{"title":"Study\u0026Live","description":"","products":[{"product_id":"mogami-pjm48-05-tt","title":"MOGAMI PJM48-05 TT","description":"\u003ch2\u003eDescription\u003c\/h2\u003eMogami offers a wide range of patch cables for almost any application. Each Mogami patch cable is designed for accurate listening tests to ensure Mogami standards in terms of clarity, accuracy and quality. Known worldwide for extremely low capacitance, superb noise elimination and incredible clarity, Mogami Pure Patch are made with Neglex conductors, the same cable used in any high-level recording studio. Mogami Pure Patch exceeds all audio and video industry standards for performance and reliability. If you've listened to music, then you've listened to Mogami - the professionals' cables!","brand":"Mogami Cables","offers":[{"title":"Default Title","offer_id":58001880154457,"sku":"1000496","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/cavo-bantam-patch-analogico-nero-0-3-mt.3_f_e16ae9bd-a549-46e1-bbe9-f7ef5fd3ff12.jpg?v=1778100672"},{"product_id":"rme-pro-line-digiface-usb","title":"RME PRO LINE Digiface USB","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThis compact, portable and lightweight audio interface transports digital audio data in SPDIF and ADAT formats to Windows and Mac computers. The Plug and Play approach allows even less experienced users to install it easily. Its features, such as robust RME drivers, allow the Digiface USB to operate quickly, conveniently and efficiently.The Digiface USB is an interface with 4 optical ADAT\/SPDIF I\/Os and equipped with a high-quality 6.3 mm TRS jack analogue headphone output. Following in the footsteps of the famous HDSP Digiface (PCI interface with headphones and triple ADAT I\/O), the Digiface USB connects more easily thanks to USB 2, which also powers the interface without the need for an external unit. In addition, the addition of another optical I\/O provides 32 input and output channels even when ADAT is used.The analog output is dedicated to channels 33\/34 and can be freely used thanks to TotalMix FX, RME's routing and monitoring solution that knows no limitations in the signal path. (The Digiface USB has no effects)Each individual optical port supports both ADAT (up to 8 channels) and SPDIF (stereo). The inputs automatically adapt to the signal format they receive, the outputs can be individually switched for ADAT and SPDIF operations. Supported formats are SMUX and SMUX4. Thus, working at 192kHz, 8 I\/Os can be used in both SPDIF and ADAT format. Its small size and USB power make the Digiface USB a useful and versatile interface. It can also be used as a simple headphone amplifier for mobile operations.","brand":"RME","offers":[{"title":"Default Title","offer_id":58001930158425,"sku":"RMEDIF","price":436.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/digiface-usb.jpg?v=1778101413"},{"product_id":"warm-audio-eqp-wa-eqpwa","title":"WARM AUDIO EQP-WA","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe EQP-WA Pultec Style Tube EQ is identical to the classic Pultec equalizer not only in design, but above all in sound quality, carefully crafted down to the smallest detail thanks to the use of high-end components such as Cinemag transformers and \"premium grade\" tubes. The entire \"all discrete\" circuitry has been designed to add detail to audio tracks without sacrificing transients.Warm Audio is confident that the new product will bring \"sonic brilliance and luster\" to mixes with a warmth and tonal accuracy impossible to achieve by mixing entirely in-the-box.The original Pultec design is known for providing a unique equalization curve, a feature not present in other types of EQs. The EQ section can be bypassed, still allowing the signal to pass through the tubes and transformers, simply \"warming\" the sound. Warm Audio has paid meticulous attention to faithfully recreating and remodeling the original sound, while remaining true to its philosophy: creating outboard gear of unquestionable quality at a truly competitive and affordable price for everyone.Key features:Cinemag transformers - Made in USA on input and outputTube Equalizer based on the historic \"Pultec\" EQP-1ACineMag transformers for input and output - Made in USAHigh quality 12AX7 and 12AU7 tubesCineMag inductor EQ sectionTransformer-balanced XLR and TRS input and outputFlat frequency response from 20 Hz to 50 kHzBoost and Cut controls usable simultaneously to create interesting phase effectsLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 dbLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 dbHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 dbHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 db5 additional center frequencies for maximum flexibility","brand":"WARM AUDIO","offers":[{"title":"Default Title","offer_id":58001970430297,"sku":"EQPWA","price":584.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/Wa_EQP.jpg?v=1778102469"},{"product_id":"micro-sd-card-per-sos-sr1-c1280250320","title":"Korg Micro SD card for SOS-SR1","description":"\u003ch2\u003eDescription\u003c\/h2\u003eMicro SD card for SOS-SR1","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003661029721,"sku":"C1280250320","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_30-korg-micro-sd-card-per-sos-sr1-c1280250320_0.jpg?v=1778128937"},{"product_id":"recoil-stabilizer-rx20-hf-z860-1520-00-g7400001530","title":"Primacoustic Recoil Stabilizer RX20 - HF Z860-1520-00","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003ePrimacoustic Recoil Stabilizer RX20-HF\u003c\/strong\u003e Horizontal Fire are decoupling platforms specifically designed for nearfield monitors. They have been engineered to minimize vibrations produced by speaker movement.\u003c\/h1\u003e\u003cp style=\"font-weight: 400;\"\u003eThe Recoil Stabilizer consists of a three-component layer. A high-density urethane foam base acts as an insulator to prevent vibration transmission to the support surface. A laser-cut steel plate serves both as a platform for the speaker and as a stabilizing mass. Finally, a thin non-slip neoprene sheet is used to firmly hold the monitor in place. The Recoil Stabilizer works by simply placing the speaker on the support; no further procedures are required. All Recoil Stabilizers are available in three versions that allow the speaker to be \"aimed\" not only horizontally but also upwards or downwards.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHow they work\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eBy reducing speaker vibration, transients become immediately sharper and more precise. Upon first listening, you'll notice more punch and a more extended and defined low-frequency range. After further listening, you'll start to notice greater detail across all frequencies, better transient response, and a significantly more defined stereo image. By eliminating all resonances produced by speakers resting on your stands or supports, your mixes translate better.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHow Recoil Stabilizers are made\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eThe \u003cstrong\u003ePrimacoustic Recoil Stabilizer RX20-HF\u003c\/strong\u003e is a nearfield monitor decoupler made of four fundamental components:\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eNon-slip rubber (1)\u003c\/strong\u003e: The thin non-slip neoprene surface secures the monitor to the top surface for maximum grip, ensuring correct vibration transfer.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSteel plate (2):\u003c\/strong\u003e The 6mm laser-cut steel plate adds the necessary mass to firmly hold the speaker in place.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCurved front panel (3)\u003c\/strong\u003e: Eliminates standing waves and adds mass to the platform without increasing its footprint.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eHigh-density acoustic isolation foam (4)\u003c\/strong\u003e provides the necessary acoustic isolation to eliminate coupling between the speaker and its support base.\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Components and materials for Primacoustic Recoil Stabilizer decouplers\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Primacoustic-Recoil-Stabilizer-componenti-realizzazione-disaccopiatore_9836.jpg\" title=\"Components and materials for Primacoustic Recoil Stabilizer decouplers\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eWhat does Horizontal Fire mean\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHorizontal Fire\u003c\/strong\u003e – The HF model is designed to ensure speakers are positioned horizontally. This makes the HF an ideal choice for adjustable stands and for mounting in any situation where an additional 5cm of height is desired. This is also the preferred format for isolating subwoofers.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eTechnical specifications Recoil Stabilizer RX20-HF:\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eThree-layer decoupler\u003c\/li\u003e    \u003cli\u003eHorizontal Fire version\u003c\/li\u003e    \u003cli\u003eBlack color\u003c\/li\u003e    \u003cli\u003eDimensions 508x559mm\u003c\/li\u003e    \u003cli\u003eMaximum supported weight 65 Kg\u003c\/li\u003e    \u003cli\u003eSupport height 67.5mm\u003c\/li\u003e    \u003cli\u003eSupport weight 4.9Kg\u003c\/li\u003e\u003c\/ul\u003e","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003694190937,"sku":"G7400001530","price":434.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-recoil-stabilizer-rx20-hf-z860-1520-00-g7400001530_0.jpg?v=1778130031"},{"product_id":"apex-nero-g7400001980","title":"Primacoustic Apex Black","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Triangular panel. Dimensions = 61 x 61 x 86.4cm with a thickness of 5.08cm. Class 1A. Packs of 2 pcs. Color Black.\u0026lt;\/p\u0026gt; F122-2416-00","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003695665497,"sku":"G7400001980","price":111.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-apex-nero-g7400001980_0.jpg?v=1778130086"},{"product_id":"apex-beige-g7400001981","title":"Primacoustic Apex Beige","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eTriangular panel. Dimensions = 61 x 61 x 86.4cm with a thickness of 5.08cm. Class 1A. Packs of 2pcs. Beige color.\u003c\/p\u003e F122-2416-03","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003695763801,"sku":"G7400001981","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-apex-beige-g7400001981_0.jpg?v=1778130088"},{"product_id":"apex-grigio-g7400001982","title":"Primacoustic Apex Gray","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eTriangular panel. Dimensions = 61 x 61 x 86.4cm with a thickness of 5.08cm. Class 1A. Packs of 2pcs. Grey color.\u003c\/p\u003e F122-2416-08","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003695796569,"sku":"G7400001982","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-apex-grigio-g7400001982_0.jpg?v=1778130091"},{"product_id":"bigfoot-tripad-p300-0208-00-g7400002226","title":"Primacoustic BigFoot (TriPad) P300-0208 00","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Tripod boom pole isolator to prevent floor vibrations from entering the microphone. Made of high-density open-cell foam. Set of 3 pcs.\u0026lt;\/p\u0026gt;  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003699204441,"sku":"G7400002226","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-bigfoot-tripad-p300-0208-00-g7400002226_0.jpg?v=1778130179"},{"product_id":"headrest-p300-0415-00-g7400002265","title":"Primacoustic HeadRest P300-0415-00","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Ideal for any studio, this headphone holder mounts to any microphone stand and provides a base to store headphones when not in use. A second hook on the back can be used to store a microphone cable.\u0026lt;\/p\u0026gt;","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003699892569,"sku":"G7400002265","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-headrest-p300-0415-00-g7400002265_0.jpg?v=1778130194"},{"product_id":"saturna-beige-g7400005811","title":"Primacoustic Saturna Beige","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;24x48 inch panel. Beige color.\u0026lt;\/p\u0026gt; Z840 1215 03  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003702743385,"sku":"G7400005811","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-saturna-beige-g7400005811_0.jpg?v=1778130269"},{"product_id":"fiesta-nero-g7400006110","title":"Primacoustic Fiesta Black","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eDesigned for hotel lobbies and restaurants, large installations, the round Fiesta panel, measuring 60.96x20.32 cm, is made of high-quality glass wool panels and is pre-assembled with a steel suspension. Colour Black.\u003c\/p\u003e P220 0100 00  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003702841689,"sku":"G7400006110","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-fiesta-nero-g7400006110_0.jpg?v=1778130274"},{"product_id":"fiesta-beige-g7400006111","title":"Primacoustic Fiesta Beige","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the Fiesta panel, round in shape, measuring 60.96x20.32 cm, is made of high-quality fiberglass and comes pre-assembled with its steel suspension. Beige color.\u0026lt;\/p\u0026gt;","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703071065,"sku":"G7400006111","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-fiesta-beige-g7400006111_0.jpg?v=1778130277"},{"product_id":"shoji-nero-g7400006130","title":"Primacoustic Shoji Black","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the 60.96x20.32 cm. square Fiesta panel is made of high-quality fiberglass. Panels are pre-assembled with a steel suspension. Color Black.\u0026lt;\/p\u0026gt; P220 0100 00  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703202137,"sku":"G7400006130","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-shoji-nero-g7400006130_0.jpg?v=1778130282"},{"product_id":"shoji-beige-g7400006131","title":"Primacoustic Shoji Beige","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the 60.96x20.32 cm. square Fiesta panel is made of high quality fiberglass wool. The panels are pre-assembled with a steel suspension. Color: Beige.\u0026lt;\/p\u0026gt; P220 0100 03","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703267673,"sku":"G7400006131","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-shoji-beige-g7400006131_0.jpg?v=1778130284"},{"product_id":"shoji-grigio-g7400006132","title":"Primacoustic Shoji Grey","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the square-shaped Fiesta panel, measuring 24x8 in., is made of high-quality glass wool. The panels are pre-assembled with a steel suspension. Grey colour.\u0026lt;\/p\u0026gt; P220 0100 08  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703365977,"sku":"G7400006132","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-shoji-grigio-g7400006132_0.jpg?v=1778130287"},{"product_id":"tiki-grigio-g7400006152","title":"Primacoustic Tiki Grey","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the triangular Fiesta panel, measuring 24x8 in., is made of high-quality fiberglass. The panels are pre-assembled with steel suspension. Color: Grey.\u0026lt;\/p\u0026gt; P2200110 08  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703398745,"sku":"G7400006152","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-tiki-grigio-g7400006152_0.jpg?v=1778130289"},{"product_id":"dragon-nero-g7400006170","title":"Primacoustic Black Dragon","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the hexagonal Fiesta panel measures 60.96x20.32 cm. Made of high-quality fiberglass, the panels are pre-assembled with a steel suspension. Black color.\u0026lt;\/p\u0026gt; P220 0115 00","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703628121,"sku":"G7400006170","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-dragon-nero-g7400006170_0.jpg?v=1778130292"},{"product_id":"dragon-beige-g7400006171","title":"Primacoustic Dragon Beige","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the hexagonal Fiesta panel measures 60.96x20.32 cm. Made of high quality glass wool, the panels are pre-assembled with a steel suspension. Beige color.\u0026lt;\/p\u0026gt; P220 0115 03  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703693657,"sku":"G7400006171","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-dragon-beige-g7400006171_0.jpg?v=1778130295"},{"product_id":"dragon-grigio-g7400006172","title":"Primacoustic Grey Dragon","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Designed for hotel lobbies and restaurants, large installations, the hexagonal Fiesta panel, 60.96x20.32 cm. Made of high-quality glass wool, the panels are pre-assembled with a steel suspension. Colour: Grey.\u0026lt;\/p\u0026gt; P220 0115 08  ","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003703857497,"sku":"G7400006172","price":154.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-dragon-grigio-g7400006172_0.jpg?v=1778130297"},{"product_id":"2-paintable-24x48-sq-g7400008158","title":"Primacoustic 2\" Paintable 24\"x48\" Sq","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic BroadBand Absorber\u003c\/strong\u003e is a kit of 3 sound-absorbing panels from the Broadway series, ideal for treating any room in a \u003cstrong\u003ePaintable\u003c\/strong\u003e finish. Each panel measures 60.96 x 121.92 cm and is 51mm thick. In this version, the panels feature a \u003cstrong\u003e90° edge\u003c\/strong\u003e.\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Broadway\u003c\/strong\u003e panels are made of high-density 96 kg\/m³ fiberglass and offer nearly five times more absorption than typical low-cost foam (pyramidal and egg-crate) alternatives. This means you'll achieve greater absorption using fewer panels, while also ensuring a smooth attenuation curve across the entire frequency range.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eIncluded BroadBand Absorbers\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic BroadBand Absorber\u003c\/strong\u003e panels represent an easy-to-install solution for treating environments where maximum control over early reflections is required. Made of high-density fiberglass, they measure 60.96 x 121.92 cm, with a thickness of 51mm. The large surface area allows for excellent absorption across the entire frequency spectrum, making them particularly effective in improving speech intelligibility, ideal for installations in large spaces where reverberated sound and echo are excessive. BroadBand series panels are perfect for installation both on wall surfaces, using Surface Impalers, and in corners to increase their absorption across the low-frequency spectrum.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSurface and Corner Impalers mounting system\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eBroadBand Absorber panels in Paintable finish are easily installed using specially designed supports: \u003cstrong\u003ePrimacoustic Surface Impalers\u003c\/strong\u003e and \u003cstrong\u003ePrimacoustic Corner Impaler\u003c\/strong\u003e. The Primacoustic Impaler system provides the user or installer with a simple, quick, and effective method for mounting Broadway fiberglass acoustic panels on walls without causing severe damage to the surface.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eThe galvanized steel impaler features a series of sharp, protruding darts that penetrate the panel to secure it in place during installation. To ensure panels do not move after installation, it is recommended to apply a small amount of glue to the impaler tips during the mounting process; this adds an extra layer of security and reduces the opportunity for tampering. Impaler supports attach to the surface using typical concrete or drywall anchors and screws.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cspan\u003eWhat does Paintable mean?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eIf you ask anyone in the industry what the most common customer problem is, they will surely tell you it has to do with color choice. \u003c\/span\u003e\u003cspan\u003ePrimacoustic Paintable panels were created as a neutral solution that allows the end user to decide on the color after the panels have been delivered. This eliminates uncertainty about color choice and opens the door to creative use of textures and finishes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003ePrimacoustic Paintable are an innovative range of acoustic panels finished in Absolute White that can be repainted in any color you choose! The design starts with the same 96 kg\/m3 high-density fiberglass core used in the Broadway series panels. Instead of wrapping the panel in colored fabric, the front and edges of the Paintable panels have a breathable latex finish that allows them to be spray painted or printed without affecting acoustic performance. The unique coated surface of Paintable panels can be printed at any print shop. Using a UV flatbed printer that accepts a minimum thickness of 5cm, custom graphics, photos, logos, or an image of your choice can be applied to the front of the panel. This high-resolution printing applies a thin coating in vibrant colors without compromising the acoustic performance of the panel. Complete customization of your acoustic treatment is now possible!\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic BroadBand Absorber Paintable Documentation and Certifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eAll Broadway panels are laboratory tested for acoustic performance and fire safety. Class A\/1 flame retardant, they meet stringent ASTM-E84 and Can-UL S102 requirements for flame spread and smoke development. This makes Broadway panels safe for use in commercial, governmental, and institutional installations.\u003c\/p\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003ePrimacoustic BroadBand Absorber Panels Absorption Coefficient\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"BroadBand Absorber panel absorption coefficient\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Primacoustic-BroadBand-Absorber-coefficiente-di-assorbimento_c923.jpg\" title=\"BroadBand Absorber panel absorption coefficient\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Broadband Absorber Paintable Features\u003c\/strong\u003e:\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003eSound absorbing panel dimensions \u003c\/span\u003e60.96 x 121.92 cm\u003c\/li\u003e    \u003cli\u003e51mm thickness\u003c\/li\u003e    \u003cli\u003ePaintable color\u003c\/li\u003e    \u003cli\u003eCan be installed with Surface or Corner Impalers (not included)\u003c\/li\u003e    \u003cli\u003e90° edge\u003c\/li\u003e    \u003cli\u003ePack of 3 panels\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHow to install Primacoustic Broadband Absorber Paintable panels:\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSurface Impalers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003cstrong\u003eStep 1\u003c\/strong\u003e: Use a spirit level to draw a straight pencil line where the top of the panels will be placed. Measure along this line and carefully mark where the corners of each panel will be. If you are planning to space the panels, include the measurement of the space between the panels.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 2\u003c\/strong\u003e: Hold the Surface Impaler clip against the wall and mark the screw hole positions. Precise mounting is not necessary. The clips can be positioned anywhere within the panel space. Using a drill, make holes and install the wall anchors that will support each flange clip.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eThen install each support, making sure to tighten the screws firmly!\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 3\u003c\/strong\u003e: Tilt the panel so that the top edge touches the wall. Carefully align it with the straight line and marks you made in step 1. Remember to place a spirit level on top of the panel to keep it straight while guiding it onto the clips. After aligning the panel perpendicularly, bring the back into contact with all the Impaler tips. Apply the right pressure to impale the panel with the support tips. The panel will slide onto the Impalers and sink about 2cm.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eThe panel is now correctly mounted!\u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCorner Impalers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003ePrimacoustic Corner Impalers simplify mounting BroadBand panels in room corners to form effective bass traps. As with Surface clips, Corner Impalers feature sharp tips that penetrate the panel and hold it securely in place.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eUse 4 supports for each panel.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 1\u003c\/strong\u003e: Identify the approximate panel position in the corner, draw a horizontal pencil line exactly 432 mm from the corner vertex on both sides.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 2\u003c\/strong\u003e: Mark the position of all screws\/anchors following the edge of the pencil line. Corner Impalers should be approximately 15\/20 cm from the top\/bottom edges of the panel.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 3\u003c\/strong\u003e: Install the included anchors for each Corner Impaler if your wall is made of drywall. Otherwise, obtain anchors suitable for the type of surface on which you will apply the panels. Use the specially designed holes on the support to tighten the screws!\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 4\u003c\/strong\u003e: Once the flanges are in place, carefully rotate the sharp Impaler tips so that they are all pointing upwards at a 45° angle.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eStep 5\u003c\/strong\u003e: Lift the panel so that it is in contact with all the corner Impaler tips. Once aligned perpendicularly, apply even pressure to the entire panel and impale it onto the clips. The panel will sink about two centimeters.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eThe panel is ready!\u003c\/p\u003e","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003704283481,"sku":"G7400008158","price":542.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-2-paintable-24-x48-sq-g7400008158_0.jpg?v=1778130311"},{"product_id":"halo-36-g7400009180","title":"Primacoustic Halo-36","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Halo \u003c\/strong\u003eis a circular ceiling sound-absorbing panel ideal for treating any room, in a \u003cstrong\u003ePaintable\u003c\/strong\u003e finish. Each panel measures 91.4 x 91.4 cm and is 38mm thick. In this version, the panels feature a \u003cstrong\u003e90° edge\u003c\/strong\u003e.\u003c\/h1\u003e\u003cp style=\"font-weight: 400;\"\u003eAll mounting accessories are included with\u003cstrong\u003e Primacoustic Halo.\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eAll ceiling panels are made with 38mm thick, 96 kg\/m³ high-density glass wool for exceptionally even absorption. The glass wool is enclosed within a protective micro-mesh, and the edges are resin-coated to retain as much of the (non-toxic) glass fiber leakage as possible. The acoustic panel is then covered with an acoustically transparent fabric or coated with the Absolute White paintable finish.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eAs with all Primacoustic panels, the Clouds are laboratory tested for acoustic performance and fire safety, achieving the most stringent Class A\/1 rating in North America and Class B in Europe, making them safe for use in all types of installations.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHalo\u003c\/strong\u003e panels can be suspended horizontally from the ceiling in spaces like restaurants, atriums, gymnasiums, or any other space where discrete acoustic treatment is desired. Installation is easy. Each kit includes two high-density glass wool panels plus all necessary hardware to suspend them horizontally from the ceiling. Panels can also be wall-mounted using Surface Impaler brackets or installed as vertically suspended baffles using Corkscrew™ anchors (sold separately).\u003c\/p\u003e\u003ch2 style=\"font-weight: 400; text-align: center;\"\u003e\u003cstrong\u003eExamples of Primacoustic panel placement on the ceiling\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Example of ceiling acoustic panel installation in real environments\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Primacoustic-Pannelli-acustici-da-soffitto-esempi_b5cf.jpg\" title=\"Example of ceiling acoustic panel installation in real environments \" \/\u003e\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHow Halo panels work\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Halo\u003c\/strong\u003e absorbs sound energy produced by speakers, converting it into heat. Sound energy traveling through air pressure variations penetrates the panel, causing the tiny glass fibers to vibrate, which generates heat. This thermodynamic energy transfer effectively absorbs direct sound energy and prevents it from reflecting back to the mix position (sweet spot).\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eBy itself, the 38mm thick glass wool panel is 100% effective for frequencies between 400Hz and 20kHz. To improve the evening and control an even broader frequency spectrum, \u003cstrong\u003ePrimacoustic Halo\u003c\/strong\u003e can be angled to vary the air gap between the Nimbus and the ceiling. This allows the support surface to also absorb any ceiling reflections.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSurface and Corner Impalers mounting system\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eThe Primacoustic Impaler system is used to provide the user or installer with a simple, quick, and effective method for mounting fiberglass ceiling acoustic panels also on walls, without causing serious damage to the surface.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eThe galvanized steel impaler features a series of sharp, protruding darts that penetrate the panel to secure it in place during installation. To ensure that the panels do not shift after installation, it is recommended to apply a small amount of glue to the tips of the impaler during the mounting process; this adds an extra layer of security and reduces the opportunity for tampering. Impaler brackets attach to the surface using typical wall plugs and screws for concrete or drywall. A set of drywall anchors with corresponding screws is included.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eWhat does Paintable mean?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eIf you ask anyone in the industry what the most common problem for customers is, they will surely tell you it has to do with color choice. \u003c\/span\u003e\u003cspan\u003ePrimacoustic Paintable panels were created as a neutral solution that allows the end user to decide the color after the panels have been delivered. This eliminates uncertainty about color choice and opens the door to creative use of textures and finishes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003ePrimacoustic Paintable panels are an innovative range of acoustic panels finished in Absolute White that can be repainted in any color you prefer! The project starts with the same 96 kg\/m3 high-density glass wool core used in the Broadway series panels. Instead of wrapping the panel in colored fabric, the front and edges of the Paintable panels have a breathable latex finish that allows them to be spray painted or printed without affecting acoustic performance. The unique coated surface of Paintable panels can be printed at any print shop. Using a UV flatbed printer that accepts a minimum thickness of 5cm, custom graphics, photos, logos, or an image of your choice can be applied to the front of the panel. This high-resolution printing applies a thin coating in vibrant colors without compromising the acoustic performance of the panel. Complete customization of your acoustic treatment is now possible!\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Halo Paintable documentation and certifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"font-weight: 400;\"\u003eAll Primacoustic panels are laboratory tested for acoustic performance and fire safety. Class A\/1 fire-rated, they meet the strict ASTM-E84 and Can-UL S102 requirements for flame spread and smoke development. This makes Broadway panels safe for use in commercial, governmental, and institutional installations.\u003c\/p\u003e\u003ch2 style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrimacoustic Halo Paintable features\u003c\/strong\u003e:\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cspan\u003eCircular sound-absorbing panel, dimensions 91.4 x 91.4\u003c\/span\u003e cm\u003c\/li\u003e     \u003cli\u003e38mm thick\u003c\/li\u003e     \u003cli\u003ePaintable color\u003c\/li\u003e     \u003cli\u003eInstallation accessories included in the kit\u003c\/li\u003e     \u003cli\u003e90° edge\u003c\/li\u003e     \u003cli\u003eTwo panels per pack\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003ePrimacoustic Halo panels absorption coefficient\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Absorption coefficient of Primacoustic ceiling panels\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Coefficiente-di-assorbimento-pannelli-acustici-da-soffitto-Primacoustic_2d04.jpg\" title=\" Absorption coefficient of Primacoustic ceiling panels\" \/\u003e\u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAre Primacoustic Acoustic Clouds safe to handle? I've heard that fiberglass can cause irritation.\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eIndeed, that's true! This is why all Primacoustic acoustic panels are fully encapsulated and have resin-hardened edges. This completely retains the glass fibers. When you cut the panels, fibers may be released. If you choose to do so, it is recommended to wear gloves, goggles, and a mask during handling.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAre the Absolute White painted panels flame retardant?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eAbsolutely, yes.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eWhat is the difference between the Halo and the Stratus panels?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eThey are very similar. The Stratus features a special aluminum frame that allows you to join several together to create a particularly large cloud. This type of mounting is mainly used in a recording studio. The Halo is a general-purpose acoustic panel, so it is not application-specific.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCan I use a Primacoustic Halo panel as a suspended baffle?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eOf course, just use the CorkScrew support to suspend the panel, and also use the SlipNot assembled cables for quick height adjustment.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCan I use Primacoustic Halo panels as wall panels?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eYes. Just add Surface Impalers for mounting.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003ch3 style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCan I glue the cloud panels to the wall for a permanent installation?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"font-weight: 400;\"\u003eYes. Just apply construction adhesive and use pressure impalers to hold it in place while the glue dries.\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I drill a hole in a cloud panel to add a lamp?\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"font-weight: 400;\"\u003eYes... but make sure it has an appropriate steel housing designed for use within a suspended ceiling with insulation. Ask your dealer for the best product suitable for this specific application.\u003c\/p\u003e","brand":"PRIMA","offers":[{"title":"Default Title","offer_id":58003705004377,"sku":"G7400009180","price":671.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41-primacoustic-halo-36-g7400009180_0.jpg?v=1778130348"},{"product_id":"qu-pac-gal61931918","title":"Allen \u0026 Heath QU-PAC","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;\u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; \u0026lt;strong\u0026gt;Qu-Pac\u0026lt;\/strong\u0026gt; is a digital mixer with 22 inputs and 12 outputs. The touchscreen provides control over the preamp, high-pass filter, parametric EQ, GEQ, gate, compressor, and pan for each individual channel. 4 effect processors are configurable as inserts or sends from channels or mix buses. The Qu-Pac integrates a 32In\/32Out USB audio interface, multitrack audio recording to USB mass storage devices, and preset and scene save and recall functions. Remote control via the \u0026lt;strong\u0026gt;QU-Pad app (iOS)\u0026lt;\/strong\u0026gt; is also available.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Capture all the details with \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath \u0026lt;\/a\u0026gt;Qu-Pac\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heathhttps:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath \u0026lt;\/a\u0026gt;Qu-Pac\u0026lt;\/strong\u0026gt; was designed from the ground up to deliver professional sound quality from input to output. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; mixer features sixteen digitally controlled \u0026lt;strong\u0026gt;AnalogiQ\u0026lt;\/strong\u0026gt; preamps; the \u0026lt;strong\u0026gt;AnalogiQ\u0026lt;\/strong\u0026gt; preamp design has been perfected to offer transparency and minimal distortion, with extremely low background noise, while maintaining a warm, musical sound that some digital consoles unfortunately lack. Input signal conversion occurs at 24 bits with high-end, low-latency converters. The same applies to digital-to-analog conversion to ensure the same output quality.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;High-level effects and signal processors\u0026amp;nbsp; \u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"gli effetti dei mixer Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" src=\"\/images\/uploads\/\/effetti.jpg\" title=\"gli effetti dei mixer Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;RackFX\u0026lt;\/strong\u0026gt; dynamics processors and FX algorithms in the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath \u0026lt;\/a\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/tag\/i-mixer-digitali-della-serie-qu-di-allenheath\"\u0026gt;Qu\u0026lt;\/a\u0026gt; \u0026lt;\/strong\u0026gt;series are derived from the iLive series. Some of the most renowned sound engineers have chosen to use RackFX during their tours for convenience and quality, preferring on-board effects over external plug-ins or effect racks. \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; boasts 4 stereo RackFX engines, carefully crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers, and much more. The effects are returned to the mix on dedicated return channels, so they do not occupy mono or stereo input channels, and each stereo FX return has a dedicated 4-band parametric EQ.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Touch Screen\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The 5-inch touchscreen has an 800x480 pixel definition and provides quick access to all live mixing functions and setup, memory management, and save functions. The screen is essential for channel routing and patching effects. Through it and the rotary encoder, we can adjust all mixer parameters that are, in other models, managed by faders and potentiometers.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Effect Configuration\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac \u0026lt;\/strong\u0026gt;features 4 internal stereo effect processors. These are effects found in the flagship \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; iLive\u0026lt;\/strong\u0026gt; digital mixing system and are based on emulations of popular effects that have become industry standards over time.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;We can access the effect linking menu via \u0026lt;strong\u0026gt;\u0026amp;lsquo;back panel\u0026amp;rsquo;\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"il routing degli effetti può essere assegnato tramite il menu Back End\" src=\"\/images\/uploads\/\/FX routing.jpg\" title=\"il routing degli effetti può essere assegnato tramite il menu Back End\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;From here we can open the drop-down menu to select the signal flow for our effects.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Mix\u0026amp;gt;Return -\u0026lt;\/strong\u0026gt; Known as a “system effect”.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It uses a bus to send a mix of channels to an effect and a dedicated stereo FX Return channel to add the \"wet\" effect to the original \"dry\" sound. It is used for effects such as reverb and delay. Choose which mix bus to use as input, for the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt;, the dedicated buses for this are FX1 and FX2. If you want to use FX3 or FX4 as another system effect, you can patch the effect to an input of Mix1-10 buses.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Ch\u0026amp;gt;Return \u0026amp;ndash; \u0026lt;\/strong\u0026gt;This is similar to Mix\u0026amp;gt;Return.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;A system effect but in this case, it is fed from a channel instead of a mix of channels. It uses the assigned Direct Output as its source. Some examples include a vocal channel delay, a gated reverb on a snare drum, or chorus added to a guitar.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Insert \u0026amp;ndash;\u0026lt;\/strong\u0026gt; Here the effect is patched in-line with an input channel or master mix. It is inserted using the channel's Insert control. Effects applied with inserts have a Dry\/Wet control to balance the effect with the original signal.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;DCA Groups\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; allows us to create \u0026lt;strong\u0026gt;DCA groups\u0026lt;\/strong\u0026gt; to simultaneously control multiple faders. These groups can be muted, and the command to do so can be mapped to the \u0026lt;strong\u0026gt;15 soft keys\u0026lt;\/strong\u0026gt; found on the main panel. To access the masters and to name and assign the groups, we use this submenu:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"menu per rinominar i DCA groups e assegnare le funzioni dei softkey\" src=\"\/images\/uploads\/\/prova dca.jpg\" title=\"menu per rinominar i DCA groups e assegnare le funzioni dei softkey\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It is also possible to access group masters from the home screen; it can be useful to assign a mute or a DCA group to the effect returns, thus providing a quick way to mute or reduce effects between songs.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Input and Output\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h2 style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heath Qu-Pac\" src=\"\/images\/uploads\/\/in_out_allenheath_qu_pac.jpg\" title=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heath Qu-Pac\" \/\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; has 16 inputs for line-level signals on \u0026amp;frac14;\u0026amp;rsquo; TRS connectors or microphone signals on XLR connectors, 2 stereo inputs on 4 \u0026amp;frac14;\u0026amp;rsquo; TRS connectors, 1 stereo line input on a 3.5mm mini-jack connector, and an XLR input for Talkback. For outputs, we have 10 mix outs on XLR connectors, 2 Main mix L\/R XLR outputs, Alt out on \u0026amp;frac14;\u0026amp;rsquo; TRS connectors, 2TRK out also on \u0026amp;frac14;\u0026amp;rsquo; TRS connectors, one XLR for AES out, a dSNAKE port, a USB type B for DAW connection, and an RJ45 network port.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Computer-Free Recording\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"Registrazione multitraccia diretta su memorie di massa USB\" src=\"\/images\/uploads\/\/qudrive_allenheath_qu_pac.jpg\" title=\"Registrazione multitraccia diretta su memorie di massa USB\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026amp;nbsp;\u0026lt;\/a\u0026gt;Qu-Pac\u0026lt;\/strong\u0026gt; is equipped with an integrated multitrack recorder, providing 18 channels of recording and playback at 48 kHz, 24-bit directly to USB mass storage devices, facilitating the recording of shows or studio performances. You can record a selectable stereo pair along with the 16 mono channels, and multitrack audio can be played back on the 16 mono inputs plus ST1. In addition, Qu-Drive also provides patchable stereo recording from any pair of Mix outputs, Main LR (pre, post, or summed to mono), or even from the PAFL bus, with 2-track stereo playback on ST3.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;AMM: Automatic Mic Mixer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The AMM is highly functional in applications such as conferences and meetings where multiple microphones are open simultaneously. AMM works by reducing background noise, minimizing the risk of feedback, and maintaining all sound sources at the same level, ensuring that each speaker's contribution is clearly heard, thanks also to the D-Classic gain algorithm, inspired by industry-standard automixers.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Remote control app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; is designed to seamlessly integrate with the \u0026lt;strong\u0026gt;Qu-Pad\u0026lt;\/strong\u0026gt; app, which is fully featured for operating the mixer, providing fast and easy access to all settings, including channel processing, meters and RTA, FX racks, scene management, USB audio control, menu configuration, and much more.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Customizable monitor listening for musicians with Qu-You app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tramite l'app Qu-You i musicisti possono regolare i volumi dei vari canali del proprio monitor mix\" src=\"\/images\/uploads\/\/qu-you.jpg\" title=\"Tramite l'app Qu-You i musicisti possono regolare i volumi dei vari canali del proprio monitor mix\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Qu-You is an Allen \u0026amp;amp; Heath app designed for musicians, allowing up to seven artists to control their monitor mixes via Wi-Fi using an iPhone®, iPad®, iPod Touch®, or Android device.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;USB audio streaming and MIDI control\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Want to live stream? Easy. Just send a stereo mix via USB and your streaming software will do the rest. \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; can be used as a multitrack interface with 16 audio inputs, Main Mix L\/R output, and 3 stereo mix outputs. The device will be recognized by \u0026lt;strong\u0026gt;all computers with ASIO drivers and the most commonly used DAWs\u0026lt;\/strong\u0026gt;, including Logic, Cubase, Reaper, and Pro Tools. Standard MIDI control is sent via USB connections and the network port, allowing us to map DAW faders using the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; MIDI Control\u0026lt;\/strong\u0026gt; app, which provides easy setup and emulation of \u0026lt;strong\u0026gt;HUI or Mackie Control protocols\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Three-level security lock\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;For control security, three user profiles are available:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Admin -\u0026lt;\/strong\u0026gt; has access to everything. Can configure the mixer and set user permissions and passwords.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Standard - \u0026lt;\/strong\u0026gt;Can control the live mix but is cut off from system and configuration functions.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Basic -\u0026lt;\/strong\u0026gt; Can only control faders and mutes and may be excluded from some channels or be limited only to the customized fader level.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Passwords can be set for each of these three users, which are required for access and locking the surface. \u0026lt;strong\u0026gt;The Qu-Pad app follows the same user permissions\u0026lt;\/strong\u0026gt;. The administrator can set a separate password for Qu-You and Qu-Control users. Standard and Basic users can also be limited to using selected scenes.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Robust and silent\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Made from 18-gauge cold-rolled Zintec steel, the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt; chassis has been designed and tested to ensure strength and durability. Silence is a precious commodity in both live and studio environments, and no one wants it ruined by humming from cooling fans. With this in mind, \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;\u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; designed a series of mixers capable of optimal air recirculation without the need for fans.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features of \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-Pac\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;4 stereo effect returns and 4 effect engines\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;4 customizable soft keys with user-assignable functions\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;5\u0026amp;quot; 800x480 16-million-color touchscreen\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;On all inputs: trim, polarity, HPF, gate, insert, 4-band parametric EQ, compressor, and delay\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;On all outputs: insert, 1\/3 octave graphic equalizer, compressor, and delay on Main LR and Mono Mix outputs\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;On all stereo outputs: Insert, 4-band parametric EQ, compressor, and delay\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Preamplifiers: 24-bit high-end AnalogiQ with very low latency ensuring extremely low distortion\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;4 stereo effect engines, effect bank derived from professional iLive effects\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Qu-Drive: 18-track and stereo track recording and playback directly from a USB stick or external hard drive\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;24x22 USB audio interface: up to 24 selectable tracks can be streamed to a PC or Mac.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;PC or Mac returns can be assigned to input channels.\u003c\/li\u003e\n     \u003cli\u003ePlug \u0026amp; play on Mac, MDM, and ASIO drivers for Windows\u003c\/li\u003e\n     \u003cli\u003eMIDI controller for computer music software via USB interface\u003c\/li\u003e\n     \u003cli\u003eAudio offset for dSnake remote control via Cat5e cable for connection to an AB168, AR2412, or AR84 audio rack\u003c\/li\u003e\n     \u003cli\u003eCompatible with the ME personal monitoring system: connection via the console's dSnake port or an AR2412 audio rack\u003c\/li\u003e\n     \u003cli\u003eQu-Pad application: remote control with iPad via Wi-Fi (Wi-Fi router not included)\u003c\/li\u003e\n     \u003cli\u003eQu-You application: personal monitoring controlled via iPhone, iPad, iPod Touch, and Android.\u003c\/li\u003e\n     \u003cli\u003eQu-Control app: user-customizable wireless control interface on iPhone, iPad, or iPod Touch\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eTechnical Specifications of \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u003eAllen \u0026amp; Heath\u003c\/a\u003e Qu-Pac\u003c\/strong\u003e\u003c\/h2\u003e\n \u003cp\u003e\u003cstrong\u003eMic\/Line Inputs:\u003c\/strong\u003e balanced, XLR and 1\/4\" TRS\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInput Sensitivity: \u003c\/strong\u003eXLR -60 to +5dBu \/ TRS -50 to +15dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eAnalog Gain: \u003c\/strong\u003e-5 to +60dB, 1dB step\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaximum Input Level: \u003c\/strong\u003eXLR +19dB \/ TRS +29dB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInput Impedance: \u003c\/strong\u003eXLR \u0026gt;5kΩ \/ TRS \u0026gt;10 kΩ\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTHD+N, Unity gain 0dB: \u003c\/strong\u003e0.0005% -89dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTHD+N, Mid gain +30dB: \u003c\/strong\u003e0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eStereo Line Inputs\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST1, ST2 Connectors: \u003c\/strong\u003e1\/4\" TRS balanced jack, half-normalled\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST3 Connector: \u003c\/strong\u003e3.5mm unbalanced stereo mini-jack\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInput Sensitivity \u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST1, ST2: \u003c\/strong\u003e+4dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST3: \u003c\/strong\u003e0dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTrim: \u003c\/strong\u003e+\/- 24dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaximum Input Level: \u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST1, ST2: \u003c\/strong\u003e+22dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST3: \u003c\/strong\u003e+18dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInput Impedance: \u003c\/strong\u003e\u0026gt;7kΩ\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMix1-10 and L\/R Out\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eConnectors: \u003c\/strong\u003ebalanced XLR\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eOutput Impedance: \u003c\/strong\u003e\u0026lt;75Ω\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eNominal Output: \u003c\/strong\u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaximum Output Level: \u003c\/strong\u003e+22dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eResidual Output Noise: \u003c\/strong\u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eStereo Alt Out \u0026amp; 2Trk Out\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eConnectors: \u003c\/strong\u003ebalanced ¼’ TRS jack\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSource (Alt Output\/2Trk Output): \u003c\/strong\u003ePatchable \/ L\/R post-fade\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eOutput Impedance: \u003c\/strong\u003e\u0026lt;75Ω\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eNominal Output: \u003c\/strong\u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaximum Output Level: \u003c\/strong\u003e+22dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eResidual Output Noise: \u003c\/strong\u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eAES digital output: \u003c\/strong\u003e2 channels, 48kHz sample rate, XLR, 2.5 Vpp balanced terminated 110 Ω\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003edSNAKE\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003einputs: \u003c\/strong\u003eremote source for CH 1-32, ST1, ST2, ST3\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eoutputs: \u003c\/strong\u003epatchable from Mix1-10, L\/R, Grp1-8, MTX1-4\u003c\/p\u003e\n \u003cp\u003ecompatible with AudioRacks AR2412, AR84, AB168\u003c\/p\u003e\n \u003cp\u003ecompatible with ME mix system\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSystem: \u003c\/strong\u003ebalanced XLR measured at XLR output, 0dB gain, 0dBu input\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eDynamic Range: \u003c\/strong\u003e112dB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e+0\/-0.5dB 20Hz to 20kHz\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eHeadroom: \u003c\/strong\u003e+18dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInternal Operating Level: \u003c\/strong\u003e0dBu\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003edBFS Alignment: \u003c\/strong\u003e+18dBu = 0dBFS (+22dBu at XLR output)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMeter Calibration: \u003c\/strong\u003e0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePeak Meter Indication: \u003c\/strong\u003e-3dBFS (+19dBu at XLR out)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSignal Meter Indication: \u003c\/strong\u003e-48dBFS (-26dBu at XLR out)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMeter Type: \u003c\/strong\u003efast response (peak)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSample Rate: \u003c\/strong\u003e48kHz +\/-100PPM\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eADC, DAC: \u003c\/strong\u003e24-bit Delta-Sigma\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eLatency: \u003c\/strong\u003e1.2 ms (from XLR to XLR out)\u003c\/p\u003e\n \u003cp\u003e                         0.7 ms (from XLR to AES out)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTemperature Range: \u003c\/strong\u003e0 degrees Celsius to 35 degrees Celsius\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePower Supply: \u003c\/strong\u003e100-240V AC, 50\/60Hz\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInput Processing\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSource\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eCH1-32: \u003c\/strong\u003elocal, dSNAKE or USB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST1,ST2: \u003c\/strong\u003elocal, dSNAKE or USB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eST3: \u003c\/strong\u003elocal, dSNAKE or USB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eUSB Source: \u003c\/strong\u003eQu-Drive or USB B Streaming\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eStereo link: \u003c\/strong\u003eodd\/even input pairs\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eLink options: \u003c\/strong\u003epreamp, polarity, sidechain, fader\/mute, pan\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePolarity: \u003c\/strong\u003enormal\/inverted\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eHigh-pass filter: \u003c\/strong\u003e12dB\/octave 20Hz-20kHz\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInsert: \u003c\/strong\u003eAssign FX1-4 to input channels\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eDelay: \u003c\/strong\u003eup to 85ms\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eGate: \u003c\/strong\u003esidechain\/standalone\u003c\/p\u003e\n \u003cp\u003e               Threshold \/ Depth  -72dBu to +18dBu \/ 0 to 60dB\u003c\/p\u003e\n \u003cp\u003e               Attack \/ Hold \/ Release 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePEQ: \u003c\/strong\u003e4 fully parametric bands, 20-20kHz, +\/-15dB\u003c\/p\u003e\n \u003cp\u003e               Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n \u003cp\u003e               Bands 2\/3: bell\u003c\/p\u003e\n \u003cp\u003e               Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n \u003cp\u003e               Bandwidth: Q non-constant, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eCompressor: \u003c\/strong\u003esidechain\/standalone\u003c\/p\u003e\n \u003cp\u003e                Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n \u003cp\u003e                Attack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/p\u003e\n \u003cp\u003e                Knee: soft \/ hard\u003c\/p\u003e\n \u003cp\u003e                Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMix processing\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eDirect Out from channel to USB: \u003c\/strong\u003eFollow Fader, Follow Mute (global option)\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSource Selection (global): \u003c\/strong\u003ePost-Preamp, Pre-Eq, Post-Delay\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eInsert: \u003c\/strong\u003eAssign FX to Mix channels\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eDelay: \u003c\/strong\u003eup to 170ms\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eGEQ:\u003c\/strong\u003e Constant 1\/3 octave, 28 bands 31Hz-16kHz, Gain of +\/- 12 dB\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePEQ: \u003c\/strong\u003e4 PARAMETRIC BANDS, 20Hz-20kHz, +\/-15dB\u003c\/p\u003e\n \u003cp\u003e               Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n \u003cp\u003e               Bands 2\/3: bell\u003c\/p\u003e\n \u003cp\u003e               Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n \u003cp\u003e               Bell Width: Q non-constant, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eCompressor: \u003c\/strong\u003esidechain\/standalone\u003c\/p\u003e\n \u003cp\u003e                                         Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n \u003cp\u003e                                         Attack \/ Release: 300us – 300ms \/ 100ms - 2s\u003c\/p\u003e\n \u003cp\u003e                                         Knee: soft\/hard\u003c\/p\u003e\n \u003cp\u003e                                         Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eFX\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003eInternal Effects: 4 x RackFX engine, Send\u0026gt;Return or Insert\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eAudio Tools\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003eTypes: reverb, delay, gated reverb, ADT\u003c\/p\u003e\n \u003cp\u003e                                         Chorus, symphonic chorus, phaser, flanger\u003c\/p\u003e\n \u003cp\u003e4 dedicated stereo returns: fader, pan, mute, routing to mix\/LR, 4-band PEQ\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePAFL: \u003c\/strong\u003ePFL or stereo in-place AFL, 0 to -24dB Trim, 85ms delay\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTalkback: \u003c\/strong\u003eassignable to any mix, 12dB\/octave HPF\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSignal Generator: \u003c\/strong\u003eassignable to any mix, sine wave\/pink noise\/white noise\/band-pass noise\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eRTA: \u003c\/strong\u003e31 bands 1\/3 octave 20-20kHz, PAFL source\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eUSB audio\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eQu-Drive: \u003c\/strong\u003eUSB A\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eStereo Recording: \u003c\/strong\u003e2 channels, WAV 48kHz, 24-bit, patchable\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eStereo Playback: \u003c\/strong\u003e2 channels, WAV, 44.1 or 48kHz, 16 or 24-bit, or to ST3\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMultitrack Recording: \u003c\/strong\u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMultitrack Playback: \u003c\/strong\u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eUSB Audio Streaming:\u003c\/strong\u003e USB B, Core Audio compliant\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSends (upstream): \u003c\/strong\u003e24 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eReturns (downstream): \u003c\/strong\u003e22 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eFaders: \u003c\/strong\u003e100mm, motorized\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eTouch Screen: \u003c\/strong\u003e5\" TFT, 800x480 resolution\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSoft Keys: \u003c\/strong\u003e4\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMute Groups:\u003c\/strong\u003e 4\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eDCA Groups: \u003c\/strong\u003e4\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eNetwork: \u003c\/strong\u003eTCP\/IP Ethernet for MIDI and iPad app\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eWeight and Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003eMixer: 440x500x186mm\u003c\/p\u003e\n \u003cp\u003eRack mounted: 483x472x190mm\u003c\/p\u003e\n \u003cp\u003eShipped package dimensions: 610x680x350mm\u003c\/p\u003e\n \u003cp\u003eMixer weight: 10KG\u003c\/p\u003e\n \u003cp\u003eShipped package weight: 13.5KG\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8S775isd3iQ\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr \/\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XzXRW5CgtbU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr \/\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jtF7VovX-h4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ALLEN\u0026HEATH","offers":[{"title":"Default Title","offer_id":58003722633561,"sku":"GAL61931918","price":1631.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11-allen-heath-qu-pac-gal61931918_0.jpg?v=1778130772"},{"product_id":"qu-sb-gal61931990","title":"Allen \u0026 Heath Qu-SB","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; is a digital mixer with 18 inputs and 14 outputs. The \u0026lt;strong\u0026gt;SuperStrip\u0026lt;\/strong\u0026gt; of each individual channel is replaced in this model by touchscreen controls on the \u0026lt;strong\u0026gt;iOS app for iPad\u0026lt;\/strong\u0026gt;, which offers the same ability to adjust preamps, high-pass filters, parametric EQ, GEQ, gate, compressor, and pan as the version with onboard controls. 4 effects processors can be configured as inserts or sends from the channel or mix bus. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; integrates a 32 In\/32 Out USB audio interface for multitrack recording to USB mass storage devices or for integrated use with DAW software. Through the \u0026lt;strong\u0026gt;QU-Pad (iOS) app\u0026lt;\/strong\u0026gt;, scenes and presets can be saved and recalled on the mixer.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Capture all the details with \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Allen \u0026amp;amp; Heath Qu-SB has been designed from the ground up to deliver professional sound quality from input to output. The Qu-SB mixer features sixteen digitally controlled AnalogiQ preamps. The AnalogiQ preamp design has been perfected to offer transparency and minimal distortion, with extremely low noise floor. All while maintaining a warm and musical sound that some digital consoles unfortunately lack. Input signal conversion occurs at 24-bit with high-end, low-latency converters. The same applies to digital-to-analog conversion to ensure the same output quality.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;High-level effects and signal processors\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"gli effetti della  serie Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" src=\"\/images\/uploads\/\/effetti.jpg\" title=\"gli effetti della  serie Allen \u0026amp;amp; Heath Qu derivano dalla serie iLive\" \/\u0026gt;h\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;RackFX\u0026lt;\/strong\u0026gt; dynamics processors and effect algorithms of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/tag\/i-mixer-digitali-della-serie-qu-di-allenheath\"\u0026gt;Qu\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt; series are derived from the iLive series. Some of the most renowned sound engineers have chosen to use RackFX during their tours for convenience and quality, preferring onboard effects over plugins or external effects racks. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; boasts 4 stereo RackFX engines, carefully crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers, and much more. The effects are returned to the mix on dedicated return channels; therefore, they do not occupy mono or stereo input channels, and each stereo FX return has a dedicated 4-band parametric EQ.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Total control via the QU-Pad app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tramite l'app Qu-Pad abbiamo a disposizione tutti i controlli della superstrip e tutte le funzioni del mixer\" src=\"\/images\/uploads\/\/channel strip.jpg\" title=\"Tramite l'app Qu-Pad abbiamo a disposizione tutti i controlli della superstrip e tutte le funzioni del mixer\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB is entirely controlled via the iOS app (not available on Android) Qu-Pad.\u0026lt;\/strong\u0026gt; On its main screen, the master fader section is located on the left side of the screen, the controls for the various faders are in the central part of the screen, and at the top, there is the option to view effects and signal processors which can be selected on the left side of the screen.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;I\/O Patching\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite I\/OPatch possiamo gestire il routing routing completo del mixer\" src=\"\/images\/uploads\/\/in out patching.jpg\" title=\"tramite I\/OPatch possiamo gestire il routing routing completo del mixer\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Through the I\/O Patch screen, we can set the signal path for inputs and outputs of a stage box connected via dSNAKE, monitor routing, and the configuration of the 32 USB channels if we want to connect the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; to any DAW software.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Effects Configuration\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has 4 internal stereo effects processors. These are effects found in the flagship \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; iLive\u0026lt;\/strong\u0026gt; digital mixing system and are based on emulations of popular effects that have become industry standards over time. We can access the effects linking menu via the \u0026lt;strong\u0026gt;'back panel'.\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"il signal flow degli effetti viene impostato tramite la schermata dedicata dell'app Qu-Pad\" src=\"\/images\/uploads\/\/fx routing.jpg\" title=\"il signal flow degli effetti viene impostato tramite la schermata dedicata dell'app Qu-Pad\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;From here we can select the signal flow of our effects.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Mix\u0026amp;gt;Return -\u0026lt;\/strong\u0026gt; Known as a \u0026amp;ldquo;system effect\u0026amp;rdquo;.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It uses a bus to send a mix of channels to an effect and a dedicated stereo FX Return channel to add the \u0026amp;quot;wet\u0026amp;quot; effect to the original \u0026amp;quot;dry\u0026amp;quot; sound. It is used for effects such as reverb and delay. Choose which mix bus to use as input; for the \u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath Qu-SB\u0026lt;\/strong\u0026gt;, the dedicated buses for this are FX1 and FX2. If you want to use FX3 or FX4 as another system effect, you can patch the effect to an input of Mix1-10 buses.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Ch\u0026amp;gt;Return \u0026amp;ndash;\u0026lt;\/strong\u0026gt; This is similar to Mix\u0026amp;gt;Return\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;System effect, but in this case it is fed from a channel rather than a mix of channels. It uses the assigned Direct Output as its source. Some examples include a delay on a vocal channel, a gated reverb on a snare, or a chorus added to the guitar.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Insert \u0026amp;ndash;\u0026lt;\/strong\u0026gt; Here the effect is patched in-line with an input channel or master mix. It is inserted using the channel's Insert control. Effects applied with inserts have a Dry\/Wet control to balance the effect with the original signal.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;DCA Groups\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; gives us the ability to create \u0026lt;strong\u0026gt;DCA groups\u0026lt;\/strong\u0026gt; to control multiple faders simultaneously. These groups can be muted, and the command to do so can be mapped to the \u0026lt;strong\u0026gt;soft keys\u0026lt;\/strong\u0026gt;. To access the masters and to name and assign the groups, we use this submenu:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite questa schermata possiamo assegnare con un tocco i canali che vogliamo ai gruppi DCA\" src=\"\/images\/uploads\/\/DCA groups.jpg\" title=\"tramite questa schermata possiamo assegnare con un tocco i canali che vogliamo ai gruppi DCA\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026amp;nbsp;It can be useful to assign a mute or a DCA group to the effects returns, thus providing a quick way to mute or reduce effects between tracks.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Inputs and Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heat Qu-SB\" src=\"\/images\/uploads\/\/in out.jpg\" title=\"Ingressi e Uscite dell'Allen \u0026amp;amp; Heat Qu-SB\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has 16 inputs for line-level signals on \u0026amp;frac14;\u0026amp;rdquo; TRS connectors or for microphone signals on XLR connectors, a footswitch input, and 1 stereo line input on 2 \u0026amp;frac14;\u0026amp;rdquo; TRS connectors. As for outputs, we have 10 mix outputs on XLR connectors, 2 XLR Main mix L\/R outputs, a headphone output on \u0026amp;frac14;\u0026amp;rdquo; TRS, a stereo MTRX 1-2 output on 2 \u0026amp;frac14;\u0026amp;rdquo; TRS connectors, a dSNAKE port, USB type B for DAW connection, a \u0026lt;strong\u0026gt;Qu-Drive\u0026lt;\/strong\u0026gt; USB input for mass storage devices, and an RJ45 network port.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Computer-Free Recording\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"registrazione multitraccia diretta su memorie di massa USB\" src=\"\/images\/uploads\/\/qudrive.jpg\" title=\"registrazione multitraccia diretta su memorie di massa USB\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; features a built-in multitrack recorder, providing 18 channels of 48 kHz, 24-bit recording and playback directly to USB mass storage devices, making it easy to record shows or studio performances. A selectable stereo pair can be recorded along with the 16 mono channels, and multitrack audio can be played back to the 16 mono inputs plus ST1. In addition, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, Main LR (pre, post, or summed to mono), or even from the PAFL bus, with 2-track stereo playback to ST3.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;AMM: Automatic Mic Mixer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;AMM\u0026lt;\/strong\u0026gt; is highly functional in applications such as conferences and meetings where multiple microphones are open simultaneously. \u0026lt;strong\u0026gt;AMM\u0026lt;\/strong\u0026gt; works by reducing background noise, minimizing the risk of feedback, and keeping all sound sources at the same level, ensuring that each speaker's contribution is heard clearly, thanks also to the D-Classic gain algorithm, inspired by industry-standard automixers.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Customizable monitor mixes for musicians with the Qu-You app\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"tramite l'app Qu-You i musicisti possono personalizzare i prorpi monitor mix\" src=\"\/images\/uploads\/\/qu-you.jpg\" title=\"tramite l'app Qu-You i musicisti possono personalizzare i prorpi monitor mix\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Qu-You\u0026lt;\/strong\u0026gt; is an \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;\u0026lt;strong\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/strong\u0026gt;\u0026lt;\/a\u0026gt; app designed for musicians, allowing up to seven artists to control their monitor mixes via WiFi using an iPhone\u0026amp;reg;, iPad\u0026amp;reg;, iPod Touch\u0026amp;reg;, or Android device.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;USB audio streaming and MIDI control\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Want to live stream? Easy. Just send a stereo mix via USB, and your streaming software will do the rest. The \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; can be used as a multitrack interface; the device will be recognized by all computers with Asio drivers and the most commonly used DAWs including Logic, Cubase, Reaper, and Pro Tools. Standard MIDI control is sent via the USB connections and the network port, which allows us to map DAW faders using the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; MIDI Control\u0026lt;\/strong\u0026gt; app, providing easy setup and emulation of HUI or Mackie Control protocols.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Three-tier security lock\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;For control security, three user profiles are available:\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Admin -\u0026lt;\/strong\u0026gt; has access to everything. Can configure the mixer and set user permissions and passwords.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Standard - \u0026lt;\/strong\u0026gt;Can control the live mix but is locked out of system and configuration functions.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Basic -\u0026lt;\/strong\u0026gt; Can only control faders and mutes and may be excluded from certain channels or limited only to custom fader levels.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026amp;nbsp;Passwords can be set for each of these three users, which are required for access and surface lock. The Qu-Pad app follows the same user permissions. The administrator can set a separate password for Qu-You and Qu-Control users. Standard and Basic users can also be restricted to using only selected scenes.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Robust and Quiet\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Made from cold-rolled 18-gauge Zintec steel, the chassis of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\"\u0026gt;Allen \u0026amp;amp; Heath\u0026lt;\/a\u0026gt; Qu-SB\u0026lt;\/strong\u0026gt; has been designed and tested to ensure strength and durability. \u0026lt;\/p\u0026gt;Silence is a precious commodity both in live sound and in the studio, and no one wants it ruined by the hum of cooling fans. Keeping this in mind, **Allen \u0026 Heath** has designed a series of mixers capable of optimal air recirculation without the need for fans.\n\u003ch2\u003e\u003cstrong \u003eMain features of \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\" \u003eAllen \u0026 Heath\u003c\/a\u003e Qu-SB\u003c\/strong \u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4 stereo effects returns and 4 effects engines\u003c\/li\u003e\n\u003cli\u003e15 virtual soft keys (on QU-Pad iOS app) customizable with user-assignable functions\u003c\/li\u003e\n\u003cli\u003eOn all inputs: trim, polarity, HPF, gate, insert, 4-band parametric EQ, compressor, and delay\u003c\/li\u003e\n\u003cli\u003eOn all outputs: insert, 1\/3 octave graphic equalizer, compressor, and delay on Main LR and Mono Mix outputs\u003c\/li\u003e\n\u003cli\u003eOn all stereo outputs: Insert, 4-band parametric EQ, compressor, and delay\u003c\/li\u003e\n\u003cli\u003ePreamps: High-end 24-bit AnalogiQ with very low latency ensuring extremely low distortion levels\u003c\/li\u003e\n\u003cli\u003e4 stereo effects engines, effects bank derived from iLive professional effects\u003c\/li\u003e\n\u003cli\u003eQu-Drive: 18-track and stereo track recording and playback directly from a USB stick or external hard drive\u003c\/li\u003e\n\u003cli\u003e32x32 USB audio interface\u003c\/li\u003e\n\u003cli\u003ePlug \u0026 play on Mac drivers, MDM, and ASIO for Windows\u003c\/li\u003e\n\u003cli\u003eAudio offset for dSnake remote control via Cat5e cable for connection to an AB168, AR2412, or AR84 audiorack\u003c\/li\u003e\n\u003cli\u003eCompatible with ME personal monitoring system: connection via the console's dSnake port or an AR2412 audiorack\u003c\/li\u003e\n\u003cli\u003eQu-Pad application: remote control with iPad via Wi-Fi (Wi-Fi router not included)\u003c\/li\u003e\n\u003cli\u003eQu-You application: personal monitoring controlled via iPhone, iPad, iPod Touch, and Android.\u003c\/li\u003e\n\u003cli\u003eQu-Control app: user-customizable wireless control interface on iPhone, iPad, or iPod Touch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong \u003eTechnical specifications of \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/allen-heath\" \u003eAllen \u0026 Heath\u003c\/a\u003e Qu-SB\u003c\/strong \u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMic\/Line Inputs:\u003c\/strong \u003e balanced, XLR and 1\/4\" TRS\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput sensitivity: \u003c\/strong \u003eXLR -60 to +5dBu \/ TRS -50 to +15dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAnalog Gain: \u003c\/strong \u003e-5 to +60dB, 1dB steps\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum input level: \u003c\/strong \u003eXLR +19dB \/ TRS +29dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput Impedance: \u003c\/strong \u003eXLR \u003e5kΩ \/ TRS \u003e10 kΩ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTHD+N, Unity gain 0dB: \u003c\/strong \u003e0.0005% -89dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTHD+N, Mid gain +30dB: \u003c\/strong \u003e0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo Line Inputs\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2 connectors: \u003c\/strong \u003e1\/4\" balanced TRS jacks, half-normalled\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3 connector: \u003c\/strong \u003e3.5mm unbalanced stereo mini-jack\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput sensitivity \u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2: \u003c\/strong \u003e+4dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003e0dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTrim: \u003c\/strong \u003e+\/- 24dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum input level: \u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1, ST2: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003e+18dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput impedance: \u003c\/strong \u003e\u003e7kΩ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMix1-10 and L\/R Out\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eConnectors: \u003c\/strong \u003ebalanced XLR\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutput impedance: \u003c\/strong \u003e\u003c75Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNominal output: \u003c\/strong \u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum output level: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eResidual output noise: \u003c\/strong \u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutput impedance: \u003c\/strong \u003e\u003c75Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNominal output: \u003c\/strong \u003e+4dBu = 0dB meter reading\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMaximum output level: \u003c\/strong \u003e+22dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eResidual output noise: \u003c\/strong \u003e-90dBu (muted, 20-20kHz)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAES digital output: \u003c\/strong \u003e2 channels, 48kHz sample rate, XLR, 2.5 Vpp balanced terminated 110 Ω\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003edSNAKE\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInputs: \u003c\/strong \u003eremote source for CH 1-32, ST1, ST2, ST3\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eOutputs: \u003c\/strong \u003epatchable from Mix1-10, L\/R, Grp1-8, MTX1-4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eCompatible with AudioRacks AR2412, AR84, AB168\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eCompatible with ME mix system\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSystem: \u003c\/strong \u003eBalanced XLR measured at XLR output, 0dB gain, 0dBu Input\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDynamic range: \u003c\/strong \u003e112dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eFrequency response: \u003c\/strong \u003e+0\/-0.5dB 20Hz to 20kHz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eHeadroom: \u003c\/strong \u003e+18dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInternal operating level: \u003c\/strong \u003e0dBu\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003edBFS Alignment: \u003c\/strong \u003e+18dBu = 0dBFS (+22dBu at XLR output)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMeter Calibration: \u003c\/strong \u003e0dB meter = -18dBFS (+4dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePeak meter indications: \u003c\/strong \u003e-3dBFS (+19dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSignal meter indications: \u003c\/strong \u003e-48dBFS (-26dBu at XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMeter type: \u003c\/strong \u003efast response (peak)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSample rate: \u003c\/strong \u003e48kHz +\/-100PPM\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eADC, DAC: \u003c\/strong \u003e24-bit Delta-Sigma\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eLatency: \u003c\/strong \u003e1.2 ms (XLR to XLR out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; 0.7 ms (XLR to AES out)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTemperature range: \u003c\/strong \u003e0 degrees Celsius to 35 degrees Celsius\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePower supply: \u003c\/strong \u003e100-240V AC, 50\/60Hz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInput Processing\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSource\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCH1-32: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST1,ST2: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eST3: \u003c\/strong \u003elocal, dSNAKE or USB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB source: \u003c\/strong \u003eQu-Drive or USB B Streaming\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo link: \u003c\/strong \u003eeven\/odd input pairs\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eLink options: \u003c\/strong \u003epreamp, polarity, sidechain, fader\/mute, pan\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePolarity: \u003c\/strong \u003enormal\/inverted\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eHigh-pass filter: \u003c\/strong \u003e12dB\/octave 20Hz-20kHz\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInsert: \u003c\/strong \u003eAssign FX1-4 to input channels\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDelay: \u003c\/strong \u003eup to 85ms\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eGate: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Depth\u0026nbsp; -72dBu to +18dBu \/ 0 to 60dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Hold \/ Release 50us to 300ms \/ 10ms to 5s \/ 10ms to 1s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePEQ: \u003c\/strong \u003e4 fully parametric bands, 20-20kHz, +\/-15dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bands 2\/3: bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bandwidth: Non-constant Q, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCompressor: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Release: 300us \u0026ndash; 300ms \/ 100ms - 2s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Knee: soft \/ hard\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMix processing\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eChannel Direct Out to USB: \u003c\/strong \u003eFollow Fader, Follow Mute (global option)\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSource selection (global): \u003c\/strong \u003ePost-Preamp, Pre-Eq, Post-Delay\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eInsert: \u003c\/strong \u003eAssign FX to Mix channels\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDelay: \u003c\/strong \u003eup to 170ms\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eGEQ:\u003c\/strong \u003e Constant 1\/3 oct, 28 bands 31Hz-16kHz, +\/- 12 dB Gain\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePEQ: \u003c\/strong \u003e4 PARAMETRIC BANDS, 20Hz-20kHz, +\/-15dB\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 1: LF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bands 2\/3: bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Band 4: HF Shelving (Baxandall), bell\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Bell bandwidth: Non-constant Q, variable from 1.5 to 1\/9 octave\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eCompressor: \u003c\/strong \u003esidechain\/standalone\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Threshold \/ Ratio: -46dBu to 18dBu \/ 1:1 to infinity\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Attack \/ Release: 300us \u0026ndash; 300ms \/ 100ms - 2s\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Knee: soft\/hard\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Types: Peak Manual, RMS Manual, SlowOpto, PunchBag\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eFX\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eInternal effects: 4 x RackFX engine, Send\u003eReturn or Insert\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eAudio Tools\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eTypes: reverb, delay, gated reverb, ADT\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Chorus, symphonic chorus, phaser, flanger\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e4 dedicated stereo returns: fader, pan, mute, routing to mix\/LR, 4-band PEQ\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003ePAFL: \u003c\/strong \u003ePFL or stereo in-place AFL, 0 to -24dB Trim, 85ms delay\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eTalkback: \u003c\/strong \u003eassignable to any mix, 12dB\/octave HPF\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSignal generator: \u003c\/strong \u003eassignable to any mix, sine wave\/pink noise\/white noise\/band-pass noise\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eRTA: \u003c\/strong \u003e31 bands 1\/3 octave 20-20kHz, PAFL source\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB audio\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eQu-Drive: \u003c\/strong \u003eUSB A\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo recording: \u003c\/strong \u003e2 channels, WAV 48kHz, 24-bit, patchable\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eStereo playback: \u003c\/strong \u003e2 channels, WAV, 44.1 or 48kHz, 16 or 24-bit, or to ST3\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMultitrack recording: \u003c\/strong \u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMultitrack playback: \u003c\/strong \u003e18 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eUSB audio streaming:\u003c\/strong \u003e USB B, Core Audio compliant\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSends (upstream): \u003c\/strong \u003e32 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eReturns (downstream): \u003c\/strong \u003e32 channels, WAV, 48kHz, 24-bit\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eControls\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eSoft keys: \u003c\/strong \u003e10\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eMute groups:\u003c\/strong \u003e 4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eDCA groups: \u003c\/strong \u003e4\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eNetwork: \u003c\/strong \u003eTCP\/IP Ethernet for MIDI and iPad app\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong \u003eWeight and Dimensions\u003c\/strong \u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMixer: 435.5x174.5x161mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eRack-mounted: 483x135.4x177mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eShipped package dimensions: 550x270x270mm\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eMixer weight: 5.7KG\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong \u003eMixing app \u003c\/strong \u003e\u003c\/h3\u003eQu-Pad\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Having plenty of processing power and advanced features is great, but it counts for nothing without the ability to quickly access the controls.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-SB is designed to integrate seamlessly with the Qu-Pad app for iPad, providing easy and immediate access to all settings, including the channel processing screen, meters and RTA, FX rack, scene management, USB audio control, menu setup and more.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-Pad connects to the mixer via Wi-Fi* and allows you to adjust monitors on stage, walk around the venue fine-tuning the PA, and mix the show among the audience.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;*Wi-Fi router or access point connection to the Qu Network port is required.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_Qu-Pad_Live_Main.jpg\" style=\"height:262px; width:394px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;AnalogiQTM Preamps\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's 16 fully recallable AnalogiQTM preamps feature zero-crossing detection and an advanced 1dB step padless gain stage, linked to the DSP for optimal gain precision and maximum audio transparency.\u0026lt;br \/\u0026gt;The analog signal is captured by high-class, low-latency 24-bit analog-to-digital converters, coupled with high-quality 24-bit digital-to-analog converters to provide the necessary outputs.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The AnalogiQTM design has been refined over many months to offer excellent transparency, minimal distortion, and incredibly low noise floor, with a warm and musical sound that is missing in other digital consoles.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-Close-Up-03.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;iLive FX\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's effects algorithms are derived from the FX used in the professional touring iLive series.\u0026lt;\/p\u0026gt;A group of the world's most respected sound engineers have chosen to use iLive effects in preference to high-end plug-ins and other external effects units. \u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Qu-SB features 4 stereo iLive FX engines, with faithful emulations of classic legendary reverbs, gated reverbs, delays, modulators, flangers etc.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_iLive-FX.jpg\" style=\"height:351px; width:532px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Automatic Mic Mixer (AMM)\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;The AMM feature is vital for reducing background noise and minimising the risk of feedback in applications such as conferences, meetings and round tables where many microphones are open at the same time. The Automatic Microphone Mixer helps the engineer manage the levels of the various microphone inputs, ensuring audibility for each speaker. The D-Classic dynamic gain sharing algorithm is inspired by industry-standard automixers. Up to 16 microphone sources can be mixed simultaneously, with each channel having a priority definition that determines its \"weight\" on the system's total gain.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-AMM.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;USB Audio Streaming\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB's integrated interface transmits up to 32 selectable tracks to your Mac or PC. Returns from Mac or PC can be easily assigned to input channels. The interface is compatible with OS X - truly plug 'n play. It is immediately recognised by all DAWs that support Core Audio, including Logic, Cubase, Reaper and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Standard MIDI control is via the USB connection: it's easy to map faders for tracks in your favourite DAW. A DAW Control driver is available for immediate setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu-SB-Audio.jpg\" style=\"height:400px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Remote Audio Rack via dSNAKE\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Qu-SB can be expanded to 38 inputs via dSNAKE, which allows remote Cat5 connection to a combination of AB168, AR2412 or AR84 AudioRacks. dSNAKE is our proprietary network solution boasting a transport latency of only 105us over cables up to 120m long.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;With AudioRacks, you can unleash the full power of Qu-SB, with access to additional outputs for Stereo Matrix, Group or Monitor Mix.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"http:\/\/www.allen-heath.com\/media\/Qu_Chrome_dSnake_Feature.jpg\" style=\"height:406px; width:600px\" \/\u0026gt;\u0026lt;\/p\u0026gt; \u0026lt;iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZQv-tJdGGrE\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;br \/\u0026gt;\u0026lt;iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8S775isd3iQ\" frameborder=\"0\" allowfullscreen\u0026gt;\u0026lt;\/iframe\u0026gt;","brand":"ALLEN\u0026HEATH","offers":[{"title":"Default Title","offer_id":58003733774681,"sku":"GAL61931990","price":1121.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11-allen-heath-qu-sb-gal61931990_0.jpg?v=1778130973"},{"product_id":"ar84b-gal61940592","title":"Allen \u0026 Heath AR84B","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Audio rack (8 XLR IN, 4 XLR OUT) Possibility to connect 2 units. to 1 expander Mod. AR2412 (24 XLR IN, 12 XLR OUT) with CAT5 up to 120 m. up to 120 m. with CAT5 using the A\u0026amp;H dSNAKE protocol. The dSNAKE provides control to the remote preamps, and all mic preamps are scene recallable.\u0026lt;\/p\u0026gt;  \u0026lt;iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XzXRW5CgtbU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u0026gt;\u0026lt;\/iframe\u0026gt;","brand":"ALLEN\u0026HEATH","offers":[{"title":"Default Title","offer_id":58003734298969,"sku":"GAL61940592","price":958.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11-allen-heath-ar84b-gal61940592_0.jpg?v=1778130985"},{"product_id":"scarlett-8i6-3rd-gen","title":"Focusrite Scarlett 8i6 3rd Gen.","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eScarlett 8i6 is an 8-in, 6-out USB audio interface.\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eScarlett 8i6\u003c\/strong\u003e is the compact solution for your studio that allows you to keep all your hardware connected and ready to use: you can set up microphones, guitars, and synths and start creating as soon as inspiration strikes. With improved A-D and D-A conversion, your recordings and playback will be clear and detailed with a maximum resolution of \u003cstrong\u003e24-bit\/192kHz\u003c\/strong\u003e. Two independent high-fidelity headphone outputs with dedicated volume control allow flexible monitoring during recording and mixing.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e8i6\u003c\/strong\u003e offers two third-generation Focusrite Scarlett microphone preamplifiers, which feature the \u003cstrong\u003eAIR\u003c\/strong\u003e mode. When activated, AIR introduces a specific equalization curve. This is an enhancement of the mid-high frequencies, with a pleasantly noticeable saturation on vocals and acoustic sources in general. AIR mode emulates the function that made the ISA preamplifiers famous. The special \u003cstrong\u003eGain Halo\u003c\/strong\u003e meter, an LED surrounding the entire perimeter of the GAIN potentiometer that changes its illumination based on signal intensity, will simplify input level setting to avoid unpleasant distortions and clipping.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eRecord guitars or basses with the two high-headroom instrument inputs without clipping or unwanted distortion. The six flexible Line inputs – two on the front panel with gain control and four fixed on the rear – allow you to record up to six mono or three stereo Line Level sources, such as synthesizers or drum machines. The \u003cstrong\u003eMIDI IN and OUT ports\u003c\/strong\u003e on DIN connectors allow you to integrate and control hardware MIDI instruments in your setup. A pair of virtual loopback inputs allows you to capture a stereo feed of any combination of hardware input and software playback channels, simplifying podcasting, live streaming, and sampling.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003eThe balanced outputs of the third-series Scarlett are free from hum when connecting studio monitors with balanced inputs, ensuring the highest quality audio reproduction. Compared to previous series models, third-generation Scarlett interfaces stand out not only for improved dynamics but also for a boosted output level of 6dB when the interface is USB-powered; an important feature that allows you to better manage the Gain Staging of your production without significant repercussions on the listening level.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3-year warranty\u003c\/strong\u003e on all new \u003cstrong\u003eFocusrite\u003c\/strong\u003e products purchased from January 1, 2018 onwards. The Focusrite Warranty is synonymous with peace of mind for the user, representing a professional service that minimizes waiting times should a manufacturing defect occur, and confirms that the British company's products are built to high quality standards.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eScarlett 8i6\u003c\/strong\u003e is designed for touring and connects to Mac or PC computers with a USB cable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKey Features Scarlett 8i6\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo of the best microphone preamps ever in the Scarlett range, now with selectable Air mode to emulate the well-known ISA series preamps.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo high-headroom Instrument inputs for connecting guitar or bass. Six balanced Line inputs for connecting synthesizers, drum machines, and other Line Level sources.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHigh-performance converters for recording and mixing up to 24-bit \/ 192 kHz\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFour balanced outputs for clean monitoring and sending audio signals to effects pedals or other equipment.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e6dB more output than previous series models when USB-powered\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMIDI IN and OUT ports on DIN connectors\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eTechnical Specifications Scarlett 8i6\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"table\"\u003e\n\u003cbr\u003e\t\u003ctbody\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eProtocol\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eUSB 2.0\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eForm Factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eSimultaneous I\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e8 x 6\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eA\/D Resolution\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e24-bit\/192 kHz\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eNumber of Preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eNumber of Pads\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e6\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eAnalog Outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e4\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eHeadphone Outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eDigital Inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eS\/PDIF\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eDigital Outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eS\/PDIF\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eMIDI I\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eLoopback\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eBus Powered\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eNo\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003ePower Supply Included\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e1.435 kg (3.16 lbs)\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e77 mm (3.03\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e301 mm (11.85\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e256 mm (10.08\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eScarlett 8i6 is the compact solution for your studio that allows you to keep all your hardware connected and ready to use: you can set up microphones, guitars, and synths and start creating as soon as inspiration strikes. With improved A-D and D-A conversion, your recordings and playback will be clear and detailed up to 24-bit \/ 192kHz. Two independent high-fidelity headphone outputs with dedicated volume control allow flexible monitoring during recording and mixing.\u003cbr\u003e\u003cbr\u003e8i6 offers two of the best third-generation Focusrite Scarlett microphone preamps: the optional Air mode recreates the Air effect of their original ISA microphone preamp, giving your vocal or acoustic recordings a brighter, more open sound.\u003cbr\u003e\u003cbr\u003eRecord guitars or basses with the two high-headroom instrument inputs without clipping or unwanted distortion. The six flexible Line inputs – two on the front panel with gain control and four fixed on the rear – allow you to record up to six mono or three stereo Line Level sources, such as synthesizers or drum machines.\u003cbr\u003e\u003cbr\u003eA pair of virtual loopback inputs allows you to capture a stereo feed of any combination of hardware input and software playback channels – simplifying podcasting, live streaming, and sampling.\u003cbr\u003e\u003cbr\u003eScarlett 8i6 is designed for touring and connects directly to your Mac® or PC with a USB cable. It comes with all the software tools you need to get started: two complete digital audio workstations, Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack; Softube's Time and Tone Bundle; Focusrite's Red Plug-in Suite; and your choice of one of four XLN Audio Addictive Keys.\u003cbr\u003e\u003cbr\u003eFocusrite has partnered with Splice to offer owners of third-generation interfaces a free 3-month Splice Sounds subscription when registering a new Splice account. Splice Sounds offers millions of high-quality, royalty-free snapshots, loops, and presets, with new releases daily from favorite producers, sound designers, and artists. Producers use Splice to create all types of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and film scores.\u003cbr\u003e\u003cbr\u003eLike all Focusrite products, you will also benefit from a two-year warranty, award-winning customer support, and participation in their Plug-in Collective which offers free software downloads and generous discounts.\u003cbr\u003e\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":58003738231129,"sku":"GFO02001350","price":238.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/GFO02001350_m.jpg?v=1778131133"},{"product_id":"scarlett-18i8-3rd-gen","title":"Focusrite Scarlett 18i8 3rd Gen.","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch2 style=\"text-align: justify;\"\u003e\n\u003cstrong\u003eScarlett 18i8 \u003c\/strong\u003eis a compact and expandable 18-in, 8-out USB audio interface with 4 preamps.\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eScarlett 18i8\u003c\/strong\u003e offers eight analog inputs: 4 Mic\/Line inputs, 2 high-impedance High-Headroom Instrument inputs, and 4 additional fixed inputs on the rear. An optical input allows for up to eight additional channels for larger recording sessions. With improved AD\/DA conversion, recording and playback will be clear and detailed up to \u003cstrong\u003e24-bit \/ 192kHz\u003c\/strong\u003e, for a perfect mix. \u003cstrong\u003eScarlett 18i8\u003c\/strong\u003e features \u003cstrong\u003e4\u003c\/strong\u003e of Focusrite's best-ever third-generation Scarlett microphone preamps: the Air mode replicates the eponymous effect of the original ISA microphone preamp, giving vocal or acoustic recordings a brighter and airier sound. A Pad on each microphone preamp allows you to connect higher-level signals without clipping.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eScarlett 18i8\u003c\/strong\u003e offers 2 extra Line outputs compared to the previous generation and speaker switching technology for studios with dual monitoring systems. 2 independent headphone outputs allow the engineer and artist to monitor during recording sessions, a pair of virtual \u003cem\u003eloopback\u003c\/em\u003e inputs allowing you to capture a stereo feed from any combination of hardware inputs and software playback channels, simplifying podcasting, live streaming, and sampling.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eKey Features Focusrite Scarlett 18i8\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFour of the best-ever microphone preamps in the Scarlett range, now with selectable Air mode to give recordings a brighter, airier sound.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo high-headroom Instrument inputs for connecting guitar or bass.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEight balanced Line inputs for connecting synthesizers, drum machines, and other Line Level sources.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHigh-performance converters for recording and mixing up to 24-bit \/ 192 kHz.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFour monitor outputs with anti-thump technology and speaker switching. The third-generation Scarlett 18i8 is the perfect audio interface for engineers and producers who need to adapt their recording environment, wherever they are.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"table\"\u003e\n\u003cbr\u003e\t\u003ctbody\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd colspan=\"2\" style=\"background-color:rgb(238, 238, 238)\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size:20px\"\u003eTECHNICAL SPECIFICATIONS \u003c\/span\u003eFocusrite Scarlett 18i8\u003c\/strong\u003e\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eConnectivity\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eUSB Type-C\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eProtocol\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eUSB 2.0\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eForm Factor\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eRack Mount (1U)\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eSimultaneous I\/O\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e18 x 8\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eA\/D Resolution\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e24-bit\/192 kHz\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eNumber of Preamps\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e4\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eNumber of Pads\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e4\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003ePhantom Power\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eInstrument Inputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eLine Inputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e8\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eAnalog Outputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e4\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eHeadphone Outputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e2\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eMain\/Alt Speaker Switching\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes (via software)\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eDigital Inputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eS\/PDIF \u0026amp; ADAT Input\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eDigital Outputs\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eS\/PDIF\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eMIDI I\/O\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eLoopback\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eBus Powered\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eNo\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003ePower Supply Included\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eWeight\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e1.96 kg (4.32 lbs)\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eHeight\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e77 mm (3.03\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eWidth\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e316 mm (12.44\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\t\u003ctr\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003eDepth\u003c\/td\u003e\n\u003cbr\u003e\t\t\t\u003ctd\u003e285 mm (11.22\")\u003c\/td\u003e\n\u003cbr\u003e\t\t\u003c\/tr\u003e\n\u003cbr\u003e\t\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eThe third-generation Scarlett 18i8 is the perfect audio interface for engineers and producers who need to adapt their recording environment, wherever they are.\u003cbr\u003e\u003cbr\u003eIt offers eight analog inputs: four mic\/line inputs, two high-impedance high-headroom instrument inputs, and four additional fixed inputs on the rear. An optical input allows for up to eight additional channels for larger recording sessions. With improved A-D and D-A conversion, your recordings and playback will be clear and detailed up to 24-bit \/ 192kHz, for a perfect mix.\u003cbr\u003e\u003cbr\u003eScarlett 18i8 features four of Focusrite's best-ever third-generation Scarlett microphone preamps: the optional Air mode recreates the Air effect of the original ISA microphone preamp, giving your vocal or acoustic recordings a brighter and airier sound. A pad on each microphone preamp allows you to accommodate higher-level signals without clipping.\u003cbr\u003e\u003cbr\u003eScarlett 18i8 offers two extra Line outputs compared to the previous generation and speaker switching technology for dual monitor setups. Two independent headphone outputs allow the engineer and artist to monitor during recording sessions, and a pair of virtual loopback inputs allows you to capture a stereo feed from any combination of hardware inputs and software playback channels – simplifying podcasting, live streaming, and sampling.\u003cbr\u003e\u003cbr\u003eScarlett 18i8 is designed for touring and connects directly to your Mac® or PC with a USB cable. It comes with all the software tools you need to get started: two complete digital audio workstations, Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack; Softube's Time and Tone Bundle; Focusrite's Red Plug-in Suite; one choice from four XLN Audio Addictive Keys.\u003cbr\u003e\u003cbr\u003eFocusrite has partnered with Splice to offer third-generation interface owners a free 3-month Splice Sounds subscription when registering a new Splice account. Splice Sounds offers millions of high-quality, royalty-free snapshots, loops, and presets, with new releases daily from favorite producers, sound designers, and artists. Producers use Splice to create all types of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and film scores.\u003cbr\u003e\u003cbr\u003eLike all Focusrite products, you will also benefit from a two-year warranty, award-winning customer support, and participation in their Plug-in Collective, which offers free software downloads and generous discounts.\u003cbr\u003e\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":58003738263897,"sku":"GFO02001360","price":298.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/GFO02001360_m.jpg?v=1778131137"},{"product_id":"isa-one-gfoc2000198","title":"Focusrite ISA ONE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eIn the mid-1980s, Sir George Martin commissioned legendary console designer Rupert Neve to build a series of no-compromise, innovative console modules for AIR Studios. These modules were hugely successful and formed the basis of Focusrite studio consoles, widely regarded as the best-sounding analog recording consoles of all time. Today, products derived from these modules are used in top studios worldwide, and the sought-after Focusrite Heritage Sound is at the heart of thousands of hit records. Focusrite's current ISA series brings the classic Focusrite sound to your studio or live performances.\u003c\/p\u003e\u003cp\u003eFeaturing a portable and robust chassis, the ISA One combines Focusrite's classic microphone preamplifier with a flexible, independent DI channel and optional 192kHz precision A\/D conversion.\u003c\/p\u003e\u003cp\u003eThe heart of the ISA series is the microphone preamplifier and its Lundahl input transformer – virtually the same circuit based on the original ISA110, used in all Focusrite designs for 30 years. The input transformer gives a special character to the sound that cannot be emulated otherwise: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But, unlike the original design, this mic pre has a special feature that makes it much more versatile: 4 carefully selected impedances that allow you to match an input microphone in different ways. You can bring out the character of a classic microphone or emphasize a particular characteristic, or achieve a completely transparent modern sound – the choice is yours.\u003c\/p\u003e\u003cp\u003eWhether you are a musician, sound engineer, or producer, you will appreciate the versatility of the ISA One, with its front-panel DI input. The DI channel includes a low\/high impedance switch and an amplifier output, separate power supply for the optional A\/D converter, and a separate XLR output on the rear panel.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3-year warranty\u003c\/strong\u003e on all new \u003cstrong\u003eFocusrite\u003c\/strong\u003e products purchased from January 1, 2018 onwards. The Focusrite Warranty is synonymous with peace of mind for the user, representing a professional service that minimizes waiting times should a manufacturing defect occur, and confirms that the British company's products are built to high quality standards.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eKEY FEATURES\u003c\/strong\u003e\u003c\/h3\u003e\u003ch4\u003e\u003cstrong\u003eISA Series Transformer-based Preamp\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eHoused in a rugged, portable chassis, the ISA One delivers the classic Focusrite microphone preamp in a highly convenient and flexible format.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eFlexible, Independent DI Channel\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eThe ISA One is ideal for both engineers and demanding artists, thanks to independent gain control, an amplifier link output, an independent XLR output on the rear, and routing to the optional A-D converter.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eSelectable Impedance\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eChoose one of 4 carefully selected impedances, including the original ISA110 setting, to get the best from every microphone.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eHeadphone Output with Volume Control\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eThe ISA One can feed the sum of the two inputs to the headphone output, or to an external stereo cue mix (like a stereo signal from an interface) via 2 TRS jack inputs on the back of the unit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDedicated Insert Points\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAllow you to insert external processors such as an EQ or compressor between the preamp, or DI, and the optional converter.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eOptional 192kHz Stereo A-D Converter\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eYou can choose to upgrade the unit with an optional digital card that guarantees best-in-class A-D performance, with a dynamic range of 118dB.\u003c\/p\u003e  \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3HzyPdkq5mE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vu_hEdgn8Pw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch4 align=\"center\"\u003eFocusrite Isa One Digital\u003c\/h4\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/73uGN_kxGVc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003c\/p\u003e\u003ciframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/rHw0zg0m3zk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":58003738362201,"sku":"GFOC2000198","price":570.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/26-focusrite-isa-one-gfoc2000198_0.jpg?v=1778131147"},{"product_id":"icecube-ic-1-isolatore-di-linea-bilanciato-e-hum-eliminator-grad8001171","title":"Radial Engineering IceCube™ IC-1 Balanced Line Isolator and Hum Eliminator","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial IceCube IC-1\u003c\/strong\u003e is a \u003cstrong\u003ebalanced line isolator\u003c\/strong\u003e capable of reducing hum and noise caused by ground loops and stray DC voltage. It has a wide frequency response and is optimized to operate in the range from \u003cstrong\u003e-30 dB \u003c\/strong\u003eto\u003cstrong\u003e +15 dB\u003c\/strong\u003e with both balanced and unbalanced devices. \u003cstrong\u003eIceCube IC-1\u003c\/strong\u003e can solve many problems in applications where maintaining the full audio spectrum is essential.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"The Radial IceCube IC-1 is a balanced line isolator: simply inserting it into the signal path quickly eliminates hum and noise in an audio system.\" src=\"\/images\/uploads\/\/Ice_Cube_1200x630_01.jpg\" title=\"The Radial IceCube IC-1 is a balanced line isolator: simply inserting it into the signal path quickly eliminates hum and noise in an audio system.\"\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eMain Features of IceCube IC-1\u003c\/strong\u003e\u003c\/h2\u003e\u003cul style=\"margin-left: 17px;\"\u003e    \u003cli\u003e\u003cstrong\u003eEliminates hum \u0026amp; noise caused by ground loops\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eExceptional linear response from 20Hz to 18kHz\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eHandles pro-level outputs without issues\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePlug \u0026amp; play ease of use with XLR in \u0026amp; out\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eIceCube IC-1 \u003c\/strong\u003efeatures a compact design with two fiberglass-reinforced nylon XLRs at each end, and durable, oxidation-proof nickel-silver contacts, all within a space of just 10cm x 4cm. Unlike other plastic isolators, \u003cstrong\u003eIceCube\u003c\/strong\u003e is made from rugged 16-gauge powder-coated steel. The outer steel shell is not only more durable but also provides excellent shielding against electromagnetic fields radiated by power cables, dimmers, motors, and power supplies – resulting in consistently quieter performance when active. This feature is enhanced by a 'set \u0026amp; forget' ground lift switch that eliminates hum and noise caused by ground loops.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Inside the IceCube, an exclusive Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the IceCube is exceptionally linear from 20Hz to 18kHz.\" src=\"\/images\/uploads\/\/Ice_Cube_1200x630_07.jpg\" title=\"Inside the IceCube, an exclusive Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the IceCube is exceptionally linear from 20Hz to 18kHz.\"\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eInside the \u003cstrong\u003eIceCube\u003c\/strong\u003e, an exclusive \u003cstrong\u003eEclipse \u003c\/strong\u003etransformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the \u003cstrong\u003eIceCube\u003c\/strong\u003e is exceptionally linear from 20Hz to 18kHz. It can also withstand up to +10dB at 20Hz with less than 0.01% distortion. This is a quick and simple problem solver that will eliminate noise without limiting bandwidth or introducing phase inversion. These characteristics make the \u003cstrong\u003eIceCube\u003c\/strong\u003e an ideal device for AV technicians and sound engineers working in the fast-paced world of live touring, AV rentals, and system integrations.\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eIceCube IC-1™ - Applications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eIsolate a DJ mixer from the console\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eConnect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"Connect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\" src=\"\/images\/uploads\/icecube-app-isolate-dj.jpg\" title=\"Connect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eIsolate a crossover from a power amplifier\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eEliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\u003c\/p\u003e\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\u003cimg alt=\"Eliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\" src=\"\/images\/uploads\/icecube-app-isolate-crossover.jpg\" title=\"Eliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\"\u003e\u003c\/div\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eIsolate a console from a remote Tower\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eIdeal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Ideal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\" src=\"\/images\/uploads\/\/icecube-app-isolate-console-1200x630-08.jpg\" title=\"Ideal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eTechnical Specifications of IceCube IC-1\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAudio circuit type: Passive, transformer-based\u003c\/li\u003e    \u003cli\u003eTransformer: Eclipse Custom (proprietary)\u003c\/li\u003e    \u003cli\u003eNumber of channels: 1\u003c\/li\u003e    \u003cli\u003eFrequency response: 20Hz ~ 20KHz (± 1dB)\u003c\/li\u003e    \u003cli\u003eGain: 0dB \/ -5.7dB 10K \/ 600 Ω load\u003c\/li\u003e    \u003cli\u003eClip level: 25dBu\u003c\/li\u003e    \u003cli\u003eTotal harmonic distortion: \u0026lt;0.0006% 1KHz @ -10dBu\u003c\/li\u003e    \u003cli\u003eIntermodulation distortion: 0.002% @ -10dBu\u003c\/li\u003e    \u003cli\u003eInput impedance: 8.66k with 10k load\u003c\/li\u003e    \u003cli\u003eOutput impedance: 600 Ω nominal\u003c\/li\u003e    \u003cli\u003eEquivalent input noise: 110dBu\u003c\/li\u003e    \u003cli\u003eMaximum input level: 15dBu\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eGround lift\u003c\/li\u003e    \u003cli\u003eInput connector: XLR Female\u003c\/li\u003e    \u003cli\u003eOutput connector: XLR Male\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction: 16 gauge steel\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 107mm x 34mm x 41mm - 4.2\" x 1.32\" x 1.6\"\u003c\/li\u003e    \u003cli\u003eWeight: 0.18kg - 0.40lbs\u003c\/li\u003e    \u003cli\u003ePower: Passive, no power required\u003c\/li\u003e    \u003cli\u003eConditions of use: For use in dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003746226521,"sku":"GRAD8001171","price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-icecubetm-ic-1-isolatore-di-linea-bilanciato-e-hum-eliminator-grad8001171_0.jpg?v=1778131574"},{"product_id":"ox8-r-grad8001235","title":"Radial Engineering OX8-r","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eOX8™\u003c\/strong\u003e by Radial Engineering is an 8-channel passive microphone splitter in a 19'' rack format, designed to send the outputs of multiple microphones to three different destinations at once. It features an isolated transformer and a \"Ground Lift\" device to eliminate hum and buzz caused by ground loops.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Radial's OX8 is an 8-channel passive 19'' rack microphone splitter\" src=\"\/images\/uploads\/\/OX8-R_1200x630_01.jpg\" title=\"Radial's OX8 is an 8-channel passive 19'' rack microphone splitter\" x=\"\"\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003e8-channel balanced microphone signal splitter\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eHighest audio quality without distortion\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eChoice between Jensen or Eclipse transformers\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eEliminates hum and buzz caused by ground loops\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eMicrophone Splitter\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial OX8\u003c\/strong\u003e is a professional audio device, equally at home on a live stage or in a television broadcast studio. It can split the signal of 8 microphones to multiple destinations simultaneously, all without noise or distortion, eliminating common ground loop noises such as hum or buzz. Each channel is configured with a balanced input, a \"Direct Out\" which also serves as a return path for 48V Phantom power, a \"Thru-Put\" with a \"Ground Lift\" selector, and a fully transformer-isolated output. The OX8 can be ordered with the renowned \u003cstrong\u003eJensen JT-MB-CPC\u003c\/strong\u003e transformers, or, as an alternative, with the more affordable \u003cstrong\u003eEclipse ET-MS10\u003c\/strong\u003e. Each channel also benefits from a very short signal path and built-in RF filters that ensure silent performance, even in the most noise-prone environments.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/OX8-Panel.png\" style=\"height: 176px; width: 1000px;\"\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eXLR microphone input:\u003c\/strong\u003e Standard 600Ω balanced, input connected in parallel with the rear panel D-Sub.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eChannel identification label\u003c\/strong\u003e: area for writing with a wax pencil to immediately identify the channel in the instrument's configuration.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e-36db attenuation pad: \u003c\/strong\u003ereduces input sensitivity to properly connect even line signals without distortion.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eGround Lift: \u003c\/strong\u003eHelps eliminate ground loops\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 to record a live show\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe OX8 is ideal for recording live shows. Simply connect the microphones on stage to the OX8 and send their split signal to the recording system and the PA System. The transformers isolate the recording system and eliminate hum and buzz caused by ground loops.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-live-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 live with a PA System\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThere's nothing more annoying than the hum and buzz that can come from stage monitors. The OX8 is easily configurable to isolate the FOH mixer and monitor mixer to ensure complete noise elimination. Multiple units can be used for 16 or more channels.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-pa-system-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 for Live Event Broadcasting\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe auxiliary output can feed the monitors, while the isolated output provides the signal to a broadcast truck. The OX8's exceptional sound quality provides a distortion-free feed to the broadcaster, allowing the PA system to operate independently.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-pa-broadcast-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eOX8 TECHNICAL SPECIFICATIONS\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio circuit type: Passive transformer-based microphone splitter\u003c\/li\u003e     \u003cli\u003eTransformers: Choice between Jensen JT-MB-CPC or Radial Eclipse MS10\u003c\/li\u003e     \u003cli\u003eNumber of channels: 8\u003c\/li\u003e     \u003cli\u003eFrequency response: Jensen 20Hz ~ 20KHz (+0dB\/-0.2dB) | Radial 20Hz ~ 18KHz (+0dB\/-3dB)\u003c\/li\u003e     \u003cli\u003eDynamic range: Jensen 140dB | Radial 140dB\u003c\/li\u003e     \u003cli\u003eTotal harmonic distortion: Jensen 0.003% @ 1kHz | Radial 0.005% @ 1kHz\u003c\/li\u003e     \u003cli\u003ePhase deviation: Jensen 0.7° @ 100Hz; 2.8° @ 20Hz | Radial 1° @ 100Hz; 5° @ 20Hz\u003c\/li\u003e     \u003cli\u003eInput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eCommon Mode Rejection Ratio: Jensen -115dB @ 60Hz | Radial 114dB @ 60Hz\u003c\/li\u003e     \u003cli\u003eMaximum input: Jensen +2dBu @ 20Hz | Radial +2dBu @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eInput pad, Ground lift\u003c\/li\u003e     \u003cli\u003eInput connectors: XLR, Euroblock, DB-25\u003c\/li\u003e     \u003cli\u003eOutput connectors: Euroblock, DB-25\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eConstruction: 14-gauge steel\u003c\/li\u003e     \u003cli\u003eDimensions (L x W x D): 19\" x 6\" x 1.75\" (48.25cm x 15.25cm x 4.45cm)\u003c\/li\u003e     \u003cli\u003eWeight: 7.5lb (3.4 kg)\u003c\/li\u003e     \u003cli\u003ePower supply: Passive, no power required\u003c\/li\u003e     \u003cli\u003eOperating conditions: Between 5°C and 40°C in low humidity conditions\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003747078489,"sku":"GRAD8001235","price":1387.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-ox8-r-grad8001235_0.jpg?v=1778131646"},{"product_id":"pro-d8-grad8001522","title":"Radial Engineering Pro D8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProD8 \u003c\/strong\u003eby Radial Engineering is an \u003cstrong\u003e8-channel passive Direct Box in 19'' rack format\u003c\/strong\u003e, offering high-performance audio, ideal for \u003cstrong\u003ekeyboard setups\u003c\/strong\u003e in professional touring. It features redundant \u003cstrong\u003eA\/B 1\/4\" inputs\u003c\/strong\u003e with an \u003cstrong\u003eInsert\u003c\/strong\u003e for each channel, 180° polarity inversion, \u003cstrong\u003eGround Lift\u003c\/strong\u003e to prevent noise induced by ground loops, \u003cstrong\u003e-15db attenuation pad\u003c\/strong\u003e, and passive circuitry that does not require power.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"8-channel DI box in 19'' rack format, ideal for keyboard setups\" src=\"\/images\/uploads\/\/SProD8_1200x630_01.jpg\" title=\"8-channel DI box in 19'' rack format, ideal for keyboard setups\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003e8-channel DI box in 19'' rack format, ideal for keyboard setups\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eReversible rack ears to optimize patching configuration\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eResistant to high dynamics\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eRedundant inputs allow for a backup system\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eProD8 Performance\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eProD8\u003c\/strong\u003e provides up to \u003cstrong\u003e8 Direct Box outputs\u003c\/strong\u003e in a single 1RU rack space, ideal for professional touring, with dual 1\/4\" inputs on each channel to integrate a backup system or connect up to 16 audio channels simultaneously. A 1\/4\" TRS effects insert jack on each channel allows connection to various devices, increasing routing versatility, while a thru-put jack can provide a direct feed to the musician's monitoring system. The front panel features isolated XLRs with low-noise balanced outputs, each equipped with ground lift and 180° polarity inversion switches.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"The heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing.\" src=\"\/images\/uploads\/\/SProD8_1200x630_06.jpg\" title=\"The heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing.\" \/\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eTransformer-based ProD8 for greater Headroom and low noise\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing. It boasts a linear frequency response from 20Hz to 20kHz, and is capable of withstanding the high dynamic levels of modern digital keyboards. Unlike active circuits that tend to overload and produce a square wave when the rail voltage is exceeded, transformers saturate instead. This means that as the signal increases, the ProD8 naturally rounds out the timbre, producing a warm Bessel curve, a characteristic reminiscent of the best vintage audio devices. The other significant advantage of passive circuitry is the 100% galvanic isolation between source and destination, which eliminates hum and noise caused by ground loops.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eAdaptable Configuration\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe Radial ProD8 features reversible rack ears that increase its configuration versatility. This feature allows the engineer to position the inputs on the front of the rack when connecting keyboards, or to have them inside if the setup mainly consists of rack modules.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cstrong\u003ePractical Applications of ProD8\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 in the studio\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"You can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\" src=\"\/images\/uploads\/\/prod8-app-studio1200x630.jpg\" title=\"You can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eYou can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 with rack synthesizers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\" src=\"\/images\/uploads\/\/prod8-app-rack-synths-1200x630.jpg\" title=\"The ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 for playing back music tracks\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\" src=\"\/images\/uploads\/\/prod8-app-backing-tracks-1200x630.jpg\" title=\"The ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eRadial ProD8 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio circuit type: Passive, transformer-based\u003c\/li\u003e     \u003cli\u003eTransformer: Eclipse ET-DB2, 12:1 ratio\u003c\/li\u003e     \u003cli\u003eNumber of channels: 8\u003c\/li\u003e     \u003cli\u003eFrequency response: 20Hz ~ 18.5KHz (± 0.2dB)\u003c\/li\u003e     \u003cli\u003eDynamic range: 128dB\u003c\/li\u003e     \u003cli\u003eTotal harmonic distortion: 0.01% from 20Hz~20kHz @-10dB\u003c\/li\u003e     \u003cli\u003ePhase deviation: 1° @ 100Hz; 8° @ 20Hz\u003c\/li\u003e     \u003cli\u003eInput impedance: 140k Ohms, unbalanced\u003c\/li\u003e     \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eMaximum input level: +18dB @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eAttenuation pad, 180° polarity inversion, Ground lift\u003c\/li\u003e     \u003cli\u003eInput connectors: 1\/4\" Jack\u003c\/li\u003e     \u003cli\u003eOutput connectors: XLR\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eConstruction: 14 gauge steel frame and outer shell\u003c\/li\u003e     \u003cli\u003eSize (L x W x D): 48.3cm x 15.875cm x 4.45cm - 19\" x 6.25\" x 1.75\"\u003c\/li\u003e     \u003cli\u003eWeight: 3.26 kg - 7.2lb\u003c\/li\u003e     \u003cli\u003ePower: Passive, no power required\u003c\/li\u003e     \u003cli\u003eOperating conditions: dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750256985,"sku":"GRAD8001522","price":1274.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-pro-d8-grad8001522_0.jpg?v=1778131850"},{"product_id":"sb7-grad8001861","title":"Radial Engineering SB7","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eStageBug SB-7 Earmuff\u003c\/strong\u003e by \u003cstrong\u003eRadial Engineering \u003c\/strong\u003eis a passive device that manages headphone monitoring. It features a stereo input with level control, and an amplified output, where standard ¼\" or 3.5 mm (1\/8\") headphones can be connected. A \u003cstrong\u003eMono \u003c\/strong\u003eswitch sums the stereo track to mono for listening, while the \"OFF\" button deactivates the left headphone cup, leaving the right unaffected. \u003cstrong\u003eRadial SB-7\u003c\/strong\u003e is completely passive, does not alter signal quality, and does not require power.\u003c\/h1\u003e\u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003eDeactivates one side of the headphones\u003c\/li\u003e    \u003cli\u003eChoice of source to listen to: playback or instrument\u003c\/li\u003e    \u003cli\u003eSets the ideal Volume level for the artist\u003c\/li\u003e    \u003cli\u003eCompletely passive, no power required\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003eWhen performing an overdub in an orchestral context, the musician usually listens to a prerecorded track while performing their part. To better hear the intonation and timbre of the instrument, the performer sometimes removes one side of the headphones away from an ear. In this way, the headphone level is increased, and as a consequence, the sound from the open headphone is picked up by the recording microphone, contaminating the mix. This is a fairly common problem when recording violins, flutes, and other orchestral instruments. The Radial StageBug SB-7 Earmuff is a compact device that solves this problem by allowing the artist to turn off one of the headphone cups.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg 3=\"\" alt=\"StageBug SB-7 Earmuff by Radial Engineering is a passive device that manages live headphone monitoring. It features a stereo input with a ¼” TRS connector with level control. There is also an amplified output, where standard ¼\" earbuds=\"\" from=\"\" or=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/SB-7-Front-1200x630.jpg\" title=\"StageBug SB-7 Earmuff by Radial Engineering is a passive device that manages live headphone monitoring. It features a stereo input with a ¼” TRS connector with level control. There is also an amplified output, where standard ¼\" \/\u003e\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSB-7 Applications\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 with one ear\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cimg alt=\"In the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-01.jpg\" title=\"In the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eIn the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 as a Stereo\/Mono Summer\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"When listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-02.jpg\" title=\"When listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\" \/\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eWhen listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 as a local volume control\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Larger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-03.jpg\" title=\"Larger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eLarger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003752616281,"sku":"GRAD8001861","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sb7-grad8001861_0.jpg?v=1778132066"},{"product_id":"die-hard-dhg565lu5-dhg565lu5","title":"DIE HARD DHG565LU5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eProfessional balanced extension cable with Die Hard Gold molded connectors \/ Ø 6.3 mm stereo jack - Ø 6.3 mm stereo female jack. Length: 5 meters. Available color: Black.\u003cbr\u003e\u003cbr\u003eThe Die Hard Gold line has always been at the top of the market in terms of technical characteristics, reliability, and durability over time. The fundamental features that distinguish this series and have allowed for extremely high performance are constant quality control, material selection, and their processing.\u003c\/p\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58003959841113,"sku":"DHG565LU5","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/DHG565.0_7533d7cd-9751-49db-85e9-629ccee6cc50.jpg?v=1778138676"},{"product_id":"die-hard-dhs230lu5","title":"DIE HARD DHS230LU5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eONEHERO professional balanced instrument cable with 6.3 mm stereo jack plug - 3P male XLR connections. Length: 0.5 meters. Available color: Black.\u003c\/p\u003e\u003cp\u003eONEHERO is a new series of assembled cables and connectors with a unique and exclusive design, the result of PROEL's R\u0026D research, which once again has chosen to invest resources in designing innovative and professional tools dedicated to the growing demands of the market.\u003c\/p\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58003963969881,"sku":"DHS230LU5","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/DHS230LU5.1.jpg?v=1778138811"},{"product_id":"sagitter-plh290-plh290","title":"SAGITTER PLH290","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eSingle extruded aluminium coupler with M10 x 50 bolt and locking nut. Internal Ø 50.8 mm and can be used for tubes from ø 48 to ø 51 mm (MAX LOAD: 100 Kg).\u003c\/p\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58003974029657,"sku":"PLH290","price":9.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/PLH290.2.jpg?v=1778139221"},{"product_id":"sagitter-plh10n-plh10n","title":"SAGITTER PLH10N","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eGalvanized steel hook, suitable for tubes from Ø 35 mm to Ø 50 mm. (MAX LOAD: 35 Kg). Standard packaging: 1 piece.\u003c\/p\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58003974160729,"sku":"PLH10N","price":6.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/PLH10N.0.jpg?v=1778139230"},{"product_id":"sagitter-sg-smkfld5l-sg-smkfld5l","title":"SAGITTER SG SMKFLD5L","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"font-size: 13px;\"\u003eThanks to the latest technologies used in the production of ambient smoke effect fluids, Sagitter has managed to create a new line of high-efficiency fluids capable of satisfying all needs, offering a wide choice designed for every application. The extreme care taken in the treatment of valuable water-based raw materials guarantees optimal performance in generating ambient smoke, minimizing oily residues in the air.\u003c\/span\u003e\u003c\/p\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58003976978777,"sku":"SG SMKFLD5L","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/SG_SMKFLD5L.jpg?v=1778139352"},{"product_id":"eikon-cm602-cm602","title":"EIKON CM602","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eThe CM602 is a small, wide-spectrum condenser microphone with a unidirectional cardioid polar pattern.\u003c\/p\u003e\u003cp\u003eDesigned for vocals and percussion instruments, it is also suitable for lecterns and other applications requiring high-quality sound performance.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px; text-align: justify;\"\u003eThe cardioid polar pattern favors the pickup of the desired sound source while minimizing ambient noise and unwanted feedback.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px; text-align: justify;\"\u003eThe microphone body is made of durable metal material, and a perfect weight distribution ensures excellent maneuverability.\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\t\u003cli\u003ePre-polarized condenser capsule\u003c\/li\u003e\t\u003cli\u003eCardioid polar pattern\u003c\/li\u003e\t\u003cli\u003eLightweight and robust construction\u003c\/li\u003e\t\u003cli\u003eWithstands high SPL levels for close-miking on stage\u003c\/li\u003e\t\u003cli\u003eParticularly suitable as an overhead for drums and percussion, for hi-hat, wind instruments, woodwind instruments, guitar\u003c\/li\u003e\t\u003cli\u003eMicrophone stand included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004032356697,"sku":"CM602","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/CM602_0.jpg?v=1778140424"},{"product_id":"eikon-dm220-dm220","title":"EIKON DM220","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eWith its new ergonomic design, specifically engineered for live applications, this microphone offers a broad and linear frequency response.\u003c\/p\u003e\u003cp\u003eThe cardioid polar pattern isolates vocals from background noise on stage or in the rehearsal room.\u003c\/p\u003e\u003cp\u003eWhether used in live applications or in the studio, the DM220 cardioid microphone is the right choice for transparency, feedback resistance, and the ability to handle high SPL levels without distortion.\u003c\/p\u003e\u003cul\u003e\t\u003cli style=\"font-size: 13px;\"\u003eVocal microphone with dynamic capsule\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eCardioid polar pattern\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eFlat and extended frequency response\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eON\/OFF switch\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eExceptional mid-low frequency response\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eErgonomic design\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eMicrophone holder included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004032880985,"sku":"DM220","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/DM220_FRONT.jpg?v=1778140433"},{"product_id":"eikon-dm585-dm585","title":"EIKON DM585","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eWith its new ergonomic design, specifically engineered for live applications, this microphone offers a wide and linear frequency response.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eThe cardioid polar pattern isolates the voice from background noise on stage or in the rehearsal room.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eWhether used in live applications or in the studio, the DM585 cardioid microphone is the right choice for transparency, feedback resistance, and the ability to handle high SPL levels without distortion.\u003c\/p\u003e\u003cul\u003e\t\u003cli\u003eProfessional vocal microphone with dynamic capsule\u003c\/li\u003e\t\u003cli\u003eHigh applicable SPL\u003c\/li\u003e\t\u003cli\u003eCardioid polar pattern particularly resistant to feedback\u003c\/li\u003e\t\u003cli\u003eParticularly suitable for live vocal applications on stage\u003c\/li\u003e\t\u003cli\u003eMicrophone clip included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004033601881,"sku":"DM585","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/DM585_0.jpg?v=1778140444"},{"product_id":"eikon-hcm08pro-hcm08pro","title":"EIKON HCM08PRO","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"font-size: 13px;\"\u003eThe HCM08PRO headset microphone is ideal for vocal applications that require maximum freedom of movement. Its very small size and weight offer optimal adaptability for any use, such as dance and sports instructors.\u003c\/p\u003e\u003cp style=\"font-size: 13px;\"\u003eExcellent for video use, this microphone is virtually invisible.\u003c\/p\u003e\u003cp style=\"font-size: 13px;\"\u003eIt comes with 3 different interchangeable adapters, making it suitable for use with bodypack transmitters from various manufacturers.\u003c\/p\u003e\u003cul\u003e\t\u003cli style=\"font-size: 13px;\"\u003eFlexible miniature headset microphone, small and super lightweight\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003ePre-polarized 3.5mm condenser capsule\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eDouble windscreen filter for theater use and speech applications\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003e3 adapters included (AD4SH-AD3SE-AD3AK)\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eReplaceable cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004034847065,"sku":"HCM08PRO","price":84.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/HCM08PRO_0.jpg?v=1778140458"},{"product_id":"eikon-hcm10v2-hcm10v2","title":"EIKON HCM10V2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; font-size: 13px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif;\"\u003eThe HCM10V2 headset microphone is ideal for vocal applications that require maximum freedom of movement. Its very small size and weight offer optimal adaptability for any use, such as for dance and sports instructors.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; font-size: 13px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif;\"\u003eExcellent for video use, this microphone is practically invisible.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; font-size: 13px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif;\"\u003eIt comes with 3 different interchangeable adapters, making it suitable for use with bodypack transmitters from various manufacturers.\u003c\/p\u003e\u003cul\u003e\t\u003cli style=\"box-sizing: border-box; line-height: 30px; font-weight: 900; list-style-type: circle; font-size: 13px;\"\u003ePre-polarized condenser capsule\u003c\/li\u003e\t\u003cli\u003eCardioid polar pattern\u003c\/li\u003e\t\u003cli\u003eSkin color\u003c\/li\u003e\t\u003cli\u003eAdjustable ear hook\u003c\/li\u003e\t\u003cli\u003eThree cables with adapters included\u003c\/li\u003e\t\u003cli\u003eReplaceable cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004035043673,"sku":"HCM10V2","price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/HCM10V2_0.jpg?v=1778140461"},{"product_id":"eikon-hcs30-hcs30","title":"EIKON HCS30","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003eThe HCS30 is a lightweight\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e \u003c\/span\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003eminiature\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e \u003c\/span\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003ecardioid\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e \u003c\/span\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003emicrophone\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e \u003c\/span\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003efor use on\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e \u003c\/span\u003e\u003cspan class=\"hps\" style='box-sizing: border-box; color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003eaccordions,\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e guitars and other acoustic string instruments and\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e bowed instruments\u003c\/span\u003e\u003cspan style='color: rgb(119, 119, 119); font-family: \"Georgia,Times,\u0026amp;quot;Times New Roman\u0026amp;quot;,serif\", sans-serif; font-size: 11.52px;'\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eThe cardioid polar pattern allows it to be used on stage in high SPL conditions, and its linear frequency response ensures a natural, clear, and powerful sound.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eIt can be powered directly with a cable via the supplied IN-LINE preamplifier, or connected directly to a bodypack transmitter.\u003c\/p\u003e\u003cul\u003e\t\u003cli style=\"font-size: 13px;\"\u003eMiniature condenser microphone\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eCardioid polar pattern\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eHigh gain before feedback\u003c\/li\u003e\n\u003cli style=\"font-size: 13px;\"\u003ePhantom power adapter included\u003c\/li\u003e\n\u003cli style=\"font-size: 13px;\"\u003eCompatible with 3-pole mini XLR bodypack transmitter\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eDesigned for use with most acoustic instruments\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eClip mounts available for different acoustic instruments: HCSB: violin \u003cspan style=\"font-size: 13px;\"\u003e(included)\u003c\/span\u003e - HCSC: saxophone (included) HCSA: cello \u003cspan style=\"font-size: 13px;\"\u003e(optional)\u003c\/span\u003e - HCSD: guitar (optional)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004035633497,"sku":"HCS30","price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/HCS30_0.jpg?v=1778140470"},{"product_id":"eikon-lch370-lch370","title":"EIKON LCH370","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eThe LCH370 lavalier microphone is the ideal choice for professional vocal performances requiring maximum freedom of movement.\u003c\/p\u003e\u003cp\u003eDespite its lightweight and compact format, it can deliver the same audio performance as traditional condenser microphones, which makes it perfectly suitable for a variety of applications such as theatrical performances, dramas, speeches, etc.\u003c\/p\u003e\u003cp\u003eIt comes with 3 different interchangeable adapters, making it suitable for use with bodypacks from various manufacturers.\u003c\/p\u003e\u003cul\u003e\t\u003cli style=\"font-size: 13px;\"\u003eHigh-quality miniaturized broadcast lavalier microphone\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eLinear frequency response and wide dynamic range\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003e6.5 mm pre-polarized condenser capsule\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003eCardioid polar pattern\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003e3 adapters included (AD4SH-AD3SE-AD3AK) for use with most professional wireless systems on the market\u003c\/li\u003e\t\u003cli style=\"font-size: 13px;\"\u003ePop shield\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PROEL","offers":[{"title":"Default Title","offer_id":58004035830105,"sku":"LCH370","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/LCH370_0.jpg?v=1778140473"},{"product_id":"eikon-phw100-phw100","title":"EIKON PHW100","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eEIKON PHW100 is a low-noise in-line microphone preamplifier that provides power for condenser headset and lavalier microphones. The electronics are housed in a metal chassis with a balanced 3-pin mini XLR female input and a balanced 3-pin XLR male output.\u003c\/p\u003e\u003cp\u003eIt is suitable for use at home, in the studio, on tour, and more.\u003c\/p\u003e\u003cp\u003eConnect the PHW100 to a balanced microphone cable and then directly to the microphone. Activate phantom power and enjoy your music.\u003c\/p\u003e\u003cp\u003eSuitable for use with the following EIKON microphones:\u003c\/p\u003e\u003cul style=\"font-size: 13px;\"\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM14EK\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM12EK\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM10V2\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM08PRO\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM25AK\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eHCM23AK\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eLCH370\u003c\/li\u003e\t\u003cli style='box-sizing: inherit; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px;'\u003eLCH100AK\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004036976985,"sku":"PHW100","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/PHW100_0.jpg?v=1778140487"},{"product_id":"eikon-eikonpad8-eikonpad8","title":"EIKON EIKONPAD8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eNearfield studio monitor isolator specifically designed for professional or home recording studios, useful for eliminating resonances and reducing vibrations from the shelf or stand.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eMade of high-density foam, it consists of two separate parts, providing different options for monitor placement (horizontal \/ angled).\u003c\/p\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004037337433,"sku":"EIKONPAD8","price":59.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"eikon-eikonpad5-eikonpad5","title":"EIKON EIKONPAD5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eIsolator for nearfield studio monitors specifically designed for professional or home recording studios, useful for eliminating resonances and reducing vibrations from the shelf or stand.\u003c\/p\u003e\u003cp\u003e Made of high-density foam, it consists of two separate parts, allowing for different monitor placement options (horizontal \/ angled).\u003c\/p\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004038123865,"sku":"EIKONPAD5","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/EIKONPAD5_0.jpg?v=1778140495"},{"product_id":"eikon-eikonpad6-eikonpad6","title":"EIKON EIKONPAD6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eNearfield studio monitor isolator specially designed for professional or home recording studios, useful for eliminating resonances and reducing vibrations from the shelf or stand.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eMade of high-density foam, it consists of two separate parts, to provide different options for monitor positioning (horizontal\/angled).\u003c\/p\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004038320473,"sku":"EIKONPAD6","price":25.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"eikon-hfear800-hfear800","title":"EIKON HFEAR800","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"color: rgb(42, 49, 57); font-family: Lato, Arial, Helvetica, sans-serif; font-size: 15px;\"\u003eReplacement earpad for EIKON H800 and H200 headphones.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(42, 49, 57); font-family: Lato, Arial, Helvetica, sans-serif; font-size: 15px;\"\u003eMade of soft padded synthetic leather, \u003c\/span\u003e\u003cspan style=\"color: rgb(42, 49, 57); font-family: Lato, Arial, Helvetica, sans-serif; font-size: 15px;\"\u003eit can be easily installed in seconds. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(42, 49, 57); font-family: Lato, Arial, Helvetica, sans-serif; font-size: 15px;\"\u003eWith a new earpad, you can refresh the look of your professional EIKON headphones, restoring their value over time.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(42, 49, 57); font-family: Lato, Arial, Helvetica, sans-serif; font-size: 15px;\"\u003eIt's also possible to interchange the various earpad models to customize the frequency response in the bass tones.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eReplacement earpad for EIKON H800 and H200 headphones.\n\u003c\/p\u003e\u003cp\u003eMade of soft padded synthetic leather, it can be easily installed in seconds.\n\u003c\/p\u003e\u003cp\u003eWith a new earpad, you can refresh the look of your professional EIKON headphones, restoring their value over time.\n\u003c\/p\u003e\u003cp\u003eIt's also possible to interchange the various earpad models to customize the frequency response in the bass tones.\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004041269593,"sku":"HFEAR800","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/HFEAR800_0.jpg?v=1778140520"},{"product_id":"eikon-hfear200-hfear200","title":"EIKON HFEAR200","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eReplacement ear cushion for EIKON H800 and H200 headphones.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eMade of soft, padded synthetic leather, it can be easily mounted in seconds.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eThanks to a new ear cushion, you can refresh the look of your professional EIKON headphones, maintaining their value over time.\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; margin: 0px 0px 20px; line-height: 27px; text-align: justify; color: rgb(80, 80, 80); font-family: Mina, sans-serif; font-size: 20px !important;\"\u003eIt is also possible to interchange the various ear cushion models to customize the low-frequency response.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eReplacement ear cushion for EIKON H800 and H200 headphones.\n\u003c\/p\u003e\u003cp\u003eMade of soft, padded synthetic leather, it can be easily mounted in seconds.\n\u003c\/p\u003e\u003cp\u003eThanks to a new ear cushion, you can refresh the look of your professional EIKON headphones, maintaining their value over time.\n\u003c\/p\u003e\u003cp\u003eIt is also possible to interchange the various ear cushion models to customize the low-frequency response.\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"EIKON","offers":[{"title":"Default Title","offer_id":58004043563353,"sku":"HFEAR200","price":7.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/HFEAR200_0.jpg?v=1778140543"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/17a5c12ca9044fe9714a9a05afd376d326dfc98d_s.jpg?v=1778070707","url":"https:\/\/yourmusiconline.it\/en\/collections\/studiolive.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}