cut off, resonance, envelope amount, velocity-controlled envelope amount.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;ADR\/ASR envelope.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Filter Keyboard Tracking can be set to: off, 1\/3, 2\/3, or full.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Adjustable Filter Distortion (filter saturation).\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;MODULATION SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;The LFO generates triangular, square, sawtooth, inverted sawtooth, or Sample \u0026amp;amp; Hold waveforms. The LFO can be routed to Filter Frequency and Osc mod. The LFO frequency can be synchronized with the Master Clock.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;The LFO can be switched to polyphonic Env mode, with four different characteristics, and Sample \u0026amp;amp; Hold are manually activated by the keyboard (polyphonic S\/H).\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Arpeggiator: Range: 1 - 4 octaves. Modes: up, down, up\/down, and random.The arpeggio rate can be synchronized to the Master Clock.\u003c\/li\u003e\n     \u003cli\u003eADR\/ASR envelope, velocity control on\/off, inverse envelope on\/off.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAMPLIFIER SECTION\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eADR\/ASR envelope, velocity control on\/off, gain control. \u003c\/li\u003e\n     \u003cli\u003eIndividual Pan control for each Program\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePERFORMANCE SECTION\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eVoice Mode: Poly, Legato with portamento, Mono, True Unison 1, 2 and 3.\u003c\/li\u003e\n     \u003cli\u003eFour Program slots with layering and multi-timbrality.\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"margin-left:18.0pt;\"\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eFX section with: Flanger, Phaser, Ring Modulation, Chorus, Ensemble and Drive.\u003c\/li\u003e\n     \u003cli\u003eDelay section with: Tap tempo, 4 Feedback levels, stereo ping-pong, dry\/wet mix. The Delay rate can be synchronized to the Master Clock.\u003c\/li\u003e\n     \u003cli\u003eSection with 5 algorithms: Room, Stage 1, Stage 2, Hall 1, Hall 2.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMEMORY\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003ePrograms (single sounds): 8 x 50 (400) locations\u003c\/li\u003e\n     \u003cli\u003ePerformances (multiple sounds): 4 x 50 (200) locations\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAudio Outputs - AUDIO OUT\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003e4 independent outputs. each Slot can be routed to a different output.\u003c\/li\u003e\n     \u003cli\u003eHeadphone Output\u003c\/li\u003e\n     \u003cli\u003eHigh resolution 24bit DAC, low noise.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eAll knobs and switches send and receive Control Change messages.\u003c\/li\u003e\n     \u003cli\u003e System exclusive data dump: a single Program or all Programs.\u003c\/li\u003e\n     \u003cli\u003eThe Master Clock can be synchronized to the MIDI clock.\u003c\/li\u003e\n     \u003cli\u003eSoft Thru\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003e4 Audio Line outputs - ¼\", 6.35 mm unbalanced jacks\u003c\/li\u003e\n     \u003cli\u003eStereo Headphone Output - ¼\", 6.35 mm stereo jack\u003c\/li\u003e\n     \u003cli\u003eSustain Pedal - ¼\", 6.35 mm jack.\u003c\/li\u003e\n     \u003cli\u003eControl Pedal - ¼\", 6.35 mm TRS stereo jack connector. Use Korg EXP2, Korg XVP10, Quiklok VP26U.\u003c\/li\u003e\n     \u003cli\u003eUSB\/MIDI connection\u003c\/li\u003e\n     \u003cli\u003eMIDI In \u0026 Out – 5-pin DIN connector\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg alt=\"Overview of the Lead A1 rear panel with all connections\" src=\"\/images\/uploads\/\/nla1-connections.jpg\" title=\"Overview of the Lead A1 rear panel with all connections\" \/\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIncluded ACCESSORIES\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eUser manual\u003c\/li\u003e\n     \u003cli\u003ePower cable (IEC C14 connector)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eNord Lead A1: 802 x 92 x 260 mm (31.5 x 3.6 x 10.2\")\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eNord Lead A1: 4.85 kg (10.7 lbs)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003292422489,"sku":"15700002","price":1899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-lead-a1-15700002_0.jpg?v=1778117372"},{"product_id":"wave-2-performing-synthesizer-15700051","title":"Nord WAVE 2-Performing Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 - Performing Synthesizer\u0026lt;\/strong\u0026gt; composed of \u0026lt;strong\u0026gt;4 independent multi-synthesis modules\u0026lt;\/strong\u0026gt; with: Virtual analog, FM, Wavetable, \u0026lt;strong\u0026gt;Samples with 1GB RAM\u0026lt;\/strong\u0026gt;, each with its own effects chain. Advanced tonal possibilities thanks to \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt;, real-time editing allowed by the \u0026lt;strong\u0026gt;Analog Style panel\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Morphing\u0026lt;\/strong\u0026gt; with assignable physical parameters and controls. \u0026amp;nbsp;\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Watch videos about NORD WAVE 2 in this playlist\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLPGiP3xpCRiwD4rMaaSWXso\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;4-part synthesizer with dedicated Faders and LED Bargraphs for Volume\/Pan\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Synthesis: sampling, virtual analog, wavetable and FM\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;48 voices of polyphony\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;OLED display for PROGRAM and OSCILLATOR sections\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 GB user memory, compatible with the Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;User-replaceable internal Samples\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;61-note keyboard with Aftertouch\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Advanced \u0026lt;strong\u0026gt;Arpeggiator\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;Polyphonic Trigger Mode\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Gate\u0026lt;\/strong\u0026gt; to generate rhythmic effects\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Advanced Morph\u0026lt;\/strong\u0026gt; function with Impulse Morph\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Master Clock: control of arpeggiator, LFO, and Effects\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Oscillators of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Analog\u0026lt;\/strong\u0026gt;: Basic, Shape, Multi, Sync \u0026amp;amp; Noise up to 16 oscillators -\u0026amp;nbsp;\u0026lt;strong\u0026gt;Samples-\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;Wavetable -\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;up to \u0026lt;strong\u0026gt;8 operators\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;True Unison Mode\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Modulations -\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;LFO with 5 Waveforms Synchronization and Routing options -\u0026amp;nbsp;AD\/AR Envelope\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Amp -\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;ADSR Amp envelope-\u0026amp;nbsp;Transient Attack Mode\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Filter :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;12\/24 dB lowpass, lowpass M, band pass, high pass, and LP+HP,\u0026amp;nbsp;Filter Drive,\u0026amp;nbsp;ADSR Envelope\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Effects :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;FX Section with: Tremolo, Pan, Ring Modulation, Chorus, Ensemble, and Vibe -\u0026amp;nbsp;EQ Section with Drive -\u0026amp;nbsp;Delay - Reverb with 5 environments, plus: Dark, Bright, and Chorale modes\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The NORD Wave 2 Control Panel allows for sound creation even without specific knowledge of Sound Design\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nuova-Foto-Pagina-prodotto-1200x630.jpg\" title=\"The NORD Wave 2 Control Panel allows for sound creation even without specific knowledge of Sound Design\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Versatility of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;is composed of \u0026lt;strong\u0026gt;4 independent synthesizers\u0026lt;\/strong\u0026gt; with the possibility of \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt; between classic waveforms and \u0026lt;strong\u0026gt;Samples\u0026lt;\/strong\u0026gt;. Dedicated OLED displays for the Program and Oscillator sections provide a clear overview of parameters during sound creation or modification, while the range of instantly editable functions and effects make \u0026lt;strong\u0026gt;NORD WAVE 2\u0026lt;\/strong\u0026gt; the most versatile NORD performance synthesizer ever. \u0026lt;strong\u0026gt;Monitor mode : \u0026lt;\/strong\u0026gt;displays the Amp and Filter Envelope settings in the Program display for fine control of these parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 Layering\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The central area of NORD Wave 2 controls the 4 synthesis modules, activation, level, pan, solo, Split and Layer\" src=\"\/images\/uploads\/\/NORDWAVE2_Layer.jpg\" title=\"The central area of NORD Wave 2 controls the 4 synthesis modules, activation, level, pan, solo, Split and Layer\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt;, each sound consists of 1 to 4 independent synthesis modules, even in terms of effects arranged in Layers or Splits. The central section controls Volume, Pan, On\/Off, Solo, and Group Mode, which groups 2, 3 or 4 modules together to share the same filter, envelope, arpeggiator, LFO and effects settings; ideal for creating complex multi-layered sounds, editable as a single coherent sound; the set of these parameters is called a Program.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The Oscillators\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Oscillator\u0026lt;\/strong\u0026gt; section offers 4 different synthesis modes for each of the 4 Layers: Analog, Wavetable, FM, and Samples, easily selectable thanks to the new feature: Direct Category Mode; Oscillator Control allows additional control over Shape, Sync, or Detune.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Oscillator Categories\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Analog\u0026lt;\/strong\u0026gt;: classic analog waveforms rich in harmonics.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Basic\u0026lt;\/strong\u0026gt;: Saw, Pulse, Pulse Width, Sine, Square with basic pitch (Tuning) controls.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Shape\u0026lt;\/strong\u0026gt;: Waveforms where Osc Control can modify the Shape of the waveform itself.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Multi\u0026lt;\/strong\u0026gt;: 2 or more waveforms combined, where Osc Control adjusts the amount of Detune and Spread.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt;: Soft and Hard, where Osc Control controls the Sync Frequency.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Noise: White Noise\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Samples\u0026lt;\/strong\u0026gt;: includes a curated selection of high-quality samples from the Nord Sample Library 3.0, with the possibility of adding personal Samples via the Nord Sample Editor 3. To create various types of sounds, internal Samples can be used immediately, while the \"Raw Samp\" function facilitates shaping a personal timbre from scratch.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Wavetable\u0026lt;\/strong\u0026gt;: A large number of advanced Wavetables providing a wide range of tonal characters.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt;: 2, 3 and 4 operator configurations with harmonic and inharmonic spectrum variations.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt;: \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an effective Multi-oscillator Unison effect, capable of generating true Superwaves with hundreds of simultaneous waveforms, to achieve extremely thick and consistent (Fat) sounds.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Compatibility with NORD Sample Library 3.0\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Sample\u0026lt;\/strong\u0026gt; section of the multimode oscillator in \u0026lt;strong\u0026gt;NORD Wave 2 has 1 GB of memory\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and comes with a curated selection of quality Samples including: strings, brass, guitars, choirs, chromatic percussion, as well as exclusively licensed sounds from the legendary Mellotron and Chamberlin. All sounds are easily replaceable using the Nord Sound Manager, which\u0026lt;strong\u0026gt;\u0026lt;\/strong\u0026gt; allows mapping, setting Loops, and transferring personal Samples to Nord Wave 2.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"The multi-synthesis oscillator of each NORD Wave 2 module can also use Samples with a 1GB non-volatile RAM memory area\" src=\"\/images\/uploads\/\/NORDWAVE2_Oscillator_01.jpg\" title=\"The multi-synthesis oscillator of each NORD Wave 2 module can also use Samples with a 1GB non-volatile RAM memory area\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Filters of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;NORD Wave 2 features a versatile multi-mode filter with 6 filter types: classic 12 and 24 dB low-pass, high-pass, high-pass\/low-pass, and a band-pass filter, along with emulation of the legendary Mini's transistor \u0026lt;strong\u0026gt;Ladder\u0026lt;\/strong\u0026gt; filter; it also has an ADSR envelope.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;LFO and Modulations\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an LFO for each Layer with a selection of waveforms and an AD\/AR modulation envelope, with dedicated settings for Velocity and Invert Mode. The LFO has several parameters controllable via \u0026lt;strong\u0026gt;Morphing\u0026lt;\/strong\u0026gt;, while the modulation frequency can be synchronized with the Master Clock.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Amp Envelope\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The Amplifier control section features a 4-stage \u0026lt;strong\u0026gt;ADSR\u0026lt;\/strong\u0026gt; envelope and the new \u0026lt;strong\u0026gt;Transient Attack\u0026lt;\/strong\u0026gt; mode to add more impact to sounds, with 3 levels of keyboard dynamics control.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Morphing and Impulse Morph\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features a wide range of parameters that can be modulated via \u0026lt;strong\u0026gt;Morph\u0026lt;\/strong\u0026gt;, which in turn can be assigned to four different sources: Velocity, Aftertouch, Wheel, and Control Pedal. Multiple parameters can also be quickly assigned to the same Morph source. Furthermore, the \u0026lt;strong\u0026gt;Impulse Morph\u0026lt;\/strong\u0026gt; function allows instant modification of any assignable parameter.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The iconic real-time controls of NORD Wave 2, wooden Pitch Bending and the Stone Wheel made of stone.\" src=\"\/images\/uploads\/\/NORDWAVE2_Controls_01.jpg\" title=\"The iconic real-time controls of NORD Wave 2, wooden Pitch Bending and the Stone Wheel made of stone.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Wheel Assignment\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The Modulation Wheel can be assigned to: LFO, Oscillator Control or Filter.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Arpeggiator of NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an advanced arpeggiator that can be either classic or polyphonic, or a \u0026lt;strong\u0026gt;Gate\u0026lt;\/strong\u0026gt; with editable patterns can be activated.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Polyphonic mode:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;In Poly mode, the polyphonic arpeggiator re-triggers all keys, both those pressed normally and those under the control of the selected Pattern, with various inversions generating interesting harmonic variations.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Gate mode :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;This mode \"cuts\" the sound following a precise rhythmic pattern with adjustable intensity.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Master Clock\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Synchronizes LFO, Arpeggiator and effects to the internal \u0026lt;strong\u0026gt;Clock\u0026lt;\/strong\u0026gt; or external via MIDI. With the Master Clock, it is possible to synchronize individual arpeggio Patterns used on Layers, with Delays and the LFO. The Tap Tempo function allows manual and real-time setting of the Clock speed.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Effects of NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;E\u0026lt;\/strong\u0026gt;ach Layer of \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; has an independent effects section with a library of stereo effects modeled on \u0026lt;strong\u0026gt;Vintage Stompboxes,\u0026lt;\/strong\u0026gt; with all parameters instantly accessible.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Modulation :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Tremolo, Pan, Ring Modulator, Chorus, Ensemble and Vibe effects with controls for: Rate (modulation speed) and Amount (modulation intensity). All effects are controllable via pedal, or other Morph sources, and can also be synchronized to the Master Clock to generate rhythmic effects.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;EQ \u0026amp;amp; Drive :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;EQ with controls for: Bass and Treble or a single-band \u0026lt;strong\u0026gt;Sweepable\u0026lt;\/strong\u0026gt; EQ, also available with a \u0026lt;strong\u0026gt;Tube Drive\u0026lt;\/strong\u0026gt; valve circuit simulation.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Delay:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Stereo Delay with Ping Pong, Analog Mode and Tap Tempo. Options to add Ensemble, Chorus, Vibe, HP\/LP filter and BP effects into the Feedback Loop.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Reverb :\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;5 different room sizes: Booth, Room, Stage, Hall and Cathedral, which add spaciousness and depth to sounds, the Amount parameter (intensity) is controllable via Morphing, while \"Bright\" and \"Dark\" modes give the effect a brighter or darker character, and finally \u0026lt;strong\u0026gt;Chorale\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;adds a refined modulation to the reverb.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"All NORD Wave 2 parameters are instantly accessible thanks to the Analog Style panel where each physical control corresponds to an editable parameter\" src=\"\/images\/uploads\/\/NORDWAVE2_Effect_01.jpg\" title=\"All NORD Wave 2 parameters are instantly accessible thanks to the Analog Style panel where each physical control corresponds to an editable parameter\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Splits \u0026amp;amp; Layers\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Having four identical and equally powerful synthesizers available simultaneously opens new horizons for tonal programming via \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt; by simply overlapping the modules. The \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode allows for 3 split points on the keyboard with \u0026lt;strong\u0026gt;4\u0026lt;\/strong\u0026gt; different \u0026lt;strong\u0026gt;zones\u0026lt;\/strong\u0026gt;, also controllable via \u0026lt;strong\u0026gt;Crossfade\u0026lt;\/strong\u0026gt;. The \u0026lt;strong\u0026gt;Hold\u0026lt;\/strong\u0026gt; function independently locks each Slot in the background, while other musical parts are played simultaneously.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SOUND MANAGER :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;NORD Wave 2 is compatible with \u0026lt;strong\u0026gt;NORD Sound Manager\u0026lt;\/strong\u0026gt; for OS X and Windows; this Software allows for organization, backup, and transfer of Programs.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MIDI CONTROL :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;MIDI via USB, ideal for use with an external Sequencer or with the Sound Manager Software (included).\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;KEYBOARD :\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;61-key (C-C) semi-weighted, Waterfall with Aftertouch.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;HARDWARE : L\u0026lt;\/strong\u0026gt;ike all Nord instruments, Nord Wave 2 is handcrafted in the Nord factory in Stockholm with incredible attention to detail and quality control.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 - TECHNICAL SPECIFICATIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;4 Layer Synthesizers with LED Faders\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Virtual Analog, Wavetable, FM, and Sample Playback Synthesis\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;48 Voices\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 GB memory compatible with Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Independent Effects, EQ, Delay and Reverb on each Layer\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Arpeggiator and Gate\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;61-note semi-weighted keyboard with dedicated Octave Shift keys, +\/-2 octave range.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 Split Points, 4 Zones.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Advanced Morph Function\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Impulse Morph for instant Morph modifications\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Group function for multi-layer editing\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;Dedicated OLED display for oscillator settings\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Analog: Basic, Shape, Shape Sine, Multi, Sync, Bell, Noise.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Wavetable: Wavetables, Formants.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;FM: Dual, Triple, Vocal and Multi with options: Harmonic and Inharmonic.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Samples: Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Oscillator Control: Shape, Detune or Sync Amount for Analog waveforms, Shape for Wavetables, Modulation Amount for FM.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dual Osc: Unison Control with 3 selectable amplitude levels.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Pitch Controls: Semitone (-24\/+24) and Fine Tune.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;MODULATION SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;LFO with waveforms: triangle, square, sawtooth, inverted sawtooth or Sample \u0026amp;amp; Hold waveforms. LFO can be routed to modulate: Filter Frequency, Osc Pitch or Osc Mod. LFO speed can be synchronized with the Master Clock.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;AD\/AR envelope\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;ARPEGGIATOR\/GATE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;Arpeggiator: range: 1 - 4 octaves. Modes: up, down, up\/down, random. Zig-Zag.\u0026lt;\/li\u0026gt;The Arpeggio speed can be synchronized with the Master Clock.\u003c\/li\u003e    \u003cli\u003ePoly: Polyphonic Arpeggiator for retriggering chords at Zero Range, Polyphonic Arpeggio of chord inversions with wide extension.\u003c\/li\u003e    \u003cli\u003eGate: Rhythmic Gate level with Rhythmic with adjustable envelope.\u003c\/li\u003e    \u003cli\u003ePattern Mode: Pattern Mode for Arpeggiator, Trig or Gate with 30 editable Presets or Custom Pattern.\u003c\/li\u003e    \u003cli\u003ePattern Editor - Dedicated editor for creating personal rhythmic patterns, usable with the arpeggiator, Trig or Gate.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eFILTER SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eMulti-mode filter: 12 dB (2-pole) low pass, 24 dB (4-pole) lowpass and band pass, high pass, Ladder M, low pass+high pass.\u003c\/li\u003e    \u003cli\u003eCut off, Resonance, envelope amount, envelope amount controllable by velocity.\u003c\/li\u003e    \u003cli\u003eADSR envelope.\u003c\/li\u003e    \u003cli\u003eFilter Keyboard Tracking - Settings: Off, 1\/3, 2\/3 or Full.\u003c\/li\u003e    \u003cli\u003eAdjustable Filter Distortion.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eAMPLIFIER SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eADSR Envelope\u003c\/li\u003e    \u003cli\u003eMode: Transient Attack for more pronounced attack\u003c\/li\u003e    \u003cli\u003eAmp Velocity Amount (3 Levels)\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eLAYER CONTROL\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eFader with LED on each Layer for level control and panoramic view.\u003c\/li\u003e    \u003cli\u003eGroup Function. groups multiple Layers for fast editing of: Amp Env, Filter, Effects, Arpeggiator etc.\u003c\/li\u003e    \u003cli\u003eLayer Lock: Locks the active Layer configuration.\u003c\/li\u003e    \u003cli\u003eSplit Function: 3 Split points with 8 Locations and Split Crossfade.\u003c\/li\u003e    \u003cli\u003eIndividual Pan control on each layer.\u003c\/li\u003e    \u003cli\u003eSolo Mode to quickly MUTE all Layers except the selected one.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003ePERFORMANCE SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eVoice Modes: Poly, Legato and Mono with Glide\u003c\/li\u003e    \u003cli\u003eImpulse Morph: Instantly modifies one or more parameters with a single key press.\u003c\/li\u003e    \u003cli\u003eNord's typical Morph function for quick control of multiple parameters: Wheel, Aftertouch, Velocity and Control Pedal.\u003c\/li\u003e    \u003cli\u003eModulation Wheel.\u003c\/li\u003e    \u003cli\u003ePitch Stick with programmable Range.\u003c\/li\u003e    \u003cli\u003eFast assignment of Modulation Wheel destination.\u003c\/li\u003e    \u003cli\u003eAftertouch.\u003c\/li\u003e    \u003cli\u003eVibrato with 3 Delay Modes and assignment to Wheel or Aftertouch.\u003c\/li\u003e    \u003cli\u003eKeyboard Hold individually controllable on each Layer.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003ePROGRAM SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eProgram Gain Control\u003c\/li\u003e    \u003cli\u003eLarge OLED Display\u003c\/li\u003e    \u003cli\u003eProgram Transpose Function\u003c\/li\u003e    \u003cli\u003e5 Program Buttons\u003c\/li\u003e    \u003cli\u003eLive Mode\u003c\/li\u003e    \u003cli\u003eCopy\/Paste Function\u003c\/li\u003e    \u003cli\u003eMaster Clock - control of: Arpeggiator, LFO, Effects and Delay + External Clock Sync\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eFX Section with: Tremolo, Pan, Ring Modulation, Chorus, Ensemble and Vibe.\u003c\/li\u003e    \u003cli\u003eEQ with Bass\/Treble control, or 1-Band Parametric.\u003c\/li\u003e    \u003cli\u003eDrive effect for tube distortion\u003c\/li\u003e    \u003cli\u003eDelay Section with: rate\/time, tap tempo, analog mode, stereo ping-pong, dry\/wet mix. The Delay speed can be synchronized with the Master Clock. Feedback Loop effects: Chorus, Vibe and Ensemble, Feedback filters: HP, LP and BP.\u003c\/li\u003e    \u003cli\u003eReverb Section with 5 algorithms: Booth, Room, Stage, Hall, Cathedral + Dark, Bright and Chorale (modulated reverbs)\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eMEMORY\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003ePrograms (Single Sounds): 16 x 25 (400) Locations\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eAUDIO OUT\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e2 Outputs\u003c\/li\u003e    \u003cli\u003eHeadphone\u003c\/li\u003e    \u003cli\u003e24-bit high-resolution, low-noise DAC conversion stage.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eMIDI SPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAll controls: knobs, faders, switches send and receive appropriate Control Change messages.\u003c\/li\u003e    \u003cli\u003eMaster Clock synchronizes to any external MIDI Clock.\u003c\/li\u003e    \u003cli\u003eSoft Thru\u003c\/li\u003e    \u003cli\u003e2 Line Level Audio Outputs - ¼\", 6.35 mm jacks, unbalanced\u003c\/li\u003e    \u003cli\u003eHeadphone Output - ¼\", 6.35 mm stereo jack\u003c\/li\u003e    \u003cli\u003eSustain Pedal - ¼\", 6.35 mm jack. Compatible with: Roland DP-2, DP-6, Yamaha FC-4, FC-5, Fatar VFP1-25 etc.\u003c\/li\u003e    \u003cli\u003eControl Pedal - ¼\", 6.35 mm TRS stereo jack. Compatible with: Yamaha FC-7, Roland EV-7, Roland EV-5, Korg EXP2 or Korg XVP10.\u003c\/li\u003e    \u003cli\u003eUSB\/MIDI Port\u003c\/li\u003e    \u003cli\u003eMIDI In \u0026 Out Ports\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg alt=\"Connections\" src=\"https:\/\/www.nordkeyboards.com\/sites\/default\/files\/resize\/files\/products\/images\/NW2-connections-712x111.png\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eINCLUDED ACCESSORIES\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eUser Manual\u003c\/li\u003e    \u003cli\u003ePower cable with IEC C14 connector\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eNord Wave 2: 990 x 100 x 295 mm (38.9\" x 3.9\" x 11.6\")\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eNord Wave 2: 8.75 kg (19.29 lbs)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eSpecifications are subject to change without notice. * Steinway, Wurlitzer, Hohner, Clavinet, Farfisa and Vox are trademarks of their respective owners and are neither affiliated with nor associated with Clavia. These trademarks are mentioned here only as a reference to a sound. Leslie is mentioned to describe a connector standard.\u003c\/em\u003e\u003c\/p\u003e","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003293765977,"sku":"15700051","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-wave-2-performing-synthesizer-15700051_0.jpg?v=1778117496"},{"product_id":"prophet-x-17900005","title":"Sequential Prophet X","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn the\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003edigital and sample-based synthesis (150GB + 50GB user-loadable) combine in a powerful sound engine. Analog filter, two multi-effects, 4 LFOs, 4 DADSR envelopes, and an extensive modulation matrix make this 5-octave semi-weighted keyboard synth (velocity and aftertouch), with arpeggiator and polyphonic sequencer, a perfect tool for professional keyboardists. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eVideo Tutorial\u0026nbsp;Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-xWjIFeoYp8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003eis an 8-voice stereo (16 mono) bi-timbral synthesizer in a 61-key keyboard format, capable of generating a formidable fusion of high-quality audio samples and digital sound synthesis. Inside, it features a sound engine consisting of \u003cstrong\u003e2 sample-based instruments\u003c\/strong\u003e at 16 bit\/48kHz and \u003cstrong\u003e2 high-resolution DSP oscillators\u003c\/strong\u003e, \u003cstrong\u003eall 4 usable together\u003c\/strong\u003e, simultaneously, without limits. The generated sound is then processed through a newly designed analog stereo filter inspired by the vintage sound of the past. The extensive internal sample library consists of a full \u003cstrong\u003e150GB\u003c\/strong\u003e of sounds produced by the renowned independent company \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, for years one of the most highly-rated in the sound design and sound library production sector. \u003cstrong\u003eProphet X\u003c\/strong\u003e offers an important modulation matrix. 4 LFOs, 4 envelopes along with the polyphonic sequencer make it a truly complete tool for music production and sound design.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X Instrument engine\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003etwo powerful sample players\u003c\/strong\u003e responsible for sample playback can be managed like oscillators. In them, you'll find a vast collection of acoustic and electronic instruments, cinematic and environmental sounds. \u003c\/span\u003e\u003cspan\u003eNot just a Rompler, an additional \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e50GB\u003c\/strong\u003e are dedicated to samples and libraries that you can upload into the synth yourself via a simple \u003cstrong\u003eUSB 3.0\u003c\/strong\u003e flash drive. To program and map audio samples simply and intuitively, we will use the free computer software (Mac and PC) \u003cstrong\u003eSequential Prophet X Mapping Utility\u003c\/strong\u003e developed by \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003eTo download the \u003cstrong\u003eSample Editor\u003c\/strong\u003e for your \u003cstrong\u003eProphet X\u003c\/strong\u003e click here\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/Npnh_qvwQbI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll instruments are organized by category and with the \u003cstrong\u003eType\u003c\/strong\u003e knob in the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section, you can quickly scroll to choose individual timbres. Each of the two instruments can manage a \u003cstrong\u003eSample Set\u003c\/strong\u003e (instrument composed of one or more mapped samples). Both are capable of treating samples with parameters such as \u003cstrong\u003eReverse\u003c\/strong\u003e, \u003cstrong\u003eStart\/Stop\u003c\/strong\u003e, \u003cstrong\u003eLoop\u003c\/strong\u003e playback with start point and duration settings. In Dual Layer mode (Stack or Split) the instruments become 4: 2 for each layer.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe digital synthesis of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this instrument, we find the synthesis engine of a classic Prophet emulated by \u003cstrong\u003etwo high-resolution DSP oscillators\u003c\/strong\u003e that generate sine, saw, pulse, and supersaw waveforms. With the \u003cstrong\u003eShape Mod\u003c\/strong\u003e control, you can vary the pulse width, thus increasing the timbral possibilities resulting from the modification of the harmonic content. When used on a SuperSaw waveform, this control allows you to play with detuning to create fuller sounds. Let's try to imagine the expressive potential of the sound generation section of this instrument, for example, by assigning an LFO (or other source) to the \u003cstrong\u003eShape Mod\u003c\/strong\u003e parameter, we can obtain a constantly variable waveform to our liking, and thus reproduce organic and evolving sounds, giving maximum vent to our creativity. For programming vintage-style sounds, we can use the \u003cstrong\u003eSlop 1 \u0026amp; 2\u003c\/strong\u003e parameter to add that pitch instability between the two oscillators typical of old analog synthesizers of the past: try it at low values for a slight fluctuation, bring it to maximum for an accentuated detuning. Among the various parameters we can manage with \u003cstrong\u003eGlide\u003c\/strong\u003e is the possibility to control the \u003cstrong\u003eRate\u003c\/strong\u003e of each individual Oscillator, whether it is DSP or Sample Player. \u003cstrong\u003eHard Sync\u003c\/strong\u003e could not be missing: oscillator 1 is synchronized with oscillator 2 to create powerful leads or experimental drones.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Sequential Prophet X filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAt the heart of the powerful Prophet X sound is its 24dB per octave resonant low-pass analog filter based on a vintage design. In 8-voice mode, the filter becomes Stereo, with left and right cut-off that can be managed separately to create sounds with different modulations per channel. In the \u003cstrong\u003eFilter\u003c\/strong\u003e section, we find the \u003cstrong\u003eDrive\u003c\/strong\u003e knob, which gradually increases the volume input to the filter to introduce pleasant harmonic saturation.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe modulations of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eYou can program and shape sounds with all the classic synthesis functions you would expect from a \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e instrument. \u003cstrong\u003e4 synchronizable LFOs\u003c\/strong\u003e with slew and phase offset, as well as \u003cstrong\u003e4 five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with loop function. 2 envelopes are pre-assigned to the amplifier and filter respectively, while the other two are freely assignable. The 16-slot \u003cstrong\u003eMod matrix\u003c\/strong\u003e offers \u003cstrong\u003e22 sources\u003c\/strong\u003e and \u003cstrong\u003e88 modulation destinations\u003c\/strong\u003e: you will have all the tools needed to sculpt and evolve any sound you wish to create. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X sequencer and arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe polyphonic sequencer provides up to 64 steps, each capable of holding up to 6 notes. If you work in layered voices or split mode, you can create a \u003cstrong\u003edifferent sequence for each\u003c\/strong\u003e \u003cstrong\u003elayer\u003c\/strong\u003e. Phrases can optionally synchronize with an external MIDI clock, just like the arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are two available effects where you can choose one of the algorithms from multiple reverbs, 2 delays (standard and BBD), chorus, phase shifter, flanger, ring mod, vintage rotating speaker, high-pass filter, or distortion. Both effects are programmable, and in layered voices or split mode, you can apply two different effects to each layer. Effect parameters can be modulated through the matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, display and controls of the Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA distinguishing feature of the Prophet X is the presence of no less than \u003cstrong\u003e3 OLED displays\u003c\/strong\u003e. One is dedicated to the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section for selecting instruments \u003c\/span\u003e\u003cspan\u003e(Sample Set),\u003c\/span\u003e\u003cspan\u003e the second to the effects section, and the third, the largest of the three, is placed in the center to allow clear navigation through the various settings. \u003cstrong\u003eProphet X\u003c\/strong\u003e has a 5-octave semi-weighted keyboard sensitive to velocity and aftertouch (mono). The wheels for \u003cstrong\u003ePitch\u003c\/strong\u003e and \u003cstrong\u003eModulation\u003c\/strong\u003e control are backlit to be visible even in low light conditions. Above the wheels are \u003cstrong\u003e2 Touch Sliders\u003c\/strong\u003e freely assignable to any parameter. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe connections of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAmong the connections are the classic \u003cstrong\u003e3 MIDI ports\u003c\/strong\u003e (In, Out, and Thru), \u003cstrong\u003etwo USB ports\u003c\/strong\u003e, one of which is \u003cstrong\u003etype B\u003c\/strong\u003e dedicated to bidirectional MIDI communication (In \u0026amp; Out) and the other is \u003cstrong\u003etype A\u003c\/strong\u003e for inserting the flash drive (3.0) intended for importing your own samples\/libraries. There are 2 stereo outputs divided into \u003cstrong\u003eMain\/A Output\u003c\/strong\u003e and \u003cstrong\u003eB Output\u003c\/strong\u003e (4 \u0026frac14;\u0026rdquo; TS jacks). There is also a headphone output (1\/4\u0026rdquo; TRS) and 4 pedal inputs for Volume, Pedal\/Cv, Sustain, and Sequencer; the latter allows you to start or stop the sequencer or arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003eHybrid Digital\/Analog Synthesizer \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e61-key keyboard (5 octaves)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 DSP oscillators and 2 Sample Players\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDSP: sine, saw, pulse, supersaw\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync, Unison, Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eShape Mode: to vary the waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 Sample Players: 150 GB of samples by 8dio\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e50 GB of user samples importable via USB (pendrive)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePC and Mac software editor for sample mapping\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSample start, end, stretch, reverse, loop, etc.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e3 OLED displays\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-pole LP VCF with resonance and drive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4 LFOs, 4 D-ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e16-slot modulation matrix, 22 sources, 88 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable polyphonic glide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64 Step polyphonic sequencer (1x Layer)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 multi-effects \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUSB type A port for flash drive (3.0)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMAIN\/A and Out B: 2 stereo audio outputs (4 \u0026frac14;\u0026rdquo; TS jacks)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output: \u0026frac14;\u0026rdquo; TRS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TRS volume pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TS sustain pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal input (1\/4” jack) for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal\/CV input (\u0026frac14;\u0026rdquo; TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 97.6cm x 34.3cm x 10.9cm; 11kg \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePower consumption: max 25 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003e\u003cstrong\u003eDownload the Sample Editor for PC and MAC\u003c\/strong\u003e\u003c\/a\u003e: click here\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368575321,"sku":"17900005","price":3925.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-x-17900005_0.jpg?v=1778119069"},{"product_id":"prophet-6-17900006","title":"Sequential Prophet 6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; is a 6-voice polyphonic analog synthesizer, with a\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; 4-octave velocity and aftertouch sensitive keyboard (programmable), equipped with 2 discrete VCOs and a sub-oscillator, 1 VCF low-pass and 1 VCF high-pass, 2 24bit\/48kHz digital multi-effects, analog distortion, and a 64-step polyphonic sequencer.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;Video: Sequential Prophet 6 demo by Giaga Robot\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" frameborder=\"0\" height=\"669\" src=\"\/\/www.youtube.com\/embed\/2gRisVupF-s\" title=\"YouTube video player\" width=\"1190\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Vintage in a modern key\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Prophet 6\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;'s tribute to the polysynth that started it all: the \u0026lt;strong\u0026gt;Sequential Prophet-5\u0026lt;\/strong\u0026gt;. It's not just a simple reissue of a classic, but, as \u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt; says: \"\u0026lt;em\u0026gt;It's the result of our efforts to build the most impressive sounding modern analog polysynth possible\u0026lt;\/em\u0026gt;\". To the strengths of the original (true voltage-controlled oscillators, filters, and amplifiers), the Prophet 6 adds features and improvements, such as 2 studio-quality effects, a polyphonic step sequencer, an arpeggiator, and much more. The result is a \u0026lt;strong\u0026gt;pure analog sound\u0026lt;\/strong\u0026gt; with the stability and reliability of a cutting-edge modern synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sound synthesis in the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The warm and punchy sound of the Prophet 6 is the result of its newly designed voltage-controlled oscillators. 2 discrete VCOs with pure analog sound, plus a sub-oscillator and white noise. The waves generated by the oscillators are: saw, triangle, and variable-width pulse, while the sub-oscillator generates a square wave tuned one octave below oscillator 1. The waveforms are continuously variable, meaning our sound palette will increase thanks to the variety of intermediate waves created. Oscillator 1 can be synchronized to oscillator 2; this function is called \u0026lt;strong\u0026gt;Hard-Sync\u0026lt;\/strong\u0026gt; and can be activated via the \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; button located in the Oscillator 1 section. Oscillator 2 is accompanied by a \u0026lt;strong\u0026gt;Fine\u0026lt;\/strong\u0026gt; potentiometer to vary the tuning in a ¼ tone range. The \u0026lt;strong\u0026gt;Low Freq\u0026lt;\/strong\u0026gt; switch located in the Oscillator 2 section is used to trigger the generation of very low frequencies, thus allowing it to be used as a polyphonic LFO. Both oscillators are new generation: reliable and extremely in tune. To emulate the instability of oscillators in old vintage analog synthesizers, the \u0026lt;strong\u0026gt;Slop\u0026lt;\/strong\u0026gt; potentiometer adds a random detuning; use it to create Classic Analog sounds or to experiment with new soundscapes. By activating the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function, the Prophet 6 behaves like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by assigning all six voices to a single note: 12 oscillators per key! The classic \u0026lt;strong\u0026gt;Poly-Chain\u0026lt;\/strong\u0026gt; of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt; allows you to connect another \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; (keyboard or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/sequential\/prophet-6-desktop\" target=\"_blank\"\u0026gt;desktop\u0026lt;\/a\u0026gt;) via MIDI to double the polyphony notes. The \u0026lt;span\u0026gt;twelve voices\u0026lt;\/span\u0026gt; available in this particular configuration are also useful for avoiding note cutoff in chords with long release times.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Filter of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The Prophet 6 has \u0026lt;strong\u0026gt;two analog filters per voice\u0026lt;\/strong\u0026gt;. Two distinct VCFs that allow you to program a wide spectrum of sounds. These are a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;4-pole low-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt; and a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;2-pole high-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;, both resonant. These filters are located in two dedicated sections, and each can be controlled via Cutoff, Resonance, and Envelope potentiometers. The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; was designed to use both filters simultaneously, resulting in a precise band-pass. The ability to assign Velocity to the filters independently is very interesting; this effect, though simple, opens up creative and impactful programming possibilities.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The effects of Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Two high-quality digital multi-effects (\u0026lt;span\u0026gt;24 bit\/48kHz\u0026lt;\/span\u0026gt;) are available in the instrument: \u0026lt;strong\u0026gt;Effect A\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Effect B\u0026lt;\/strong\u0026gt;. Both provide standard delay, BBD delay, chorus, phase shifter, ring modulator, and flanger. In multi-effect B, we find room, plate, and the inevitable spring reverbs. The true-bypass function guarantees the purity of the analog path: if the effects are not activated, they do not interfere with the analog path. In addition to these two effects, there is also a stereo analog \u0026lt;strong\u0026gt;distortion\u0026lt;\/strong\u0026gt; ready to provide warmth or aggression.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The modulations of the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Compared to its predecessor, the \u0026lt;strong\u0026gt;Poly Mod\u0026lt;\/strong\u0026gt; section has been improved to connect modulation sources to destinations. True to the original, the sources are the filter envelope and oscillator 2 (both with bipolar control). Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. The \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; has 1 syncable LFO with 5 waveforms and 6 programmable destinations. There are \u0026lt;strong\u0026gt;two ADSR type envelopes\u0026lt;\/strong\u0026gt; located on the right side of the front panel: the first dedicated to the amplifier and the second to the filters. The second oscillator can be activated in Low Freq mode to be used as a second LFO.\u0026lt;span\u0026gt;\u0026nbsp;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The connections of the Prophet 6\u0026lt;span\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;All Sequential instruments are designed with \u0026lt;strong\u0026gt;complete MIDI connectivity\u0026lt;\/strong\u0026gt; consisting of the classic triad (In, Out, and Thru) on five-pin DIN connectors and a class-compliant USB Type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with other instruments that support MIDI over USB connections (e.g.: \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;amp;o=5\u0026amp;amp;f=1\" target=\"_blank\"\u0026gt;Akai Pro MPC\u0026lt;\/a\u0026gt; or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u0026gt;Force\u0026lt;\/a\u0026gt;). The Prophet 6 provides inputs for a Footswitch-type Sustain pedal (1\/4” TS jack), for 2 expression pedals (1\/4” TRS jack) – one for volume and one for filter cutoff – and for a footswitch to manage the sequencer's on\/off. As audio outputs, we find two (L and R) 1\/4” TS jack outputs and a stereo headphone output (TRS) on a 1\/4” jack.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard, controls and memory\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The front panel offers a knob for immediate access to practically all Prophet 6 functions. Included are 500 permanent factory Programs and 500 rewritable user Programs. By deactivating the Preset button, the \u0026lt;strong\u0026gt;live panel mode\u0026lt;\/strong\u0026gt; is activated, and the Prophet 6 sound switches to the current settings of the potentiometers and switches. This way, what you see is what you hear. The majestic sound of this instrument is enclosed in a four-octave semi-weighted keyboard with velocity and aftertouch. An ideal combination of portability and power for studio recording or for the musician ready to take it on stage.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Features of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;6-voice polyphonic analog synth\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;4-octave semi-weighted keyboard\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Velocity and aftertouch sensitive (mono)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Backlit Pitch and Mod Wheel\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Presets: 500 user and 500 factory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 discrete VCOs per voice\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Continuously variable waveform\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Triangle, Saw, variable-width Pulse\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Pulse width on each oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Hard Sync\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Square wave sub-oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Low Freq mode (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Keyboard Tracking on\/off (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Unison with Chord Memory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Chain\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 analog filters (VCF): 4-pole low-pass and 2-pole high-pass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 LFO, 2 ADSR Envelopes\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Mod Modulation Matrix\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Glide\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;64-step Polyphonic Sequencer\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Programmable Arpeggiator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 digital multi-effects (A and B)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo analog distortion\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;True-bypass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Clock: Master (Tap Tempo), external MIDI\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;MIDI: In, Out and Thru DIN, USB Type B\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo output (2 x 1\/4'' jack TS)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Headphone output (1\/4\" TRS stereo jack)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TS jack input for Sustain pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for expression pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for low-pass filter pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4” TS jack input for Sequencer\/Arpeggiator pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Dimensions and weight: 82x32.3x11.7cm; 9.5 kg\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;IEC connector for power cable\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Power consumption: max 30 watts\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Walnut side panels and finish\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368706393,"sku":"17900006","price":3887.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-6-17900006_0.jpg?v=1778119080"},{"product_id":"ob-6-17900007","title":"Oberheim OB-6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;in this version with a 49-key velocity and aftertouch-sensitive keyboard, offers a unique analog sound, born from the collaboration between \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e and \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. Two discrete oscillators per voice and a 2-pole filter derived from the SEM project are coupled with two digital multi-effects, an arpeggiator, and a polyphonic sequencer.\u0026nbsp; \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eDemo Video Sequential OB-6 by Giaga Robot\u0026nbsp;\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iuQIohDeg4U\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eTwo legends. One instrument\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB6 is born from an epochal collaboration between two of the most influential synth designers in the history of sound synthesis: \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e. The \u003cstrong\u003eSequential OB6\u003c\/strong\u003e recreates the classic bold \u003cstrong\u003eOberheim\u003c\/strong\u003e sound: true voltage-controlled oscillators, the 2-pole filter, and amplifiers, adding modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No modern analog polyphonic synth can boast such a pedigree and such a massive sound imprint.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe sound synthesis in the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWith the\u003cstrong\u003e Sequential OB-6\u003c\/strong\u003e, you will be able to easily create raw and powerful sounds, as well as elegant and refined sounds. This is also thanks to its discrete analog oscillators. The OB-6 has \u003cstrong\u003etwo VCOs\u003c\/strong\u003e, a \u003cstrong\u003ewhite-noise generator\u003c\/strong\u003e, and a \u003cstrong\u003esub-oscillator\u003c\/strong\u003e. The latter plays one octave lower than oscillator 1 and produces a square wave. Each of these generators has a dedicated volume control in the Mixer section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eVCO 1 is capable of generating 2 waveforms: sawtooth and pulse with variable amplitude. VCO 2, on the other hand, generates 3 waveforms: triangular, sawtooth, and pulse, also with variable amplitude. Both oscillators can continuously change waveforms, allowing us to obtain the various nuances that will arise in the transition between one waveform and another.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOscillator 1 can be synchronized with oscillator 2 to create sharp and harmonically rich sounds (Hard Sync). Oscillator 2 is accompanied by a \u003cstrong\u003eDetune\u003c\/strong\u003e knob to vary the pitch within a ¼ tone range. The switch called \u003cstrong\u003eLow Freq\u003c\/strong\u003e is used to trigger the generation of very low frequencies and is therefore useful as an LFO or in creating drones.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSince the OB-6 has extremely stable VCOs, the \u003cstrong\u003eDetune\u003c\/strong\u003e knob adds random detuning to the oscillators to emulate the typical instability of vintage synths. When the \u003cstrong\u003eUnison\u003c\/strong\u003e function is on, the OB-6 acts like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by dedicating all six voices to a single note (12 oscillators per key!). The classic \u003cstrong\u003ePoly-Chain\u003c\/strong\u003e by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e \u003c\/a\u003eallows you to connect another OB-6 (keyboard or desktop) via MIDI to double the polyphony notes. The \u003cstrong\u003etwelve voices\u003c\/strong\u003e available in this particular configuration are also useful to avoid truncating the tail of notes in case of chords with long release times.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Filter of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6's filter is analog, two-pole (12db per octave), state-variable with Low-pass, High-pass, Notch, and Band-pass. A filter inspired by the \u003cb\u003eS.E.M.\u0026nbsp;\u003c\/b\u003e(Synthesizer Expander Module) project, which was the first synthesizer created by \u003cb\u003eTom Oberheim\u003c\/b\u003e in 1974. The filter of this synthesizer aroused considerable interest at the time because it was the first to give a different sound compared to others on the market (Moog and Arp). Even today, the sound of this filter is re-proposed by many manufacturers of modular and keyboard synthesizers.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe effects of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6 is equipped with two high-quality \u003cb\u003eDigital Effects\u003c\/b\u003e. Reverbs, delays\u0026nbsp;\u003c\/span\u003e\u003cspan lang=\"PT\"\u003e(standard and BBD), chorus, flanger, phase shifter, and faithful reproductions of \u003cb\u003eTom Oberheim\u003c\/b\u003e's ring modulator. Both have a \u003cstrong\u003e24 bit\/48kHz\u003c\/strong\u003e resolution and with the true-bypass function, they guarantee the purity of the analog path. The effects are divided into sets A and B and are applied in series one after the other. Reverb is traditionally placed at the end of the chain, and for this reason, this effect is only found in set B.\u003c\/span\u003e\u0026nbsp;\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eModulations of the OB-6\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential OB-6\u003c\/strong\u003e has a modulation section called \u003cstrong\u003eX-mod\u003c\/strong\u003e. Many of the most famous sounds of the OB series were created precisely with this section. The modulation sources are the filter envelope and oscillator 2, both with bipolar control. Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, filter Cut-Off, and filter mode: LP, HP, Notch, and BP. \u0026nbsp;In OB-6 we find a \u003cb\u003eLFO \u003c\/b\u003ewith 5 waves: sine, sawtooth, rev saw, square, random. A sixth \"hidden\" one can be created by choosing Random and setting the frequency speed to maximum. This will create a \u003cb\u003eWhite Noise\u003c\/b\u003e-style waveform. The 2 envelopes we find in OB-6 are 4-stage (ADSR). The first is dedicated to the filter, the second to the VCA. The amplifier envelope was named \u003cb\u003eLoudness Envelope\u003c\/b\u003e by Tom.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe polyphonic sequencer and arpeggiator of OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe polyphonic sequencer allows for the storage of up to 64 steps and supports up to 6 simultaneous notes per step. While a sequence is playing, you can play along with the rest of the available polyphony. You can create polyphonic sequences and synchronize them with an external MIDI clock. The programmable arpeggiator of the \u003cstrong\u003eSequential OB-6\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions, and in the order in which the notes are played by us. Synchronizable to the external \u003cstrong\u003eMIDI Clock\u003c\/strong\u003e or to the internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides the configurable Re-latch and Sustain functions. The notes generated by the arpeggiator or sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe connections of the Sequential OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAs in all instruments designed by \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003eDave Smith\u003c\/a\u003e\u003c\/strong\u003e, a complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (for example: \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003eAkai Pro MPC\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u003eForce\u003c\/a\u003e). To your \u003cstrong\u003eOB-6\u003c\/strong\u003e you can connect a Footswitch type Sustain pedal (¼” TS jack), 2 expression pedals (¼” TRS jack), one for volume and one for filter cutoff, and a footswitch for managing the on\/off of the sequencer. As audio outputs, we find two (L and R) ¼” TS jacks and a stereo headphone output (TRS) on a ¼” jack.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard controls and memories of the Sequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel features a potentiometer for each function and puts virtually all OB-6 parameters at your fingertips. 500 permanent factory programs and 500 rewritable user programs are included. Pressing the Manual button enables live panel mode, where the OB-6's sound switches to the current front panel settings. In this state, what you see is what you hear. All the analog sonic power of the \u003cstrong\u003eSequential OB6\u003c\/strong\u003e is easily playable from its four-octave semi-weighted keyboard with programmable velocity and aftertouch, making it perfect for both stage and recording studio.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFeatures of the Sequential OB-6\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e6-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-octave semi-weighted keyboard \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVelocity and aftertouch sensitive (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eBacklit Pitch and Mod Wheels\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e500 user and 500 factory programs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 discrete VCOs per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eContinuously variable waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSaw, variable width Pulse \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e+ Triangular on oscillator 2\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePulse width on each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSquare wave sub-oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eLow Freq mode (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eKeyboard Tracking on\/off (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison with Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Chain \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVCF 2-pole state variable (LP, HP, Notch, BP)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSR Envelopes\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eX-Mod Modulation Matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64-step Polyphonic Sequencer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable Arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 digital multi-effects set A set B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eAnalog Distortion\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eTrue-bypass\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4'' TS jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e1 1\/4'' TRS jack input for expression pedal\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for low-pass filter pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4” TS jack input for Sequencer\/Arpeggiator pedal \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 80.7x32.3x11.7cm; 9.5 kg\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power cable\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 30 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWalnut side panels and finish\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369001305,"sku":"17900007","price":3549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-ob-6-17900007_0.jpg?v=1778119091"},{"product_id":"prophet-rev-2-8-voci-a-tastiera-17900008","title":"Sequential Prophet Rev2 8-Voice Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e analog synth in 5-octave keyboard version, bi-timbral, with 8 voices of polyphony, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capabilities are extensive, thanks to a matrix of 22 sources and 53 destinations.\u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eVideo tutorial Sequential Rev 2\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003e8-voice Polyphonic Analog Synthesis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003e8 voices\u003c\/strong\u003e of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop\u003c\/strong\u003e knob to gradually introduce a random detuning. One of the important innovations introduced by this Revision 2 is represented by the two knobs called \u003cstrong\u003eShape Mod\u003c\/strong\u003e. With these, you can continuously shape the amplitude and waveform of the generated sound on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thereby obtaining a more complex and harmonically rich sound. An indispensable white noise generator and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found in the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to expand the stereo image of the generated sound by positioning individual voices sparsely across the soundstage.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows you to play up to \u003cstrong\u003e8 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between one voice and the other to help you program very full-bodied sounds. Pressing it while playing a chord will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev 2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan \u003e in the 5-octave keyboard version with \u003cstrong\u003e8 voices of polyphony\u003c\/strong\u003e is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2s\u003c\/strong\u003e at your fingertips, with \u003cstrong\u003e4 dedicated voices of polyphony for each sound\u003c\/strong\u003e. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are played simultaneously across the entire keyboard, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed differently for each sound, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe 8-voice Prophet Rev2 filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe warm, unique, and incisive sound of this powerful synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e filter also bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e knob, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter cutoff to obtain movement on the harmonics of the upper part of the sound spectrum, a particularly noticeable effect when we are in 4-pole mode with light resonance parameter values.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eWaveform Modulation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, inverted sawtooth, square, and random (sample \u0026 hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations in a very simple and intuitive way, by pressing and touching the parameters we want to connect to each other via Source, Destination, and Amount.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Effects of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe integrated multi-effect provides a choice of the following effects applicable to each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated through the dedicated matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eArpeggiator and Poly Step Sequencer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions and in the order in which the notes are played by us. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN, via USB, or only to one of the two options. Both Arpeggiator and Sequencer are \u003cstrong\u003esynchronizable to external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eInside \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003e we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is the \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create very complex rhythmic and melodic sequences. The second mode is \u003cstrong\u003eGated\u003c\/strong\u003e: unlike the polyphonic one, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but will allow us to store parameter variations of the Synth step-by-step.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eProphet Rev2 Keyboard and Controls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe panel offers \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. It includes 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is housed in a high-quality \u003cstrong\u003efive-octave semi-weighted keyboard\u003c\/strong\u003e, sensitive to velocity and aftertouch (mono). Among the other features that make it an ideal instrument for concerts or studio recording, we note the presence of an integrated power supply and an intelligible OLED display.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev2 Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs named Main\/A Output and B Output. The Main\/A output reproduces the sound of both layers if no cable is connected to the B output. Simply connect a cable to the B output to separate the two audio signals of the layers and assign them to their respective outputs.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input\u003c\/strong\u003e is used to connect a standard expression pedal (¼” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). The presence of a ¼” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e is natural, and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e is intended for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru in DIN format and a USB Type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSequential Prophet Rev2 Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan \u003e8-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eBi-timbral: 4x2 layers or split\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMemory: 512 presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5-octave keyboard with semi-weighted keys\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eVelocity and mono aftertouch sensitive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAssignable Pitch and Modulation Wheel\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eGlide (portamento): with separate speeds for each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e1 Curtis low-pass filter (2 or 4 poles)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e64-step polyphonic sequencer (6 notes per step)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4-track 16-step x 4 mode\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eNote repeat\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMIDI: DIN In, Out, Thru; USB Type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eSustain pedal input ¼” TS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal\/CV input (¼” TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eDimensions and weight: 89.20x32.26x9.65cm; 9.3KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eIEC connector for mains power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eConsumption: approx. 17W\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369099609,"sku":"17900008","price":2872.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-8-voci-a-tastiera-17900008_0.jpg?v=1778119101"},{"product_id":"prophet-rev-2-16-voci-a-tastiera-17900009","title":"Sequential Prophet Rev2 16-Voice Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e analog synthesizer in the 5-octave keyboard version, bi-timbral, with 16 voices of polyphony, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effect. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capability is extensive, thanks to the matrix with 22 sources and 53 destinations.\u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"287\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"Sequential Prophet Rev 2 demo a cura di Giaga Robot\" width=\"510\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003e16-Voice Polyphonic Analog Synthesis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe 16 voices of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop\u003c\/strong\u003e potentiometer to gradually introduce a random detuning. One of the important innovations introduced by this Rev 2 is represented by the two potentiometers named \u003cstrong\u003eShape Mod\u003c\/strong\u003e. With these, you can continuously shape the amplitude and form of the generated waveform on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thus obtaining a more complex and harmonically rich sound. An inevitable white noise generator and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found in the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to widen the stereo image of the generated sound by positioning the individual voices scattered across the panorama. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows you to play up to \u003cstrong\u003e16 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between one voice and the next to help you program very full-bodied sounds. Pressing it while playing a chord, the same button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play on the keyboard. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet Rev 2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in the 5-octave keyboard version with 16 voices of polyphony is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003es at your fingertips, with 8 voices of polyphony dedicated to each sound. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are played simultaneously across the entire length of the keyboard, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed for each sound differently, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe filter of the Prophet Rev2 16 voices\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align; justify;\"\u003e\u003cspan\u003eThe warm, unique, and incisive sound of this prodigious synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the filter of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e potentiometer, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter's cutoff to achieve movement on the harmonics in the upper part of the sound spectrum, an effect particularly noticeable in 4-pole mode with low resonance parameter values.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eWaveform Modulation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, reverse sawtooth, square, and random (sample \u0026 hold). Three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations very simply and intuitively, by pressing and touching the parameters we want to connect using Source, Destination, and Amount. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Effects of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe integrated multi-effect provides us with one of the following effects, chosen for each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated via the dedicated matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eArpeggiator and Poly Step Sequencer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which we play the notes. The notes generated by the arpeggiator and sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them via DIN, via USB, or only to one of the two options. The Arpeggiator and Sequencer are both \u003cstrong\u003esynchronizable to an external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eInside the \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003e, we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is the \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create rhythmic and melodic sequences, even very complex ones. The second mode is the \u003cstrong\u003eGated\u003c\/strong\u003e mode: unlike the polyphonic one, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but rather will allow us to store variations of the Synth parameters step-by-step.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard and controls of the Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel provides us with no less than \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. Included are 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is enclosed in a \u003cstrong\u003ehigh-quality semi-weighted five-octave keyboard\u003c\/strong\u003e, sensitive to velocity and monophonic aftertouch. Among other features that make it an ideal instrument for concerts or studio recording, we highlight the presence of an integrated power supply and an intelligible OLED display.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe connections of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs labeled Main\/A Output and B Output. The Main\/A output plays the sound of both layers if no cable is connected to output B. Conversely, simply connecting a cable to output B will separate the two audio signals of the layers and assign them to their respective outputs.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input\u003c\/strong\u003e is used to connect a standard expression pedal (1\/4” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). Naturally, there is a 1\/4” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru DIN format and a USB type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSequential Prophet Rev2 Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan\u003e16-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eBi-timbral: 8x2 layer or split \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMemories: 512 presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e5-octave keyboard with semi-weighted keys\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eVelocity sensitive and mono aftertouch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAssignable Pitch and modulation wheel\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eGlide (portamento): with separate speeds per oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 Curtis low-pass filter (2 or 4 poles)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e64-step polyphonic sequencer (6 notes per step) \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 tracks 16 steps x 4 mode \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eNote repetition\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMIDI: DIN In, Out, Thru; USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSustain pedal input 1\/4” TS jack\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eInput (1\/4” TRS jack) pedal\/CV: for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eDimensions and weight: 89.20x32.26x9.65cm; 9.3KG \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eConsumption: max 22W at 16 voices; 17W at 8 voices\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eA Modern Classic Reimagined\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e is a modern classic that has appeared in countless recordings and stages since its debut in 2007. As \u003cstrong\u003eDave Smith\u003c\/strong\u003e says, \"\u003cstrong\u003eThe Prophet Rev2\u003c\/strong\u003e is the realization of our effort to improve everything we could from the original design, at a more accessible price.\" The Prophet Rev2 retains all the key features of the \u003cstrong\u003eProphet ’08\u003c\/strong\u003e and expands them. It has double the polyphony, a more extensive modulation matrix, continuous shape variation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing Prophet ’08 sound libraries, and not only will they sound identical, but they can be enhanced with the new features.\u003c\/p\u003e","brand":"DAVE SMITH","offers":[{"title":"Default Title","offer_id":58003369230681,"sku":"17900009","price":2949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-16-voci-a-tastiera-17900009_0.jpg?v=1778119112"},{"product_id":"prophet-5-rev-4-17900010","title":"Sequential Prophet 5 Rev 4","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave keyboard\u003c\/strong\u003e, the \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e embodies all three revisions of the legendary synth: Rev1, Rev2, and Rev3. It features 2 CEM 3340 VCOs per voice, analog Curtis (CEM 3320) filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9JFIrpARQMc\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA pure renewal of an analog classic: the authentic and powerful sound of the original with the precision of a modern, cutting-edge instrument.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound that this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely death of its creator \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\" target=\"_blank\"\u003e\u003cstrong\u003eDoug Curtis\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable pulse width waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is the fact that each oscillator can simultaneously play multiple waveforms, resulting in a unique, rich, and full-bodied sound. In the Oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, making it usable as an LFO. With the dedicated \u003cstrong\u003eDETUNE\u003c\/strong\u003e knob, it is possible to vary the pitch of Oscillator B by approximately a semitone compared to Oscillator A. As in previous versions, this Rev 4 also features the ability to synchronize Oscillator A to Oscillator B to create complex sounds rich in harmonics. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 5\u003c\/strong\u003e acts as a monophonic synth: it plays only one note at a time. Use it to create full-bodied, imposing basses and leads, dedicating all five voices to a single note: 10 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 5 Rev 1\u003c\/strong\u003e and \u003cstrong\u003eRev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its distinctive sonic imprint, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both created a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eProphet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e team decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter that reproposes \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revision 1 and 2 has instead been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 5's Vintage Mode Knob\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, and not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage knob:\u003c\/strong\u003e use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, to revision 4: the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e comes from the results of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. Faithful to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 5\u003c\/strong\u003e is the \u003cstrong\u003eUnison\u003c\/strong\u003e mode, which now features a configurable number of voices from one to five with variable detuning and chord memory.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and aftertouch on the Prophet 5\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough the mission of \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e was to make the new Prophet 5 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 5 to do things the original never could: filter sweeps, LFO mod, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Programming\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a knob for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the knobs and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the set of 40 original presets from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave (61 full-size keys) semi-weighted Fatar keyboard, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each Prophet 5 is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 5 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e5-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC A saw, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC B saw, triangle, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWaveforms can be played simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eRev1\/2 or Rev3 filter selection button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 20W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369328985,"sku":"17900010","price":4019.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-5-rev-4-17900010_0.jpg?v=1778119124"},{"product_id":"prophet-10-tastiera-17900011","title":"Sequential Prophet 10 Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave\u003c\/strong\u003e keyboard, the \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e embodies all three revisions of the legendary synth (Rev1, 2, and 3) in a \u003cstrong\u003ebi-timbral synthesis structure\u003c\/strong\u003e with \u003cstrong\u003e10 voices of polyphony\u003c\/strong\u003e (2 layers x 5 voices). 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) analog filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Polyphony and Bi-timbrality\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e: it can simultaneously play two sounds of 5 voices each in two different modes\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/strong\u003eIn \u003cspan\u003e\u003cstrong\u003eSplit \u003c\/strong\u003emode, the keyboard is divided into two, with one sound assigned to the lower octaves and another to the upper octaves. In \u003cstrong\u003eStacked\u003c\/strong\u003e mode, on the other hand, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 5.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 10 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 10 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 10 rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely passing of its creator \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\"\u003eDoug Curtis\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable-width pulse waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is that each oscillator can simultaneously play multiple waveforms, which results in a unique, rich, and full identifiable sound. In the oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, thus usable as an LFO. With the appropriate \u003cstrong\u003eDETUNE\u003c\/strong\u003e potentiometer, it is possible to vary the pitch of oscillator B by approximately a semitone relative to oscillator A. As in previous versions, this Rev 4 also includes the ability to synchronize oscillator A to oscillator B to create complex and harmonically rich sounds. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e behaves like a monophonic: it plays only one note at a time. Use it to create full, imposing basses and leads, dedicating all 10 voices to a single note: 20 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (fundamental) you play on the keyboard. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of Prophet 10 rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 10 rev 1\u003c\/strong\u003e and \u003cstrong\u003erev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its identifiable sound signature, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both produced a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\"\u003eProphet\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e team wisely decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter reproducing \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revisions 1 and 2 has been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 10 Vintage Mode Potentiometer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of the individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-10\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage\u003c\/strong\u003e knob. Use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, up to revision 4: which is the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is a result of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. True to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking, and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is \u003cstrong\u003eUnison\u003c\/strong\u003e, which now features a configurable number of voices from one to ten with variable detuning and chord memory. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and Aftertouch on the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e's mission was to make the new Prophet 10 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 10 to do things the original never could: filter sweeps, LFO modulations, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProgramming the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a potentiometer for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the potentiometers and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the original 40 preset set from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave Fatar keyboard (61 full-size keys) semi-weighted, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each \u003cstrong\u003eProphet 10\u003c\/strong\u003e is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e10-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eBi-timbral (5 voices per Layer)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC A saw, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC B saw, triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWaveforms reproducible simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eFilter selection button Rev1\/2 or Rev3\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Filter Cutoff)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePower consumption: max 28W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369460057,"sku":"17900011","price":4579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-10-tastiera-17900011_0.jpg?v=1778119132"},{"product_id":"pro-3-17900014","title":"Sequential Pro 3","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003eHybrid, monophonic, duophonic, paraphonic synthesizer. A true HUB for your modular synth setup with its 4 CV inputs and 4 CV outputs, plus GATE. An audio input to process external sources. \u003cstrong\u003eSequential Pro 3\u003c\/strong\u003e has 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSound Synthesis in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable oscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can modify by freely adjusting the waveform width with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob, we can continuously navigate between the waveforms of each individual wavetable. Moreover, by assigning an LFO or any other modulation source to the Shape Mods, you can generate constantly evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eWavetables are permanently stored in slots numbered 1 to 32. Since firmware update 1.1, the memory slots have been doubled, and it is \u003cstrong\u003epossible to import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 can be individually configured on each oscillator to creatively modulate pitch when transitioning from one note to another via the keyboard. In the mixer section, in addition to being able to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distortion, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eThree Filters Designed Based on Vintage Blueprints\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAn important element in creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e is the filter section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve low-frequency punch. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eModulations in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eModulations play a more than important role in sound synthesis. They allow us to sculpt sound as we imagine or transport us to unexpected soundscapes, providing inspiration. \u003c\/span\u003e\u003cspan \u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan \u003e understands the importance of having no limits in sound design, and precisely for this reason, the \u003cstrong\u003ePro 3\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 synchronizable LFOs\u003c\/strong\u003e, with slew and phase offset applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply press and hold the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired knob. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003ePro 3 Effects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe Pro 3's \u003cstrong\u003eEffects\u003c\/strong\u003e section provides programmable digital effects and analog distortion that can also be applied to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, and both offer one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Effect 2 also includes a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback connected to an envelope. And so on... This is just a small taste of the infinite possibilities for sound programming in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Pro 3 Sequencer and Arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eUnleash your creative flair using the Pro 3's sequencer. It utilizes 4 sequences (A, B, C, and D), each consisting of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as Mod sources to assign to various destinations. Of the 16 tracks, the first 3 are for note-related parameters, while the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random sequences, or as played by us. We can decide the octave range and the repeat: that is, how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eCV\/GATE \u0026amp; MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 CV outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers—such as modular ones—compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eMonophonic, Duophonic, and Paraphonic Modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eDesigned as a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of playing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, however, we are looking for something that cannot be defined as \"ordinary,\" let's try choosing different waveforms and pitches among the oscillators to achieve something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will cycle between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button in the oscillator section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eKeyboard, Controls, and Display of the Sequential Pro 3 \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size velocity and aftertouch sensitive keys. There are also Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e \u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Pro 3 Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan \u003eHybrid monophonic\/3-voice paraphonic synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 User wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eDimensions and weight: 67.7x33.8x12.5cm; 7.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369886041,"sku":"17900014","price":2156.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-17900014_0.jpg?v=1778119162"},{"product_id":"pro-3-se-17900015","title":"Sequential Pro 3 SE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential Pro 3 SE\u003c\/strong\u003e is a version with a tilting control panel and wooden finishes of the hybrid, monophonic, duophonic, paraphonic synth. A real HUB for your modular synth set-up with its 4 CV inputs and 4 outputs, plus GATE. An audio input for processing external sources. 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and as many as 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAll the features of the PRO 3, in an aesthetically appealing and ergonomic \u003cstrong\u003eSpecial Edition\u003c\/strong\u003e version, which stands out for the presence of the tilting control panel and the fine walnut wood finishes. \u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound synthesis in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable\u003c\/strong\u003e \u003cstrong\u003eoscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can adjust by varying the width of the generated waveform as desired with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer, we can continuously navigate between the waveforms of each individual wavetable. In addition, by assigning an LFO or any other modulation source to the Shape Mods, you can generate continuously evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWavetables are permanently stored in slots numbered from 1 to 32. Since firmware update 1.1, memory slots have been doubled, and \u003cstrong\u003eyou can import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 SE can be individually configured on each oscillator to creatively modulate pitch when moving from one note to another via the keyboard. In the mixer section, in addition to the ability to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and that of the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path's routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distorter, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThree filters designed from Vintage projects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAn important element for creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e is the filtering section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve punch in the low frequencies. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eModulations in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eModulations in sound synthesis play a more than important role. They allow us to sculpt sound as we imagine or transport us to unexpected landscapes, giving us inspiration. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e knows well the importance of having no limits in sound design, which is why the \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 LFOs\u003c\/strong\u003e that can be synchronized, with slew and phase offsets applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply hold down the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired potentiometer. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eEffects\u003c\/strong\u003e section of the Pro 3 provides programmable digital effects and an analog distorter, also applicable to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, both offering one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Within effect 2, there is also a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback linked to an envelope. And so on... This is just a small taste of the infinite sound programming possibilities in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe sequencer and arpeggiator of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eUnleash your creativity using the Pro 3's sequencer. It features 4 sequences (A, B, C, and D) each composed of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as a Mod source to assign to the many destinations. Of the 16 tracks, the first 3 are dedicated to note-related parameters, the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random, or as-played sequences. We can decide the octave range and repeat: how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eCV\/GATE \u0026 MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens the doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers — for example, modular ones — compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eMonophonic, Duophonic and Paraphonic modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eDesigned to be a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of reproducing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, on the other hand, we are looking for something that cannot be defined as \"ordinary,\" we can try choosing different waveforms and pitches between the oscillators to obtain something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will distribute cyclically between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button located in the oscillators section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, controls and display of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size keys sensitive to velocity and aftertouch. It also features Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan\u003eTilting panel and f\u003c\/span\u003e\u003cspan\u003einishes in \u003c\/span\u003e\u003cspan style=\"color: #262626; font-family: 'Helvetica Neue';\"\u003efine walnut wood\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHybrid monophonic\/paraphonic 3-voice synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e512 user memories and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 user wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eDimensions and weight: 68.6x37x12.8cm; 12.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370770777,"sku":"17900015","price":2315.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-se-17900015_0.jpg?v=1778119180"},{"product_id":"take-5-17900016","title":"Sequential Take 5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eSequential Take 5\u003c\/p\u003e\u003cp\u003eThe Sequential Take 5 combines the Californian company's historical expertise with the precision of modern technologies. The result is a powerful yet compact 5-voice polyphonic synth, featuring 2 VCOs, a 4-pole Low Pass filter with resonance and drive, a reverb, a multi-FX, and an overdrive. All of this is conveniently controllable via a rich array of potentiometers and buttons, an extensive modulation matrix, a 44-key Fatar Premium keyboard sensitive to velocity and aftertouch, an arpeggiator, and a 64-step polyphonic sequencer. Free Poly Chain update The free update introduces Poly Chain, new arpeggiator modes, Whiplash, and Violet Noise, making the instrument even more versatile without altering its classic character. Giaga Robot demonstrates Sequential Take 5 Sound Synthesis in the Take 5 At the heart of the instrument's sound generation are 2 fully analog oscillators that allow for continuous waveform morphing. Selectable waveforms for each VCO are: sine, sawtooth, and variable-width square. The pitch of the square-wave sub-oscillator is correlated to oscillator 1. Each oscillator offers a dedicated potentiometer to continuously vary the pitch within a +\/-7 semitone range. The two VCOs can be configured in Hard Sync mode so that OSC 1 follows OSC 2 to create rich and sharp-sounding leads. The FM button in the center of the Mixer section allows oscillator 2 to modulate oscillator 1 to obtain \"metallic\" sounds particularly appreciated on sounds such as pads and plucks. For both oscillators, the sub-oscillator, and the noise generator (Pink, White Noise), there are dedicated volume controls. Two knobs are dedicated to glide, the first to adjust the amount of the effect, the second to manage its duration. The Unison button allows up to five voices to be played simultaneously, with the freedom to assign the amount of detune between each voice. This will allow you to create very full-bodied sounds with plenty of punch. Pressing the same button while playing a chord of up to 5 notes, the Chord Memory function will memorize the intervals and then transpose and reproduce them following the note you play on the keyboard. With its analog components, the Take 5 is able to create the classic polysynth sounds that have made history in sound design. To relive the original imperfection of past synths, a knob called Vintage introduces parameter variations on individual voices, thus creating a more organic sound. Sequential Take 5 video review by Giulio Curiel The filter of the Sequential Take 5 The four-pole resonant low-pass filter is based on the design of one of the two filters of the Prophet-5 rev 4: the SSI 2140 VCF. The filter can self-oscillate by bringing the resonance control to high values, and can be modulated by one of the envelopes and by other sources configurable in the modulation matrix. It features a drive control to increase the input signal level in order to apply analog saturation to our sound. Modulations in the Take 5 The modulations of the Take 5 are applicable via two LFOs (1 global and 1 per voice), two D(delay)-ADSR envelopes with variable routing (filter, amplifier, auxiliary). The LFOs offer five waveforms: triangle, sawtooth, inverse sawtooth, square, and random (sample \u0026 hold). They can be synchronized to the internal clock or external MIDI and are also freely assignable to multiple modulation destinations. But that's not all, thanks to an extensive modulation matrix, you can assign numerous sources to the various parameters of the synthesizer, all in an extremely simple way by means of modulation learn. Effects of the Sequential Take 5 A reverb and a programmable multi-effect together with a dedicated overdrive are ready to give you all the tools necessary to define your sound. With the Sequential Take 5, programming classic sounds will be very natural, but with continuously variable wave shaping, front panel access for analog FM, and this array of effects to close the chain, we ensure the possibility of creating modern and futuristic sounds. The multi-effect allows us to select, apply, and modify one of the following effects: stereo delay, emulation of a vintage BBD (bucket-brigade) delay, tape delay and tape delay 2 (with more saturation), chorus, flanger, phaser (6 stages), ring mod, vintage rotating speaker, distortion or high-pass filter. On the independent reverb, we can control parameters such as mix, damping, pre-delay, decay, and tone (hi-pass\/low-pass). Keyboard and controls of the Sequential Take 5 The Take 5 features a Fatar premium semi-weighted 44-key (3.5 octaves) full-size keybed, sensitive to velocity and monophonic (bipolar) aftertouch; the latter is freely assignable to multiple modulation destinations. A very particular and useful function is Low Split, through which you can transpose only the first half of the keyboard by 1 or 2 octaves, so you can play lower octaves with your left hand and higher octaves of the same sound with your right hand. Indispensable are the wheels for pitch control (spring-loaded), with a variable range on each preset, and modulation. The Hold button allows the sound played to be sustained until it is released and, when used with the arpeggiator, activates the Latch function. Thanks to its 47 potentiometers and 50 buttons, the Sequential Take 5 synthesizer gives you immediate access to all its parameters, to create a sound from scratch or to modify a preset. The Live Panel Mode, once activated, ensures that the parameters of the currently used sound are brought to the actual value corresponding to the position of the potentiometers on the instrument's panel. In essence, the preset settings will be abandoned: what you see is what you hear, and the physical controls are ready to interact directly with the sound played. Use this function when you want to experiment, study sound synthesis, or for immediate gratification typically reserved for vintage analog instruments. Arpeggiator and Polyphonic Step Sequencer The programmable arpeggiator of the Sequential Take 5 can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which we play the notes. Synchronizable to external MIDI Clock or internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides configurable Re-latch and Sustain functions. The notes generated by the arpeggiator can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The Step Sequencer allows you to internally record and play back sequences of notes and\/or chords (max 5 notes per step) with a maximum duration of 64 steps. Velocity data is included in the sequence. The sequence, once recorded, can be transposed. You can also play over your sequence if you have enough polyphony. Connections of the Sequential Take 5 In an instrument designed by Dave Smith, complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN connectors and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (e.g., Akai Pro MPC or Force). To your Take 5 you can connect a Footswitch Sustain pedal (1\/4\" TS jack) and an expression pedal (1\/4\" TRS jack) that you can freely assign to control any parameter (volume, filter cutoff, etc.) via the modulation matrix. As audio outputs, there are two (L and R) 1\/4\" TS jacks and a stereo headphone output (TRS) on a 1\/4\" jack. Features of the Sequential Take 5\u003c\/p\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370869081,"sku":"17900016","price":1535.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-take-5-17900016_0.jpg?v=1778119196"},{"product_id":"oberheim-ob-x8-17900018","title":"Oberheim Oberheim OB-X8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Oberheim OB-X8\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;span\u0026gt; is an \u0026lt;b\u0026gt;analog synthesizer\u0026lt;\/b\u0026gt; with a 5-octave Fatar keyboard that is velocity and aftertouch sensitive. It incorporates all the key features of the legendary \u0026lt;b\u0026gt;OB-X\u0026lt;\/b\u0026gt;, \u0026lt;b\u0026gt;OB-Xa\u0026lt;\/b\u0026gt;, and \u0026lt;b\u0026gt;OB-8\u0026lt;\/b\u0026gt; products, combined with modern construction techniques. This polyphonic and bi-timbral 8-voice synth features 2 discrete VCOs, 2 selectable VCFs, 2 envelopes, a Vintage function, 2 LFOs, an Arpeggiator, and Master Tune.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h1 class=\"CorpoA\" style=\"text-align: center;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;o:p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/xqn2kE0UBFI\" title=\"YouTube video player\" width=\"950\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/o:p\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;div\u0026gt;\u0026lt;h2 class=\"CorpoA\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Return of the Sound\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; \u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;Oberheim without compromise\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;p class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt;After 35 years,\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;b\u0026gt;Oberheim\u0026lt;\/b\u0026gt; is proud to introduce its first new product, the \u0026lt;b\u0026gt;OB-X8\u0026lt;\/b\u0026gt;. \"A new design, the greatest of all OB instruments, that maintains the style and sound that made this family of synthesizers famous,\" said \u0026lt;b\u0026gt;\u0026lt;a href=\"https:\/\/en.wikipedia.org\/wiki\/Tom_Oberheim\" target=\"_blank\"\u0026gt;Tom Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/b\u0026gt;.\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;A modern and precise Poly-Analog.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" src=\"https:\/\/www.algameko.com\/img\/items\/17900018_f.jpg\" title=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a id=\"firmware-2\" name=\"firmware-2\"\u0026gt;\u0026lt;\/a\u0026gt;Free v2.0 update: OB-X8 evolves!\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" src=\"\/images\/uploads\/\/Oberheim-ob-x8-firmware-update-versione-2.jpg\" title=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;An operating system that unlocks further creative potential for current and future users of the \u0026lt;strong\u0026gt;Oberheim OB-X8\u0026lt;\/strong\u0026gt;, available in \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/oberheim\/obx8-desktop\"\u0026gt;\u0026lt;strong\u0026gt;desktop\u0026lt;\/strong\u0026gt; format (click here\u0026lt;\/a\u0026gt;) and as a keyboard. Multiple waveform layering, MPE, binaural, new 4-pole low-pass filter, extended polyphonic chain, and more... \u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Many interesting new features and new timbral and expressive possibilities in this \u0026lt;strong\u0026gt;free firmware update\u0026lt;\/strong\u0026gt; that you can download by clicking here!\u0026lt;\/a\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Version 2.0 opens up new \u0026lt;strong\u0026gt;binaural soundscapes\u0026lt;\/strong\u0026gt;, immersive, allows simultaneous selection of multiple waveforms in the oscillators, and adds a new type of \u0026lt;strong\u0026gt;low-pass filter\u0026lt;\/strong\u0026gt;. Split and Double memory allocations have also been extended.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The new \u0026lt;strong\u0026gt;polyphonic chain\u0026lt;\/strong\u0026gt; allows for a total of 32 voices (4 instruments together) by connecting multiple OB-X8s. OB-X8 owners can now take advantage of \u0026lt;strong\u0026gt;MPE (MIDI Polyphonic Expression\u0026lt;\/strong\u0026gt;) control for maximum expressiveness in their performances.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\"\u0026lt;em\u0026gt;At \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/oberheim\"\u0026gt;Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;, we have always worked to add more useful features to our instruments,\" said \u0026lt;strong\u0026gt;Tom Oberheim\u0026lt;\/strong\u0026gt;. \"It's unusual to add a new filter type and oscillator waveforms to an \u0026lt;strong\u0026gt;analog synthesizer\u0026lt;\/strong\u0026gt; via a \u0026lt;strong\u0026gt;software update\u0026lt;\/strong\u0026gt;, but our team is not afraid of challenges and is always committed to bringing true value to demanding musicians who love our instruments.\"\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;What's new in update 2.0 for Oberheim OB-X8\u0026lt;\/strong\u0026gt;:\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;- Instant binaural mode that pans individual voices completely left and right for true stereo.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Multiple waveforms simultaneously selectable on each oscillator to extend timbral variety\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New 4-pole low-pass filter type, for fuller bass even at high resonance values\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New LFO modulation destinations to VCO 1 and 2 levels, for independent timbral mixing\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Arpeggiator clock sync now allows selection of selectable note division values for broader rhythmic control\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Doubled Split and Double memory locations, including storing programs directly in new banks: an additional 512 slots!\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Separate MIDI channels for bi-timbral operation, with keyboard split\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Polyphonic chain to reach up to 32 voices with 4 connected instruments\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Sound Synthesis in the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The discrete analog oscillators of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; are capable of delivering the classic incisive \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; timbre. There are two per voice, and they can reproduce \u0026lt;span\u0026gt;pulse\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;saw\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, and \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;triangle\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; waveforms. \u0026lt;\/span\u0026gt;Both VCOs have a dedicated potentiometer for frequency adjustment and can be synchronized to create sharp leads and rich harmonic sounds. There is a potentiometer to detune the frequency of the second oscillator, found in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. When the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function is active, the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; behaves like a monophonic synth: it plays only one note at a time with the possibility to detune all eight voices used simultaneously. Activate it to create full and impressive basses and leads by dedicating all 8 voices to a single note. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Chord Memory\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; function stores the intervals between notes, then transposes and reproduces them according to the root note you play on the keyboard. To simultaneously change the pitch of both oscillators, a potentiometer named \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master Tune\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is dedicated and located in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-gli-oscillatori_da29.jpg\" title=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti \" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Filters of the \u0026lt;span\u0026gt;Oberheim\u0026lt;\/span\u0026gt; OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable Oberheim, the filter section of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is given prominence. This time, however, \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; did not stop at introducing only one filter into the synthesis path. Under the hood, we find two distinct filters, and on the front panel, a dedicated switch to toggle between the VCFs. The first is a discrete \u0026lt;strong\u0026gt;SEM\u0026lt;\/strong\u0026gt; filter capable of delivering the style and presence of the \u0026lt;strong\u0026gt;OB-X\u0026lt;\/strong\u0026gt;, with three additional modes: high-pass, band-pass, and notch, in addition to the classic low-pass. The second VCF is controlled by an authentic \u0026lt;strong\u0026gt;Curtis\u0026lt;\/strong\u0026gt; filter configurable as 2 or 4-pole to add the character and classic sound of the OB-Xa.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Vintage Mode Knob on OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In collaboration with \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; of \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sequential\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Tom\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; has undertaken in-depth research into what made the sound so unique, warm, and organic in old vintage synthesizers. Together, the two discovered that much of these characteristics are due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To achieve the same behavior in the new \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, Oberheim created the potentiometer called \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Vintage\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, through which you can gradually and randomly add the same imperfections so appreciated in vintage synthesizers. Try it, and you won't be able to do without it.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Polyphonic and Bi-Timbral\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Oberheim OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;bi-timbral\u0026lt;\/strong\u0026gt;: it can simultaneously play two sounds of 4 voices each in two different modes. In \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode, the keyboard is divided into two, with one sound dedicated to the lower octaves and another to the upper octaves. In \u0026lt;strong\u0026gt;Double\u0026lt;\/strong\u0026gt; mode, on the other hand, the \u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt; will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 4\u0026lt;\/span\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Modulations of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In this new \u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt; project, no detail has been left to chance. That's why there are two envelopes on the control panel: one dedicated to the amplifier and the other to the filter. Both are designed to provide the same response as all other models in the OB family. The \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt; section includes an \u0026lt;strong\u0026gt;LFO\u0026lt;\/strong\u0026gt; capable of generating sine, square, and S\/H (sample \u0026amp;amp; hold) waveforms. We can assign and program the amount of modulation to two groups of destinations to modulate the oscillator frequencies, filter cutoff, pulse width of both oscillators, and volume. A convenient and useful \u0026lt;strong\u0026gt;Arpeggiator\u0026lt;\/strong\u0026gt; is located to the left of the keyboard in classic vintage style, ready to provide up, down, up \u0026amp;amp; down patterns, or to follow the sequence of notes we play. This is available on both parts (split or double) independently.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-pitch-bend-modulation-arpeggiatore_1028.jpg\" title=\" Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Oberheim Levers: Pitch Bend and Mod\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;To apply bending, vibrato, and other real-time modulations, the OB-X8 provides the classic two levers, both with adjustable range (pitch bend) and amount (mod) parameters, and they can act on one or both oscillators at our discretion. This section also houses the second LFO, dedicated to performance and controllable by the Mod lever, with its 6 waveforms: triangle, square, Up Saw, Down Saw, Sample \u0026amp;amp; Hold, and Noise.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity and Aftertouch in the\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8 \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable modern synthesizer, the ability to program \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; and \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Aftertouch\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; was essential. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; allows us to do this simply and immediately, thanks to the two dedicated buttons in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. We can also decide whether to dedicate Velocity to the filter or volume, while Aftertouch can be dedicated to the filter or modulation.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Programming the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;A creative and simple-to-program instrument. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; control panel features a potentiometer for each function, allowing immediate access to all sound shaping parameters. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Manual\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; button enables live panel mode: press it, and the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; will detach from preset mode and switch to the current settings of the rotary controls and switches. What you see is exactly what you hear. 600 rewritable user programs are included, including the set of 400 original presets from OB-X, OB-SX, OB-Xa, and OB-8.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard and Connections of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is equipped with a 61-key (5-octave) FATAR keyboard, sensitive to Velocity and Aftertouch.\u0026lt;\/p\u0026gt;The connections found on the back of the instrument include two distinct audio outputs, one monophonic and the other stereo. The latter is of fundamental importance when we decide to widen the stereo image across the 8 voices. There are 4 pedal inputs: one for volume control, another for sustain, one for the filter cutoff, and one for the arpeggiator. For MIDI interfacing, we find the DIN In, Out, and Thru triad and a type B USB port for direct connection to PC and Mac computers.\n\n## **Artists' Impressions of the OB-X8**\n\n","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003371065689,"sku":"17900018","price":4999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/111-oberheim-oberheim-ob-x8-17900018_0.jpg?v=1778119223"},{"product_id":"modwave","title":"Korg MODWAVE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: center;\"\u003e\u003ca href=\"http:\/\/www.algameko.com\/it\/synth-tastiera\/korg\/MODWAVE-MKII\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 26px;\"\u003eProduct Discontinued\u003cbr\u003e\u003cbr\u003eDiscover the new Modwave MKII version\u003cbr\u003e\u003cbr\u003e(click here)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/h1\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eKORG modwave\u003c\/strong\u003e is a digital keyboard synthesizer featuring a powerful synthesis engine that combines wavetable synthesis with up to 230 million possible variations with PCM sample-based synthesis, and allows you to import waveforms in Serum and WaveEdit formats. You can bring any parameter to life using the flexible modulation system, which includes 4 envelopes, 5 LFOs, a dual mode processor, and two key-track generators, in addition to multi-lane Motion Sequencing and the innovative Kaoss Physics. Playing up to 4 simultaneous wavetables per voice in a single Program, the modwave maintains 32-voice polyphony.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard\n\u003c\/p\u003e\u003cp\u003e37 velocity and release-velocity sensitive keys\n\u003c\/p\u003e\u003cp\u003eMaximum Polyphony32 stereo voicesSound Generation System\n\u003c\/p\u003e\u003cp\u003emodwave synthesis engine\n\u003c\/p\u003e\u003cp\u003eModulations\n\u003c\/p\u003e\u003cp\u003eControlsMod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod KnobsOther Sources\n\u003c\/p\u003e\u003cp\u003e 4 envelopes, 5 LFOs, 2 Mod Processors, 2 Key Tracks, Seq Lanes A-D, Step Pulse, Tempo, Program\/Performance Note Count, Program\/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (MIDI only), MIDI CC +\/-, MIDI CCs +\n\u003c\/p\u003e\u003cp\u003eDestinations\n\u003c\/p\u003e\u003cp\u003eMost parameters, including parameters for each individual step of the Motion Sequence.\n\u003c\/p\u003e\u003cp\u003eDepending on the length of the Motion Sequence, there can be up to 1000 potential modulation destinations per Program.\n\u003c\/p\u003e\u003cp\u003eEffects\n\u003c\/p\u003e\u003cp\u003ePre FXDecimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave ShaperMod FXBlack Chorus\/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage\/Custom Wah, Vox WahDelayL\/C\/R Delay, Multiband Mod Delay, Reverse Delay, Stereo\/Cross Delay, Tape EchoMaster ReverbEarly Reflections, OverbMaster EQ\n\u003c\/p\u003e\u003cp\u003e4-band parametric EQ\n\u003c\/p\u003e\u003cp\u003eGeneral\n\u003c\/p\u003e\u003cp\u003eInputs\/outputs\n\u003c\/p\u003e\u003cp\u003eAudio outputs: L (mono) and R on 6.3mm (1\/4”) TRS Jack sockets\n\u003c\/p\u003e\u003cp\u003eHeadphone output: 6.3mm (1\/4”) TRS (stereo) Jack\n\u003c\/p\u003e\u003cp\u003eMIDI connections: MIDI IN \u0026 OUT DIN; MIDI via USB type “B”\n\u003c\/p\u003e\u003cp\u003ePedal input: Damper Jack 6.3mm (1\/4”); half-damper NOT supported\n\u003c\/p\u003e\u003cp\u003ePower supply\n\u003c\/p\u003e\u003cp\u003eAdapter (included) AC KORG KA-390 (DC12V)\n\u003c\/p\u003e\u003cp\u003ePower consumption5 WDimensions (W × D × H)565 × 338 × 92 mm\/22.24” × 13.31” × 3.62”Weight2.9 kg\/6.93 lbs.Included accessories\n\u003c\/p\u003e\u003cp\u003eAdapter (included) AC KORG KA-390 (DC12V)\n\u003c\/p\u003e\u003cp\u003eOptional Accessories (sold separately)\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003645989209,"sku":"C1280240177","price":649.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280240177_m.jpg?v=1778128375"},{"product_id":"opsix","title":"Korg opsix","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eKorg opsix\u003c\/strong\u003e represents an evolution, an expansion, a new way to use digital FM synthesis. Just as it happened for the return of \u003ca href=\"https:\/\/www.algameko.com\/it\/synth-tastiera\/korg\/wavestate\"\u003ewave sequencing, for which \u003cstrong\u003eKorg\u003c\/strong\u003e conceived and structured solutions aimed at greater musicality, expressiveness, and optimization of user accessibility with the innovative \u003cstrong\u003ewavestate\u003c\/strong\u003e\u003c\/a\u003e, the approach to the typical sounds of FM sound generation in opsix will also be extremely flexible and unique.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eOpsix Hardware + Opsix Native Video\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tlDKzgjDO2k\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch1 style=\"text-align: justify;\"\u003eYou'll have to reconsider everything you thought you knew about \u003cstrong\u003eFM synthesis\u003c\/strong\u003e. The \u003cstrong\u003eAltered FM\u003c\/strong\u003e sound generation of the \u003cstrong\u003eKorg opsix\u003c\/strong\u003e expands the sonic horizons of digital hardware synthesizers by combining typical elements of \u003cstrong\u003evirtual analog\u003c\/strong\u003e with an FM generation structure, featuring filters, envelopes, LFOs, and effects that, thanks to immediate control, will make you not miss the most used virtual instruments in modern music production.\u003c\/h1\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKorg Opsix Video (Update 2.0.1 News)\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jKu2Xkxqy6M\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eWhat is Korg opsix?\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eKorg opsix is an \"evolved\" FM synthesizer based on 6 operators. With its surprisingly accessible mixer for operator management and the flexibility of its sound engine that goes far beyond traditional FM synthesis, this instrument maximizes the potential of digital sound synthesis. The Korg opsix is a keyboard synth for musicians of all backgrounds, modern and ready to provide classic FM sounds and a synthesis structure that propels you into the future of sound design. Whether you are new to the world of sound synthesis, looking to expand your sound palette, or a purist of original FM synthesis, the opsix will not disappoint your expectations. opsix gives you many sonic possibilities at an extremely competitive price.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Explore FM synthesis intuitively\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Full editing with 6 DATA ENTRY knobs\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- 6 operator modes to expand FM synthesis\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- 40 preset and user algorithms\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- 3 envelope generators, 3 LFOs and 12 virtual patches for extended modulation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- 11 powerful filters, including those from MS-20 and Polysix\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- 3 sets of 30 high-definition effects\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Satisfying visual editing with spectrum analyzer and oscilloscope\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Powerful 16-step polyphonic sequencer\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Randomize function to generate unpredictable sounds\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Favorite preset memories and assisted transition function (seamless) between patches\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e- Compact design with 37-key keyboard\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eKorg Opsix Video by Enrico Cosimi for Synth Cafè\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IivdTMbKh8c\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e6-operator FM synthesis, and much more\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eopsix is a new digital synthesizer based on a 6-operator sound generator developed by Korg. Although the instrument uses a 6-operator structure like classic FM synths, opsix does not just reproduce their sounds, but reinvents them completely! With various waveforms, the operator modes go far beyond the world of frequency modulation synthesis and are combined with a multimode filter to merge with the concept of subtractive synthesis. Korg opsix allows us to circumvent the complexity of FM synthesis in order to focus on exploring new sounds, rather than pure programming. As simple as it appears at first glance, \u003cstrong\u003eopsix\u003c\/strong\u003e relies on the typical intuitiveness of analog synthesizers to control the power of what is probably one of the most articulated digital synthesis structures.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eExploring FM synthesis has never been so simple. Nowadays, musicians use digital hardware synthesizers for the immediacy of interaction that distinguishes them from software synths. The \u003cstrong\u003e6 sliders and the same number of rotary potentiometers\u003c\/strong\u003e of the \u003cstrong\u003eoperator mixer\u003c\/strong\u003e, as well as the \u003cstrong\u003e6 multifunction knobs\u003c\/strong\u003e on the opsix panel are emblematic. The \u003ca href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/korg\/volca-fm\" target=\"_blank\"\u003e\u003cstrong\u003eKorg\u003c\/strong\u003e \u003cstrong\u003evolca FM\u003c\/strong\u003e (click here for info\/purchase\u003c\/a\u003e) was the first reincarnation of \u003cstrong\u003eFM synthesis\u003c\/strong\u003e with essential parameters comfortably controllable from the panel, but with opsix we went much further.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe knobs and faders supported by a two-color LED backlight will allow you to quickly understand their correlation with the operators and the role they play depending on the algorithm in use: orange for carriers, purple for modulators. This will allow you to apply immediate and direct modifications to the pitch and volume of the carriers, to manage the brilliance and intensity of the harmonics on the modulators. Through these controls, opsix puts complete management of its sound generation structure at your fingertips, allowing you to tame the unpredictability of FM by subtracting or adding sound components as if you were using a mixer or a drawbar.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eComplete editing with data entry potentiometers\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eIn addition to the mixer for the 6 operators, in the section on the right of the panel, opsix presents a group of rotary controls. Using these 6 DATA ENTRY potentiometers, we will have access to in-depth editing. Thanks to the indications that will appear on the large OLED display, we will never risk getting lost in menus as happened with FM synthesizers of the past. The opsix's initial page is HOME\/ALGO, which includes main parameters such as algorithms, envelopes, and effects. Always use this page in combination with the operator mixer to begin your sonic experience, both in sound design and in performance.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe 6 operator modes that expand FM synthesis\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eNaturally, opsix incorporates everything related to \u003cstrong\u003eFM synthesis\u003c\/strong\u003e, but not only that... In addition to sine waves, opsix offers a wide range of waveforms to obtain more complex sounds, which can also be used as a subtractive synth with a filter. The opsix's operator modes can be used to generate sounds that go beyond what traditional FM synthesis has accustomed us to. You can create sounds using different modulations than FM. Opsix provides you with a very wide sonic horizon, letting you combine the 6 operational modes of the operators (FM, ring modulation, filter, filter FM, wavefolder, and effect) with a wide palette of selectable waveforms.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e40 preset algorithms and user algorithm\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eAn algorithm is a combination of different operators, roles, and connections. In opsix, we have 40 preset algorithms that go beyond the traditional concept of FM synthesis. In addition, thanks to the user algorithm, we can build and set up an algorithm from scratch to further extend the sonic potential of this digital hardware synthesizer.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eDr. Leonardo Gabrielli explains FM Synthesis\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ciframe allow=\"autoplay; clipboard-write; encrypted-media; picture-in-picture; web-share\" allowfullscreen=\"true\" frameborder=\"0\" height=\"314\" scrolling=\"no\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?height=314\u0026amp;href=https%3A%2F%2Fwww.facebook.com%2FAlgamEKOsrl%2Fvideos%2F387126835824884%2F\u0026amp;show_text=false\u0026amp;width=560\u0026amp;t=0\" style=\"border:none;overflow:hidden\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eExtended Modulation\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe synthesis offered by opsix has an extra gear thanks to the processors integrated in the final stage of the signal chain. The MOD section works independently of the operators and provides us with 3 envelope generators and 3 LFOs, with a virtual patch that allows up to 12 sources to interact with as many destinations, all selectable from a robust list of parameters and functions. All this represents an incredible source of extension of the instrument's sonic potential, allowing the generation of extremely particular and evolutionary timbres, especially modern ones comparable to the most popular EDM virtual instruments currently in vogue.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe powerful filters of the Korg opsix\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eUnlike traditional FM synthesis, the FILTER section of opsix supports you in sound creation by offering the classic subtractive synthesis experience typical of the analog world. Select the filter from a list that includes low-pass, high-pass, band-pass, and band-reject filters with 2- and 4-pole slopes and resonance, as well as emulations of the MS-20's high-pass and low-pass and the Polysix's low-pass for those who want to add that final touch of vintage to their sounds.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe effects of the Korg opsix\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe high-definition effects present in opsix can also be safely used for live recording in a recording studio. The instrument offers 3 series (usable simultaneously) of 30 effects. From classic signal processors like compressor, equalizer, chorus, flanger, phaser, and stereo delay to more distinctive, unique effects: rotary speaker, grain shifter, etc... A reverb could certainly not be missing to add spaciousness and dimension to the powerful sound generation chain.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSpectrum analyzer and oscilloscope\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe spectrum analyzer integrated in opsix is a fundamental tool for visualizing FM synthesis. It shows us in real time the level of each frequency band so that we can see the distribution and harmonic changes introduced by the modulations. Also present is the oscilloscope, which shows us the final waveform reproduced by the synthesis chain.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e16-step polyphonic sequencer\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe 16 buttons located on the right of the lower part of the panel, just above the keyboard, illuminate green when operating as steps for the sequencer, evoking the classic colors of FM synths. In the integrated polyphonic sequencer, we can record up to 6 notes for each step, modify the velocity, gate time, and length of each note. This allows us to create musical phrases, simulate strumming or rolls; functions not always available in classic 16-step sequencers. In addition, the opsix's motion sequencer allows us to record automations for 6 distinct parameters, whether they are constant for the duration of the phrase or programmed on the individual step to create real drastic changes that will result in actual rhythms.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eFrom the 37-note keyboard for immediate use to the step sequencer to compete with grooveboxes. Simply press PLAY to discover the potential of this powerful instrument. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Randomize function for unexpected sounds\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eWhen you want to experiment, use the Randomize function already familiar to wavestate users. Press the button with the dice icon to generate a completely new, unprecedented sound. You can use this option on the entire sound, or only for operators, algorithms, or sequences. Use the stochastically generated sound as is or modify it to your liking: there are no limits to the sonic expressiveness of Korg's opsix.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eFree software included with opsix\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eKorg opsix entitles you to free licenses for software such as iZotope's \"Ozone Elements,\" \"Reason Lite,\" and various virtual instruments produced by Korg and other brands. Additionally, you will be entitled to a \"Skoove\" subscription: an application dedicated to interactive music lessons.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eApps for iPad\/iPhone\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eKORG Gadget Le (music production studio DAW app)\u003cbr\u003e\u003cbr\u003eKORG Module Le (piano\/keyboard sound module app)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSoftware for Mac\/Windows\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eKORG Collection - M1 Le (synthesizer sound module)\u003cbr\u003e\u003cbr\u003eUVI Digital Synsations (synthesizer sound module)\u003cbr\u003e\u003cbr\u003eAAS Ultra Analog Session (synthesizer sound module)\u003cbr\u003e\u003cbr\u003eAAS Strum Session (acoustic guitar sound module)\u003cbr\u003e\u003cbr\u003eAAS Lounge Lizard Session (electric piano sound module)\u003cbr\u003e\u003cbr\u003ePropellerhead Reason Lite (DAW music production software)\u003cbr\u003e\u003cbr\u003eSkoove free 3 month trial of Skoove Premium (online piano lessons)\u003cbr\u003e\u003cbr\u003eKORG Gadget Le for Mac (DAW music production software)\u003cbr\u003e\u003cbr\u003eiZOTOPE Ozone Elements (Audio Mastering Plug-in Software)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eNB:\u003c\/strong\u003e \u003cem\u003eAlgam EKO is NOT responsible for technical and\/or commercial support of software or music applications provided free of charge and\/or via download with the distributed hardware product. For more information, please consult the website \u003c\/em\u003e\u003ca href=\"http:\/\/www.korg.com\/bundle\"\u003e\u003cem\u003ehttp:\/\/www.korg.com\/bundle\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e directly and contact the software manufacturers with whom you will enter into a contract during download and\/or installation.\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKorg opsix Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eKeyboard\u003c\/strong\u003e: 37 velocity and release velocity sensitive keys\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMaximum Polyphony\u003c\/strong\u003e: 32 voices; or 24 voices depending on settings\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSound Generation System\u003c\/strong\u003e: Altered FM\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eStructure\u003c\/strong\u003e: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer and arpeggiator\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAlgorithms: \u003c\/strong\u003e40 preset + user algorithm (unique for each program)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eOperators: \u003c\/strong\u003e6 modes (FM, Ring Mod, Filter, Filter FM, Wave Folder, and Effect)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e21 oscillator waveforms: \u003c\/strong\u003eSine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S\/H, Noise White.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e11 filter types: \u003c\/strong\u003eLPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3 Envelopes: \u003c\/strong\u003eADSR\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eLFO (23 waveforms): \u003c\/strong\u003eTriangle, Saw Down, Saw Up, Square, Sine, Sample\u0026amp;Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl\u0026amp;Time, StepRnd:Level, Random:Time, Random:Lvl\u0026amp;Time, Triangle + , Saw Down + , Saw Up + , Square +)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eVirtual Patch: \u003c\/strong\u003e12 routings\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eEffect Processor (30 types): \u003c\/strong\u003eChorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequencer: \u003c\/strong\u003e16-step Step Sequencer (6 notes per step), Motion Sequencer (6 lines for parameter automation)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArpeggiator: \u003c\/strong\u003e7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePrograms (sounds)\u003c\/strong\u003e: 500 (350 preset and 150 user)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eFAVORITES:  \u003c\/strong\u003e64 (16 Slot × 4 banks)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eControllers\u003c\/strong\u003e: MODULATION and PITCH wheels, RATIO OP 6 knobs, LEVEL OP 6 sliders, 6 DATA ENTRY knobs\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAudio Outputs: \u003c\/strong\u003eL (mono) and R on 6.3mm (1\/4”) TRS jacks\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eHeadphone Output\u003c\/strong\u003e: 6.3mm (1\/4”) TRS jack (stereo)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMIDI Connections\u003c\/strong\u003e: MIDI IN \u0026amp; OUT DIN; MIDI via USB type “B”\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePedal Input\u003c\/strong\u003e: Damper 6.3mm (1\/4”) Jack; half-damper NOT supported\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e: Adapter (included) AC KORG KA-390 (DC12V)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e: 5 W\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eDimensions and weight: \u003c\/strong\u003e565×338×90mm; 2.9 KG\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e: AC adapter (KORG KA-390)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eCompatible accessories \u003c\/strong\u003e(sold separately): \u003ca href=\"https:\/\/www.algameko.com\/it\/accessori-tastiere-pianoforti\/korg\/ds1h\"\u003eDS-1H damper pedal\u003c\/a\u003e, PS-1 pedal switch, \u003ca href=\"https:\/\/www.algameko.com\/it\/tastiere-pianoforti\/korg\/ps3\"\u003ePS-3 pedal switch\u003c\/a\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard: 37 velocity- and release-sensitive keys\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eMaximum polyphony: 32 voices; or 24 voices depending on settings\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eSound generation system: Altered FM\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eStructure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer and arpeggiator\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eAlgorithms: 40 preset + user algorithm (unique for each program)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eOperators: 5 modes (FM, Ring Mod, Filter, Filter FM, Wave Folder)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e21 oscillator waveforms: Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S\/H, Noise White.\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e11 filter types: LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e3 Envelopes: ADSR\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eLFO (23 waveforms): Triangle, Saw Down, Saw Up, Square, Sine, Sample\u0026amp;Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl\u0026amp;Time, StepRnd:Level, Random:Time, Random:Lvl\u0026amp;Time, Triangle + , Saw Down + , Saw Up + , Square +)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eVirtual Patch: 12 routings\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eEffects Processor (30 types): Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eSequencer: 16-step Step Sequencer (6 notes per step), Motion Sequencer (6 lines for parameter automation)\n\u003c\/p\u003e\u003cp\u003eArpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)\n\u003c\/p\u003e\u003cp\u003ePrograms (sounds): 500 (250 preset and 250 user)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eFAVORITE: 64 (16 Slots × 4 banks)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eControllers: MODULATION and PITCH wheels, RATIO OP 6 knob, LEVEL OP 6 slider, 6 DATA ENTRY knobs\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eAudio outputs: L (mono) and R on 6.3mm (1\/4”) TRS Jack sockets\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eHeadphone output: 6.3mm (1\/4”) TRS Jack (stereo)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eMIDI connections: MIDI IN \u0026amp; OUT DIN; MIDI via USB type “B”\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003ePedal input: 6.3mm (1\/4”) Damper Jack; half-damper NOT supported\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003ePower supply: AC Adapter (included) KORG KA-390 (DC12V)\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003ePower consumption: 5 W\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eDimensions and weight: 565×338×90mm; 2.9 KG\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eIncluded accessories: AC adapter (KORG KA-390)\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003646021977,"sku":"C1280240178","price":649.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280240178_m.jpg?v=1778128378"},{"product_id":"minilogue-xd-sintetizzatore-analogico-polifonico-c1280240278","title":"Korg minilogue xd - Polyphonic Analog Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG minilogue XD\u0026lt;\/strong\u0026gt; is a 4-voice programmable analog polyphonic synth with an \u0026lt;strong\u0026gt;analog style panel\u0026lt;\/strong\u0026gt; providing direct access to parameters. It features an articulate structure that combines the warm and fat timbres of traditional analog synthesis with those generated by the \u0026lt;strong\u0026gt;Multi Engine\u0026lt;\/strong\u0026gt; and programmable \u0026lt;strong\u0026gt;digital effects\u0026lt;\/strong\u0026gt;. The \u0026lt;strong\u0026gt;OLED display\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;Oscilloscope\u0026lt;\/strong\u0026gt; aids programming, while the \u0026lt;strong\u0026gt;Sequencer\u0026lt;\/strong\u0026gt;: Realtime, Step, Motion, is an advanced creative tool.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG minilogue xd programming illustrated by Leonardo Gabrielli\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;!-- P--\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qPA07B6Xvz0\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;minilogue XD analog circuitry\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue XD\u0026lt;\/strong\u0026gt; is a programmable analog polyphonic synthesizer with 4 voices of polyphony and a synthesis structure composed of: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and an LFO; plus \u0026lt;strong\u0026gt;Wave Shaping\u0026lt;\/strong\u0026gt; for harmonic modeling, \u0026lt;strong\u0026gt;Ring \u0026amp;amp; Cross Modulation\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; between oscillators, a two-pole filter, and Drive, which adds more body to the signal sent to the filters. Every parameter has been meticulously tuned based on the requests of established musicians. The timbres obtainable from this instrument range from warm Pad sounds, to typical \"fat\" and present analog bass timbres, to dynamic and penetrating \"Lead\" solo sounds, thus covering virtually every genre and repertoire need. 500 memory locations, 200 of which are factory pre-programmed, allow you to save your own sounds.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"the minilogue XD panel allows direct intervention on the main sound parameters, a real Vintage approach to sound synthesis\" src=\"\/images\/uploads\/\/minilogueXD_1200x630_04.jpg\" title=\"the minilogue XD panel allows direct intervention on the main sound parameters, a real Vintage approach to sound synthesis\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The minilogue XD Digital Multi-Engine\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In the synthesis structure, a digital \"\u0026lt;strong\u0026gt;Multi-Engine\u0026lt;\/strong\u0026gt;\" oscillator is added to the two \u0026lt;strong\u0026gt;traditional analog VCOs\u0026lt;\/strong\u0026gt;, greatly increasing the timbral versatility of minilogue XD. The Multi Engine initially comes with 3 types of sound generator: \u0026lt;strong\u0026gt;Noise, VPM\u0026lt;\/strong\u0026gt;, and a \u0026lt;strong\u0026gt;User Slot\u0026lt;\/strong\u0026gt;, capable of generating sounds different from those of analog oscillators. The three sources can, however, be used simultaneously, thus obtaining hybrid timbres with unexplored potential.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Noise Generator:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;provides 4 types of noise essential for percussive sounds or effects. The digital filter can be used to change the color of the noise itself.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VPM oscillator:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;This internal Multi-Engine oscillator generates sounds for \u0026lt;strong\u0026gt;VPM (Variable Phase Modulation)\/FM\u0026lt;\/strong\u0026gt; synthesis, with a two-operator structure, 16 types of oscillators controllable directly via the \u0026lt;strong\u0026gt;SHAPE\u0026lt;\/strong\u0026gt; knob. It can produce incisive and metallic sounds with a complex harmonic spectrum, far beyond the possibilities of pure analog subtractive synthesis, but always with very intuitive programming.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;User Oscillators:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;allows loading other types of Custom oscillators, downloadable from the internet. \u0026lt;strong\u0026gt;16 Slots\u0026lt;\/strong\u0026gt; are available for their placement, while a \u0026lt;strong\u0026gt;Morphing Wavetable\u0026lt;\/strong\u0026gt; oscillator is already provided as a Preset.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;High-quality digital effects:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;minilogue XD's high-quality effects are obtained from a powerful \u0026lt;strong\u0026gt;dedicated 32-bit floating point DSP\u0026lt;\/strong\u0026gt;, which generates 3 different types of effects: \u0026lt;strong\u0026gt;modulation, reverb, and delay\u0026lt;\/strong\u0026gt; that can also be used simultaneously. You can choose from a wide range of Chorus, Ensemble, Delay, and Reverbs, which add the final touch to every timbre; this section also has Slots for loading Custom effects.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;An Italian video on the minilogue XD structure\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;!-- P--\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fSmhtKAFtFU\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;minilogue XD User Custom resources\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;minilogue xd\u0026lt;\/strong\u0026gt; has a highly customizable development environment. The unit is equipped with 16 Slots for User Oscillators and 16 for User Effects. \u0026lt;em\u0026gt;Custom\u0026lt;\/em\u0026gt; resources created with the \u0026lt;strong\u0026gt;SKD\u0026lt;\/strong\u0026gt; (\u0026lt;em\u0026gt;Software Development Kit\u0026lt;\/em\u0026gt;), as well as sounds created by users, can be loaded and managed via the dedicated \u0026lt;strong\u0026gt;Software Librarian\u0026lt;\/strong\u0026gt; created by KORG. What timbres can be created using the subtractive synthesis of traditional analog oscillators combined with digital ones? Each user can create their own original sounds and thus participate in the dedicated international community. It is possible to start with a \u0026lt;em\u0026gt;Sample Code\u0026lt;\/em\u0026gt; provided by KORG.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;minilogue XD Sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue xd\u0026lt;\/strong\u0026gt; has a \u0026lt;strong\u0026gt;polyphonic Step Sequencer\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;16 dedicated control keys\u0026lt;\/strong\u0026gt;. It supports \u0026lt;strong\u0026gt;Real Time and Step recording\u0026lt;\/strong\u0026gt;. The 16 control keys directly select a \u0026lt;em\u0026gt;\u0026lt;strong\u0026gt;Step\u0026lt;\/strong\u0026gt;\u0026lt;\/em\u0026gt;, quickly modify its pitch, its \u0026lt;em\u0026gt;\u0026lt;strong\u0026gt;Mute\u0026lt;\/strong\u0026gt;\u0026lt;\/em\u0026gt; status, or even improvise. \u0026lt;strong\u0026gt;Motion Sequence\u0026lt;\/strong\u0026gt; accurately records the movements of 4 knobs, allowing the creation of sounds that evolve over time; on each Step, it is possible to record both uniform and very sudden variations. This function can be used to create sounds with a distinctly different timbre for each Step, starting from a single Program, such as Percussive Patterns or various types of sound effects. Motion Sequence is a source of much inspiration in the field of Sound Design.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;User interface\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Joystick:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Controls Pitch Bend and Modulation, etc. It can also be assigned to control a selectable parameter on the Y-axis.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Voice mode - On minilogue XD, 4 different Voice Modes can be selected:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li\u0026gt;POLY: minilogue xd operates as a 4-voice polyphonic synthesizer.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;UNISON: operates as a synthesizer, with all 4 voices in unison.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;CHORD: chords of up to 4 voices can be played.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;ARP \/ LATCH: (ARP) Activates the arpeggiator, which can also be used when the Sequencer is running \/ (LATCH) activates or deactivates the LATCH function.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"KORG minilogue xd has a modern and attractive design and is made with durable and quality materials\" src=\"https:\/\/www.algameko.com\/images\/uploads\/minilogueXD_1200x630_01.jpg\" title=\"KORG minilogue xd has a modern and attractive design and is made with durable and quality materials\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;There is also a knob that adjusts the depth of the Voice Mode, applying a different effect for each selected Voice Mode.\u0026lt;\/p\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li\u0026gt;POLY: rotating the knob to the right switches to DUO mode and emphasizes the Detune.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;UNISON: rotating the knob to the right emphasizes the Detune.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;CHORD: Selects Mono or Chord Type.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;ARP \/ LATCH: (ARP) Selects the arpeggiator type.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Micro Tuning\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue xd\u0026lt;\/strong\u0026gt; has a micro-tonal control function that allows individual adjustment of the pitch of each key. The instrument already has 23 types of preset tunings, including some created by \u0026lt;em\u0026gt;Aphex Twin\u0026lt;\/em\u0026gt; and \u0026lt;em\u0026gt;Dorian Concept\u0026lt;\/em\u0026gt;. In addition, each user can create and store 6 User Scales and 6 User Octaves. It is therefore possible to start by experimenting with the microtonal tunings of famous musicians, and then proceed with creating your own.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Oscilloscope\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;OLED\u0026lt;\/strong\u0026gt; display can show the waveform generated by minilogue xd thanks to the \u0026lt;strong\u0026gt;Oscilloscope\u0026lt;\/strong\u0026gt; function. This displays real-time parameter changes, with significant visual \u0026lt;em\u0026gt;feedback\u0026lt;\/em\u0026gt; for programming and understanding various functions. Finally, the Display can also operate in \"\u0026lt;em\u0026gt;Slow Motion\u0026lt;\/em\u0026gt;\" to visualize the phases of a \u0026lt;strong\u0026gt;Motion Sequence\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"a detail of the minilogue xd rear panel made of real wood\" src=\"\/images\/uploads\/\/minilogueXD_1200x630_03.jpg\" title=\"a detail of the minilogue xd rear panel made of real wood\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;minilogue xd connectivity\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Stereo Audio Outputs:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;The instrument's output is stereo, including effects, adding greater spatiality, depth, and a more realistic placement in the environment to the Synth.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Damper pedal:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;At the request of many artists and users, the possibility of connecting a Damper Pedal has been added.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;2 CV IN inputs:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;There are two CV IN jacks, with voltage levels of -5V to +5V. In addition to CV\/Gate, these can also receive modulation signals (as happens, for example, by moving the joystick up or down), allowing parameter control via external devices.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;USB\/MIDI\u0026lt;\/strong\u0026gt; Type B port for computer (PC\/Mac).\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.ekomusicgroup.com\/images\/uploads\/Snap_01_1200x630.jpg\" \/\u0026gt;\u0026lt;strong\u0026gt;logue SDK Custom Content - Sound Librarian - Sound Packs\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;minilogue xd can load new sound libraries and a wide variety of \u0026lt;strong\u0026gt;Custom Contents\u0026lt;\/strong\u0026gt;. Its powerful \u0026lt;strong\u0026gt;MULTI-ENGINE\u0026lt;\/strong\u0026gt; can load new Custom Oscillators \u0026amp;amp; FX to take personal creativity to the next level!\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;minilogue xd m Sound Librarian -\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;The Sound Librarian for minilogue xd is easy-to-use software that allows you to easily manage Programs, Custom Oscillators, and FX via USB\/MIDI connection.\u0026lt;img alt=\"\" src=\"https:\/\/wwww.ekomusicgroup.com\/images\/uploads\/Librarian.png\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.korg.com\/us\/support\/download\/software\/0\/811\/4222\/\" target=\"_blank\"\u0026gt;Download the Librarian for Windows here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;br \/\u0026gt;\u0026lt;a href=\"https:\/\/www.korg.com\/us\/support\/download\/software\/0\/811\/4223\/\" target=\"_blank\"\u0026gt;\u0026lt;strong\u0026gt;Download the Librarian for Mac here\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;\u0026lt;strong\u0026gt;* How to import Sound Packs, Custom Oscillator \u0026amp;amp; Effects\u0026lt;\/strong\u0026gt;\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Sound Packs are distributed as \"Preset\" files, which end with the .prlgpreset extension. To import a Sound Pack, launch minilogue xd Sound Librarian and drag the Preset file onto it. Custom Oscillators \u0026amp;amp; Effects are distributed as \"User Unit\" files, which end with the .prlgunit extension. To add an oscillator or effect, drag and drop the User Unit file into the corresponding list in the minilogue xd Sound Librarian, then press the SEND ALL button to upload it to your instrument. For more details, refer to the Operating Manual included with the Sound Librarian.\u0026lt;img alt=\"\" src=\"https:\/\/wwww.ekomusicgroup.com\/images\/uploads\/Importare Sound Pack e Custom.png\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Factory Default User Oscillator: Waves\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;A USER oscillator, \"WAVES\", is preloaded on minilogue xd. WAVES consists of two main WAVETABLE oscillators and an additional SUB-WAVE that can be used as a source for RING MODULATION. From this oscillator, \"LO-FI\" timbres can also be obtained by appropriately reducing its \"Bit Depth\". The WAVES source code will be available as a template to start creating CUSTOM oscillators. The source code of \"WAVES\" will be available along with that of the SDK on: GitHub, so that new and original oscillators can be created.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;logue SDK\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;minilogue xd \u0026amp;amp; prologue share an Open Development API (Application Programming Interface), which allows users with programming experience to extend the operational possibilities of the hardware, through a specific SDK (Software Development Kit), i.e., a dedicated development tool. Through the SDK, new oscillator types can be created for the MULTI ENGINE, or Custom modulation effects, which can be added to those already on board the instrument. Users can load these new resources thanks to prologue Librarian, a software application developed specifically. (Mac \u0026amp;amp; Win).\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Important:\u0026lt;\/strong\u0026gt; * SDK code, Tools, and documentation are now available on GitHub.\u0026lt;br \/\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.korg.com\/it\/products\/synthesizers\/minilogue_xd\/sdk.php#download1\" target=\"_blank\"\u0026gt;Click here to download logue SDK\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;User Oscillators\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.ekomusicgroup.com\/images\/uploads\/User Oscillator.jpg\" \/\u0026gt;The \u0026lt;strong\u0026gt;MULTI ENGINE\u0026lt;\/strong\u0026gt; section of minilogue xd has \u0026lt;strong\u0026gt;16 Slots\u0026lt;\/strong\u0026gt; where new oscillator types can be loaded via the Software Librarian. Once on board, these CUSTOM oscillators coexist with the VCOs of each voice, playing with the same polyphony and multi-timbral articulation, and are processed by the same signal path.\u0026lt;img alt=\"\" src=\"https:\/\/wwww.ekomusicgroup.com\/images\/uploads\/Shape.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;User Effects\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The effects section of \u0026lt;strong\u0026gt;minilogue xd\u0026lt;\/strong\u0026gt; also has: 16 Slots to host new modulation effects, 8 user slots for Reverbs and 8 slots for Delay effects. Once on board the instrument, these will appear alongside the existing effects.\u0026lt;\/p\u0026gt;The \u0026lt;strong\u0026gt;SPEED\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;DEPTH\u0026lt;\/strong\u0026gt; knobs can be used to control the parameters of CUSTOM modulation effects.\u0026lt;img alt=\"\" src=\"https:\/\/wwww.ekomusicgroup.com\/images\/uploads\/User FX.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;KORG minilogue XD TECHNICAL SPECIFICATIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sound Generation - \u0026lt;\/strong\u0026gt;Analog + Multi Digital (Noise, VPM, User)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Maximum Polyphony - \u0026lt;\/strong\u0026gt;4 Voices\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Programs - \u0026lt;\/strong\u0026gt;500 Locations (more than 200 Presets, 300 User). - \"Sort\" function for immediate reorganization of the sound database. - Favorite function.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Voice mode - \u0026lt;\/strong\u0026gt;4 (POLY, UNISON, CHORD, ARP \/ LATCH). - VOICE MODE DEPTH - Allows varying different parameters for each mode.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sequencer - \u0026lt;\/strong\u0026gt;16-Step Polyphonic Sequencer - Motion Sequence for up to 4 parameters\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Main Synthesis Parameters\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VCO1 - \u0026lt;\/strong\u0026gt;WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPE\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VCO2 - \u0026lt;\/strong\u0026gt;WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPE\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MODULATION - \u0026lt;\/strong\u0026gt;SYNC, RING, CROSS MOD DEPTH\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MULTI ENGINE - \u0026lt;\/strong\u0026gt;NOISE\/VPM\/USER, TYPE, SHAPE\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MIXER - \u0026lt;\/strong\u0026gt;VCO1, VCO2, MULTI\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VCF - \u0026lt;\/strong\u0026gt;CUTOFF, RESONANCE, DRIVE, KEYTRACK\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;AMP EG - \u0026lt;\/strong\u0026gt;ATTACK, DECAY, SUSTAIN, RELEASE\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;EG - \u0026lt;\/strong\u0026gt;ATTACK, DECAY, EG INT, TARGET (PITCH, PITCH2, CUTOFF)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;LFO - \u0026lt;\/strong\u0026gt;WAVE (SAW, TRIANGLE, SQUARE), MODE (BPM, NORMAL, 1-SHOT), RATE, INT, TARGET (PITCH, SHAPE, CUTOFF)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Main Effect Parameters\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;EFFECT - \u0026lt;\/strong\u0026gt;TYPE (MODULATION, REVERB, DELAY), ON\/OFF (SELECT, ON, OFF), TIME, DEPTH\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MULTI ENGINE\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Noise Generator - \u0026lt;\/strong\u0026gt;4 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VPM Oscillator - \u0026lt;\/strong\u0026gt;16 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;User Oscillator - \u0026lt;\/strong\u0026gt;16 slots\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MOD EFFECTS\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;CHORUS - \u0026lt;\/strong\u0026gt;8 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;ENSEMBLE - \u0026lt;\/strong\u0026gt;3 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;PHASER - \u0026lt;\/strong\u0026gt;8 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FLANGER - \u0026lt;\/strong\u0026gt;8 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;USER - \u0026lt;\/strong\u0026gt;16 slots\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DELAY\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DELAY - \u0026lt;\/strong\u0026gt;12 types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;USER - \u0026lt;\/strong\u0026gt;8 slots\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;REVERB\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;REVERB - \u0026lt;\/strong\u0026gt;10 Types\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;USER - \u0026lt;\/strong\u0026gt;8 slots\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Controls - \u0026lt;\/strong\u0026gt;Joystick – for modifying various parameters for each Program - PORTAMENTO knob - KEYBOARD buttons\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Poly Chain function:\u0026amp;nbsp;allows connecting two minilogue xd units to operate as a single 8-voice polyphonic synth.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Main Display - \u0026lt;\/strong\u0026gt;Real-time OLED Oscilloscope, provides visual feedback on parameter changes\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MULTI ENGINE Section - \u0026lt;\/strong\u0026gt;7 segment x 6 Digit LED Display\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Input\/Output Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Headphones (Stereo Phone Jack)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;OUTPUT L\/MONO, R (Unbalanced Mono Jacks)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;CV IN 1, CV IN 2 (3.5 mm [1\/8\"] Mini Mono Jack, Input voltage: -5 V – +5 V (Modulation mode), -3V – +5 V (CV\/Gate mode)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;SYNC IN (3.5 mm [1\/8\"] mini jack, maximum input level 20 V)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;SYNC OUT (3.5 mm [1\/8\"] mini jack, output level 5 V)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;MIDI IN OUT (DIN)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;USB B\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;DAMPER (Half Damper not supported)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Power Supply - \u0026lt;\/strong\u0026gt;AC Adapter (DC9 V)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Power Consumption - \u0026lt;\/strong\u0026gt;8 W\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Dimensions (W x D x H) - \u0026lt;\/strong\u0026gt;500 x 179 x 85 mm \/ 19.69\" x 7.05\" x 3.35\"\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Weight - \u0026lt;\/strong\u0026gt;2.6 kg \/ 5.73 lbs.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Included Accessories - \u0026lt;\/strong\u0026gt;AC Adapter\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Optional Accessories (sold separately)\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.ekomusicgroup.com\/it\/borse-custodie-trasporto\/korg\/borsa-morbida-per-minilogue\" target=\"_blank\"\u0026gt;SC-MINILOGUE Soft shall case\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.ekomusicgroup.com\/it\/productsFT.php?str=SEQUENZ%20MP-TB1\" target=\"_blank\"\u0026gt;SEQUENZ MP-TB1 MULTI-PURPOSE TALL BACKPACK\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SQ-CABLE-6 Sync cable\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;a href=\"https:\/\/www.ekomusicgroup.com\/it\/tastiere-pianoforti\/korg\/ds1h\" target=\"_blank\"\u0026gt;\u0026lt;strong\u0026gt;DS-1H Damper pedal\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.ekomusicgroup.com\/it\/tastiere-pianoforti\/korg\/ps3\" target=\"_blank\"\u0026gt;PS-3 Pedal switch\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;* All product names and specifications are trademarks or registered trademarks of their respective owners.\u0026lt;br \/\u0026gt;* Product appearance and specifications are subject to change without notice\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003653951833,"sku":"C1280240278","price":590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/30-korg-minilogue-xd-sintetizzatore-analogico-polifonico-c1280240278_0.jpg?v=1778128661"},{"product_id":"minilogue-sintetizzatore-analogico-polifonico-c1280240280","title":"Korg minilogue - Polyphonic Analogue Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG minilogue\u0026lt;\/strong\u0026gt; is a programmable analog synthesizer with \u0026lt;strong\u0026gt;4 voices\u0026lt;\/strong\u0026gt; of polyphony, \u0026lt;strong\u0026gt;200 Programs\u0026lt;\/strong\u0026gt;, Voice Mode, polyphonic Sequencer, \u0026lt;strong\u0026gt;OLED Display\u0026lt;\/strong\u0026gt; with oscilloscope functions, Delay. Extended \u0026lt;strong\u0026gt;Analog Style\u0026lt;\/strong\u0026gt; panel with 41 dedicated controls, made with the highest quality materials. It produces sounds with great character and dynamics, while thanks to functions like the \u0026lt;strong\u0026gt;Step \u0026amp; Motion Sequencer\u0026lt;\/strong\u0026gt; and the \u0026lt;strong\u0026gt;Tape-Style Delay\u0026lt;\/strong\u0026gt;, it's possible to obtain much more advanced sounds than simple subtractive synthesis, making \u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt; versatile and creative.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Main features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;High-performance four-voice analog synthesizer\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Fully programmable with \u0026lt;strong\u0026gt;200\u0026lt;\/strong\u0026gt; Program memories (100 sounds already included)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Voice Mode allows flexible configuration of the four voices\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Automated polyphonic sequencer \"Motion Sequence\", 16-step\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;OLED\u0026lt;\/strong\u0026gt; Display with oscilloscope function\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Robust and elegant cabinet, with aluminum top panel,\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Chassis-mounted potentiometers, rubberized knobs and real wood back panel\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;MIDI, USB MIDI, Audio Out, \"Direct Sync\" with SQ1, Volca, Electribe, and others\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Dedicated KORG minilogue Italian Video Playlist\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLOj7ezeYduNJb-tawzJ5Alc\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Truly analog!\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt;'s circuitry is the result of a completely new project and offers a sonic experience like few other synthesizers. This instrument is unprecedented in its class, with four voices of polyphony, true analog synthesis, and an interface designed for maximum accessibility; ideal for any musician or producer who wants to explore and experiment with real analog subtractive synthesis, both live and in the studio. The synthesis structure consists of: \u0026lt;strong\u0026gt;2VCO, 1VCF, 2EG, 1VCA\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;1LFO\u0026lt;\/strong\u0026gt;; minilogue can calibrate the harmonics of the waveforms, and has a wide variety of modulations such as: Cross Modulation, Ring Modulator, Oscillator Sync, and Hi-Pass filter, which allow the creation of unique and innovative timbres, with an unmistakable analog character.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"KORG minilogue with 4 voices of polyphony, real analog synthesis, and an interface designed for maximum accessibility\" src=\"\/images\/uploads\/\/Realmente Analogico.jpg\" title=\"KORG minilogue with 4 voices of polyphony, real analog synthesis, and an interface designed for maximum accessibility\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Polyphony and programmability of \u0026lt;\/strong\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt; allows you to create and store personal sounds in 200 locations, 100 of which are factory pre-programmed and fully editable; 100 locations are empty to create personal sounds from scratch; each Program can also contain a \u0026lt;strong\u0026gt;Step Sequence\u0026lt;\/strong\u0026gt; and the \u0026lt;strong\u0026gt;Delay\u0026lt;\/strong\u0026gt; settings with which the timbre was created. \u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt; is a very intuitive instrument to use; no in-depth knowledge of synthesis is required, just choose a sound and modify it by simply turning the knobs, a workflow very familiar to musicians past and present.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Voice modes\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The \u0026lt;strong\u0026gt;Voice Mode\u0026lt;\/strong\u0026gt; allows you to freely configure and optimize the available voices; these can be set polyphonically (four notes) to directly play chords, or layered to obtain incredibly consistent and dynamic basses or leads.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Minilogue 8 voice modes\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;POLY\u0026lt;\/strong\u0026gt; Mode Functions as a 4-voice polyphonic synth\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DUO\u0026lt;\/strong\u0026gt; Mode Functions as a 2-voice unison polyphonic synth\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;UNISON\u0026lt;\/strong\u0026gt; Mode Functions as a monophonic synth with all oscillators in unison\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MONO\u0026lt;\/strong\u0026gt; Mode Functions as a monophonic synth with sub-oscillators\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;CHORD\u0026lt;\/strong\u0026gt; Mode Produces Chords\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DELAY\u0026lt;\/strong\u0026gt; Mode Voices 2-4 play consecutively, with Delay, after voice 1\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;ARP\u0026lt;\/strong\u0026gt; Mode Arpeggiator up to 4 voices\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SIDE\u0026lt;\/strong\u0026gt; \u0026lt;strong\u0026gt;CHAIN\u0026lt;\/strong\u0026gt; Mode When a note is played, the volume of the previous one is lowered.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"with minilogue's voice mode you can freely configure and optimize the available voices\" src=\"\/images\/uploads\/\/Voice+Program-1200x440.jpg\" title=\"with minilogue's voice mode you can freely configure and optimize the available voices\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;16-step sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026amp;lt;\u0026amp;gt;The minilogue's 16-step sequencer can record in \u0026lt;strong\u0026gt;Motion Sequence\u0026lt;\/strong\u0026gt; mode, to make your sound truly alive and dynamic, in Real Time, with overdubbing possibilities, and Step By Step, to create musical phrases by entering notes simply and intuitively, a useful and creative tool.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Oscilloscope Function on Display\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;OLED\u0026lt;\/strong\u0026gt; display visualizes the waveform based on the sound modeling; this visual feedback is both educational and fun, and it is the first time such a function has been implemented on a hardware synthesizer.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"The minilogue's OLED display can visualize the waveform based on the sound modeling\" src=\"\/images\/uploads\/\/Seq+Oscilloscopio-1200x440.jpg\" title=\"The minilogue's OLED display can visualize the waveform based on the sound modeling\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Great build quality of minilogue\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"KORG minilogue extremely professional design and look\" src=\"\/images\/uploads\/\/Qualità.jpg\" title=\"KORG minilogue extremely professional design and look\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The 2mm sandblasted aluminum front panel with its characteristic curved shape, the metal-shaft potentiometers firmly anchored to the chassis, and the rubber-coated knobs give the Minilogue an extremely professional appearance and a feeling of great quality and solidity; perfectly integrated and complementary to its remarkable sound synthesis capabilities.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Synchronization with Groove Machines\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;In addition to standard MIDI ports, Minilogue has a sync connector that can be easily connected to KORG Groove Machines such as the Volca series, Electribe, or SQ-1, to create interesting musical performances by connecting various instruments in sync with each other.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"minilogue can be easily connected to KORG Groove Machines such as the Volca, Electribe, or SQ-1 series\" src=\"\/images\/uploads\/\/Sinc.jpg\" title=\"minilogue can be easily connected to KORG Groove Machines such as the Volca, Electribe, or SQ-1 series\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Dedicated Sound Librarian Software\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026amp;lt;\u0026amp;gt;This free software published by KORG allows you to easily reorder and organize \u0026lt;strong\u0026gt;minilogue\u0026lt;\/strong\u0026gt; Programs, and save personal libraries on your computer. In addition, the program can be used to upload factory data or additional sound libraries.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The main screen of the free librarian software for minilogue\" src=\"\/images\/uploads\/\/Librarian.png\" title=\"The main screen of the free librarian software for minilogue\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2 align=\"center\"\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;KORG minilogue - TECHNICAL SPECIFICATIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Keyboard -\u0026lt;\/strong\u0026gt; 37 keys (Slim-key format, velocity sensitive)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sound Generation -\u0026lt;\/strong\u0026gt; Analog Synthesis\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Maximum Polyphony -\u0026lt;\/strong\u0026gt; 4 voices\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Programs -\u0026lt;\/strong\u0026gt; 200 programs (100 Presets \/ 100 Users) - Each Program includes Voice Mode and Sequencer settings - Up to 8 favorite Programs can be saved\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Voice Modes -\u0026lt;\/strong\u0026gt; Modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) - \u0026lt;strong\u0026gt;Voice Mode Depth\u0026lt;\/strong\u0026gt; can vary different parameters in each mode\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Main Synthesis Parameters - VCO1\u0026lt;\/strong\u0026gt;: Octave, Wave (Saw, Triangle, Square), Pitch, Shape\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VCO2\u0026lt;\/strong\u0026gt;: Octave, Wave (Saw, Triangle, Square), Pitch, Shape\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;VCO2 MODULATION\u0026lt;\/strong\u0026gt;: Cross Mod Depth, Pitch EG Int, Sync, Ring\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MIXER\u0026lt;\/strong\u0026gt;: VCO1, VCO2, Noise\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FILTER\u0026lt;\/strong\u0026gt;: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;AMP EG\u0026lt;\/strong\u0026gt;: Attack, Decay, Sustain, Release\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;EG\u0026lt;\/strong\u0026gt;: Attack, Decay, Sustain, Release\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;LFO\u0026lt;\/strong\u0026gt;: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DELAY\u0026lt;\/strong\u0026gt;: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sequencer -\u0026lt;\/strong\u0026gt; 16-Step Polyphonic Sequencer - \u0026lt;strong\u0026gt;Motion Sequence\u0026lt;\/strong\u0026gt; can control up to 4 parameters\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Controls -\u0026lt;\/strong\u0026gt; 41 dedicated panel controls for immediate parameter access - One Slider can control different parameters for each Program\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Display -\u0026lt;\/strong\u0026gt; Real-time OLED Oscilloscope, provides visual feedback of parameter changes\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Connectors\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Headphone (6.3 mm stereo phone jack)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Audio Output (6.3 mm mono phone jack)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Audio Input (6.3 mm mono phone jack)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Sync In (3.5 mm mini mono jack)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Sync Out (3.5 mm mini mono jack)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;MIDI IN-OUT (DIN)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;USB Type B\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Power Supply -\u0026lt;\/strong\u0026gt; AC Adapter (DC9V) KA350\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Power Consumption -\u0026lt;\/strong\u0026gt; 8 W\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Dimensions\u0026lt;\/strong\u0026gt; (W x D x H) -\u0026lt;\/strong\u0026gt; 500 x 300 x 85 mm \/ 19.69\" x 11.81\" x 3.35\"\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Weight -\u0026lt;\/strong\u0026gt; 2.8 kg \/ 6.17 lbs.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Included Accessories -\u0026lt;\/strong\u0026gt; AC Adapter\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003654312281,"sku":"C1280240280","price":492.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/30-korg-minilogue-sintetizzatore-analogico-polifonico-c1280240280_0.jpg?v=1778128688"},{"product_id":"waldorf-quantum","title":"Waldorf Quantum","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e\u003cb\u003eWaldorf Quantum\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFrom \u003c\/span\u003e\u003cb style=\"letter-spacing: 0.02em;\"\u003eWaldorf\u003c\/b\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e the polyphonic hybrid synth \u003c\/span\u003e\u003cb style=\"letter-spacing: 0.02em;\"\u003eQuantum\u003c\/b\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e destined to quickly become a great classic\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWaldorf\u003c\/i\u003e with the \u003cb\u003eQuantum\u003c\/b\u003e marks an important new chapter in its already rich history of tradition and design that have led the German brand in more than 30 years to the creation of innovative and top-level synthesizers. Building on its Wavetable technology already developed in the late 80s, Waldorf has perfectly combined its digital oscillators with the power and efficiency of its analog filters for a hybrid synth destined to quickly become a great classic.\u003c\/p\u003e\u003cp\u003eQuantum best combines the two worlds of digital and analog synthesis with high-impact sounds only possible thanks to current software technology.\u003c\/p\u003e\u003cp\u003eIts 3 oscillators each offer four synthesis algorithms:\u003c\/p\u003e\u003cp\u003eWavetable 'Waldorf-style' with the latest additions from Nave software, including vocal synthesis and wavetable generation from audio signal\u003c\/p\u003e\u003cp\u003eClassic Synthesizer Waveforms with multiple waveforms for ultra 'fat' sounds\u003c\/p\u003e\u003cp\u003eGranular Sampler with multi-sampling and traditional sampling mode\u003c\/p\u003e\u003cp\u003eResonator to sculpt sounds in detail\u003c\/p\u003e\u003cp\u003eThe management interface is extremely ergonomic and intuitive thanks to the beautiful design of the top panel designed by Axel Hartmann.\u003c\/p\u003e\u003cp\u003eThe rich range of aluminum encoders and knobs with excellent finish surrounds the large high-resolution multi-touch display. Waldorf engineers have dedicated many hours to perfecting the interaction between the display and the physical controls. The multi-touch display thus becomes a natural and extremely flexible extension of the tactile experience, for a human-machine interaction that is light years ahead of other products of this type currently on the market.\u003c\/p\u003e\u003cp\u003eTo help understand the functional relationships between one knob and another, each rotary control is individually lit by multi-colored LEDs. This makes it simple and immediate to associate each knob with its respective function, especially in the case of complex modulation settings, with the possibility of setting all parameters quickly.\u003c\/p\u003e\u003cp\u003eQuantum has been designed and developed by a dedicated team over several years of work: all essential components have been designed, manufactured and assembled in Germany with an extremely high level of quality. The Factory Sound Set saw the participation of some of the world's most important sound designers (including Deadmau5 and Richard Devine).\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e8-voice synthesizer\u003c\/p\u003e\u003cp\u003eWaveform and spectrum will be displayed on the touch display as in the application\n\u003c\/p\u003e\u003cp\u003eThree digital oscillators per voice with four freely assignable synthesis algorithms.\n\u003c\/p\u003e\u003cp\u003eWavetable: Classic Waldorf wave tables\n\u003c\/p\u003e\u003cp\u003eWaveform: Traditional analog waveforms\n\u003c\/p\u003e\u003cp\u003eParticle: granular sampler\n\u003c\/p\u003e\u003cp\u003eResonator: Resonator filter bank resonator\n\u003c\/p\u003e\u003cp\u003eTwo dual analog filters. Voice inserts, insertion into the digital voice, output to analog, and two OTA filters for each voice returning to the voice.\n\u003c\/p\u003e\u003cp\u003eAnother former digital - Drive, Bit Crusher, digital filters, etc.\n\u003c\/p\u003e\u003cp\u003eSix envelopes - three on the panel and three in the menu. Envelope curves\n\u003c\/p\u003e\u003cp\u003eThree digital effects\n\u003c\/p\u003e\u003cp\u003eMulti-stage envelope\n\u003c\/p\u003e\u003cp\u003eGlide\n\u003c\/p\u003e\u003cp\u003eSix LFOs\n\u003c\/p\u003e\u003cp\u003eResponsive touch display for parameterization\n\u003c\/p\u003e\u003cp\u003eMulti-layering (two layers)\n\u003c\/p\u003e\u003cp\u003eAdvanced arpeggiator\n\u003c\/p\u003e\u003cp\u003eTwo USB ports - Host device and MIDI control\n\u003c\/p\u003e\u003cp\u003eStereo input for sampling\n\u003c\/p\u003e\u003cp\u003eStereo output\n\u003c\/p\u003e\u003cp\u003eAuxiliary output\n\u003c\/p\u003e\u003cp\u003ePedal inputs\n\u003c\/p\u003e\u003cp\u003eSD card slot\n\u003c\/p\u003e\u003cp\u003eClassic MIDI In\/Out\/Thru\u003c\/p\u003e","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":58005602369881,"sku":"0140","price":4299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/db7c3cc59b96ec810fd6dff677694d0218b47f44.jpg?v=1781167517"},{"product_id":"waldorf-stvc-0142-4260126380615","title":"Waldorf Stvc","description":"\u003ch2\u003eDescription\u003c\/h2\u003eSynthesizer that combines the best of 70s and early 80s string synths with a vocoder, featuring a dual sound engine with a fully polyphonic string section, a 16-voice Solo section, a vocoder with a 256-band filter, Animate, Ensemble\/Chorus, Phaser, and Reverb effects. Equipped with a 49-key dynamic keyboard with aftertouch, pitch bend and modulation wheels, an OLED display, 126 programmable presets, 10 potentiometers, 1 encoder, 9 backlit buttons, 5 switches, a 44 cm gooseneck microphone with LED indicator, XLR audio input for vocoder microphone, 2 1\/4\" audio outputs, 1\/8\" stereo headphone output, MIDI In\/Out\/USB, sustain and expression pedal inputs, USB Type-B port for computer connection and power (USB power supply included), dimensions 740 x 280 x 100 mm, weight 7.5 kg. N.B. Please check the manufacturer's website for minimum system requirements and currently supported Mac and PC operating systems.","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":58005611446617,"sku":"0142","price":698.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/waldorf-stvc-01.jpg?v=1778148331"},{"product_id":"waldorf-blofeld-keyboard-0144-4260126380080","title":"Waldorf Blofeld Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003eSame BLOFELD characteristics but with an additional 60GB sample memory and a 61-key dynamic keyboard with aftertouch, dimensions 735 x 275 x 95 mm, weight 8.0 kg.","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":58005612986713,"sku":"0144","price":775.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/waldorf-blofeld-keyboard-01.jpg?v=1778148360"},{"product_id":"waldorf-blofeld-keyboard-black-0146-0426012638008","title":"Waldorf Blofeld Keyboard Black","description":"\u003ch2\u003eDescription\u003c\/h2\u003eSame BLOFELD characteristics but with additional 60GB sample memory and 61-key dynamic keyboard with aftertouch, dimensions 735 x 275 x 95 mm, weight 8.0 kg, black color.","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":58005631959385,"sku":"0146","price":1001.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/waldorf-blofeld-keyboard-black-01.jpg?v=1778148557"},{"product_id":"behringer-deepmind-12-sintetizzatore-analogico","title":"Behringer Deepmind 12 Analog Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eBehringer Deepmind 12 Analog Synthesizer\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e12-Voice, 4-Part Multi-timbral Analog Polysynth with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-in Wi-Fi.\u003c\/p\u003e\u003cp\u003eClassic Polysynth with 12 true analog voices for insanely fat and authentic sounds\n\u003c\/p\u003e\u003cp\u003e4 world-class TC Electronic and Klark Teknik FX engines with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and Multiband Distortion\n\u003c\/p\u003e\u003cp\u003e12 voices with 2 analog OSCs per voice with oscillator sync mode\n\u003c\/p\u003e\u003cp\u003e2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and auto envelope triggering\n\u003c\/p\u003e\u003cp\u003e3 ADSR generators per voice for controlling VCF, VCA and MOD envelopes\n\u003c\/p\u003e\u003cp\u003eFlexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters\n\u003c\/p\u003e\u003cp\u003e32-step control sequencer with adjustable slew rate and MIDI sync\n\u003c\/p\u003e\u003cp\u003eFull remote control via iPad*\/PC\/Mac* app over USB, MIDI or built-in WiFi for extended parameter control\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e49-note full-size, semi-weighted keybed with velocity sensitivity and after-touch\n\u003c\/p\u003e\u003cp\u003ePure analog signal path based on legendary VCF and VCA designs\n\u003c\/p\u003e\u003cp\u003eOSC 1 generates sawtooth and square\/pulse waveforms with pulse width modulation\n\u003c\/p\u003e\u003cp\u003eOSC 2 generates square\/pulse waveforms with tone modulation\n\u003c\/p\u003e\u003cp\u003eSelectable 12\/24 dB analog low-pass filter per voice with adjustable resonance\n\u003c\/p\u003e\u003cp\u003eEnvelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves\n\u003c\/p\u003e\u003cp\u003ePowerful unison and poly modes with detune, pan spread and drift parameters with up to 12 voices per note\n\u003c\/p\u003e\u003cp\u003eGlobal noise generator dramatically expands waveform generation\n\u003c\/p\u003e\u003cp\u003eIncredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes\n\u003c\/p\u003e\u003cp\u003eSophisticated arpeggiator with tap tempo button and user configurable pattern modes\n\u003c\/p\u003e\u003cp\u003eChord and PolyChord memories enable polyphonic performances from monophonic playing styles\n\u003c\/p\u003e\u003cp\u003eTrue bypass mode for pure, high-integrity analog tone\n\u003c\/p\u003e\u003cp\u003eGlobal variable 6 dB high-pass filter with powerful bass boost switch\n\u003c\/p\u003e\u003cp\u003e26 sliders and one switch per function give direct and real-time access to all important parameters\n\u003c\/p\u003e\u003cp\u003eSpring-loaded pitch and assignable modulation wheels provide total hands-on performance\n\u003c\/p\u003e\u003cp\u003eLCD display with encoder, navigation switches and data value slider for quick menu parameter editing and program selection\n\u003c\/p\u003e\u003cp\u003e1024 user program memories with ?compare and match? feature to quickly match all analog controls to stored program values\n\u003c\/p\u003e\u003cp\u003eFully servo-balanced stereo outputs for highest signal integrity\n\u003c\/p\u003e\u003cp\u003eCV\/pedal input for connection to modular systems\n\u003c\/p\u003e\u003cp\u003eComprehensive MIDI implementation (including NRPN\/CC control of all parameters and bulk load\/save)\n\u003c\/p\u003e\u003cp\u003eIntegrated and configurable Wi-Fi Client\/Access Point allows easy and secure connection to your home network\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"BEHRINGER","offers":[{"title":"Default Title","offer_id":58005885583705,"sku":"048908","price":919.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f1bc2ed81b7d31abe0222d1d30e0272096a1c3a0.jpg?v=1781167754"},{"product_id":"elektron-digitone-keys","title":"Elektron Digitone Keys","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eElektron Digitone Keys\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDigitone Keys\u003c\/b\u003e is an eight-voice polyphonic synthesizer for live performances, with which to create new soundscapes previously inaccessible. The 37-key velocity-sensitive and aftertouch keyboard offers a completely new level of expression and control over the Digitone sound engine.\u003c\/p\u003e\u003cp\u003eDigitone Keys is ready to use, and curiosity is all you need. Harness the powerful Digitone sound engine with intuitive sound processing, 8 voices of polyphony, 37 keys, pitch bend and modulation wheels, separate outputs for each track, and brand new customizable controls. The Multimap function allows you to configure and assign individual sounds to different zones, triggering sounds or patterns with the touch of a key, in addition to the ability to freely use portamento and arpeggio across the three octaves.\u003c\/p\u003e\u003cp\u003eWith separate outputs for each track, connecting to external effects, mixers and pedals, audio interfaces, and modulation sources is easier than ever. Route individual Digitone Keys tracks to process them independently of the rest of the sounds.\u003c\/p\u003e\u003cp\u003eWith the same acclaimed Digitone sound engine, Digitone Keys combines a modern implementation of FM synthesis with the classic signal flow of subtractive synthesis systems, making it a powerful source of truly unique tones and timbres. The FM sound generators have been optimized for a clean and efficient sound creation process. Simply turning a few knobs, something interesting and musically relevant is bound to happen…\u003c\/p\u003e\u003cp\u003eOf course, Elektron's top-notch sequencer is also an integral part of Digitone Keys. Four tracks are available for internal sounds, and four dedicated MIDI tracks are ready for controlling external devices. Use the sequencer to quickly add chords or create melodies by adhering to a specific scale. Add probability settings to individual notes. Create tracks with different lengths. Digitone Keys makes it easy to create complex and musical patterns.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eSynthesizer\n\u003c\/p\u003e\u003cp\u003e– 8-voice polyphony (multi-timbral) – Multiple FM algorithms\n\u003c\/p\u003e\u003cp\u003e– 1 x multi-mode filter per voice\n\u003c\/p\u003e\u003cp\u003e– 1 × base\/width filter per voice\n\u003c\/p\u003e\u003cp\u003e– 1 × overdrive per voice\n\u003c\/p\u003e\u003cp\u003e– 2 × assignable LFOs per voice\n\u003c\/p\u003e\u003cp\u003e– Unison\n\u003c\/p\u003e\u003cp\u003e– Portamento\n\u003c\/p\u003e\u003cp\u003e– 2048 savable patches on +Drive\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eSequencer:\n\u003c\/p\u003e\u003cp\u003e– 4 synth tracks\n\u003c\/p\u003e\u003cp\u003e– 4 MIDI tracks\n\u003c\/p\u003e\u003cp\u003e– 1 arpeggiator per synth track\n\u003c\/p\u003e\u003cp\u003e– Polyphonic sequences\n\u003c\/p\u003e\u003cp\u003e– Individual track lengths\n\u003c\/p\u003e\u003cp\u003e– Parameter locks\n\u003c\/p\u003e\u003cp\u003e– Micro timing\n\u003c\/p\u003e\u003cp\u003e– Trig condition\n\u003c\/p\u003e\u003cp\u003e– Sound change per step\n\u003c\/p\u003e\u003cp\u003e– 128 savable projects on +Drive – 8 banks and 16 patterns per project\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eSend and Master Effects:\n\u003c\/p\u003e\u003cp\u003e– Panoramic Chorus send effect – Saturator Delay send effect\n\u003c\/p\u003e\u003cp\u003e– Supervoid Reverb send effect – Overdrive master effect\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eHardware\n\u003c\/p\u003e\u003cp\u003e– 37 semi-weighted keys with velocity and aftertouch sensitivity\n\u003c\/p\u003e\u003cp\u003e– 8 assignable encoders – 2 × 1⁄4” audio inputs\n\u003c\/p\u003e\u003cp\u003e– 2 × impedance balanced 1⁄4″ “Main” audio outputs\n\u003c\/p\u003e\u003cp\u003e– 8 × impedance balanced 1⁄4″ “Track” audio outputs\n\u003c\/p\u003e\u003cp\u003e– 1⁄4” headphone output\n\u003c\/p\u003e\u003cp\u003e– 2 × 1⁄4” CV\/Expression\/Sustain inputs\n\u003c\/p\u003e\u003cp\u003e– 128×64 pixel OLED display\n\u003c\/p\u003e\u003cp\u003e– 24-bit \/ 48 kHz AD\/DA converters\n\u003c\/p\u003e\u003cp\u003e– USB 2.0 Hi-Speed port\n\u003c\/p\u003e\u003cp\u003e– MIDI In\/Out\/Thru ports with DIN Sync output\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eMiscellaneous:\n\u003c\/p\u003e\u003cp\u003e– MIDI Controller mode\n\u003c\/p\u003e\u003cp\u003e– Overbridge compatible\n\u003c\/p\u003e\u003cp\u003e– Dimensions 868 (W) × 185 (D) × 90 (H) mm\n\u003c\/p\u003e\u003cp\u003e– Weight approx. 6 kg\n\u003c\/p\u003e\u003cp\u003e– 3-year warranty\n\u003c\/p\u003e\u003cp\u003e– Includes PSU-3B power supply and Elektron USB cable\u003c\/p\u003e","brand":"ELEKTRON","offers":[{"title":"Default Title","offer_id":58006413836633,"sku":"15040","price":1019.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/77b9e2d54791d96ec2c3d87a27770553151b1c33.jpg?v=1781167025"},{"product_id":"asm-hydrasynth-keyboard-promo-18001-6950474311116","title":"Asm Hydrasynth Keyboard Promo","description":"\u003ch2\u003eDescription\u003c\/h2\u003e8-voice wavetable synthesizer (expandable by connecting a second Hydrasynth), with an extremely advanced synthesis engine, featuring 3 oscillators with numerous mutators (FM-Linear, Wavestack, Hard Sync, Pulse Width, PW-Squeeze, PW-ASM, Harmonic Sweep), 2 filters usable in series or parallel, 4 envelope modifiers (HAHDSR), 5 LFOs, an advanced modulation matrix, as well as effects and arpeggiator, 5 memory banks of 128 patches each, 5 OLED displays, 49 standard keys with velocity and polyphonic aftertouch, 4-octave ribbon controller, pitch bend and modulation wheels, 2 x 6.3 mm audio outputs, 2 headphone outputs with volume control, MIDI In\/Out\/Thru, USB port for use as a USB\/MIDI interface, CV\/GATE inputs and outputs compatible with standard Eurorack and Japanese Volts\u003eHz voltages, inputs for assignable expression pedal and sustain pedal, dimensions 800 x 350 x 103 mm, weight 10 kg, external power supply included. N.B. For use of the USB\/MIDI port, please check the manufacturer's website for currently supported Mac and PC operating systems.","brand":"ASM Ashun Sound Machines","offers":[{"title":"Default Title","offer_id":58006475571545,"sku":"18001","price":1318.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/gal-asm-hydra-keyboard-02.jpg?v=1778155724"},{"product_id":"asm-hydrasynth-deluxe-promo-18004-6950474311147","title":"Asm Hydrasynth Deluxe promotion","description":"\u003ch2\u003eDescription\u003c\/h2\u003e16-voice wavetable synthesizer (expandable by connecting a second Hydrasynth), with an extremely advanced synthesis engine, featuring 3 oscillators with numerous mutators (FM-Linear, Wavestack, Hard Sync, Pulse Width, PW-Squeeze, PW-ASM, Harmonic Sweep), 2 filters that can be used in series or parallel, 4 envelope modifiers (HAHDSR), 5 LFOs, an advanced modulation matrix, as well as effects and an arpeggiator, 5 memory banks of 128 patches each, 5 OLED displays, a 73-key standard keyboard with velocity and polyphonic aftertouch, a 4-octave ribbon controller, pitch bend and modulation wheels, 4 6.3 mm audio outputs, 2 headphone outputs with volume control, MIDI In\/Out\/Thru, USB port for use as a USB\/MIDI interface, CV\/GATE inputs and outputs compatible with Eurorack and Japanese Volts\u003eHz standard voltage, inputs for assignable expression pedal and sustain pedal, dimensions 1129 x 346 x 92 mm, weight 13.3 kg, external power supply included. N.B. For the use of the USB\/MIDI port, check the manufacturer's website for currently supported Mac and PC operating systems.","brand":"ASM Ashun Sound Machines","offers":[{"title":"Default Title","offer_id":58006489661785,"sku":"18004","price":1777.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/gal-asm-hydrasynth-deluxe-02.jpg?v=1778155729"},{"product_id":"asm-hydrasynth-explorer-promo-18005-6950474311130","title":"ASM Hydrasynth Explorer Promo","description":"\u003ch2\u003eDescription\u003c\/h2\u003e8-voice wavetable synthesizer (expandable by connecting a second Hydrasynth), with an extremely advanced synthesis engine, featuring 3 oscillators with numerous mutators (FM-Linear, Wavestack, Hard Sync, Pulse Width, PW-Squeeze, PW-ASM, Harmonic Sweep), 2 filters usable in series or parallel, 4 envelope modifiers (HAHDSR), 5 LFOs, an advanced modulation matrix, as well as effects and arpeggiator, 5 memory banks of 128 patches each, 2 OLED displays, 37-mini-key keyboard with velocity and polyphonic aftertouch, pitch bend and modulation wheels, 2 x 6.3 mm audio outputs, headphone output, MIDI In\/Out, USB port for use as a USB\/MIDI interface, CV\/GATE outputs compatible with standard Eurorack voltage and Japanese Volts\u003eHz, sustain pedal input, dimensions 554 x 247 x 70 mm, weight 3.46 kg, external power supply included and possibility of powering with 8 AA batteries (not included). N.B. For USB\/MIDI port usage, check the manufacturer's website for currently supported Mac and PC operating systems.","brand":"ASM Ashun Sound Machines","offers":[{"title":"Default Title","offer_id":58006489694553,"sku":"18005","price":618.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/asm-hydrasynth-explorer-04.jpg?v=1778155732"},{"product_id":"korg-arp-odyssey-2","title":"Korg Arp Odyssey-2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eKorg Arp Odyssey-2\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eARP ODYSSEY is Korg's faithful reissue of this glorious 1970s analog synthesizer, created in close collaboration with David Friend, one of the founders of ARP. The instrument is slightly more compact than the original model, made with high-quality materials, and with particular attention to the high-operability sliders and the Slim keyboard. The original circuitry of the three different editions of this instrument: Rev 1, 2, and 3, has been meticulously reconstructed, with all their peculiarities, particularly regarding the different filter characteristics and portamento. Furthermore, limited editions of the aesthetic variants Rev 1 and Rev 2 are also re-proposed, identical in finish to the originals. Thanks to current technology, new features not available in vintage models have also been implemented, such as the DRIVE function, or MIDI and USB ports. The instrument also includes a dedicated semi-rigid case and patch cables.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard 37-note (slim key, No Velocity, No Aftertouch)Maximum Polyphony 2 voices in Duophonic mode; normally monophonicControls Transpose positions 2 octaves down, normal, 2 octave upProportional Pitch Control b (Pitch down) Pad: about -2 \/ 3 octave\n\u003c\/p\u003e\u003cp\u003e- (Modulation) Pad\n\u003c\/p\u003e\u003cp\u003e# (Pitch-up) Pad: about +2 \/ 3 octaveNoise Generator - Noise Generator White and Pink (Noise Spectrum Types: white and pink)Portamento Maximum Speed about 0.01 msec.\/octMinimum Speed About 1.5 sec.\/octVCO (Voltage Controlled Oscillator)Waveforms - Waveforms Sawtooth, Square, Pulse (Dynamic Pulse)Frequencies VCO-1 in low freq. mode, 0.2 Hz – 20 Hz: VCO-1 and VCO-2 (audio frequency) about 20 Hz – 20 kHzFrequency shift at power-on 1\/30 of a semitone max from power-onPulse Width 50 % – 5 %Pulse Width Modulation ADSR, +45 %\n\u003c\/p\u003e\u003cp\u003eLFO, +15 %Voltage Controlled Response 1 V\/octMaximum Frequency Shift LFO sine wave, +1\/2 oct.\n\u003c\/p\u003e\u003cp\u003eLFO square wave, +1.5 oct.\n\u003c\/p\u003e\u003cp\u003eADSR, +9 oct.\n\u003c\/p\u003e\u003cp\u003eS\/H, +2 oct.* VCO-1 lower note priority, VCO-2 higher note priorityVCF (Voltage Controlled Filter)Types Low pass (I: 12 dB\/oct., II III: 24 dB\/oct.)Frequency Range 16 Hz - 16 kHzMax usable Q 30Resonance 1\/2 - self-oscillationVoltage Controlled Response C3 key (left side): 0 V\n\u003c\/p\u003e\u003cp\u003eC6 key (right side) 3 VVCA (Voltage Controlled Amplifier)Dynamics 80 dBRing Modulator Type DigitalInput Signal - Input Signal VCO-1, VCO-2 (square wave)Sample \u0026amp; Hold Sources Keyboard or LFO triggerS\u0026amp;H Signals VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noiseADSR Envelope Generator Attack Time 5 msec. - 5 sec.Decay Time 10 msec. - 8 sec.Sustain Level 0 - 100 % or PeakRelease Time 15 msec. - 10 sec.AR Envelope Generator Attack Time 5 msec. - 5 sec.Release Time 10 msec. - 8 sec.Control Inputs Pedal 6.3 mm mono jackPortamento Pedal Control 6.3 mm mono jackAudio Outputs - Audio Output\n\u003c\/p\u003e\u003cp\u003eLOW Connectors 6.3 mm mono jackMaximum Output Level -20 dBu@ 10 kΩ loadOutput Impedance 10 kΩAudio Outputs - Audio Output\n\u003c\/p\u003e\u003cp\u003eHIGH Connector XLRMaximum Output Level +4 dBu@ 1 kΩ loadOutput Impedance 330 ΩHeadphone Connector 6.3 mm Stereo jackMaximum Output Level 50 mW + 50 mW@ 33 Ω loadOutput Impedance 10 Ω* Controllable by Volume knobExternal Audio Source - External Audio Input (Ext Audio Input)Connector 6.3 mm mono jackMaximum Input Level -10 dBuInput Impedance 22 kΩMIDI Connector INUSB Connector Type BCV IN\/OUT Keyboard CV (IN\/OUT)1 V\/oct.Connector 3.5 mm mono jackGATE IN\/OUT GATE IN+3 V (minimum)GATE OUT+10 V, key pressed; 0 V all keys releasedConnector 3.5 mm mono jackTRIG IN\/OUT Jacks TRIG IN+3 V pulse min., 10 μsec. Minimum durationTRIG OUT+10 V pulse on key press, 10 μsec. DurationConnector 3.5 mm mono jackPower Supply AC adapter (DC 9V)Consumption 6.5 WDimensions (W x D x H)502 x 380 x 120 mm \/ 19.76\" x 14.96\" x 4.72\"Weight 5 kg \/ 11.02 lbsIncluded Accessories AC adapter, “phone” cable, “mini-phone” cable, instruction manual, dedicated semi-rigid caseOptional Accessories Expression\/Volume Pedal XVP-20Volume Pedal VP-10Foot Switches PS-3Foot Switches PS-1Patch Cables SQ-CABLE-6\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58009232441689,"sku":"C1280200309","price":799.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280200309.jpg?v=1778180530"},{"product_id":"korg-arp-odyssey-fs-rev1","title":"Korg Arp Odyssey Fs Rev1 (Made In Usa) B Stock","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eKorg Arp Odyssey Fs Rev1 (Made In Usa) B Stock\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe long-awaited, original-sized \u003cstrong\u003eARP ODYSSEY\u003c\/strong\u003e is now available as a limited edition. Assembled in America.\u003c\/p\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cul style=\"margin-left: 17px;\"\u003e\n\u003cbr\u003e\u003cli\u003eARP ODYSSEY with original size and standard keyboard\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eCarefully assembled in the USA to reproduce the original spirit\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eSeries includes all three models from the various generations\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eKeyboard 37 notes, standard size keys (No velocity sensitivity, No aftertouch)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum Polyphony 2 voices duophonic; normally monophonic\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eControls Transpose positions:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e2 octaves down, normal, 2 octaves up\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePitch control - Proportional Pitch Control:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eb (Pitch down) Pad: approx. -2\/3 octave\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e- (Modulation) Pad\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e# (Pitch-up) Pad: approx. +2\/3 octave\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eNoise Generator Noise Spectrum Types (White and Pink)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePortamento Max speed: approx. 0.01 msec.\/oct\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMin speed: approx. 1.5 sec.\/oct\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVCO (Voltage Controlled Oscillator) Waveforms:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eSawtooth, Square, Pulse (Dynamic Pulse)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFrequency Range:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVCO-1 in low freq. mode, 0.2 Hz – 20 Hz\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVCO-1 and VCO-2 (audio range) approx. 20 Hz – 20 kHz\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eWarm Up Drift: 1\/30 of a semitone from power-on to max.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePulse Width: 50% – 5%\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePulse Width Modulation:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eADSR, +45%\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eLFO, +15%\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVoltage Controlled Response: 1 V\/oct\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum Frequency Shifts:\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eLFO sine wave, +1\/2 oct.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eLFO square wave, +1.5 oct.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eADSR, +9 oct.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eS\/H, +2 oct.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e* VCO-1 prioritized for the lowest note played, VCO-2 for the highest note.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVCF (Voltage Controlled Filter) Types: Low pass (I: 12 dB\/oct., II III: 24 dB\/oct.)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFrequency Range: 16 Hz - 16 kHz\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum Usable Q: 30\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eResonance: 1\/2 - self oscillate\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVoltage Controlled Response: C3 key (left end): 0 V; C6 key (right end) 3 V\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVCA (Voltage Controlled Amplifier) Dynamic Range: 80 dB\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eRing Modulator Type: Digital\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eInput signal: VCO-1, VCO-2 (square wave)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eSample \u0026amp; Hold Source: Keyboard or LFO trigger\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eSampled signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eADSR Envelope Generator Attack Time: 5 msec. - 5 sec.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eDecay Time: 10 msec. - 8 sec.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eSustain Level: 0 - 100 % or Peak\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eRelease Time: 15 msec. - 10 sec.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eAR Envelope Generator Attack Time: 5 msec. - 5 sec.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eRelease Time: 10 msec. - 8 sec.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eControl Inputs Pedal: 6.3 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePortamento Foot Switch: 6.3 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eAudio Output Jacks LOW Connector: 6.3 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum output level: -20 dBu@ 10 kΩ load\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eOutput impedance: 10 kΩ\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eAudio Output Jacks HIGH Connector: XLR connector\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum output level: +4 dBu@ 1 kΩ load\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eOutput impedance: 330 Ω\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eHeadphone connection Connector: 6.3 mm stereo phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum output level: 50 mW + 50 mW@ 33 Ω load*\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eOutput impedance: 10 Ω\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e* Controllable via the Volume knob.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eExternal Audio Input (Ext Audio Input) Connector: 6.3 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMaximum output level: -10 dBu\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eInput impedance: 22 kΩ\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMIDI connection MIDI IN\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eUSB connection Type B\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eCV IN\/OUT Keyboard CV (IN\/OUT): 1 V\/oct.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eConnector: 3.5 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eCV IN\/OUT GATE IN: +3 V (minimum)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eGATE OUT: +10 V, key pressed; 0 V all keys released\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eConnector: 3.5 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eTRIG IN\/OUT TRIG IN: +3 V pulse min., 10 μsec. Minimum duration\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eTRIG OUT: +10 V impulse on key press, 10 μsec. Duration\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eConnector: 3.5 mm mono phone jack\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePower supply AC adapter (DC 12V) + power cable\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePower consumption 7.1 W\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eDimensions (W x D x H) 585 x 466 x 163 mm \/ 23.03” x 18.35” x 6.42”\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eWeight 7.3 kg \/ 16.09 lbs.\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFinishes White (ARP ODYSSEY FS Rev1)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eBlack and Gold (ARP ODYSSEY FS Rev2)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eBlack and Orange (ARP ODYSSEY FS Rev3)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eIncluded accessories AC adapter (DC 12 V), power cable, mini phone cable\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eOptional accessories Expression\/Volume Pedal: XVP-20\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eVolume Pedal: VP-10\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFootswitch: PS-3\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eFootswitch: PS-1\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003ePatch Cables: SQ-CABLE-6\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58009234538841,"sku":"C1280200431","price":1299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280200431.jpg?v=1778180558"},{"product_id":"korg-arp-odyssey-fs-rev3","title":"Korg Arp Odyssey Fs Rev3 Made In Usa","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eKorg Arp Odyssey Fs Rev3 Made In Usa\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe long-awaited ARP ODYSSEY, with the same dimensions as the original, is now available in a limited edition. Assembled in America.\u003c\/p\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cul style=\"margin-left: 17px;\"\u003e\n\u003cbr\u003e\u003cli\u003eARP ODYSSEY with the same dimensions as the original and a standard keyboard\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eCarefully assembled in the USA to replicate the original spirit\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eSeries includes all three models from various generations\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eTrue analog audio generated by a complete replica of the original ARP Odyssey circuitry\n\u003c\/p\u003e\u003cp\u003ePitch and Pulse width modulation can be controlled\n\u003c\/p\u003e\u003cp\u003ePitch is variable over a wide range of 20Hz - 2kHz\n\u003c\/p\u003e\u003cp\u003eOscillator Sync provides sharp, great-sounding overtones that extend into a high range\n\u003c\/p\u003e\u003cp\u003eNoise Generator that provides two types of noise: white and pink\n\u003c\/p\u003e\u003cp\u003ePowerful LFO can be used as a modulation source for the oscillator or filter, or as a trigger source for sample \u0026amp; hold\n\u003c\/p\u003e\u003cp\u003eRing modulator generates metallic sounds with rich overtones\n\u003c\/p\u003e\u003cp\u003eThe three types of low-pass filters found on different productions of the original ARP Odyssey are all provided\n\u003c\/p\u003e\u003cp\u003eA wide variety of modulation sources such as S\/H, LFO, ADSR, and AR can be used to modulate the filter\n\u003c\/p\u003e\u003cp\u003eA high-pass filter is provided after the low-pass filter, giving even wider sound design possibilities\n\u003c\/p\u003e\u003cp\u003eA new function, Drive switch generates extreme and aggressive sounds\n\u003c\/p\u003e\u003cp\u003eTwo types of envelope generator: ADSR and AR. This can be used not only for the VCA but also to modulate the filter or oscillator\n\u003c\/p\u003e\u003cp\u003eDimensions: 585 x 466 x 163mm\n\u003c\/p\u003e\u003cp\u003eWeight: 7.3kg\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58009234964825,"sku":"C1280200433","price":1299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/c1280200433-images-photo-imported.jpg?v=1778180566"},{"product_id":"korg-ms20-mini-white","title":"Korg Ms20 Mini-Wm ex demo","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eKorg Ms20 Mini-Wm ex demo\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e2-year warranty\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKorg reintroduces the analog synthesis of the MS-20, same circuit, same filter, truly analog, with added MIDI In and USB.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe MS-20 mini is a perfect replica of the MS-20\u003c\/b\u003e. The design team was led by the same engineers who produced the original model in 1978, with the goal of recreating the same circuitry. The synthesis structure is the same distinctive MS-20. The MS-20 mini features two oscillators with ring modulation, envelope generators, hold, and delay. The VCA has been optimized to generate less noise than the original model, without changing its basic structure. One of the most important distinguishing features of the MS-20 was its powerful resonant high-pass and low-pass filters. Maximizing resonance created filter self-oscillation, which was a true peculiarity, a drastic change in sound that many defined as \"inimitable.\" The same system is also adopted in the other analog synths currently in the Korg catalog: monotron and monotribe. Mid-way through its production cycle, the MS-20 changed its filter circuit: the MS-20 mini implements the first filter implemented in the original model, considered by many to be the best for its drastic intervention. At the time, another strong point of Korg's monophonic analog synthesizer was the external signal processing input (ESP). This allowed, and still allows in the new mini model, to use the pitch and volume of an external audio source to control the synthesis engine. Thanks to the patchbay integrated on the right side of the panel, it is possible to connect the various modules to each other to create more complex sounds. The sonic possibilities are confined to the user's imagination, as different combinations of modulation in\/out trigger, sample and hold, and noise generator can give rise to an invaluable variety of sounds. Thanks to the silkscreen printing on the patchbay panel, these operations will be easily performed even by beginner users. \u003cb\u003eThe MS-20 mini features a traditional DIN format MIDI input\u003c\/b\u003e and a USB port for transmitting and receiving MIDI notes only (no velocity, no controller). You can therefore play the mini-MS-20 using other MIDI keyboards, or from your computer. At the same time, with the instrument's keyboard, you can play software instruments installed on your computer. The efforts to achieve a rigorous reproduction of the original were not limited to the product itself. The box also perfectly reproduces the original from that era, including the product's original manual, with its relative setup instructions.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e- Meticulous replica of the original Ms-20\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e- Designed by the same engineers from 1978\n\u003c\/p\u003e\u003cp\u003e- Dimensions reduced by approximately 14%\n\u003c\/p\u003e\u003cp\u003e- Structure: 2VCO\/2VCA\/2VCF\/2EG\/1LFO\n\u003c\/p\u003e\u003cp\u003e- Self-oscillating high-pass and low-pass filters\n\u003c\/p\u003e\u003cp\u003e- External Signal Processing (ESP)\n\u003c\/p\u003e\u003cp\u003e- Flexible patching system\n\u003c\/p\u003e\u003cp\u003e- MIDI In and USB I\/O connections (notes only, no velocity or controls)\n\u003c\/p\u003e\u003cp\u003e- Perfect replica: from the circuit to the box, including the manual\u003c\/p\u003e\u003cp\u003emini keys\n\u003c\/p\u003e\u003cp\u003epatch inputs for mini jacks\n\u003c\/p\u003e\u003cp\u003etraditional MIDI input\n\u003c\/p\u003e\u003cp\u003eUSB MIDI input\n\u003c\/p\u003e\u003cp\u003eVCO 1: Tri, Saw, Block\/Pulse, Noise\n\u003c\/p\u003e\u003cp\u003eVCO 2: Saw, Block, Pulse, Ring Modulation\n\u003c\/p\u003e\u003cp\u003eHigh Pass filter\n\u003c\/p\u003e\u003cp\u003eLow Pass filter\n\u003c\/p\u003e\u003cp\u003emodulation generator\n\u003c\/p\u003e\u003cp\u003eenvelope generators: 2\n\u003c\/p\u003e\u003cp\u003eexternal signal processor (ESP)\n\u003c\/p\u003e\u003cp\u003epitch wheel\n\u003c\/p\u003e\u003cp\u003epatch inputs: 35\n\u003c\/p\u003e\u003cp\u003edimensions: 493 x 257 x 208 mm\n\u003c\/p\u003e\u003cp\u003eweight: 4.8 kg\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58009235751257,"sku":"C1280240184","price":629.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280240184.jpg?v=1778180592"},{"product_id":"korg-minilogue-pg","title":"Korg Minilogue Pg","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eKorg Minilogue Pg\u003c\/strong\u003e\u003c\/h3\u003e\u003ch3\u003e\u003cstrong\u003eThis new version of minilogue features a new polished gray finish that reacts to light, reflecting a wide range of color shades from silver to dark gray to black.\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKORG minilogue\u003c\/strong\u003e was recently awarded the prestigious international German \"\u003cstrong\u003eRed Dot Award\u003c\/strong\u003e\" thanks to its highly distinctive industrial design.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis limited edition has a new finish on the control panel and a new transparent black color on the wooden back panel, which together give the instrument a fresh and distinctive, immediately recognizable look.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003e* Technical and operational specifications are identical to those of the standard minilogue.\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard: 37 keys (Slim-key, velocity sensitive)\n\u003c\/p\u003e\u003cp\u003eSound Generation: Analog Synthesis\n\u003c\/p\u003e\u003cp\u003eMaximum Polyphony: 4 voices\n\u003c\/p\u003e\u003cp\u003e200 programs (100 Presets \/ 100 User)\n\u003c\/p\u003e\u003cp\u003eEach Program includes Voice Mode and Sequencer settings,\n\u003c\/p\u003e\u003cp\u003eUp to 8 favorite Programs can be stored\n\u003c\/p\u003e\u003cp\u003eVoice Modes: Modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain)\n\u003c\/p\u003e\u003cp\u003eVOICE MODE DEPTH can vary different parameters in each mode\n\u003c\/p\u003e\u003cp\u003eMain synthesis parameters:\n\u003c\/p\u003e\u003cp\u003eVCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape\n\u003c\/p\u003e\u003cp\u003eVCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape\n\u003c\/p\u003e\u003cp\u003eVCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring\n\u003c\/p\u003e\u003cp\u003eMIXER: VCO1, VCO2, Noise\n\u003c\/p\u003e\u003cp\u003eFILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity\n\u003c\/p\u003e\u003cp\u003eAMP EG: Attack, Decay, Sustain, Release\n\u003c\/p\u003e\u003cp\u003eEG: Attack, Decay, Sustain, Release\n\u003c\/p\u003e\u003cp\u003eLFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)\n\u003c\/p\u003e\u003cp\u003eDELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)\n\u003c\/p\u003e\u003cp\u003e16-Step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003eMotion Sequence can control up to 4 parameters\n\u003c\/p\u003e\u003cp\u003eControls: 41 dedicated panel controls for immediate access to parameters\n\u003c\/p\u003e\u003cp\u003eOne Slider can control different parameters for each Program\n\u003c\/p\u003e\u003cp\u003eDisplay: Real-time OLED Oscilloscope, provides visual feedback on parameter changes\n\u003c\/p\u003e\u003cp\u003eConnectors:\n\u003c\/p\u003e\u003cp\u003eHeadphones (6.3mm stereo phone jack)\n\u003c\/p\u003e\u003cp\u003eAudio Output (6.3mm mono phone jack)\n\u003c\/p\u003e\u003cp\u003eAudio In (6.3mm mono phone jack)\n\u003c\/p\u003e\u003cp\u003eSync In (3.5mm mini jack mono)\n\u003c\/p\u003e\u003cp\u003eSync Out (3.5mm mini jack mono)\n\u003c\/p\u003e\u003cp\u003eMIDI In \/ Out\n\u003c\/p\u003e\u003cp\u003eUSB Type B\n\u003c\/p\u003e\u003cp\u003ePower Supply: AC Adapter (DC9V) KA350\n\u003c\/p\u003e\u003cp\u003ePower Consumption: 8 W\n\u003c\/p\u003e\u003cp\u003eDimensions (W x D x H): 500 x 300 x 85 mm \/ 19.69\" x 11.81\" x 3.35\"\n\u003c\/p\u003e\u003cp\u003eWeight: 2.8 kg \/ 6.17 lbs.\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58009236799833,"sku":"C1280240279","price":555.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/C1280240279.jpg?v=1778180607"},{"product_id":"roland-jd-xa","title":"Roland JD-XA Analog\/Digital Synthesizer 49 Keys","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eROLAND JD-XA ANALOG-DIGITAL SYNTHESIZER\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe\u003cb\u003e JD-XA, \u003c\/b\u003ea perfect combination of analog and digital, a new generation \u003cb\u003esynth\u003c\/b\u003e that harks back to Roland's past, its internal technology equipped with independent analog\/digital generators, provides a perfect amalgamation between the sounds and effects the machine generates, making the experience and creative process of your ideas more fluid.\u003c\/p\u003e\u003cp\u003eManage various waveforms through customizable knobs and buttons to recall presets quickly and practically. The analog filter section consists of 4 types of pole transistor ladder, and several filter modes including LPF\/HPF\/BPF. The OSC section includes Cross Mod, Ring Mod, and Osc Sync which can be used synchronously. The LFO frequency range varies from ultra slow to ultra fast. A digital section with SuperNatural synth sounds, compatible with \u003cb\u003eIntegra-7 \u003c\/b\u003elibraries on the Axial portal. A 16-track sequencer with an intuitive interface, 8 tracks for internal parts, 8 for external parts to create and manage loops quickly, and much more. Come and discover it at the most advantageous price ever in Rome.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"https:\/\/yourmusiconline.it\/it\/roland\"\u003eDiscover the Roland product catalog\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003ePowerful synth, with independent analog and digital generators\n\u003c\/p\u003e\u003cp\u003eDiscrete analog generator (Four parts), with 2 OSCs, filter, AMP, 4x ENVs (2 x Pitch, Filter, Amp), and 2 x LFO per voice, plus an Analog Dry output\n\u003c\/p\u003e\u003cp\u003eThe analog filter section includes 4 types of pole, transistor ladder, and various filter modes (LPF\/HPF\/BPF), for incredibly precise response\n\u003c\/p\u003e\u003cp\u003eThe OSC section includes Cross Mod, Ring Mod, and OSC Sync, all usable simultaneously\n\u003c\/p\u003e\u003cp\u003eThe LFO frequency range can vary from ultra slow to ultra fast\n\u003c\/p\u003e\u003cp\u003eIncredibly fast attack\n\u003c\/p\u003e\u003cp\u003eDigital section with SuperNATURAL synth sounds (4 parts and 64 voices), compatible with INTEGRA-7 libraries available on the Axial portal\n\u003c\/p\u003e\u003cp\u003eDigital parts can also be routed to the analog filter, for warmer, livelier sounds\n\u003c\/p\u003e\u003cp\u003eEffects section with MFX for each part plus 5 system effects (Reverb, TFX1, TFX2, Delay, and Master EQ)\n\u003c\/p\u003e\u003cp\u003eFlexible routing possibilities, for maximum creativity\n\u003c\/p\u003e\u003cp\u003eSuper intuitive 16-track sequencer (8 tracks for internal parts, 8 for external parts) to create songs and loops extremely quickly!\n\u003c\/p\u003e\u003cp\u003eIntegrated USB, MIDI and CV\/GATE interfaces and flexible MIDI control make the JD-XA the ideal tool for production or live performance\n\u003c\/p\u003e\u003cp\u003eMic input to modulate synth sound through voice and use the vocoder\n\u003c\/p\u003e\u003cp\u003eMany knobs, sliders, and backlit controls for real-time sound creation\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":58010111934809,"sku":"JDXA","price":1690.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/JDXA.jpg?v=1778190602"},{"product_id":"roland-jd-xi","title":"Roland JD-Xi","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eROLAND JD-XI SYNTHESIZER 37 MINI-KEYS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWhen they say \"small but mighty\", the \u003cb\u003eJD-XI\u003c\/b\u003e is small in size but big in performance, also equipped with a \u003cb\u003evocoder\u003c\/b\u003e with interesting vocal effects. It stands out with rich, smooth basses and captivating, extremely versatile \u003cb\u003elead\u003c\/b\u003e sounds, practical controls that allow real-time management of different work sets, including brass, pads, and strings, and much more. The ability to create loops with the original built-in drum kits. The gooseneck microphone with integrated vocoder and autopitch will allow you to manage the different vocal modes available. With the dual digital \u003cb\u003esynth\u003c\/b\u003e section with \u003cb\u003eSuperNatural\u003c\/b\u003e sounds, the sonic universes to explore are manifold with 128 notes of total polyphony, a 4-track pattern \u003cb\u003esequencer\u003c\/b\u003e, and a high-quality rhythmic section, 4 integrated Delay and Reverb effects. Come and try it at the best price ever in Rome.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"https:\/\/yourmusiconline.it\/it\/roland\"\u003eDiscover the Roland product catalog\u003c\/a\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eInteractive crossover synth, analog and digital\n\u003c\/p\u003e\u003cp\u003eThe analog section offers impressive lead and bass sounds\n\u003c\/p\u003e\u003cp\u003eDual digital synth section with SuperNATURAL synth sounds and 128 notes of total polyphony\n\u003c\/p\u003e\u003cp\u003eFour-track pattern sequencer and high-quality rhythmic sounds\n\u003c\/p\u003e\u003cp\u003eGooseneck microphone included, with Vocoder and AutoPitch\n\u003c\/p\u003e\u003cp\u003eFour integrated effects (Effect 1\/2, Delay, Reverb)\n\u003c\/p\u003e\u003cp\u003eUSB audio\/MIDI for communication with music software\n\u003c\/p\u003e\u003cp\u003eLarge section of ready-to-use sounds and patterns\n\u003c\/p\u003e\u003cp\u003eAdditional sounds and patterns available for download on the Axial website\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":58010113212761,"sku":"JDXI","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/JDXI.jpg?v=1778190611"},{"product_id":"roland-system-1-aira","title":"Roland System 1 (Aira)","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eRoland System 1 (Aira)\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIn the 70s, Roland launched the SYSTEM 100, SYSTEM 100M, and the legendary SYSTEM 700. These modular and semi-modular synthesizers have lasted to this day thanks to their flexibility and specific sound. Inspired by its predecessors, SYSTEM-1 offers maximum flexibility and accessibility and a wide range of sounds, with the unmistakable character that has defined the sound of Roland synthesizers for the past 40 years. Technical Features4 oscillators for maximum powerOscillator controls allow continuous waveform changes Fully controllable parameters with physical knobs and faders with LED indicators Arpeggiator with Scatter function Scatter control with 10 different variations and 10 intensity levels -12 dB and -24 dB filters with independent high-pass filter control Tone knob for easy balancing Crusher knob for modern sounds Integrated Delay and Reverb Sync Tempo for LFO and delay Innovative, slim keyboard with 25 normal-sized keys Simple to control and compact synth\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eMaximum Polyphony\u003c\/p\u003e\u003cp\u003e4 voiceLFOWaveform (SINE, TRIANGLE, SAW, SQUARE, Sample\u0026amp;Hold, Random)\n\u003c\/p\u003e\u003cp\u003eFade Time\n\u003c\/p\u003e\u003cp\u003eRate\n\u003c\/p\u003e\u003cp\u003ePitch Modulation Level\n\u003c\/p\u003e\u003cp\u003eFilter Modulation Level\n\u003c\/p\u003e\u003cp\u003eAmplifier Modulation LevelOscilatorWave Form (SAW, SQUARE, TRIANGLE, SAW 2, SQUARE 2, TRIANGLE 2, NOISE SAW, LOGIC OPERATION, FM, FM+SYNC, VOWEL, CB)\n\u003c\/p\u003e\u003cp\u003eSub Oscillator (-1 Oct, -2 Oct)\n\u003c\/p\u003e\u003cp\u003eNoise Oscillator (White Noise, Pink Noise)\n\u003c\/p\u003e\u003cp\u003eRange (64, 32, 16, 8, 4, 2)\n\u003c\/p\u003e\u003cp\u003eColor\n\u003c\/p\u003e\u003cp\u003eFine Tune\n\u003c\/p\u003e\u003cp\u003eCoarse Tune\n\u003c\/p\u003e\u003cp\u003eOscillator Sync\n\u003c\/p\u003e\u003cp\u003eCross Modulator\n\u003c\/p\u003e\u003cp\u003eRing Modulator\n\u003c\/p\u003e\u003cp\u003eModulation Source (MANUAL, LFO, P. ENV, F. ENV, A. ENV, SUB OSC)\n\u003c\/p\u003e\u003cp\u003eEnvelope Attack Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Decay Time\n\u003c\/p\u003e\u003cp\u003eEnvelope DepthMixerOSC 1\n\u003c\/p\u003e\u003cp\u003eOSC 2\n\u003c\/p\u003e\u003cp\u003eSUB OSC\n\u003c\/p\u003e\u003cp\u003eNOISEFilterLPF Type (-12 dB, -24 dB)\n\u003c\/p\u003e\u003cp\u003eLPF Cutoff\n\u003c\/p\u003e\u003cp\u003eResonance\n\u003c\/p\u003e\u003cp\u003eHPF Cutoff\n\u003c\/p\u003e\u003cp\u003eEnvelope Attack Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Decay Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Sustain Level\n\u003c\/p\u003e\u003cp\u003eEnvelope Release Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Depth\n\u003c\/p\u003e\u003cp\u003eKey FollowAmplifierEnvelope Attack Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Decay Time\n\u003c\/p\u003e\u003cp\u003eEnvelope Sustain Level\n\u003c\/p\u003e\u003cp\u003eEnvelope Release TimeEffectTone\n\u003c\/p\u003e\u003cp\u003eCrusher\n\u003c\/p\u003e\u003cp\u003eReverb\n\u003c\/p\u003e\u003cp\u003eDelay\n\u003c\/p\u003e\u003cp\u003eDelay TimeArpeggioArpeggio Switch\n\u003c\/p\u003e\u003cp\u003eArpeggio Type (1 Oct Up, 1 Oct U+D, 1 Oct Down, 2 Oct Down, 2 Oct U+D, 2 Oct Up)\n\u003c\/p\u003e\u003cp\u003eArpeggio Step (1\/4, 1\/8, 1\/16, 1\/4T, 1\/8T, 1\/16T)ScatterType (1–10)\n\u003c\/p\u003e\u003cp\u003eDepth (1–10)Tune430–450 HzControllerVolume\n\u003c\/p\u003e\u003cp\u003ePortamento\n\u003c\/p\u003e\u003cp\u003eLegato switch\n\u003c\/p\u003e\u003cp\u003eBend Range\n\u003c\/p\u003e\u003cp\u003eTempo Sync switch\n\u003c\/p\u003e\u003cp\u003eLFO Key Trigger switch\n\u003c\/p\u003e\u003cp\u003eKey Assign Mode switch\n\u003c\/p\u003e\u003cp\u003eKey Hold switch\n\u003c\/p\u003e\u003cp\u003eOctave (-3, -2, -1, 0, 1, 2, 3)Sampling Frequency44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHzPatches per bank64 patches\n\u003c\/p\u003e\u003cp\u003e*User can make new user banks.Plugin-FormatsVSTi 2.4 (64 bits) * Windows only\n\u003c\/p\u003e\u003cp\u003eVSTi 3.6 (64 bits)\n\u003c\/p\u003e\u003cp\u003eAU\n\u003c\/p\u003e\u003cp\u003eAAXSYSTEM REQUIREMENTS (MACOS™)Operating SystemmacOS 10.14\n\u003c\/p\u003e\u003cp\u003emacOS 10.15\n\u003c\/p\u003e\u003cp\u003emacOS 11Host ApplicationVST instruments (VSTi) version: VST 3.6 compatible\n\u003c\/p\u003e\u003cp\u003eAudio Units (AU) version: Audio Units V2 compatible\n\u003c\/p\u003e\u003cp\u003eAAX compatibleCPUIntel® Core™ i5 or better\n\u003c\/p\u003e\u003cp\u003eApple M1 chipRAM4 GB or moreHard Disk100 MB or moreDisplay resolution and Colors1280 x 800 dots or higher, 16.7 million colors or moreOtherYou'll need Internet connectivity to authenticate this software.\n\u003c\/p\u003e\u003cp\u003eThe SYSTEM-1 driver must be installed on your computer to connect this software to the SYSTEM-1.SYSTEM REQUIREMENTS (WINDOWS®)Operating SystemMicrosoft® Windows® 8.1 (64-bit)\n\u003c\/p\u003e\u003cp\u003eMicrosoft® Windows® 10 (64-bit)\n\u003c\/p\u003e\u003cp\u003e*This does not work with the Windows® RT.\n\u003c\/p\u003e\u003cp\u003e*This does not work with the Windows® Phone.\n\u003c\/p\u003e\u003cp\u003e*This does not work on the virtual machines such as Hyper-V, Virtual PC, or Boot Camp.Host ApplicationVST instruments (VSTi) version: VST 2.4\/3.6 compatible\n\u003c\/p\u003e\u003cp\u003eAAX compatibleCPUIntel® Core™ i5 or betterRAM2 GB or moreHard Disk100 MB or moreDisplay resolution and Colors1280 x 800 dots or higher, 24 bits Full Color or more\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":58010387677529,"sku":"SYSTEM1","price":175.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/SYSTEM1.jpg?v=1778203477"},{"product_id":"roland-system-8","title":"Roland System-8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eRoland System 8\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePowerful and deep, the SYSTEM-8 provides a vast palette of sounds inspired by over forty years of legendary Roland synths. Its newly developed Analog Circuit Behavior (ACB) sound engine powers an eight-voice, three-oscillator beast, with stunning filters and effects, highly versatile LFOs, and a massive array of high-resolution knobs and sliders to control everything. Support for three PLUG-OUT synthesizers means the SYSTEM-8 can host faithful reproductions of numerous Roland classics, and the JUPITER-8 and JUNO-106 PLUG-OUTs are included with purchase (*). Create splits and layers of different synths for sounds never heard before, and leverage the built-in vocoder, arpeggiator, CV\/Gate outputs, and advanced polyphonic step sequencer to fuel endless creative explorations.* The JUNO-106 is scheduled for release in 2017.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard: 49 keys (with velocity)\n\u003c\/p\u003e\u003cp\u003eSound Generator Section: Models - SYSTEM-8, PLUG-OUT1, PLUG-OUT2, PLUG-OUT3\n\u003c\/p\u003e\u003cp\u003eMaximum Polyphony: 8 voices (MODEL: SYSTEM-8) (MODEL: PLUG-OUT1, 2 depending on PLUG-OUT software)\n\u003c\/p\u003e\u003cp\u003eUser Memory:\n\u003c\/p\u003e\u003cp\u003ePatch: 64 (8 memories x 8 banks, per model)\n\u003c\/p\u003e\u003cp\u003ePerformance: 64 (8 memories x 8 banks)\n\u003c\/p\u003e\u003cp\u003eStructure Elements: MODEL: SYSTEM-8 (MODEL: PLUG-OUT 1, 2 and 3 depending on PLUG-OUT software)\n\u003c\/p\u003e\u003cp\u003eLFO Section:\n\u003c\/p\u003e\u003cp\u003eVariation: 1 (Single LFO), 2 (Dual LFO), 3 (Pulse Resonanced LFO)\n\u003c\/p\u003e\u003cp\u003eWaveform: : SINE, TRIANGLE, SAW, SQUARE, Sample \u0026amp; Hold, Random, : 6 types, : 6 types\n\u003c\/p\u003e\u003cp\u003eKnobs: FADE TIME, RATE, PITCH, FILTER, AMP\n\u003c\/p\u003e\u003cp\u003eControllers: KEY TRIGGER, TRIGGER ENVELOPE\n\u003c\/p\u003e\u003cp\u003eOscillator 1 Section:\n\u003c\/p\u003e\u003cp\u003eVariation: 1, 2\n\u003c\/p\u003e\u003cp\u003eWaveform: : SAW, SQUARE, TRIANGLE, SAW2, SQUARE2, TRIANGLE2: 6 types\n\u003c\/p\u003e\u003cp\u003eModulation: CROSS Modulator\n\u003c\/p\u003e\u003cp\u003eOscillator 2 Section:\n\u003c\/p\u003e\u003cp\u003eVariation: 1, 2\n\u003c\/p\u003e\u003cp\u003eWaveform: SAW, SQUARE, TRIANGLE, SAW2, SQUARE2: 6 types\n\u003c\/p\u003e\u003cp\u003eKnobs: COLOR, MODULATION Source (MANUAL, LFO, P.ENV, F.ENV, A.ENV, OSC 3), OCTAVE (64, 32, 16, 8, 4, 2), COARSE TUNE, FINE TUNE\n\u003c\/p\u003e\u003cp\u003eModulation: RING Modulator, Oscillator SYNC\n\u003c\/p\u003e\u003cp\u003eOscillator 3\/Sub oscillator Section:\n\u003c\/p\u003e\u003cp\u003eWaveform: Sine (-2 octaves), SINE (-1 octave), SINE, TRIANGLE¤TRIANGLE (-1 octave) ¤TRIANGLE (-2 octaves)\n\u003c\/p\u003e\u003cp\u003eKnobs: COLOR, TUNE\n\u003c\/p\u003e\u003cp\u003eMixer Section:\n\u003c\/p\u003e\u003cp\u003eLevel: OSC 1, OSC 2, OSC 3\/SUB OSC, NOISE\n\u003c\/p\u003e\u003cp\u003eNoise: WHITE Noise\/PINK Noise\n\u003c\/p\u003e\u003cp\u003ePitch Section:\n\u003c\/p\u003e\u003cp\u003eKnob: ENVELOPE Depth\n\u003c\/p\u003e\u003cp\u003eEnvelope: ATTACK Time, DECAY Time\n\u003c\/p\u003e\u003cp\u003eStep Sequencer:\n\u003c\/p\u003e\u003cp\u003eTrack: 1 per patch (Step pattern saved as patch)\n\u003c\/p\u003e\u003cp\u003eStep: 1-64 steps\n\u003c\/p\u003e\u003cp\u003eRecording Method: Step recording, real-time recording\n\u003c\/p\u003e\u003cp\u003eControllers: SCALE, PLAY MODE, GATE, SHUFFLE, FIRST STEP, LAST STEP\n\u003c\/p\u003e\u003cp\u003eOthers: VOLUME, INPUT volume, ARPEGGIO, CHORD MEMORY, VOCODER, KEYHOLD, VELOCITY OFF, TRANSPOSE, OCTAVE\n\u003c\/p\u003e\u003cp\u003eControllers: Pitch bend and modulation, BEND SENS PITCH, BEND SENS FILTER, MOD SENS PITCH, MOD SENS FILTER\n\u003c\/p\u003e\u003cp\u003eDisplay: 16 characters 2 line LCD\n\u003c\/p\u003e\u003cp\u003eExternal Memory: SD card (SDHC supported) for backup\/restore function\n\u003c\/p\u003e\u003cp\u003eConnectors:\n\u003c\/p\u003e\u003cp\u003ePHONES: Stereo 1\/4 inch\n\u003c\/p\u003e\u003cp\u003eOUTPUT (L\/MONO, R) jacks: 1\/4-inch TRS\n\u003c\/p\u003e\u003cp\u003eINPUT (L\/MONO, R) jacks: 1\/4-inch phone\n\u003c\/p\u003e\u003cp\u003eCV\/GATE OUTPUT jack: Mini phone (CV: This jack supports OCT\/V (Hz\/V is not supported). GATE: +10 V output jack.)\n\u003c\/p\u003e\u003cp\u003eTRIGGER IN jack: Mini phone\n\u003c\/p\u003e\u003cp\u003ePEDAL (HOLD, CONTROL) jacks: 1\/4 inch phone\n\u003c\/p\u003e\u003cp\u003eMIDI connectors (IN, OUT)\n\u003c\/p\u003e\u003cp\u003eUSB port: USB type B (Audio\/MIDI)\n\u003c\/p\u003e\u003cp\u003eDC IN jack\n\u003c\/p\u003e\u003cp\u003ePower Supply: AC Adapter\n\u003c\/p\u003e\u003cp\u003eCurrent Draw: 2 A\n\u003c\/p\u003e\u003cp\u003eDimensions: 881 (W) x 364 (D) x 109 (H) mm - 34-11\/16 (W) x 14-3\/8 (D) x 4-5\/16 (H) inches\n\u003c\/p\u003e\u003cp\u003eWeight: 5.9 kg (13 lbs)\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":58010388300121,"sku":"SYSTEM8","price":1690.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/SYSTEM8.jpg?v=1778203494"},{"product_id":"wavestate-mkii-c1280240169","title":"Korg WAVESTATE MKII","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG wavestate mk II\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt; \u0026lt;\/strong\u0026gt;represents the evolution of the popular \u0026lt;strong\u0026gt;wavestate\u0026lt;\/strong\u0026gt; digital synthesizer based on legendary \u0026lt;strong\u0026gt;vector synthesis\u0026lt;\/strong\u0026gt;, with\u0026lt;strong\u0026gt; 96\u0026lt;\/strong\u0026gt; stereo voices of polyphony that combines\u0026lt;strong\u0026gt; Wavesequencing 2.0, Wavetable, Sample Player\u0026lt;\/strong\u0026gt; with an internal sample library of several GBs and \u0026lt;strong\u0026gt;4 GB\u0026lt;\/strong\u0026gt; of additional memory for loading your own samples via USB using the free \u0026lt;strong\u0026gt;Sample Builder\u0026lt;\/strong\u0026gt; software. Multi-timbral with \u0026lt;strong\u0026gt;4 independent Layers\u0026lt;\/strong\u0026gt;, multimode filters, and extensive modulation capabilities, it uses \u0026lt;strong\u0026gt;Smooth Sound Transition\u0026lt;\/strong\u0026gt; technology for seamless sound switching.\u0026lt;\/h1\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II Highlights\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sound Engine\u0026lt;\/strong\u0026gt;: Wave Sequencing 2.0\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;96 stereo voices of polyphony\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Extensive modulation possibilities controllable in every detail\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Several \u0026lt;strong\u0026gt;GB\u0026lt;\/strong\u0026gt; of factory samples\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Various physical modeling filter emulations, including: MS-20 and Polysix\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Up to 4GB of audio samples can be loaded with the Sample Builder Software\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;4 Layers with vector control (selectable Wavestation-style xfader)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;14 simultaneous effects\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Set List and seamless sound transitions\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Free Editor Librarian Software for PC and Mac, for managing Programs, Performances, and Synth parameters.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Random Timbral Generation\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Performance Hold: sustains notes or chords indefinitely, allowing hands-free interaction with editing and modulation parameters.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Attractive design: 37 full-size keys.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Designed by Korg R\u0026amp;amp;D in California\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;New sounds for the wavestate series\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;All \u0026lt;strong\u0026gt;246 Performances\u0026lt;\/strong\u0026gt; in the internal library have been updated. \u0026lt;strong\u0026gt;485 Programs\u0026lt;\/strong\u0026gt; out of a total of 756 have been updated, and \u0026lt;strong\u0026gt;15 new Performances and 43 new Programs\u0026lt;\/strong\u0026gt; have also been introduced. The timbral update applies to both wavestate mk II and wavestate SE\/SE Platinum. The new sounds can also be loaded onto the original wavestate.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;Note: The polyphony increase provided by the new hardware of the wavestate series is not available on the original wavestate\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The structure of wavestate mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; is a \u0026lt;strong\u0026gt;4-part multi-timbral\u0026lt;\/strong\u0026gt; synth (called Layers) that can also be managed via separate MIDI channels, assignable to different keyboard ranges in \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; and\/or \u0026lt;strong\u0026gt;Layer\u0026lt;\/strong\u0026gt; mode. Each Layer has an independent processing chain, with a multimode filter, envelopes, modulations, effects, and a dedicated \u0026lt;strong\u0026gt;arpeggiator\u0026lt;\/strong\u0026gt;. \u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; is based on the advanced \u0026lt;strong\u0026gt;WaveSequencing 2.0\u0026lt;\/strong\u0026gt; synthesis system, characterized by evolving and atmospheric sounds, capable of stimulating and satisfying the timbral needs of new generations of musicians, producers, and composers. Thanks to this technology's ability to separate, process, and modulate parameters such as tempo, sample sequence, and frequency (Pitch) independently, this advanced synthesizer can generate cinematic, natural, and remarkably innovative timbres. \u0026lt;strong\u0026gt;Korg Wavestate mk II\u0026lt;\/strong\u0026gt; is far beyond a nostalgic re-edition of the original \u0026lt;strong\u0026gt;Wavestation\u0026lt;\/strong\u0026gt;; it is a completely new project inspired by sound sources like modular synths, groove boxes, and algorithmic generators.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Wave Sequencing 2.0\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Wave sequencing\u0026lt;\/strong\u0026gt; was originally introduced by \u0026lt;strong\u0026gt;KORG\u0026lt;\/strong\u0026gt; in the legendary original \u0026lt;strong\u0026gt;Wavestation\u0026lt;\/strong\u0026gt;, a synthesis system that allowed for the sequential repetition of a definable series of samples, producing constantly moving, evolving, highly evocative, and interesting sounds. The new 2.0 technology overcomes some limitations of the technology of that era, such as the repetitiveness of wavesequences. It can separate parameters such as tempo speed, sample sequence, and pitch, allowing them to be treated independently. Each of these elements develops over time through its respective \"Lane,\" represented on the display as an editing track with parameters such as the number of steps, start, end, and loop points. Each time a sequence is played, the various \"Lanes\" combine to generate the output sound. For example, a sample can be associated with different values for duration, pitch, shape, gate, and step each time it is played. The start, end, and loop points of each Lane can be modulated by sources such as velocity, LFOs, envelopes, Mod knobs, or other controls. Every note in a chord can be played differently! It is also possible to randomize the order of the Steps in each Lane during playback, with the ability to adjust their Range in real-time. Finally, each step can be randomly excluded from execution by adjusting the \"probability\" parameter from 0 to 100%. The result is a natural and evolving sound that responds to your controls. The four arpeggiators of the instrument can also interact with the Wave Sequences, further expanding the timbral possibilities of this digital synthesizer.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II expression and articulation.\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Wavestate mk II\u0026lt;\/strong\u0026gt; features numerous physical controls, a true invitation to timbral exploration. All filters, envelopes, LFOs, and effects are at your fingertips and can be modified via the well-arranged controls on the panel. 8 \"Mod\" knobs are pre-assigned to get the best out of the selected sound, but it is of course possible to configure them according to your needs to control the necessary parameters. All movements on the knobs, even during live performances, can be stored and saved as new sounds. The control set is completed by the Pitch Bend and Modulation wheels, to which the Vector Joystick is added, ensuring multi-dimensional expression at all times during your performance. For those who want to delve even deeper, all physical controls, as well as most of the parameters visible on the screen, are modulatable; it is even possible to modulate the settings of each step of the Wave Sequence. The Mod Processors allow you to vary the modulation sources by intervening on quantization, intensity, curve, and many other parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Inspiration through Timbral Randomization.\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;For those interested in easy timbral research or quick inspiration from \u0026lt;strong\u0026gt;Wavestate MkII\u0026lt;\/strong\u0026gt;, by simply pressing a button on the front panel marked with the \"\u0026lt;strong\u0026gt;dice\u0026lt;\/strong\u0026gt;\" icon, it is possible to immediately generate new timbres using intelligent randomization algorithms. This way, you can generate a complete sound or just a part of it, such as the filter, the Sample Lane, or the effects. The results of this automatic processing can be used directly or as a starting point for further processing.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The DSP effects of Wavestate mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Wavestate mkII\u0026lt;\/strong\u0026gt; features effects that deliver studio-quality sound. Each Layer has 3 dedicated effect slots, in addition to a Master Reverb and parametric EQ for the Performance. You can select desired effects from a wide list that includes more traditional processors such as compressors, equalizers, phasers, stereo delays, or more distinctive ones such as Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, Overb (derived from \u0026lt;strong\u0026gt;KRONOS\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;NAUTILUS\u0026lt;\/strong\u0026gt; workstations), VOX amp simulators, VOX wah, multi-head tape echo, and a collection of the most well-known and used guitar pedals.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Choose your favorite filter with wavestate mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; features a remarkably powerful and versatile multimode filter that allows, for example, to process sound by adding character thanks to the emulation of the \u0026lt;strong\u0026gt;Lowpass\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Highpass\u0026lt;\/strong\u0026gt; filters of the iconic \u0026lt;strong\u0026gt;Vintage KORG MS-20\u0026lt;\/strong\u0026gt; monophonic synth, or by using the characteristic soft and warm low-pass modeled after that of the \u0026lt;strong\u0026gt;PolySix\u0026lt;\/strong\u0026gt;, another historic KORG instrument. Other 2- and 4-pole resonant Lowpass, Highpass, Bandpass, and Notch filter modes are also available; combined with the particular KORG Multi Filter which allows simultaneous and modulatable interaction between different filter types.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Extensive Wavetable 96 stereo voices of polyphony.\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The sample library of KORG \u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; is composed of several Gigabytes of samples, an unimaginable quantity compared to that of the original Wavestation. This library feeds the Wave Sequences, which include sample banks produced by Plugin Guru, a new collection of samples specifically created by Korg itself, and samples extracted directly from the KRONOS and NAUTILUS libraries. As per tradition, \u0026lt;strong\u0026gt;Korg wavestate mk II\u0026lt;\/strong\u0026gt; includes all the samples from the original Wavestation, including optional ones, and a vast collection of Wave Sequences. This material forms the foundation on which the entire sound experience of this instrument is based, capable of delivering up to 64 voices of Stereo polyphony with a proprietary KORG-developed sample playback technology free of \u0026lt;em\u0026gt;aliasing\u0026lt;\/em\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;4GB of User Samples\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;On \u0026lt;strong\u0026gt;Korg wavestate mk II\u0026lt;\/strong\u0026gt; it is possible to import up to 4GB of our favorite Samples using the free App for Mac and Windows: \u0026lt;strong\u0026gt;Sample Builder;\u0026lt;\/strong\u0026gt; many third-party libraries are also available; new samples are loaded via USB and can be used in Wave Sequences or as Multisamples just like the factory ones.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II a synth multiplied by 4\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; allows for particularly rich and complex sounds by layering up to 4 different \u0026lt;strong\u0026gt;Programs\u0026lt;\/strong\u0026gt; within a \u0026lt;strong\u0026gt;Performance\u0026lt;\/strong\u0026gt;; it is also possible to control them individually on 4 different MIDI channels. Each of the 4 Layers has an independent processing chain with: filter, envelopes, LFOs, effects, and an arpeggiator. The envelope and vector joystick can mix the Programs (individual voices) of the 4 Layers and also modulate additional parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Set List and seamless sound transitions\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Set Lists allow you to organize the succession of Performances on the \u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; according to your needs, for immediate access during live shows or rehearsals. Smooth Sound Transition technology enables natural and seamless transitions, including effects, between sound resources, for smooth performances without annoying blackouts.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II \u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;integration into any setup\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; features an advanced and professional connection system such as balanced stereo outputs that allow connection to any recording or listening system; a stereo headphone output for playing or programming without external interference. The MIDI (DIN) ports ensure integration into traditional MIDI setups, while the Class-Compliant USB \"B\" port transmits and receives MIDI data, allowing connection to Windows\/Mac computers and ensuring interfacing with the free Librarian Software downloadable from the KORG website.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Editor\/Librarian of\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt; wavestate mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;This software acts as a second remote front panel for \u0026lt;strong\u0026gt;wavestate mk II,\u0026lt;\/strong\u0026gt; providing immediate feedback on any changes made to parameters and their values. It is possible to copy and paste sounds, envelopes, LFOs, filter setups, and delve deep into effect parameters to create your own Presets.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Designed at KORG R\u0026amp;amp;D's California Headquarters\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;KORG's California-based Research and Development department created the original Wavestation, participated in the development of OASYS and Kronos, and developed fundamental technologies used in numerous KORG instruments. wavestate reflects their aesthetic concept, generates exceptional sounds, and offers great versatility and flexibility thanks to the modern technology employed. Three of the original Wavestation sound designers, John Bowen, John \"Skippy\" Lehmkuhl (Plugin Guru), and Peter \"Ski\" Schwartz, joined Belgian artist Airwave and KORG's renowned \"voicing team\" to bring to life the incredible sound library of \u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Musical Software in Bundle with\u0026amp;nbsp;WAVESTATE\u0026amp;nbsp;mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate mk II\u0026lt;\/strong\u0026gt; comes with a wide variety of music software from the well-known software company \u0026lt;strong\u0026gt;Izotope\u0026lt;\/strong\u0026gt;, including \"\u0026lt;strong\u0026gt;Ozone Elements\u0026lt;\/strong\u0026gt;\" which allows for the creation and processing of songs using AI algorithms, or the educational software \"\u0026lt;strong\u0026gt;Skoove\u0026lt;\/strong\u0026gt;\" which helps improve keyboard skills, and a selection of KORG software synthesizers.\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Technical Specifications KORG WAVESTATE\u0026amp;nbsp;mk II\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Keyboard: 37 keys sensitive to attack and release velocity\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Sound generation system: \u0026lt;strong\u0026gt;Wave Sequencing 2.0\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Maximum polyphony: \u0026lt;strong\u0026gt;96 stereo voices\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Included sounds: 240 Performances, 740 Programs, and 1000 Wave Sequences\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;User Presets: Tens of thousands of User Performances\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Editor Librarian and Sample Builder Software for PC and Mac\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Synthesis structure of Korg wavestate mk II:\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Performance:\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;4 Layers, Reverb, EQ; all saves are included in the Performance, DAW-style. Separate saves for Program, Wave Sequence are supported, but not mandatory.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Layer:\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;Program, Arpeggiator, Key and Velocity zones\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Program:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Filters:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Wavestate mk II Modulations\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Physical controls:\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;Mod Wheel, Pitch Wheel, Vector Joystick X\/Y, 8 Program\/Performance Mod knobs\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Other sources:\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;3 Envelopes, Vector Envelope, 3 LFOs, 2 Mod Processors, 2 Key Tracks, Step Sequencer Lane, Step Pulse, Tempo, Program\/Performance Note Count, Program\/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate\/Gate+Damper, Note-On Trigger\/Note-On Trigger+Damper, Note Number, Aftertouch\/Poly Aftertouch (from external MIDI keyboards only), MIDI CC +\/-, MIDI CC +.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Destinations:\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;Most parameters can be modulated, including those of individual Wave Sequence steps.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;Depending on the length of the Wave Sequence, up to 1000 modulation destinations can be reached per Program.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eKORG Wavestate Effects\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003ePre FX:\u003c\/strong\u003e\u0026nbsp;Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eMod FX:\u003c\/strong\u003e\u0026nbsp;Black Chorus\/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage\/Custom Wah, Vox Wah\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDelay:\u003c\/strong\u003e\u0026nbsp;L\/C\/R Delay, Multiband Mod Delay, Reverse Delay, Stereo\/Cross Delay, Tape Echo\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eReverb:\u003c\/strong\u003e\u0026nbsp;Early Reflections, Overb\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePerformance EQ:\u003c\/strong\u003e\u0026nbsp;4-band parametric EQ\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eKORG Wavestate mk II Connections\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u0026nbsp;\u0026frac14;\u0026rdquo; jack: L\/MONO and R balanced (TRS), headphone (stereo)\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003e\u0026frac14;\u0026rdquo; jack input for pedal:\u003c\/strong\u003e\u0026nbsp;DAMPER\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eMIDI connections\u003c\/strong\u003e: DIN IN \u0026amp; OUT and USB type B\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e: AC adapter (DC12V, 2500mA)\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 5 W\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDimensions and weight\u003c\/strong\u003e: 565\u0026times;338\u0026times;92 mm; 2.9Kg\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eIncluded in the package\u003c\/strong\u003e: AC power adapter (\u0026lt;strong\u0026gt;Korg KA-390\u0026lt;\/strong\u0026gt;)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cem\u003eAccessories (NOT included): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch\u003c\/em\u003e\u003c\/li\u003e\u003cli\u003e\u003cem\u003e* Product specifications and appearance are subject to change without prior notice.\u003c\/em\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58010493387097,"sku":"C1280240169","price":613.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_30-korg-wavestate-mkii-c1280240169_0.jpg?v=1778206473"},{"product_id":"wavestate-se-c1280240176","title":"Korg Wavestate SE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;b\u0026gt;wavestate SE\u0026lt;\/b\u0026gt;\u0026amp;nbsp;digital synth\u0026amp;nbsp;\u0026lt;strong\u0026gt;Made in Japan\u0026lt;\/strong\u0026gt; with\u0026amp;nbsp;\u0026lt;strong\u0026gt;61-note keyboard\u0026lt;\/strong\u0026gt; and\u0026amp;nbsp;\u0026lt;strong\u0026gt;aftertouch\u0026lt;\/strong\u0026gt;, uses a powerful\u0026amp;nbsp;generator\u0026amp;nbsp;with\u0026amp;nbsp;\u0026lt;strong\u0026gt;vector synthesis\u0026lt;\/strong\u0026gt;, with \u0026lt;strong\u0026gt;120 stereo voices of polyphony\u0026lt;\/strong\u0026gt; that combines: \u0026lt;strong\u0026gt;Wavesequencing\u0026amp;nbsp;2.0\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Wavetable\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Sample Player\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;with the ability to load your own samples via the free software\u0026amp;nbsp;\u0026lt;strong\u0026gt;Sample Builder.\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;It has a Multitimbral structure over\u0026amp;nbsp;\u0026lt;strong\u0026gt;4 independent Layers\u0026lt;\/strong\u0026gt;, multimode filters and extensive modulation possibilities. It uses\u0026amp;nbsp;\u0026lt;strong\u0026gt;Smooth Sound Transition\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;technology for seamless sound switching.\u0026lt;\/h1\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;b\u0026gt;wavestate SE\u0026lt;\/b\u0026gt;\u0026amp;nbsp;\u0026amp;egrave; is enclosed in an elegant and robust metal cabinet, ideal for live concerts and studio sessions; even the control panel knobs are metal and have the right tactile consistency, making their use much more precise. The instrument has a polyphony of \u0026lt;strong\u0026gt;120 stereo voices\u0026lt;\/strong\u0026gt;, almost double that of the original wavestation.\u0026amp;nbsp;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; comes with hundreds of updated sounds ready for aftertouch control. It is also fully compatible with sounds and samples from the original wavestate and for the native wavestate software, including many excellent third-party libraries.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;b\u0026gt;Highlights\u0026lt;\/b\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;61-note Natural Feel keyboard with \u0026lt;strong\u0026gt;Aftertouch\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Internal library with hundreds of updated sounds\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Robust and elegant metal construction suitable for touring\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Exclusive hard case included\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;High-quality Japanese production\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Wave Sequencing 2.0\u0026lt;\/strong\u0026gt; synthesis engine\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Extensive modulation possibilities controllable in every detail\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Library with several GB of factory samples\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Import up to \u0026lt;strong\u0026gt;4GB of User Samples\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Several physical modeling filter emulations, including: \u0026lt;strong\u0026gt;MS-20 and Polysix\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;120 Stereo Voice Polyphony\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;4 Layers\u0026lt;\/strong\u0026gt; with vector control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;14 simultaneous effects\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Set Lists\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Smooth Sound Transitions\u0026lt;\/strong\u0026gt;: seamless sound transitions\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Random timbre generation\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Free Editor\/Librarian and Sample Builder software for Mac and Windows\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Designed by Korg R\u0026amp;D in California\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Special crossgrade to native wavestate software\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;High-end 61-note keyboard with aftertouch on\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;b\u0026gt;wavestate SE\u0026lt;\/b\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; features a high-quality KORG 61-note \u0026lt;em\u0026gt;natural-touch\u0026lt;\/em\u0026gt; keyboard that offers the same tactile feel as KORG professional workstations. Aftertouch allows for refined fingertip control over wavestate's unique and evolving sounds. Of course, the performances in the internal sound library have been updated to be controlled by aftertouch, and many completely new ones have been added.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;High-quality metal and aluminum construction\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The elegant casing of \u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; is made entirely of metal, resulting in an elegant and robust instrument capable of withstanding the rigors of touring. The control panel is made of matte black aluminum, providing excellent aesthetic contrast with the polished black metal side panels; the metal-plated knobs add an additional professional touch to the instrument.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Exclusive hard case included with\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;b\u0026gt;wavestate SE\u0026lt;\/b\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; comes in an elegant dedicated hard case, which includes space for cables and a sustain pedal. This ensures the instrument is always protected, whether for rehearsals or a world tour.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;New sounds for the wavestate series\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;All \u0026lt;strong\u0026gt;246 Performances\u0026lt;\/strong\u0026gt; in the internal library have been updated. \u0026lt;strong\u0026gt;485 Programs\u0026lt;\/strong\u0026gt; out of a total of 756 have been updated, and \u0026lt;strong\u0026gt;15 new Performances and 43 new Programs\u0026lt;\/strong\u0026gt; have also been introduced. The timbre update applies to both wavestate mk II and wavestate SE\/Se Platinum. The new sounds can also be loaded onto the original wavestate.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;Note: The increase in polyphony due to the new hardware of the wavestate series is not available on the original wavestate.\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The structure of\u0026amp;nbsp;wavestate SE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; is a 4-part multitimbral synth (called Layers) that can also be managed via separate MIDI channels, assignable to different keyboard ranges in Split and\/or Layer mode. Each Layer has an independent processing chain, with a multimode filter, envelopes, modulations, effects, and a dedicated arpeggiator.\u0026amp;nbsp;wavestate SE is based on the advanced \u0026lt;strong\u0026gt;WaveSequencing 2.0\u0026lt;\/strong\u0026gt; synthesis system, characterized by evolving and atmospheric sounds, capable of stimulating and satisfying the timbral needs of new generations of musicians, producers, and composers.\u0026amp;nbsp;Thanks to this technology's ability to separate, process, and modulate parameters such as time speed, sample sequence, and pitch independently, this advanced synthesizer can generate cinematic, natural, and remarkably innovative timbres. Korg \u0026lt;strong\u0026gt;Wavestate\u0026amp;nbsp;SE\u0026lt;\/strong\u0026gt; is far beyond a nostalgic re-edition of the original Wavestation; it is a completely new project inspired by sound sources like modular synths, groove boxes, and algorithmic generators.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Wave Sequencing 2.0\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Wave sequencing was originally introduced by KORG in the legendary original Wavestation, a synthesis system that allowed for the sequential repetition of a definable series of samples, producing continuously moving, evolving, highly suggestive, and interesting sounds.\u0026amp;nbsp;The new 2.0 technology overcomes some limitations of the technology of that era, such as the repetitiveness of wave sequences. It can separate parameters like tempo speed, sample sequence, and their pitch so that they can be treated independently.\u0026amp;nbsp;Each of these elements develops over time through its respective \"Lane,\" represented on the display as an editing track with parameters such as: the number of steps, start, end, and loop points. Each time a sequence is played, the various \"Lanes\" combine to generate the output sound.\u0026amp;nbsp;For example, a sample can be associated with different values of duration, pitch, shape, gate, and step each time it is played. The start, end, and loop points of each Lane can be modulated by sources such as velocity, LFO, envelopes, Mod pots, or other controls.\u0026amp;nbsp;Every note in a chord can be played differently! On the Lanes, it is also possible to randomize the order of the Steps each time they are played, with the ability to intervene in real-time on their Range. And finally, each step can be randomly excluded from execution, by intervening with values from 0 to 100% on the \"probability\" parameter. The result is a natural and evolving sound that responds to your controls. The instrument's four arpeggiators can also interact with the Wave Sequences, further expanding the timbral possibilities of this digital synthesizer.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;wavestate SE expression and articulation.\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Wavestate\u0026amp;nbsp;SE\u0026lt;\/strong\u0026gt; has numerous physical controls, a true invitation to timbral exploration. All filters, envelopes, LFOs, and effects are at your fingertips and modifiable via the well-arranged controls on the panel. 8 \"Mod\" potentiometers are pre-assigned to get the best out of the selected sound, but they can, of course, be configured according to your needs, to control the necessary parameters.\u0026amp;nbsp;All movements on the potentiometers, even during live performances, can be memorized and saved as new sounds. The control set is completed by the Pitch Bend and Modulation wheels, to which the Vector Joystick is added, to ensure multi-dimensional expression at every moment of your performance.\u0026amp;nbsp;For those who want to go even deeper, all physical controls, as well as a good part of the parameters viewable on the screen, are modulable; it is even possible to modulate the settings of each Step of the Wave Sequence. The Mod Processors allow you to vary the modulation sources by intervening on quantization, intensity, curve, and many other parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Inspiration through Timbral Randomization.\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;For those interested in easy timbre searching or quickly drawing inspiration from \u0026lt;strong\u0026gt;Wavestate SE\u0026lt;\/strong\u0026gt;, simply by pressing a button on the front panel marked with the \"dice\" icon, new timbres can be instantly generated using intelligent randomization algorithms. This way, a finished sound or only part of it can be generated, such as the filter, the Sample Lane, or the effects. The results of this automatic processing can be used directly or as a starting point for further processing.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The DSP effects of\u0026amp;nbsp;Wavestate\u0026amp;nbsp;SE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Wavestate SE possesses effects that allow for studio-quality sounds. Each Layer has 3 dedicated effect slots, in addition to the Performance with a Master Reverb and a parametric EQ. Desired effects can be called up from a wide list that includes more traditional processors such as: compressors, equalizers, phasers, stereo delays, or those with a more distinctive character such as: \u0026lt;strong\u0026gt;Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, Overb\u0026lt;\/strong\u0026gt; (derived from KRONOS and NAUTILUS workstations), VOX amp simulators, VOX wah, multi-head tape echo, and a collection of the most well-known and used guitar pedals.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Choose your favorite filter with wavestate SE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; features a remarkably powerful and versatile multimode filter that, for example, allows you to process sound by adding character through the emulation of the Lowpass and Highpass filters of the iconic \u0026lt;strong\u0026gt;Vintage KORG MS-20\u0026lt;\/strong\u0026gt; monophonic synth, or by using the characteristic soft and warm lowpass modeled after that of the \u0026lt;strong\u0026gt;PolySix\u0026lt;\/strong\u0026gt;, another historic KORG instrument. Other filter modes are also available: 2 and 4-pole resonant Lowpass, Highpass, Bandpass, and Notch; combined with the special KORG Multi Filter which allows simultaneous and modulable interaction between different filter types.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Large Wavetable 96 stereo voices of polyphony\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The KORG wavestate SE sample library consists of several Gigabytes of samples, an unimaginable quantity compared to that of the original Wavestation. This library feeds the Wave Sequences, which include sample banks produced by Plugin Guru, a new collection of samples specially created by Korg itself, and samples extracted directly from the KRONOS and NAUTILUS libraries. As per Korg tradition, wavestate SE includes all the samples from the original Wavestation, including optional ones, and a vast collection of Wave Sequences. This material forms the foundation on which the entire sound experience of this instrument is based, capable of delivering up to 64 stereo voices of polyphony with a proprietary KORG developed aliasing-free sample playback technology.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;4GB of User Samples\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;On \u0026lt;strong\u0026gt;Korg wavestate SE\u0026lt;\/strong\u0026gt;, you can import up to \u0026lt;strong\u0026gt;4GB of your favorite Samples\u0026lt;\/strong\u0026gt; using the free app for Mac and Windows: \u0026lt;strong\u0026gt;Sample Builder\u0026lt;\/strong\u0026gt;; many third-party libraries are also available; new samples are loaded via USB and can be used in Wave Sequences or as Multisamples just like the factory ones.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate SE a synth multiplied by 4\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; allows you to create particularly rich and complex sounds by layering up to 4 different Programs within a Performance; it is also possible to control them individually on 4 different MIDI channels. Each of the 4 Layers has an independent processing chain with: filter, envelopes, LFOs, effects, and an arpeggiator. The envelope and the vector joystick can mix the Programs (individual voices) of the 4 Layers and also modulate additional parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Set List and seamless sound transitions\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Set Lists allow you to organize the succession of Performances on the wavestate SE according to your needs, for immediate access during Live performances or rehearsals. \u0026lt;strong\u0026gt;Smooth Sound Transition\u0026lt;\/strong\u0026gt; technology enables natural and seamless transitions between sound resources, including effects, for smooth performances \u0026lt;strong\u0026gt;without\u0026lt;\/strong\u0026gt; annoying \u0026lt;strong\u0026gt;blackouts\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;wavestate SE integration into any setup\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; features an advanced and professional connection system such as balanced stereo outputs that allow connection to any recording or listening system; a stereo headphone output for playing or programming without external interference. The MIDI (DIN) ports ensure integration into traditional MIDI setups, while the Class-Compliant USB \"B\" port transmits and receives MIDI data, allowing connection to Windows\/Mac computers and ensuring interfacing with the Librarian Software downloadable for free from the KORG website.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The wavestate SE Editor\/Librarian\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;This software acts as a second remote front panel for \u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt;, providing immediate feedback on any changes made to parameters and their values. You can copy and paste sounds, envelopes, LFOs, filter setups, and delve deep into effect parameters to create your own Presets.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Designed at KORG's California R\u0026amp;D headquarters\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;KORG's Research and Development department, based in California, created the original Wavestation, participated in the development of OASYS and Kronos, and developed fundamental technologies used in numerous KORG instruments. The wavestate reflects their aesthetic concept, generates exceptional sounds, and offers great versatility and flexibility thanks to the modern technology employed.\u0026lt;\/p\u0026gt;Three of the original Wavestation sound designers, John Bowen, John \u0026amp;ldquo;Skippy\u0026amp;rdquo; Lehmkuhl (Plugin Guru) and Peter \u0026amp;ldquo;Ski\u0026amp;rdquo; Schwartz have joined Belgian artist Airwave and KORG's renowned \u0026amp;ldquo;voicing team\u0026amp;rdquo; to create wavestate SE's incredible sound library.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Music Software Bundled with WAVESTATE SE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;wavestate SE\u0026lt;\/strong\u0026gt; comes with a wide variety of music software from the renowned software house \u0026lt;strong\u0026gt;Izotope\u0026lt;\/strong\u0026gt;, including \u0026amp;quot;\u0026lt;strong\u0026gt;Ozone Elements\u0026lt;\/strong\u0026gt;\u0026amp;quot; which allows for the creation and processing of songs using AI algorithms, or the educational software \u0026amp;quot;\u0026lt;strong\u0026gt;Skoove\u0026lt;\/strong\u0026gt;\u0026amp;quot; which helps improve keyboard skills, and a selection of KORG software synthesizers.\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Technical Specifications of wavestate SE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Keyboard:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;61 keys (Natural touch velocity-sensitive, release velocity with aftertouch)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sound Generation System:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Wave Sequencing 2.0\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Maximum Polyphony:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;120 stereo voices\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sounds:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;261 Performances, 799 Programs, 1,042 Wave Sequences, Memory locations for tens of thousands of User Performances\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Structure\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Performance\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 36pt;\"\u0026gt;4 Layers, Reverb, EQ;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 36pt;\"\u0026gt;All edits are stored in the Performance, DAW-style (saved as separate Programs, Wave Sequences, etc. supported but not required)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 36pt;\"\u0026gt;Layer Program, Arpeggiator, Key and Velocity Zones\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 36pt;\"\u0026gt;Program Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Filters:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Modulations\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Controls:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Mod Wheel, Pitch Wheel, Vector Joystick X\/Y, 8x Program\/Performance Mod Knobs\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Other Modulation Sources\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program\/Performance Note Count, Program\/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate\/Gate+Damper, Note-On Trigger\/Note-On Trigger+Damper, Note Number, Aftertouch\/Poly Aftertouch (external MIDI only), MIDI CCs +\/-, MIDI CCs +\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Destinations:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Most parameters can be modulated, including individual parameters of Wave Sequence Steps, depending on the length of the Wave Sequences there can be over 1,000 potential modulation destinations per Program.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Effects\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Pre FX:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Mod FX:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Black Chorus\/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage\/Custom Wah, Vox Wah\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Delay:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;L\/C\/R Delay, Multiband Mod Delay, Reverse Delay, Stereo\/Cross Delay, Tape Echo\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Reverb:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Early Reflections, Overb\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left:36.0pt;\"\u0026gt;\u0026lt;strong\u0026gt;Performance EQ:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;4-band parametric EQ\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Inputs\/Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Headphone (6.3 mm stereo jack)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;OUTPUT L\/MONO and R (Balanced with 6.3 mm TRS jack)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;DAMPER (6.3 mm jack)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;MIDI IN\/OUT connectors (DIN)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;USB B port\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Power Supply:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;AC adapter (DC12V, 2500mA)\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Power Consumption:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;5 W\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Dimensions (W x D x H):\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;1,014 x 344 x 110 mm\/39.92\u0026amp;rdquo; x 13.54\u0026amp;rdquo; x 4.33\u0026amp;rdquo;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Weight\u0026lt;\/strong\u0026gt;: 8.6 kg\/18.96 lb.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Included Accessories:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;AC adapter, Hard Case\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Optional Accessories:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;DS-1H damper pedal, PS-3 switch pedal\u0026lt;\/p\u0026gt;","brand":"KORG","offers":[{"title":"Default Title","offer_id":58010495811929,"sku":"C1280240176","price":1190.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_30-korg-wavestate-se-c1280240176_0.jpg?v=1778206506"},{"product_id":"roland-gaia-2-sintetizzatore","title":"Roland Gaia 2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eROLAND GAIA 2 SYNTHESIZER\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAdvanced synthesizer with wavetable and virtual analog generators, intuitive sound design workflow, expressive direct controls, Model Expansion support, and much more.\u003c\/p\u003e\u003cp\u003eGAIA 2 opens the door to an infinite universe of inspirational sound creations. Armed with a powerful hybrid sound engine that combines wavetable and virtual analog synthesis, you can quickly learn the basics before venturing into unexplored sonic territories. The intuitive panel layout logically expresses the synthesis workflow for fast sound design, while full-sized keys ensure exceptional playability when you're ready to perform. And with the sequencer and Motional Pad, it's easy to generate complex sounds and phrases rich in dynamic motion, for on-the-fly modifications. Discover the shape of sound with GAIA 2 and bring all your musical visions to life.\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eGAIA 2's newly developed sound engine provides you with an infinite universe of sonic exploration. Build familiar sounds inspired by iconic synthesizers of the past and present. Then, dive into phase and waveform modulation capabilities to create groundbreaking textures with complex harmonics that cannot be created by traditional analog synths. Want something more extreme? Just turn up the Drive knob in the multi-mode filter section for even more punch and power. Whatever you desire, from melodious timbres reminiscent of vintage synths to edgy and impactful leads for sci-fi soundscapes, GAIA 2 can do it all.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eComplementing the basic shapes we all know and love, GAIA 2's wavetable oscillator section uses multiple waveforms, and you can switch between them to create abrupt changes or slowly evolving textures. The addition of the wavetable oscillator introduces contrasting textures into the mix, leading to unpredictable and exciting results.\u003c\/p\u003e\u003cp\u003eGAIA 2 gives you the features to recreate the most famous analog synthesizers of all time, or to create completely new, never-before-heard voices. Dual virtual analog oscillators provide the building blocks for synthesis, allowing you to bring the classics of the past to life with absolute realism. Or, go in the opposite direction and sculpt the sounds of the future. Just imagine the sound you want and start tweaking to bring it to life.\u003c\/p\u003e\u003cp\u003eGAIA 2's logical workflow makes sound creation fast, simple, and fun. The one-knob-per-function panel allows for instant programming, without having to dive into menus that slow down creativity. And with the elegant knobs and white anodized aluminum panel, even the look will inspire you. Just wait until you see it shine under the stage lights!\u003c\/p\u003e\u003cp\u003ePositioned front and center, the informative display shows the outgoing audio waveform as well as the recorded movement path of the Motional Pad. At a glance, you'll instantly know what's happening even in the most complex sounds.\u003c\/p\u003e\u003cp\u003eGAIA 2 supports Roland Model Expansions, which faithfully recreate iconic synthesizers from our long history. Instantly switch from the built-in sound engine to classics like the SH-101,* JUPITER-8, or JUNO-106, using a dedicated button. Each Model Expansion is fully compatible with GAIA 2's workflow, allowing you to reimagine vintage sounds with the panel controls and develop new music using the sequencer.\n\u003c\/p\u003e\u003cp\u003e*The SH-101 Model Expansion is factory installed. Additional Model Expansions are available for purchase on Roland Cloud.\u003c\/p\u003e\u003cp\u003eWith the SH-101 Model Expansion pre-installed in GAIA 2, the legendary monophonic is reborn as a polyphonic synth, with incredible new possibilities. Since its debut in 1982, the small but mighty SH-101 has been a key element in the development of electronic music, remaining a favorite for its intuitive interface and captivating sounds.\u003c\/p\u003e\u003cp\u003eEnter Roland Cloud and further empower your GAIA 2 with additional sounds and virtual instruments. Model Expansions can use a vast and expanding selection of Sound Packs, created by top sound designers and producers, so your music always stays current.\u003c\/p\u003e\u003cp\u003eModern sound design requires rich and flexible modulation. With GAIA 2, you can build complex modulation routings quickly and intuitively. Assign up to four parameters to each of the two LFOs, which are equipped with classic and modern waveforms, including step modulation. With this simple parameter assignment, you can transform your ideas into sounds almost instantly.\u003c\/p\u003e\u003cp\u003eWith GAIA 2's \"free-flowing\" sequencer, you can easily capture your inspiration and realize your most original visions. Record in real-time, input steps, and edit on the fly, all without stopping playback. Or, use the Random Pattern function to fuel your creative engine with spontaneous musical energy.\n\u003c\/p\u003e\u003cp\u003eAlong with note information, the sequencer records your panel movements, including pitch and modulation wheel changes, knobs, and sliders. External synchronization is also supported via MIDI or USB, allowing you to seamlessly change sounds and patterns while staying synced to a drum machine, DAW, or other device.\u003c\/p\u003e\u003cp\u003eGAIA 2 is packed with classic Roland effects to take your musical creations to the next level. Color, enhance, and warp timbres with a wide selection of multi-effect types: from filters, phasers, and distortions, to scatter, lo-fi, and more. Add breadth and dimension with the dedicated Chorus section. Then choose the acoustic space with the versatile Reverb\/Delay section, featuring a newly developed Shimmer Reverb, which adds spaciousness and rich harmonic content to any sound. In addition to adding a final touch, you can assign effect parameters to an LFO or the Motional Pad to create interest and movement in real time.\u003c\/p\u003e\u003cp\u003eGAIA 2's powerful Motional Pad is a dynamic and expressive tool that brings static sounds to life. You can assign virtually any synth or effect parameter to each of the X\/Y points, and then transform them by moving your finger across the pad. It's also possible to record your movements to create complex, modulated transformations that will play back on their own. Many presets already have Motional Pad settings built in, ready to be explored or customized to your needs.\u003c\/p\u003e\u003cp\u003eEquipped with 37 standard keys, GAIA 2 offers a rich and satisfying performance experience. With a long travel, balanced weight, and pleasing response, this high-quality keyboard includes all the construction features that have made Roland famous.\u003c\/p\u003e\u003cp\u003eGAIA 2 supports AIRA LINK for sending audio\/MIDI information to a compatible Roland AIRA device like the MX-1 Mix Performer. You can also connect a USB flash drive for data backup and restoration, or connect a standard USB MIDI controller to expand operation.\u003c\/p\u003e\u003cp\u003eConnect to your computer, smartphone, or tablet via USB-C, and use GAIA 2 as an audio\/MIDI interface with DAWs and other music applications. The class-compliant connection is plug-and-play, so no driver installation is required.\u003c\/p\u003e\u003cp\u003eGAIA 2 supports Roland Cloud Connect, an optional wireless system for accessing Roland Cloud content. Simply connect the compact USB adapter, browse content, and download selections to the keyboard using a dedicated app on your mobile device. The purchase of Roland Cloud Connect includes a full year of Pro membership, giving you unlimited use of thousands of sounds, Model Expansions, and more.\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003ePowerful Roland synthesizer with advanced sound capabilities\n\u003c\/p\u003e\u003cp\u003eIntuitive panel layout and direct workflow make learning synthesis and sound design easy\n\u003c\/p\u003e\u003cp\u003eNewly developed hybrid sound engine with one wavetable oscillator and two virtual analog oscillators\n\u003c\/p\u003e\u003cp\u003eAttractive aluminum panel, rich with high-quality knobs and sliders\n\u003c\/p\u003e\u003cp\u003eFreely assignable modulation routings for quick sound creation\n\u003c\/p\u003e\u003cp\u003eMotional Pad to add real-time movement and expression to sounds\n\u003c\/p\u003e\u003cp\u003eSequencer with real-time and step recording options\n\u003c\/p\u003e\u003cp\u003eMFX section with 53 exclusive effect types\n\u003c\/p\u003e\u003cp\u003eDedicated Chorus and Delay\/Reverb sections with different types, including JUNO Chorus effects, Shimmer Reverb, Modulation Reverb, and more\n\u003c\/p\u003e\u003cp\u003eInformative, high-contrast OLED display\n\u003c\/p\u003e\u003cp\u003eUSB Type-A port for connecting a USB flash drive or a USB MIDI controller\n\u003c\/p\u003e\u003cp\u003eClass-compliant USB-C port for communication with music software on computers and mobile devices\n\u003c\/p\u003e\u003cp\u003eThe USB-C port also supports AIRA Link for communication with Roland AIRA devices\n\u003c\/p\u003e\u003cp\u003eSupports Model Expansions and other content on Roland Cloud (SH-101 Model Expansion pre-installed)\n\u003c\/p\u003e\u003cp\u003eWireless browsing and downloading of Model Expansions and Sound Packs with Roland Cloud Connect and the WC-1 Wireless Adapter (optional)\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":58010609254745,"sku":"GAIA2","price":685.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/gaia_2_t_k90h_aqa6_o.jpg?v=1778209347"},{"product_id":"modwave-mkii-c1280240168","title":"Korg MODWAVE MKII","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;b\u0026gt;KORG modwave MKII\u0026lt;\/b\u0026gt;\u0026amp;nbsp;is a digital keyboard synth with \u0026lt;strong\u0026gt;60 voices of polyphony\u0026lt;\/strong\u0026gt;, featuring a powerful synthesis engine that combines wavetable and PCM sample-based capabilities. You can load \u0026lt;b\u0026gt;up to 4GB of audio samples\u0026lt;\/b\u0026gt; into the instrument, in addition to waveforms in Serum and WaveEdit formats. You can bring any parameter to life using the flexible modulation system, which includes 4 envelopes, 5 LFOs, a dual-mode processor, and two key-track generators, as well as multi-lane Motion Sequencing and the innovative Kaoss Physics. Layer two Programs to double your sonic possibilities!\u0026amp;nbsp;\u0026lt;\/h1\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;With an impressive \u0026lt;strong\u0026gt;60 voices of polyphony\u0026lt;\/strong\u0026gt;, approximately double that of the previous version, the \u0026lt;strong\u0026gt;Korg Modwave MKII\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;stands as the most powerful Wavetable synth ever. Additionally, options have been added to make LFOs independent, such as delayed start and retriggering, a pre\/post switch on the reverb send, and new modulation sources. The digital synthesis of the Modwave is truly powerful; you can draw from wavetables with samples from the integrated multi-gigabyte PCM library, or import up to 4GB of your own audio samples using Korg's free \u0026lt;strong\u0026gt;Sample Builder software\u0026lt;\/strong\u0026gt;. What's more, with \u0026lt;strong\u0026gt;Kaoss Physics\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and \u0026lt;strong\u0026gt;Motion Sequencing 2.0\u0026lt;\/strong\u0026gt;,\u0026amp;nbsp;you can create organic, evolving sounds and patterns without limits, from experimental sound design to practical and direct use in pop and electronic music production.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In 1985, the Korg DW-8000 combined a digital wavetable with a VCF filter to provide users with sounds that could not be reproduced with analog oscillators. This instrument is still a cult favorite cherished by many. The \u0026lt;strong\u0026gt;modwave\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;builds on the DW's legacy to establish itself as a powerful new synthesizer featuring an extensive wavetable of oscillators, interesting filters, broad and flexible modulation capabilities, incredible polyphony, an intuitive step pattern sequencer, and a significant number of controls that put all modifiable elements of a sound or musical phrase at our fingertips.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Korg modwave is a powerful synthesizer with a rich wavetable of distinctive timbres, featuring the innovative Kaoss Physics control and Motion Sequencing 2.0. \u0026lt;strong\u0026gt;Korg modwave\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;introduces two new tools to dynamically manage sound: \u0026lt;strong\u0026gt;Kaoss Physics\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and \u0026lt;strong\u0026gt;Motion Sequencing 2.0\u0026lt;\/strong\u0026gt;. Kaoss Physics combines a Kaoss-style X\/Y pad with a modulable, gaming-inspired control system for an interactive, powerful, and fun exploration experience.\u0026amp;nbsp;\u0026amp;nbsp;Motion Sequencing 2.0 brings the organic and constantly evolving pattern characteristics appreciated in wavestate sounds to this instrument, including \"multiple lanes\" and real-time recording to support you in creating complex sounds and evolving phrases that no other integrated synth sequencer can generate.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;As with Wave Sequencing 2.0 (\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=korg%20wavestate\"\u0026gt;\u0026lt;strong\u0026gt;wavestate: click here for info\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt;) and altered FM (\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=korg%20opsix\"\u0026gt;\u0026lt;strong\u0026gt;opsix: click here for info\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt;), the modwave's wavetable synthesis has evolved to provide you with a unique-sounding instrument with a layout that features a potentiometer for each function to allow for quick, simple, and effective manipulation of sounds. To begin, there are \u0026lt;strong\u0026gt;hundreds of preset sounds\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;enhanced by this particular architecture, organized by category, easily recallable via dedicated buttons on the panel and immediately modifiable through interaction with the \u0026lt;strong\u0026gt;4 Modulation potentiometers\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The modwave's unique wavetable includes aggressive basses and leads, cinematic, mystical, and lush pads and atmospheres that will provide a \u0026lt;strong\u0026gt;new sonic dimension to your musical productions\u0026lt;\/strong\u0026gt;. However, this is just the beginning. Those constantly seeking new sounds will find themselves with an \u0026lt;strong\u0026gt;innovative instrument with unexplored horizons\u0026lt;\/strong\u0026gt;, difficult to achieve with other synthesizers. As soon as you find a new sound, you'll discover that there are many more possible.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The synthesis engine of the\u0026amp;nbsp;Korg\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;modwave\u0026amp;nbsp;MKII\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;When we describe the oscillator wavetable as \"\u0026lt;em\u0026gt;deep\u0026lt;\/em\u0026gt;,\" we're not joking at all. It starts with \u0026lt;strong\u0026gt;200 wavetables, each articulated into 64 distinct waveforms\u0026lt;\/strong\u0026gt;: thousands of individual waveforms. With \u0026lt;strong\u0026gt;over 30 Modifiers\u0026lt;\/strong\u0026gt;, you can vary the basic sonic character, and with the \u0026lt;strong\u0026gt;13 Morph Types\u0026lt;\/strong\u0026gt;, process them in real-time. Create new hybrids starting from any two wavetables by utilizing the unique \u0026lt;strong\u0026gt;A\/B Blend\u0026lt;\/strong\u0026gt; in real-time.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Let's do a quick calculation: there are over \u0026lt;strong\u0026gt;230 million possible variations in this wavetable\u0026lt;\/strong\u0026gt;, without even considering modulations yet! We should stop here, right? No... \u0026lt;strong\u0026gt;You can upload your own waveforms in Serum and WaveEdit formats\u0026lt;\/strong\u0026gt;; there's enough space for thousands more. Or, \u0026lt;strong\u0026gt;you can layer wavetables with samples from the integrated multi-GB PCM library\u0026lt;\/strong\u0026gt;, or import up to 4GB of your own audio samples via the \u0026lt;strong\u0026gt;Korg Sample Builder software\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Each \u0026lt;strong\u0026gt;Program\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;consists of 2 full-featured wavetable oscillators, a sub-oscillator\/noise generator, and one of twelve filters including the aggressive MS-20 derived, the softer Polysix style, and the new, powerful Multi Filter. You can bring any parameter to life using the flexible modulation system, which includes \u0026lt;strong\u0026gt;4 envelopes\u0026lt;\/strong\u0026gt;,\u0026amp;nbsp;\u0026lt;strong\u0026gt;5 LFOs\u0026lt;\/strong\u0026gt;, the dual-mode processor, and \u0026lt;strong\u0026gt;two key-track generators\u0026lt;\/strong\u0026gt;, as well as \u0026lt;strong\u0026gt;multi-lane Motion Sequencing\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and \u0026lt;strong\u0026gt;Kaoss Physics\u0026lt;\/strong\u0026gt;. Even with all this synthesis power, \u0026lt;strong\u0026gt;playing up to 4 simultaneous wavetables per voice in a single Program, the modwave MKII maintains 60 voices of polyphony\u0026lt;\/strong\u0026gt;, incredible for a wavetable synth. Oh, and just in case... If you want, you can \u0026lt;strong\u0026gt;layer two Programs\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;to double the sonic possibilities!\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Kaoss Physics\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Kaoss Physics simulates a ball rolling on a surface and\/or bouncing from wall to wall. Launch the ball by touching the X\/Y pad with a finger, or launch it automatically using triggers such as Gate + Damper. You can also control the ball's movement by keeping your fingers on the pad. The ball's position generates modulation signals that can control any destination of interest: X and Y positions, distance from the center, angle relative to the X-axis. This method of applying automated modulations is used for the first time, and the results are captivating and evolutionary, to say the least.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On the surface, there's a virtual bump that can move up and down, like a valley or a hill. You can set the height and width of this element and choose from different shapes and slopes. It's possible to adjust the friction to slow the ball down as it moves. There are walls on all four sides of the surface, and when the ball hits one, it bounces back. The walls can slow the ball down or speed it up like a pinball machine's bumpers. The walls can eventually be removed, extending the surface to the opposite side like in a vintage arcade video game. The modeled environment can create specific modulation effects. For example, set a negative height at the center of the hill to make the modulation value return to 0. Or you can assign a positive value to the hill on the side or at an angle to attenuate the modulation intensity at that point. Many parameters, including Tilt, Friction, Time, Bump Height, and Position, are themselves modulable; you can even control them from Kaoss Physics itself. For example, you could try controlling the X-tilt with the Kaoss's Y-axis. The result is an interactive controller that amplifies human intervention to achieve complex musical results. Fun, don't you think?\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Motion Sequencing 2.0\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Motion Sequencing 2.0 is an evolution of the wavestate's Wave Sequencing 2.0. Timing, Pitch, Shape, and 4 sets of step sequence values are divided into \"Lanes,\" each with adjustable loop start and end points for even deeper and more adaptable modulation of the musical phrase. Each time the sequence moves forward, the automation lanes are combined to generate the output.\u0026amp;nbsp;\u0026amp;nbsp;For example, a step sequence value can match a different duration, pitch, or shape each time it's played. You can independently modulate all loop points of each automation lane on each note, using velocity, LFOs, envelopes, Mod knobs, or other controllers. Each note in a chord can play something different! The step order of the automation lanes can be randomized each time they are played. Finally, each step can be randomly omitted with a modulable probability from 0 to 100%. The result is a constantly changing organic sound that responds to your control. The two integrated arpeggiators can interact with Motion Sequence to provide further sonic possibilities.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;An extensive synthesis engine for the Korg modwave\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;What is a wavetable?\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Wavetables are sets of single cycles of digital waveforms organized in a specific order. The \"position\" of the wavetable determines which waveform will be played. Moving the position with an envelope, an LFO, or other modulation sources will create subtle or significant timbral changes. Some wavetable systems abruptly switch from one waveform to another, while others do so more smoothly with crossfades. modwave can do both.\u0026lt;\/p\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Modifier\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Use \u0026lt;strong\u0026gt;over 30 Modifiers\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;to alter the character of each wavetable during playback. For example, isolate even or odd harmonics, add weight with anti-aliased quantization or saturation, or correct the aggressive character of old-school wavetable synths with the Vintage 8 \u0026amp;amp; 12 options.\u0026lt;\/p\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Morph\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;13 Morph Types\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;allow you to stretch, crush, bend, and alter wavetables in real-time, changing their timbre and—when modulated—adding further movement to the sound. Sync creates classic swept-sync timbres using a single oscillator. The 3 special Morph Types FM, AM, and Ring Mod modulate Osc 2 with Osc 1 and can also be used on samples.\u0026lt;\/p\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;A\/B Blend\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The A\/B mode is unique in that it allows oscillators to precisely and synchronously blend any two wavetables, a different situation from layering voices, which opens a new dimension to intermediate waveforms. Add body to thin waveforms or more aggression to a soft timbre. Combine two different modifier versions of the same wavetable. Of course, the A\/B Blend can also be modulated in real-time.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Gigabytes of audio samples\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Wavetables sound divine when paired with audio samples, and in the \u0026lt;strong\u0026gt;KORG modwave\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;distributed in Italy by \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/korg\"\u0026gt;Algam EKO (click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;), the oscillators can host both elements. The included audio sample library with the \u0026lt;strong\u0026gt;modwave\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;contains various Korg material, a selection of libraries from the \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=kronos\u0026amp;amp;brand=KORG\"\u0026gt;Kronos (click here\u0026lt;\/a\u0026gt;) and the \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=krome\u0026amp;amp;brand=KORG\"\u0026gt;Krome (click here\u0026lt;\/a\u0026gt;), and many new sounds produced by Korg itself, by Airwave and Francis Preve, plus a Plugin Guru bank.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;You'll never run out of filters\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Add vintage character to your sound by processing it with emulations of the aggressive Lowpass and Highpass filters of the \u0026lt;strong\u0026gt;MS-20\u0026lt;\/strong\u0026gt;, or apply the powerful but softer low-pass derived from the \u0026lt;strong\u0026gt;Polysix\u0026lt;\/strong\u0026gt;. All have been improved by introducing a gain parameter for better management at high resonance values. Sculpt and refine with a collection of 2- and 4-pole resonant Lowpass, Highpass, Bandpass, and Notch filters. Alternatively, you can experiment with the unique \u0026lt;strong\u0026gt;KORG Multi Filter\u0026lt;\/strong\u0026gt;, which offers simultaneous and modulable interaction between different filter modes, now featuring presets manageable with a potentiometer for easier exploration of its numerous sonic possibilities.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Limitless modulation and control in the Korg modwave MKII\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Packed with potentiometers and controls, the modwave invites exploration. Oscillators, filters, envelopes, LFOs, and effects are all at your fingertips on the panel. 4 programmable Mod Knobs are assigned to give you the best control experience over the generated sound right from the start. Use the controls in live performances and save the result. The \u0026lt;strong\u0026gt;Hold button allows you to keep notes or chords active indefinitely\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;while you explore controls or play other instruments in your setup. Add \u0026lt;strong\u0026gt;Kaoss Physics\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; and the \u0026lt;strong\u0026gt;Pitch Bend\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;wheels, and you'll always have multiple dimensions of real-time expressiveness. Want to go deeper? Practically all controls on the panel and many on-screen parameters can be modulated. You can even modulate the settings of a single step of the Motion Sequence! With Mod Processors, you can shape a modulation signal using quantization, curves, and more.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;An arsenal of effects in the Korg modwave MKII\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The modwave's effects are high-quality, production-ready. Each Layer has three dedicated effect slots, and furthermore, the Performance features a master reverb and parametric EQ. You can load useful effects by selecting them from a list that includes traditional processors such as compressors, equalizers, phasers, stereo delay, as well as various effects with a unique and distinctive character: Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and the Overb derived from OASYS and Kronos, VOX amp simulators, VOX wah, multi-head tape echo, and a collection of the most commonly used guitar pedals.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Randomness as a source of inspiration\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Do you want to break out of your usual routine and venture into sounds that inspire creativity? A dedicated button, identifiable on the panel by a dice icon, allows you to initiate intelligent randomization processes that will generate new sounds by randomly varying the entire sound or some of its parameters such as oscillators, filter, or effects.\u0026lt;\/p\u0026gt;You can use the resulting sound as is, or use it as a starting point for creating your own personalized sound.\n### **Editor\/Librarian software for the KORG modwave**\nThe modwave Editor\/Librarian allows you to edit and organize sounds via your computer with MacOS or Windows operating systems, including new Apple computers based on the M1 processor. Using networking mode via USB for high-speed communication, this application works as a true second front panel for the instrument, so you don't have to sync or transfer data. Animations show you the effect of modulation in real-time, an important aid when you are programming.\n### **Set List and seamless sound transitions**\nSet Lists allow you to organize your modwave Performances, ensuring immediate access during live performances or in the rehearsal room. Thanks to Smooth Sound Transition, all previously played voices will have a natural decay, including any effects, even when you load another sound.\n### **Korg modwave connections**\nBalanced stereo outputs allow connection to any recording or listening system, a stereo headphone output allows you to play in privacy without disturbing others. MIDI DIN connectors ensure integration into traditional MIDI setups, while the class-compliant \"B\" type USB port connects to Windows and MacOS computers for MIDI data transmission and reception.\n### **Designed at KORG's California R\u0026D headquarters**\nKORG's California-based Research and Development department created the wavestate and the original Wavestation, participated in the development of OASYS and Kronos, and developed fundamental technologies used in numerous KORG instruments. The modwave reflects their aesthetic concept, provides exceptional sounds, and offers extreme flexibility thanks to modern technologies. The main sound designers of the wavestate, Belgian artist Airwave and Peter \"Ski\" Schwartz, Francis Preve and Richard Devine joined KORG's renowned \"voicing team\" to create the modwave's incredible sound library.\n## **Korg modwave MKII Technical Specifications**\n**Keyboard**: 37 keys sensitive to attack and release velocity\n**Maximum Polyphony**: 60 stereo voices\n**Sound Generation System**: modwave synthesis engine\n**Modulations**\n**Controls**: Mod Wheel, Pitch Wheel, Kaoss Physics and 4 Mod Knobs\n**Other sources**: 4 Envelopes, 5 LFOs, 2 Mod Processors, 2 Key Tracks, Seq Lanes A-D, Step Pulse, Tempo, Program\/Performance Note Count, Program\/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (MIDI only), MIDI CC +\/-, MIDI CCs +\n**Destinations**: Most parameters, including parameters for each individual Motion Sequence step. Depending on the length of the Motion Sequence, there can be up to 1000 potential modulation destinations per Program.\n### **modwave Effects**\n**Pre FX**: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper\n**Mod FX**: Black Chorus\/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage\/Custom Wah, Vox Wah\n**Delay**: L\/C\/R Delay, Multiband Mod Delay, Reverse Delay, Stereo\/Cross Delay, Tape Echo\n**Master Reverb**: Early Reflections, Overb\n**Master EQ**: 4-band parametric EQ \n**Audio Outputs**: L (mono) and R on 6.3mm (1\/4\") TRS jacks\n**Headphone Output**: 6.3mm (1\/4\") TRS (stereo) jack\n**MIDI Connections**: MIDI IN \u0026 OUT DIN; MIDI via USB type \"B\"\n**Pedal Input**: Damper Jack 6.3mm (1\/4\"); half-damper NOT supported\n**Power Supply**: Adapter (included) AC KORG KA-390 (DC12V)\n**Consumption**: 5 W\n**Dimensions and weight**: 565×338×93mm; 2.9KG\n**Included**: AC Adapter (KORG KA-390)\n**Compatible Accessories** (sold separately): [DS-1H damper pedal](https:\/\/www.algameko.com\/it\/accessori-tastiere-pianoforti\/korg\/ds1h), PS-1 pedal switch, [PS-3 pedal switch](https:\/\/www.algameko.com\/it\/tastiere-pianoforti\/korg\/ps3)\n*Specifications and images are subject to change without notice.\n*All company and product names are registered trademarks or property of their respective owners.\n## **Free software included with Korg modwave MKII**\nThe Korg modwave entitles you to free licenses for software such as iZotope's \"Ozone Elements\", \"Reason Lite\" and various virtual instruments produced by Korg and other brands. In addition, you will be entitled to a \"Skoove\" subscription: an application dedicated to interactive music lessons. \n**NB**: Algam EKO is NOT responsible for technical and\/or commercial support for software or music applications provided free of charge and\/or via download with the distributed hardware product. For more information, please consult the website [http:\/\/www.korg.com\/bundle](http:\/\/www.korg.com\/bundle) directly and contact the software manufacturers with whom you will enter into a contract during download and\/or installation.","brand":"KORG","offers":[{"title":"Default Title","offer_id":58010750058841,"sku":"C1280240168","price":716.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_30-korg-modwave-mkii-c1280240168_0.jpg?v=1778214309"},{"product_id":"behringer-ms-1-rd","title":"Behringer MS-1 RD Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eBehringer Ms1 Rd Synthesizer\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe Behringer MS-101-RD analog synthesizer is a vintage-style synthesizer with an authentic 3340 analog oscillator for generating punchy sounds. The Behringer MS-101-RD has 32 full-size, semi-weighted keys for smooth playability with a pure analog signal path. Based on a vintage synth, the MS-101-RD offers four mixable waveforms for in-depth sound design options. It features a myriad of controls including 57 sliders and switches in total, 6 FM sources, and a resonant VCF. It also features a built-in step sequencer and arpeggiator for creating rhythms and patterns.\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eOutstanding monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation\n\u003c\/p\u003e\u003cp\u003e32 full-size, semi-weighted keys for great playability\n\u003c\/p\u003e\u003cp\u003ePure analog signal path based on legendary VCO, VCF, and VCA designs to recreate classic audio performance\n\u003c\/p\u003e\u003cp\u003eOscillator with 4 simultaneously mixable waveforms: saw, triangle, square\/pwm, and sub-oscillator octave-divided square\n\u003c\/p\u003e\u003cp\u003eThe resonant VCF can be modulated with ADSR, LFO, keyboard tracking, and bender controller\n\u003c\/p\u003e\u003cp\u003e6 FM sources allow for creative VCF modulation and unheard-of filter effects\n\u003c\/p\u003e\u003cp\u003eADSR envelope generator for incredible waveform shaping\n\u003c\/p\u003e\u003cp\u003eEasy-to-use step sequencer with 64 sequence positions\n\u003c\/p\u003e\u003cp\u003eArpeggiator with extensive patterns for great sound effects\n\u003c\/p\u003e\u003cp\u003eAttachable handgrip included with pitch bend wheel and pitch modulation trigger\n\u003c\/p\u003e\u003cp\u003eGuitar strap included for live jamming on stage\n\u003c\/p\u003e\u003cp\u003eBender assignable to VCO, VCF, and pitch mod wheel on attachable handgrip\n\u003c\/p\u003e\u003cp\u003eNoise generator can be used as a modulation source for distortion-type effects\n\u003c\/p\u003e\u003cp\u003eIncredible portamento function for fantastic sound effects\n\u003c\/p\u003e\u003cp\u003ePulse wave can be modulated by LFO, envelope, and manually\n\u003c\/p\u003e\u003cp\u003e57 sliders and switches for direct and real-time access to all important parameters\n\u003c\/p\u003e\u003cp\u003eExternal audio input for processing external sound sources\n\u003c\/p\u003e\u003cp\u003eFull USB\/MIDI implementation for connection to keyboard\/sequencer\n\u003c\/p\u003e\u003cp\u003eDesigned in the UK\u003c\/p\u003e","brand":"BEHRINGER","offers":[{"title":"Default Title","offer_id":58011451621721,"sku":"BEHMS101RD","price":369.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/761c5f745496e020fcc7eb4b68230896e0fd8820.jpg?v=1778230080"},{"product_id":"behringer-ms1-bk-sintetizzatore","title":"Behringer MS1 BK Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eBehringer MS1 BK Synthesizer\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eANALOGUE SYNTHESIZER WITH 32 KEYS AND KEYTAR-STYLE HANDLE\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\n\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eIn the 80s and 90s, a new wave of musicians with a simple monosynth on their shoulders stole the center stage from their guitar-wielding bandmates.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e The \u003cb\u003eBehringer MS-101\u003c\/b\u003e is a delightfully affordable tribute to that iconic synthesizer, featuring all its fantastic functions while remaining faithful to the original analog circuits and the VCO, VCF, and VCA designs. \u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eThis attention to detail is what gives the \u003cb\u003eMS-101\u003c\/b\u003e its ultra-flexible sound shaping capabilities,\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eEquipped with a 32-step sequencer, arpeggiator, and attachable handle, the \u003cb\u003e\u003ca href=\"https:\/\/www.behringer.com\/\" target=\"_blank\"\u003eBehringer\u003c\/a\u003e MS-101\u003c\/b\u003e is a fantastic synthesizer for live performances.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e And with its 32 full-size semi-weighted keys, an analog signal path, and an authentic 3340 oscillator with four simultaneously mixable waveforms, plus ultra-flexible VCF and VCA filters.\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003ca href=\"https:\/\/yourmusiconline.it\/it\/behringer\"\u003eDiscover all Behringer products in the catalog by clicking here\u003c\/a\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\n\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp style=\"text-align: justify; \"\u003e32-key monophonic analog synthesizer\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eAnalog signal path based on classic VCO, VCF, and VCA designs\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eAuthentic 3340 analog oscillator for incredibly fat sounds\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e4 simultaneous waveforms (saw, triangle, square \/ PWM, square \/ Sub Osc)\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eResonant VCF with modulation via ADSR, LFO, keytrack or bender controller\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e6 NovaMod FM sources for creative VCF modulation and incredible filter effects\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eADSR envelope generator for creating creative waveforms\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e32-step sequencer with 64 memory slots for your custom sequences\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eGuitar strap included for keytar-style performances\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eAttachable handle included with pitch bend and modulation trigger\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eAssignable bender to VCO, VCF and pitch mod wheel on attachable handle\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eNoise generator usable as a modulation source for distortion-type effects\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePortamento function for fantastic sound effects\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePulse wave can be modulated by LFO, envelope, and manually\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eArpeggiator with a wide range of patterns\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e57 knobs, sliders, and switches for practical control\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eExternal audio input allows processing of other synthesizers, drum machines, etc.\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eFull USB \/ MIDI \/ CV implementation\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eExternal audio input and headphone output\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003ePerformance kit with strap and attachable handle included\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eColor: Black\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eDimensions: 85 x 569 x 267 mm\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eWeight: 6.3 kg\u003c\/p\u003e","brand":"BEHRINGER","offers":[{"title":"Default Title","offer_id":58011451883865,"sku":"BEHMS1BK","price":369.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/4bd1723bd273a27f39da1d3e464e969e2bf43a36.png?v=1778230099"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/cat_synth_tast_a0fp_xzyv_s.jpg?v=1778070753","url":"https:\/\/yourmusiconline.it\/en\/collections\/synth-a-tastiera.oembed?page=4","provider":"yourmusiconline.it","version":"1.0","type":"link"}