{"title":"Synthesizers","description":"The origin of synthesizers is somewhat lost in time. The first polyphonic one was the Novachord by Hammond in the 1940s. Since then, the world of electronic music has made giant strides, especially thanks to its use in cinema. Today, some of the main brands producing Synths include Roland, Arturia, Moog, Korg, and Novation. At Your Music, you can find the best synthesizers on the market at the best price, both new and used.\nYour Music is your Synth store in Rome and online","products":[{"product_id":"modal-electronics-cobalt8-665894","title":"Modal Electronics Cobalt8","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCOBALT8 explores the full creative potential of analogue waveforms. This powerful and inspiring instrument redefines the aesthetic of analogue sounds and invites musicians, producers, and sound designers to delve into a new era of textures, well beyond limits.\u003cbr\u003e\u003cbr\u003eIn addition to the innovative oscillator engine, COBALT8 incorporates a new 4-pole 'LADDER' filter with Morphing. Combined with Modal's unparalleled modulation options, inspiring real-time\/step sequencer, incredible arpeggiator, premium 37-note FATAR keyboard, MPE compatible control, studio-quality effects, and MODALapp integration, COBALT8 is the perfect synthesizer for anyone who wants a versatile electronic music instrument to reproduce vintage synth sounds and is eager to delve into new sonic dimensions.\u003cbr\u003eSpecifications:\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing the application of polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 64 high-resolution virtual analog oscillators, up to 8 per voice\u003cbr\u003eWaveforms: Sine, Pulse, Triangle, and Sawtooth, 40 different algorithms including: complex analog synthesis techniques, integrated cross-modulation (SYNC, RM, and many others), PWM, seamless morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003eFilter: Multi-modal 4-pole ladder filter with morphing and resonance, and four switchable settings\u003cbr\u003eModulation:\u003cbr\u003e Three dedicated envelope generators for AMP, MOD, and FILTER that can be accessed independently or all three simultaneously, including negative (inverse) versions for MOD and FILTER ENV\u003cbr\u003eThree tempo-syncable audio-rate LFOs (two poly, one global) with seven different shapes\u003cbr\u003eEight assignable mod slots and four additional fixed mod paths for common assignments with 12 mod sources and 55 mod destinations\u003cbr\u003eSequencer and Arpeggiator:\u003cbr\u003eReal-time polyphonic sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFOs, sequencer, and arpeggiator can be synced internally or externally)\u003cbr\u003ePolyphonic step sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and pause function\u003cbr\u003eSophisticated integrated 32-step programmable arpeggiator with hold capability up to 2048 steps before repeat\u003cbr\u003eFX: Three incredibly powerful, independent, and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay, and Reverb, which can be arranged in any order\u003cbr\u003eUser Memory:\u003cbr\u003e500 patch memories, all fully editable and preloaded with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick arrangement loading\u003cbr\u003e100 FX presets\u003cbr\u003e8 quick recall slots accessible from the panel for quickly loading your favorite patches\u003cbr\u003ePremium 37-key FATAR keyboard with velocity and channel aftertouch\u003cbr\u003e29 endless encoders, 24 buttons\u003cbr\u003e4-axis joystick that can be assigned to a wide range of mod destinations and virtually 'locked' when desired\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2, and Stack 4 Glide\/Portamento with legato and staccato modes\u003cbr\u003eInputs and Outputs:\u003cbr\u003eDual-mono 6.35 mm \/ 1\/4″ TS line outputs\u003cbr\u003e6.35 mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5 mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eMIDI DIN In and Out\u003cbr\u003e3.5 mm \/ 1\/8″ TS analog clock sync In and Out\u003cbr\u003eUSB class-compliant MIDI connection\u003cbr\u003e6.35 mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35 mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0 V - 1.5 A center positive\u003cbr\u003eEditor Software: Free MODALapp software editor available for macOS, Windows, iOS, and Android, with VST3 and AU versions available\u003cbr\u003e\u003cbr\u003eDimensions: (Length x Width x Height): 555 x 300 x 100 mm \/ 21.9″ x 11.8″ x 4″\u003cbr\u003eWeight: 5.60 kg","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001283187033,"sku":"665894","price":658.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665894-1-1.jpg?v=1778095275"},{"product_id":"modal-electronics-cobalt8x-665895","title":"Modal Electronics Cobalt8x","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCOBALT8 explores the full creative potential of analogue waveforms. This powerful and inspiring instrument redefines the aesthetics of analogue sounds and invites musicians, producers, and sound designers to deep-dive into a new era of textures, well beyond the limits.\u003cbr\u003e\u003cbr\u003eBeyond the innovative oscillator engine, COBALT8 incorporates a new 4-pole Morphing 'LADDER' Filter. Combined with Modal’s unparalleled modulation options, inspiring real-time\/step sequencer, incredible arpeggiator, 61-note FATAR Premium Keyboard, MPE control compatible, studio-quality effects and MODALapp integration, COBALT8 is the perfect synth for anyone wanting a versatile electronic music instrument to play vintage synth sounds and is eager to deep-dive into new sonic dimensions.\u003cbr\u003eSpecifications:\u003cbr\u003e\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing you to apply polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 64 high-resolution virtual-analogue oscillators, up to 8 per voice\u003cbr\u003eWaveforms: Sine, Pulse, Triangle, and Sawtooth waves, 40 different algorithms including: complex analogue synthesis techniques, built-in cross-modulation (SYNC, RM and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003eFilter: 4-Pole Morphing Ladder filter with resonance and four switchable configurations\u003cbr\u003eModulation:\u003cbr\u003e Three dedicated envelope generators for AMP, MOD, and FILTER that can be accessed independently or all three simultaneously, including negative (inverse) versions for MOD and FILTER ENVs\u003cbr\u003eThree tempo-syncable audio-rate LFOs (two poly, one global) with seven different shapes\u003cbr\u003eEight assignable mod slots and four additional fixed mod routings for common assignments with 12 mod sources and 55 mod destinations\u003cbr\u003eSequencer and Arpeggiator:\u003cbr\u003eRealtime polyphonic sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFO’s, sequencer and arpeggiator can be internally or externally clocked)\u003cbr\u003ePolyphonic Step Sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and rest function\u003cbr\u003eSophisticated programmable 32-step arpeggiator with rest capability of up to 2048 steps before repeating\u003cbr\u003eFX: Three incredibly powerful, independent, and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb, that can be arranged in any order\u003cbr\u003eUser memory:\u003cbr\u003e500 patch memories, all fully editable and ships with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick loading of arrangements\u003cbr\u003e100 FX presets\u003cbr\u003e8 Quick Recall slots accessible from the panel for quickly loading your favourite patches\u003cbr\u003e61-key premium FATAR keyboard with velocity and channel aftertouch\u003cbr\u003e29 endless encoders, 24 buttons\u003cbr\u003e4-axis joystick that can be assigned to a range of modulation destinations and virtually ‘locked’ when desired\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2 and Stack 4 Glide\/Portamento with both legato and staccato modes\u003cbr\u003eInputs and outputs:\u003cbr\u003e6.35mm \/ 1\/4″ TS dual-mono line outputs\u003cbr\u003e6.35mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eMIDI DIN in and out\u003cbr\u003e3.5mm \/ 1\/8″ TS analog clock sync in and out\u003cbr\u003eUSB class-compliant MIDI connection\u003cbr\u003e6.35mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0 V - 1.5 A centre-positive\u003cbr\u003eEditor software: Free MODALapp software editor available for macOS, Windows, iOS and Android, with VST3 and AU versions available\u003cbr\u003e\u003cbr\u003eDimensions: (Length x Width x Height): 855 x 300 x 100 mm \/ 33.7″ x 11.8″ x 4″\u003cbr\u003eWeight: 9 kg\u003cbr\u003e","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001283645785,"sku":"665895","price":790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665895-1-1.jpg?v=1778095278"},{"product_id":"modal-electronics-cobalt8m-665896","title":"Modal Electronics Cobalt8m","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCOBALT8 explores the full creative potential of analogue waveforms. This powerful and inspirational instrument redefines the aesthetic of analogue sounds and invites musicians, producers, and sound designers to deep dive into a new era of textures, far beyond the limitations.\u003cbr\u003e\u003cbr\u003eAlongside the innovative oscillator engine, COBALT8 incorporates a new 4-pole morphable 'LADDER' filter. Combined with Modal’s unparalleled modulation options, inspiring real-time\/step sequencer, incredible arpeggiator, MPE compatible control, studio-quality effects and MODALapp integration, COBALT8 is the perfect synthesizer for anyone wanting a versatile electronic music instrument to play vintage synth sounds and are eager to deep dive into new sonic dimensions.\u003cbr\u003eare eager to deep dive into new sonic dimensions.\u003cbr\u003eSpecs:\u003cbr\u003e\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE compatible MIDI controllers, allowing you to apply polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 64 high-resolution virtual-analogue oscillators, up to 8 per voice\u003cbr\u003eWaveforms: Sine, Pulse, Triangle and Sawtooth, 40 different algorithms including: complex analogue synthesis techniques, built-in cross-modulation (SYNC, RM and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003eFilter: 4-pole morphable ladder filter with resonance and four switchable settings\u003cbr\u003eModulation:\u003cbr\u003e Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously, including negative (inverse) versions for MOD and FILTER ENVs\u003cbr\u003eThree time-syncable audio-rate LFOs (two poly, one global) with seven different shapes\u003cbr\u003eEight assignable mod slots and four additional fixed mod routings for common assignments with 12 mod sources and 55 mod destinations\u003cbr\u003eSequencer \u0026 Arpeggiator:\u003cbr\u003eReal-time sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFOs, sequencer and arpeggiator can be internally or externally clocked)\u003cbr\u003ePolyphonic step sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and rest function\u003cbr\u003eSophisticated programmable 32-step arpeggiator with rest capability up to 2048 steps before repeating\u003cbr\u003eFX: Three incredibly powerful independent and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb, which can be arranged in any order\u003cbr\u003eUser Memory:\u003cbr\u003e500 patch memories, all fully editable and shipped with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick loading of arrangements\u003cbr\u003e100 FX presets\u003cbr\u003e4 quick recall slots accessible from the panel for quickly loading your favourite patches\u003cbr\u003e26 encoders, 9 buttons\u003cbr\u003e4-axis joystick that can be assigned to a vast range of mod destinations and virtually ‘locked’ when desired\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2 and Stack 4 Glide\/Portamento with both legato and staccato modes\u003cbr\u003eInputs \u0026 Outputs:\u003cbr\u003e6.35 mm \/ 1\/4″ TS dual-mono line outputs\u003cbr\u003e6.35 mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5 mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eMIDI DIN input and output\u003cbr\u003e3.5 mm \/ 1\/8″ TS analog clock sync input and output\u003cbr\u003eUSB class compliant MIDI connection\u003cbr\u003e6.35 mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35 mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0 V - 1.5 A centre-positive\u003cbr\u003eEditor Software: Free MODALapp software editor available for macOS, Windows, iOS and Android, with VST3 and AU versions available\u003cbr\u003eDimensions (L x W x H): 384 x 127 x 81 mm \/ 15.1″ x 5″ x 3.2″\u003cbr\u003e\u003cbr\u003eWeight: 2.1 kg\u003cbr\u003e","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001283973465,"sku":"665896","price":529.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665896-1-1.jpg?v=1778095280"},{"product_id":"modal-electronics-cobalt5s-665897","title":"Modal electronics Cobalt5s","description":"\u003ch2\u003eDescription\u003c\/h2\u003eWith five true polyphonic voices, two independent algorithm groups, and up to 8 oscillators per voice, musicians, sound designers, and producers have a vast array of sounds ready for any conceivable application. Couple this with 40 complex algorithms, including Sync, Ring Modulation, Waveform Morphing, and many more, and it's easy to see why COBALT5S delivers uncompromising sonic capabilities.\u003cbr\u003eFeaturing the same 4-pole self-oscillating LADDER filter as the COBALT8, COBALT5S ensures consistency in your sound with all the bite and warmth its pedigree demands. Four separate filter modes are fused with main Cutoff and Resonance controls, along with a Morph parameter to musically manipulate the filter’s frequency response for a truly immersive experience. From the sublime to the experimental and everything in between. Creating the perfect sound is only limited by your imagination.\u003cbr\u003eEverything you need to create the perfect sound in meticulous detail is at your fingertips with COBALT5S. Three comprehensive envelopes with selectable types take command of filters, amps, or modulation destinations, giving you unlimited options when it comes to fine-tuning your sound. A Polyphonic LFO and a Global LFO provide extended power to control a plethora of modulation sources, selected via a sophisticated 8-slot modulation matrix. Whether it’s an otherworldly soundscape, rhythm pads, or a searing lead, bringing your creative vision to life has never been easier!\u003cbr\u003eGet started with the built-in 512-note real-time\/step sequencer, featuring 4-lane (simultaneous) animation. Add to this an advanced 32-step programmable arpeggiator built-in, and you're just scratching the surface of the COBALT5S's performance capabilities. Throw in MPE support for next-generation creative expression via a compatible MPE controller, and the COBALT5S is ready for any imaginable performance, production, or sound design scenario.\u003cbr\u003eWhen we say this is beyond analogue, we mean it. Taking the legendary build quality that is synonymous with Modal Electronics synthesizers and equipping it with a compact 37-note keyboard with aftertouch, the COBALT5S is ready for your creative exploits wherever and whenever creativity strikes. Plus, with a USB-powered specification, powering the COBALT5S from your Mac\/PC or portable power brick couldn't be simpler.\u003cbr\u003eTake full control and sculpt your distinctive sound with ease thanks to the 16 switched encoders. For full expressive capacity, the COBALT5S X\/Y\/Z touchpad offers ultimate 5-axis control over pitch bend, mod wheel, and\/or any user-selected mod assignment. Two independent stereo effects engines, including delay and chorus, add depth and character to your sounds, allowing you to create polished, refined textures. Completing this assortment of performance-focused tactile controls is a brilliant monochromatic OLED display that conveys all key information you need in crystal-clear resolution.\u003cbr\u003e\u003cbr\u003eIntegrating the COBALT5S into your current setup couldn't be simpler. Connect to PA systems, stage boxes, mixing consoles, and more with the ¼-inch line-out jacks, practice privately thanks to a ¼-inch stereo headphone output, add authentic piano-style sustain with a ¼-inch sustain pedal input, connect all your MIDI peripherals thanks to full-size MIDI In and Out, plus MIDI over USB capability. Finally, keep everything in time with the COBALT5S’s clock sync In and Out. Whatever the need, COBALT5S ensures it's met with ease.\u003cbr\u003eThe free MODALapp brings the convenience of on-screen editing to your computer or mobile device. Available as a standalone app for macOS, Windows, iOS, iPadOS or Android systems and in VST3 and AU plugin formats, it's the perfect companion for synth enthusiasts who want to delve into all sound editing and performance parameters. Creating your signature sound, backing up your library and managing your patches and sequences couldn't be easier.\u003cbr\u003ePolyphony: 5 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing you to apply polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 40 high-resolution virtual-analogue oscillators, up to 8 per voice, across two independent and self-contained oscillator groups with sine, pulse, triangle, and sawtooth waveforms, 40 different algorithms including complex analogue synthesis techniques, built-in cross-modulation (SYNC, RM, and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.\u003cbr\u003e\u003cbr\u003eExtended Oscillator Drift\u003cbr\u003eAlgorithms\u003cbr\u003eFilter: 4-pole morphable ladder filter with resonance and four switchable configurations\u003cbr\u003eModulation: Three dedicated envelope generators for AMP, MOD, and FILTER that can be accessed independently or all three simultaneously, including negative (reverse) versions for MOD and FILTER ENVs\u003cbr\u003eTwo tempo-synced LFOs (one poly and one global) with seven different shapes\u003cbr\u003e\u003cbr\u003eEight assignable modulation slots and four additional fixed modulation routings for common assignments with 11 modulation sources and 41 modulation destinations\u003cbr\u003eSequencer and Arpeggiator\u003cbr\u003e\u003cbr\u003ePolyphonic real-time sequencer with 512 notes and four recordable\/editable parameter animations (Delay FX, LFOs, sequencer, and arpeggiator can be either clocked internally or externally)\u003cbr\u003e\u003cbr\u003ePolyphonic Step Sequencer with 64 steps, 5 notes per step, 4 lanes of Parameter-Lock style animation, Step Input mode, multiple playback modes including gate modes and rest function\u003cbr\u003e\u003cbr\u003eSophisticated built-in programmable arpeggiator of 32 steps with rest capability and up to 2048 steps before repeating\u003cbr\u003e\u003cbr\u003eEffects: Two incredibly powerful independent and user-configurable stereo FX engines for Chorus and Stereo Delay\u003cbr\u003eUser Memory: 300 patch memories, all fully editable, ships with 200 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quickly loading arrangements\u003cbr\u003e4 Quick Recall slots accessible from the panel for quickly loading your favourite patches\u003cbr\u003e\u003cbr\u003ePremium compact 37-key keyboard with velocity and channel aftertouch\u003cbr\u003e\u003cbr\u003e16 switched encoders which allow real-time CC message transmissions to other MIDI devices or DAWs\u003cbr\u003e\u003cbr\u003eFive-axis X\/Y\/Z pressure-sensitive touchpad for pitch bend, mod wheel and\/or modulation assignments\u003cbr\u003e\u003cbr\u003eMultiple keyboard modes, Mono, Poly, Stack 2, Unison 2, Unison 4\u003cbr\u003e\u003cbr\u003eGlide\/Portamento with both legato and staccato modes\u003cbr\u003eInputs and Outputs: 6.35 mm \/ 1\/4″ TS line outputs. 6.35 mm \/ 1\/4″ TRS headphone output. MIDI DIN In and Out. 3.5 mm \/ 1\/8″ TS Analogue clock sync In and Out. Class compliant MIDI over USB connection. 6.35 mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003ePower: DC-9.0V – 1.5A centre-positive or USB-bus powered\u003cbr\u003eFree MODALapp software editor available for macOS, Windows, iOS and Android\u003cbr\u003eMODALapp can also be run within your Digital Audio Workstation (DAW), with VST3 and AU versions available\u003cbr\u003e\u003cbr\u003eDimensions (L x W x H): 56.5 x 16.2 x 5.7 cm \/ 22.24' x 6.38' x 2.24'\u003cbr\u003e\u003cbr\u003eWeight: 2.4 kg \/ 5.3 lbs\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003ePolyphony\n\u003c\/p\u003e\u003cp\u003eTrue 5 voice polyphonic\n\u003c\/p\u003e\u003cp\u003eMPE\n\u003c\/p\u003e\u003cp\u003eSupports MPE-compatible MIDI controllers, allowing you to apply polyphonic control and expression to individual notes\n\u003c\/p\u003e\u003cp\u003eOscillators\n\u003c\/p\u003e\u003cp\u003e40 high-resolution virtual-analogue oscillators, up to 8 per voice\n\u003c\/p\u003e\u003cp\u003eTwo independent and self-contained oscillator groups with sine, pulse, triangle, sawtooth waveforms, 40 different algorithms including: complex analogue synthesis techniques, built-in crossmodulation (SYNC, RM, and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.\n\u003c\/p\u003e\u003cp\u003eExtended Oscillator Drift\n\u003c\/p\u003e\u003cp\u003eAlgorithms\n\u003c\/p\u003e\u003cp\u003eFilter\n\u003c\/p\u003e\u003cp\u003e4-Pole Morphable Ladder Filter with Resonance and four switchable configurations\n\u003c\/p\u003e\u003cp\u003eResonance and Balanced Filter Modes\n\u003c\/p\u003e\u003cp\u003eModulation\n\u003c\/p\u003e\u003cp\u003eThree dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions for MOD and FILTER ENVs\n\u003c\/p\u003e\u003cp\u003eTwo LFO’s with tempo sync (one poly, one global) with seven different shapes\n\u003c\/p\u003e\u003cp\u003eEight assignable modulation slots and four additional fixed modulation routings for common assignments with 11 modulation sources and 41 modulation destinations\n\u003c\/p\u003e\u003cp\u003eSequencer and Arpeggiator\n\u003c\/p\u003e\u003cp\u003ePolyphonic realtime sequencer with 512 notes and four recordable\/editable parameter animations (Delay FX, LFO’s, sequencer and arpeggiator can be either clocked internally or externally)\n\u003c\/p\u003e\u003cp\u003ePolyphonic Step Sequencer with 64 steps, 5 notes per step, 4 lanes of Parameter-Lock style animation, Step Input mode, multiple playback modes including gate modes and rest function\n\u003c\/p\u003e\u003cp\u003eBuilt-In sophisticated programmable arpeggiator of 32 steps with rest capability and up to 2048 steps before repeating\n\u003c\/p\u003e\u003cp\u003eFX\n\u003c\/p\u003e\u003cp\u003eTwo incredibly powerful independent and user-configurable stereo FX engines for Chorus and Stereo Delay\n\u003c\/p\u003e\u003cp\u003eUser Memory\n\u003c\/p\u003e\u003cp\u003e300 patch memories, all fully editable; ships with 200 factory programs\n\u003c\/p\u003e\u003cp\u003e100 sequencer presets that can be linked to any patch for quickly loading arrangements\n\u003c\/p\u003e\u003cp\u003e4 Quick Recall slots accessible from the panel for quickly loading your favourite patches\n\u003c\/p\u003e\u003cp\u003eControls and Performance\n\u003c\/p\u003e\u003cp\u003ePremium 37 compact-key keyboard with velocity and channel aftertouch\n\u003c\/p\u003e\u003cp\u003e16 switched encoders support realtime CC message transmissions to other MIDI devices or DAWs\n\u003c\/p\u003e\u003cp\u003eFive-axis X\/Y\/Z pressure-sensitive touchpad for pitch bend, mod wheel and\/or modulation assignments\n\u003c\/p\u003e\u003cp\u003eMultiple keyboard modes, Mono, Poly, Stack 2, Unison 2, Unison 4\n\u003c\/p\u003e\u003cp\u003eGlide\/Portamento with both legato and staccato modes\n\u003c\/p\u003e\u003cp\u003eInputs and Outputs\n\u003c\/p\u003e\u003cp\u003e6.35 mm \/ 1\/4″ TS line outputs\n\u003c\/p\u003e\u003cp\u003e6.35 mm \/ 1\/4″ TRS headphone output\n\u003c\/p\u003e\u003cp\u003eMIDI DIN In and Out\n\u003c\/p\u003e\u003cp\u003e3.5 mm \/ 1\/8″ TS Analogue clock sync In and Out\n\u003c\/p\u003e\u003cp\u003eClass compliant MIDI over USB connection\n\u003c\/p\u003e\u003cp\u003e6.35 mm \/ 1\/4″ TS sustain pedal input\n\u003c\/p\u003e\u003cp\u003eEnclosure and Display\n\u003c\/p\u003e\u003cp\u003eDurable polycarbonate enclosure\n\u003c\/p\u003e\u003cp\u003eMonochrome OLED display for instant visual feedback at all times of playing\/editing\n\u003c\/p\u003e\u003cp\u003ePower\n\u003c\/p\u003e\u003cp\u003ePower: DC-9.0V – 1.5A centre-positive or USB-bus powered\n\u003c\/p\u003e\u003cp\u003eEditor Software\n\u003c\/p\u003e\u003cp\u003eFree MODALapp software editor available for macOS, Windows, iOS and Android\n\u003c\/p\u003e\u003cp\u003eMODALapp can also be run within your Digital Audio Workstation (DAW), with VST3 and AU versions available\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001284202841,"sku":"665897","price":479.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665897-1-1.jpg?v=1778095283"},{"product_id":"modal-electronics-argon8m-665900","title":"Modal electronics Argon8m","description":"\u003ch2\u003eDescription\u003c\/h2\u003eBuilding on the heritage of our legendary OO series synthesizers, ARGON8 is a modern wavetable synthesizer for artists, producers and sound designers. With its rich, transparent sound, a host of real-time controls, MPE support, a clearly structured user interface and integrated performance tools, the ARGON8 is a unique instrument, designed to deliver an unrivalled listening experience.\u003cbr\u003eARGON8’s sophisticated wavetable synthesizer engine generates thousands of different sonic combinations with its seamless waveform morphing function. Explore evolving ambient textures, classic pads and modern chords, brutal basses, dark drones and psychedelic noise textures – ARGON8 is a true sound designer’s playground. Process and modulate the waves using the 32 static wavetable modifiers and unlock additional wavetable variations. With ARGON8 virtually any sonic imagination comes to life.\u003cbr\u003eFour amendable filter types offer classic and contemporary options to shape sounds. Two flexible audio-rate LFOs (1x polyphonic) can be routed to a huge number of destinations using the modulation matrix and can be synced to internal or external tempo. Three dedicated envelopes for filter, amp and modulation provide extensive control over dynamics and expression. ARGON8’s sophisticated 12-slot modulation matrix allows you to easily assign complex modulation routings to keep your sound evolving.\u003cbr\u003eTake your performance to a new level with the integrated 512-note (or real time) sequencer with 4 powerful animation tracks, which infuse massive and complex transitions into the sound in a way that LFOs and envelopes simply don’t. The 64-note step sequencer’s polyphonic mode makes it easy to input note values and animation to create exciting melodic patterns.\u003cbr\u003e\u003cbr\u003eThe sequencer’s multiple trigger modes, alongside the powerful integrated arpeggiator (programmable up to 32 steps) and performance features such as Chord Hold, Inversions, Transpose, Sustain Latch and Joystick make the ARGON8 wavetable synthesizer a dream to play for artists and musicians alike.\u003cbr\u003eCompletely reshape your sounds with the on-board stereo effects engine. ARGON8’s 3-slot effects engine allows for in-depth programming and can combine up to 12 effects algorithms to add character and depth to your sound, including Distortion (waveshaping overdrive) Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb.\u003cbr\u003eWith a wide array of connections, ARGON8 is at home in any environment. Control the synth via USB, monitor with headphones or using the dedicated line outputs, sync with external gear using the full-size MIDI ins and outs or 3.5mm sync ins or outs, and take control of your sound using the integrated sustain and expression inputs. It is possible to expand the sound of the ARGON8 by chaining any two ARGON8 units for 16 voices and 64 oscillators.\u003cbr\u003eThe free MODALapp brings the convenience of on-screen editing to your computer or mobile device. Available as a standalone app for macOS, Windows, iOS, iPadOS or Android systems and in VST3 and AU plug-in formats, it’s the perfect companion for synth enthusiasts who want to deep dive into all sound shaping and performance parameters to create their own signature sounds and to back up and manage patches and sequences.\u003cbr\u003e\u003cbr\u003eSPECIFICATIONS\u003cbr\u003ePolyphony: 8 voices\u003cbr\u003eMPE: Supports MPE-compatible MIDI controllers, allowing the application of polyphonic control and expression to individual notes\u003cbr\u003eOscillators: 32 high-resolution wavetable oscillators, 4 per voice\u003cbr\u003eFilter: 2-pole state variable, 4 filter types: 'Standard' filters are based on the resonant filter found on other modal and 'classic' synthesizers with a rounder character and a smoother resonance response.\u003cbr\u003eModulation: 3 dedicated envelope generators for AMP, MOD and FILTER which can be accessed independently or all three simultaneously, including negative (inverse) versions and multiple envelope curve options\u003cbr\u003e2 audio-rate LFOs with tempo sync (one polyphonic and one global). The polyphonic LFO can be synced to frequency divisions\u003cbr\u003e\u003cbr\u003e8 assignable mod slots and 4 additional fixed mod routings for common assignments with 11 mod sources and 52 mod destinations\u003cbr\u003eSequencer and Arpeggiator: Real-time polyphonic sequencer with 512 notes and four recordable\/editable parameter animations (delay effects, LFOs, sequencer and arpeggiator can be synced internally or externally)\u003cbr\u003e\u003cbr\u003ePolyphonic step sequencer with 64 steps, 8 notes per step, 4 Parameter-Lock style animation lanes, step input mode, multiple playback modes including gate mode and pause function\u003cbr\u003e\u003cbr\u003eSophisticated integrated 32-step programmable arpeggiator with hold capability for up to 2048 steps before repetition\u003cbr\u003eEffects: 3 incredibly powerful, independent and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb, which can be arranged in any order\u003cbr\u003eUser Memory: 500 patch memories, all fully editable and supplied with 300 factory programs\u003cbr\u003e100 sequencer presets that can be linked to any patch for quick loading of arrangements\u003cbr\u003e100 FX presets\u003cbr\u003e8 quick recall slots accessible from the panel for quickly loading your favourite patches\u003cbr\u003e4-axis joystick that can be assigned to a wide range of mod destinations and virtually 'locked' when desired\u003cbr\u003eInputs and Outputs:\u003cbr\u003eDual-mono 6.35 mm \/ 1\/4″ TS line outputs\u003cbr\u003e6.35 mm \/ 1\/4″ TRS headphone output\u003cbr\u003e3.5 mm \/ 1\/8″ TRS stereo audio input\u003cbr\u003eDIN MIDI input and output\u003cbr\u003e3.5 mm \/ 1\/8″ TS analog clock sync input and output\u003cbr\u003eClass-compliant USB MIDI connection\u003cbr\u003e6.35 mm \/ 1\/4″ TRS expression pedal input\u003cbr\u003e6.35 mm \/ 1\/4″ TS sustain pedal input\u003cbr\u003e\u003cbr\u003ePower: DC-9.0 V - 1.5 A centre positive\u003cbr\u003eEditing software: Free MODALapp software editor available for macOS, Windows, iOS and Android or AU\/VST","brand":"MODAL ELECTRONICS","offers":[{"title":"Default Title","offer_id":58001285382489,"sku":"665900","price":578.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/665900-1-1.jpg?v=1778095292"},{"product_id":"artiphon-orba","title":"ARTIPHON Orba","description":"\u003ch2\u003eDescription\u003c\/h2\u003eORBA – Portable SynthOrba is a portable synth, MIDI controller, and looper that allows anyone to get into electronic music in the palm of their hand.Create music easily and anywhereCreating and producing musical pieces has never been so simple and immediate thanks to this unique, pocket-sized, all-in-one device. The integrated looper allows you to layer rhythmic parts, bass, drums, chords, and leads. You can create tracks and beats in an instant! Listening is guaranteed anywhere thanks to the integrated speaker, and you can also connect headphones or an amplifier via a mini-jack connection. With the Orba app, you can customize every detail and share your creations.Tactile FeelingOrba's touch and motion sensors combine to capture even the most imperceptible movements. The playable surface features eight highly touch-sensitive pads. Orba has ten main \"actions\" (gestures): Tap, Press, Spin, Radiate, Tilt, Shake, Slide, Vibrato, Move, and Bump. Each action can be used to control the integrated synthesis engine or the MIDI music software of your choice.Orba: Portable Synth with Innovative DesignArtiphon designed Orba by drawing inspiration from traditional instruments, classic synthesizers, household objects, and modern mobile devices. The capacitive sensing pads, haptic engine, and LED feedback incorporate the latest mobile and gaming control technologies. Orba features a proprietary synthesis engine characterized by the sound design of esteemed DJ and sound engineer Richard Devine.Orba as a ControllerYou can use Orba to control your hardware and software-based MIDI instruments (via USB-C or wirelessly via Bluetooth MIDI). For example, Orba can be used with Garageband, Ableton Live, Logic Pro X, Pro Tools, Cubase, FL Studio, and other MIDI-compatible mobile applications. Orba complies with the new standard for MIDI Polyphonic Expression (MPE).Features and Technical SpecificationsEight responsive sensing pads, even at low velocityAccelerometer and gyroscope capture a wide range of multi-dimensional actions (gestures)Integrated synth and speakers allow for an immediate playing experienceIntegrated looper for layering drums, bass, chords, and leadsYou can connect ORBA to the cross-platform for more sounds, songs, and settingsMIDI, Bluetooth, or USB connections. MPE protocol for dynamic and innovative playing1\/8” (3.5 mm) jack output for headphones, speakers, and amplifiersMulti-colored LEDs that respond to how you playIntegrated haptic engine provides vibration feedbackRechargeable USB battery","brand":"ARTIPHON","offers":[{"title":"Default Title","offer_id":58001674240345,"sku":"900-00007","price":105.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/orba.jpg?v=1778098922"},{"product_id":"arturia-polybrute-artpbrute","title":"ARTURIA PolyBrute","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Arturia PolyBrute is the result of years of research and development, culminating in a unique synthesizer that perfectly combines the power of a polysynth with the expressive capabilities of its controls. Featuring two oscillators, six voices of polyphony, a Steiner-Parker filter, and a 24 dB per octave Ladder filter, the PolyBrute draws inspiration from Arturia's traditional Brute line, setting a new standard for what is now the new 'flagship' of Arturia synthesizers. Arturia's analog polysynth boasts several truly important features: the \"Dual State\" mode which allows for exciting new creative possibilities, the \"Morphée\" touchpad which focuses entirely on expressiveness, and morphing functionalities that enable movement from one sound to another within the same preset. The PolyBrute also integrates top-tier digital effects, a multi-function modulation matrix, and three LFOs. Each of the over 350 presets contains two parts that can be mixed and transformed, smoothly and simultaneously altering every parameter. The PolyBrute also features an intuitive Motion Recorder that allows you to record any changes or touches and reactivate them whenever you wish. From its keyboard to the ribbon controller, the PolyBrute has been designed to offer synth enthusiasts the most expressive instrument possible. The \"Morphée\" touchpad combines a capacitive sensor and an XYZ motion sensor, allowing you to use every sound created to send different signals, each of which can be assigned to any parameter you desire. The PolyBrute offers musicians access to a timeless polyphonic synthesis experience, evoking the same magic and creativity of iconic instruments from the past, with a host of totally modern features and musical potential. Each preset features two different states, and the transformation from one to the other brings a new dimension to the modern sound designer. This allows for experimentation, exploration, transformation, and performance with entirely new, unique, and evocative sounds. The user interface features intuitive parameters and controls. The modulation matrix offers 32 customizable destinations for each patch. The PolyBrute's matrix can operate in various modes, offering unparalleled control and depth for creating unique sounds. First, Preset mode allows you to select any of the 768 preset locations on the synth. Modulation mode offers the ability to scroll through four pages of modulation assignments. Choose the modulation slot and touch the parameter you want to modulate: all in an extremely easy and intuitive way. The PolyBrute Editor software allows you to connect directly to your computer to control or modify parameters in real-time. Arturia produces powerful hardware synthesizers but has an equally excellent reputation for software. With this in mind, they have brought some of their most popular digital effects directly from the Pigments software synthesizer into the PolyBrute. The unit has exceptional build quality thanks to long and meticulous design and construction phases. From the precise OLED screen to the Pro Feel keyboard, from the wood inlays to the aluminum casing, the PolyBrute is an instrument destined to last for a long time and quickly become an authentic classic. Key features: Two analog oscillators with FM and Sync 12 dB Steiner-Parker multimode filter 24 dB low-pass ladder filter Three envelope generators Three LFOs Noise generator Motion recorder Matrix OLED screen and preset navigation functions Digital effects (Modulation, Delay, Reverb) Polyphonic sequencer 61-note keyboard, Velocity and Aftertouch Morphée XYZ controller Octave, Pitch Bend, Mod Wheel controls Sync input and output Three pedal inputs MIDI and USB","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680007513,"sku":"ARTPBRUTE","price":2379.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/polybrute_f.jpg?v=1778098990"},{"product_id":"arturia-microfreak-stellar","title":"Arturia Microfreak Stellar Hybrid Synth Paraphonic Hybrid Synthesizer 25-Key","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003e\u003cb\u003eArturia MicroFreak Stellar\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eArturia is releasing the MicroFreak Stellar Limited Edition, a version of the now \"classic\" Arturia MicroFreak that includes new granular synthesis and sampling engines, all with a striking look, in a limited edition of only a few units worldwide.\n\u003c\/p\u003e\u003cdiv\u003e\n\u003c\/div\u003e\u003cdiv\u003eArturia's hybrid synthesizer, which has been and continues to be a great success thanks to the perfect combination of digital oscillators with analog filters and its capacitive keyboard with polyphonic aftertouch, is destined to become a milestone in its category, and this new limited edition is also perfect for collectors.\n\u003c\/div\u003e\u003cdiv\u003eThis small but powerful synth also offers all the versatility of wavetable synthesis to create interesting new sounds with extreme ease. Modes such as Texturer, KarplusStrong, Harmonic OSC, and Superwave offer musicians the opportunity to explore totally new and unprecedented creative possibilities. Perfect for both young musicians and experienced professionals, MicroFreak's powerful and flexible synthesis engine features physical modeling, wavetable, and virtual analog synthesis.\n\u003c\/div\u003e\u003cdiv\u003eThe MicroFreak's filter is based on the 12dB Oberheim SEM filter, is state-variable, and also features self-oscillation. There are no limits to filter management: you can automate the cutoff by modulating it with keyboard pressure and the built-in sequencer, but also use it to best emphasize the sounds generated by wavetable synthesis. Record up to four automations, edit notes step-by-step, or use the sequencer's innovative Spice and Dice functions. Add randomization to create original evolving patterns and virtually rewire and reconfigure the signal chain and controls with the 5x7 modulation matrix. Whether you're looking for your first hardware synthesizer or are an insider looking for original sounds and a unique interface, MicroFreak is the synthesizer you need.\u003c\/div\u003e\u003cdiv\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eSynthesizer with 267 preset slots and 224 factory presets\n\u003c\/p\u003e\u003cp\u003e• Variable State Analog Filter, 12dB\/octave, resonant, Low Pass, Band Pass, High Pass\n\u003c\/p\u003e\u003cp\u003e• ADSR Envelope\n\u003c\/p\u003e\u003cp\u003e• Cycling Envelope with two modes\n\u003c\/p\u003e\u003cp\u003e• Envelope\n\u003c\/p\u003e\u003cp\u003e• LFO\n\u003c\/p\u003e\u003cp\u003e• LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with 5 sources and 7 destinations (3 custom destinations)\n\u003c\/p\u003e\u003cp\u003e• Monophonic or Paraphonic Mode - Up to 4 voices\n\u003c\/p\u003e\u003cp\u003e• 25-key keyboard with polyphonic aftertouch\n\u003c\/p\u003e\u003cp\u003e• Capacitive touch strip\n\u003c\/p\u003e\u003cp\u003e• Crisp OLED display\n\u003c\/p\u003e\u003cp\u003e• Arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Up, Order, Random, Pattern modes\n\u003c\/p\u003e\u003cp\u003e• Spice \u0026amp; Dice Gate randomizers\n\u003c\/p\u003e\u003cp\u003e• 64-step sequencer - 2 patterns per preset - 4 automation tracks per preset\n\u003c\/p\u003e\u003cp\u003e• CV \/ Gate \/ Mod outputs\n\u003c\/p\u003e\u003cp\u003e• USB, Clock and MIDI in and out\n\u003c\/p\u003e\u003cp\u003e• 6.35mm master output and 3.5mm headphone output\u003c\/p\u003e","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680204121,"sku":"ARTFREST","price":339.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/microfreak-stellar-images-photo-imported.png?v=1781167259"},{"product_id":"arturia-microfreak-artfreak","title":"ARTURIA MicroFreak","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe new Arturia MicroFreak hybrid synthesizer combines digital oscillators with analog filters and features a capacitive keyboard with polyphonic aftertouch. This small but powerful synth also offers all the versatility of wavetable synthesis to create interesting new sounds with extreme ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave offer musicians the ability to explore totally new and unprecedented creative possibilities.Perfect for both young musicians and experienced professionals, MicroFreak's powerful and flexible synthesis engine features physical modeling, wavetable, and virtual analog synthesis. MicroFreak is equipped with 11 oscillators, 4 custom Arturia engines, and 7 modes inspired by the Mutable Instruments brand. The MicroFreak's filter is based on the 12 dB Oberheim SEM filter, is state-variable, and also includes self-oscillation. There are no limits to filter management; you can automate the cutoff by modulating it with keyboard pressure and the built-in sequencer, but also use it to best emphasize the sounds generated by wavetable synthesis. Record up to four automations, edit notes step by step, or use the sequencer's innovative Spice and Dice functions. Add randomization to create original evolving patterns and virtually re-wire and reconfigure the signal chain and controls with the 5x7 modulation matrix. Whether you are looking for your first hardware synthesizer or you are an industry insider looking for original sounds and a unique interface, MicroFreak is the synthesizer you need.Main features• Synthesizer with 192 preset slots and 128 factory presets• 11 digital oscillators with integrated open-source Plaits engine created by Mutable Instruments• Analog State Variable Filter, 12dB\/octave, resonant, Low Pass, Band Pass, High Pass• ADSR Envelope• Cycling Envelope with two modes• Envelope• LFO• LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random• Modulation matrix with 5 sources and 7 destinations (3 custom destinations)• Monophonic or Paraphonic mode - Up to 4 voices• 25-key keyboard with polyphonic aftertouch• Capacitive touch strip• Crisp OLED display• Arpeggiator• Up, Order, Random, Pattern modes• Spice \u0026amp; Dice Gate randomizers• 64-step sequencer• 2 patterns per preset• 4 automation tracks per preset• CV \/ Gate \/ Mod outputs• USB, Clock, and MIDI in and out• 6.35mm master output and 3.5mm headphone output","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680367961,"sku":"ARTFREAK","price":298.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/microfreak_f.jpg?v=1778099001"},{"product_id":"arturia-microfreak-gooseneck-microphone","title":"ARTURIA MicroFreak Gooseneck Microphone","description":"\u003ch2\u003eDescription\u003c\/h2\u003eGooseneck Microphone for MicroFreak","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":58001680400729,"sku":"ARTMFMI","price":29.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"expressive-osmose-49-xpeosm49-1","title":"EXPRESSIVE Osmose 49","description":"\u003ch2\u003eDescription\u003c\/h2\u003eOsmose is a polyphonic synthesizer that breaks new ground in sound control and features a powerful synthesis engine created in collaboration with Haken Audio, a long-time industry leader.The main innovative feature of Osmose, derived from Expressive E's first product Touché, is that each individual note can be articulated independently with unique expressive possibilities.The powerful synthesis engine developed in partnership with Haken Audio offers more than 500 presets, each of which has been developed to offer performance and macros ready for recording. The preset selection covers many musical genres, such as modern pop, urban, soundtracks, electronic music, sound design, and traditional instrumental music.By providing new levels of expressiveness, the device required perfect interaction between Osmose's unique keybed mechanism and its sound engine. For this reason, Expressive E collaborated closely with Haken Audio to integrate its powerful EaganMatrix sound engine with Osmose.Its modular sound engine combines many types of digital synthesis (including physical modeling, FM, and more), making it a complete tool for every need. Designed to maximize creativity and inspiration, Osmose offers a playability experience based on already known functions and therefore has an easy learning curve, ensuring all the advantages of MPE instruments without the need to completely relearn the instrument. Main features:49 full-size keys with three-dimensional controlsStandalone synthesizer, MPE MIDI Controller, and classic MIDI ControllerEaganMatrix sound engine, modular digital engine by Haken AudioUp to 24 voices of polyphonyColor LCD screenPitch and modulation sliders2 assignable pedal inputs for sustain or synth parametersMIDI In, MIDI Out\/Thru, USB Type B1⁄4\" TS audio outputs and 1⁄4\" TRS headphone outputDimensions 894 x 316 x 87.5 mm Weight: 8.3kgExternal power supplySoftware editor for Mac\/PC to create and edit sounds","brand":"EXPRESSIVE E","offers":[{"title":"Default Title","offer_id":58001726505305,"sku":"XPEOSM49-1","price":1614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/osmose_f.jpg?v=1778099628"},{"product_id":"moog-grandmother","title":"Moog Grandmother","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Grandmother\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Grandmother\u003c\/b\u003e is a semi-modular analog synthesizer with a built-in arpeggiator, sequencer, and spring reverb.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Grandmother\u003c\/b\u003e is the latest result of Moog's research and roots, a place where synthesis is not about results but about exploration, journey, and continuous experimentation. Despite the complexity of the work behind this release, the Grandmother's semi-modular design doesn't require any patching to function; it's already a very interesting standalone product.\u003c\/p\u003e\u003cp\u003eInspired by the idea of the classic modular \u003ca href=\"https:\/\/www.yourmusiconline.it\/it\/moog\"\u003eMoog\u003c\/a\u003e synthesizer (now the \"grandmother\" of many modern products), the sound concept of the \u003cu\u003eGrandmother\u003c\/u\u003e, its integrated modules, and the onboard spring reverb is completely analog. In addition, the \u003cu\u003eMoog Grandmother\u003c\/u\u003e has a very convenient and easy-to-use \u003cb\u003eArpeggiator\u003c\/b\u003e and \u003cb\u003eSequencer\u003c\/b\u003e.\u003c\/p\u003e\u003cp\u003eWhile it can be easily used standalone, using patches and exploring its functionalities are the keys to enhancing the relationships between modules and truly unlocking the infinite sources of inspiration of the \u003cb\u003e\u003cu\u003eMoog Grandmother\u003c\/u\u003e\u003c\/b\u003e. Patches can also be used to override internal connections, allowing each section to function exactly as an independent module would.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIn addition to all this, the \u003ci\u003eMoog Grandmother\u003c\/i\u003e is also an ideal audio processor for external sources and a powerful controller for expanding Mother-32, DFAM, and \u003ci\u003eEurorack\u003c\/i\u003e modular systems.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/55Pu5avr7qU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e● New all-black color scheme\n\u003c\/p\u003e\u003cp\u003e● Hardware spring reverb also usable for processing external audio sources\n\u003c\/p\u003e\u003cp\u003e● ¼\" audio input for external signals such as guitars, basses, drum machines, etc.\n\u003c\/p\u003e\u003cp\u003e● Semi-modular, no patching required\n\u003c\/p\u003e\u003cp\u003e● Easy-to-use Arpeggiator and Sequencer\n\u003c\/p\u003e\u003cp\u003e● Ability to store 3 sequences of 256 events each\n\u003c\/p\u003e\u003cp\u003e● 2 analog oscillators with selectable waveform and hard sync\n\u003c\/p\u003e\u003cp\u003e● Classic 4-Pole 10Hz-20kHz Ladder Filter\n\u003c\/p\u003e\u003cp\u003e● Patchable 1-Pole high-pass filter\n\u003c\/p\u003e\u003cp\u003e● Analog ADSR envelope generator\n\u003c\/p\u003e\u003cp\u003e● Analog LFO\n\u003c\/p\u003e\u003cp\u003e● Fatar 32-key keyboard with velocity\n\u003c\/p\u003e\u003cp\u003e● All normalized connections can be interrupted for total modularity\n\u003c\/p\u003e\u003cp\u003e● DIN MIDI In\/Out\/Thru and USB MIDI\n\u003c\/p\u003e\u003cp\u003e● Patchable bipolar attenuator\n\u003c\/p\u003e\u003cp\u003e● Perfect in combination with Mother-32, DFAM, Eurorack modular systems, and more\n\u003c\/p\u003e\u003cp\u003e● 41 patch points - 21 inputs and 16 outputs plus 4 multiple connections\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915281753,"sku":"GRANDM","price":1059.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/708fc1634d21b6f0ee2be755dc96396c9580e06d.jpg?v=1781167456"},{"product_id":"moog-music-minitaur","title":"MOOG MUSIC Minitaur","description":"\u003ch2\u003eDescription\u003c\/h2\u003eMoog Music presents Minitaur™, the latest addition to Moog's Taurus Bass Synthesizer family. Minitaur is a powerful and compact analog bass synth with the classic \"one knob per function\" synthesizer structure. It is the first instrument in the Taurus family that does not include a foot pedal and, thanks to its extremely small and compact size (approximately 21 x 13 cm and just over 1kg in weight), it integrates perfectly into the most classic and current musical production setups. The Minitaur marks a new chapter in the history of the Taurus family, introducing important innovations mainly related to its form, control interface, and an unprecedented level of accessibility. The historic Taurus Bass Pedals, introduced 40 years ago, had an extraordinary impact on music in recent decades. Rush, Police, Genesis, Led Zeppelin, Phil Collins, Asia, Jean Michel Jarre, Dave Matthews Band, are just some of the big names that have contributed to the legend of this instrument. Now some of these great artists, including Geddy Lee of Rush, have made a tangible contribution to the creation of Minitaur, with technical and practical advice that led to the final realization of the project. Bob Moog always had the habit of comparing his ideas, his sounds, and his instruments with musicians and colleagues. Following this tradition, Minitaur was presented in the testing phase to a large number of artists and producers (in particular, in addition to Geddy Lee, \"techno legend\" Derrick May, Holy F*ck, and producer Nick Raskulinecz contributed) and each of them was able to give their input to the development of the production process. It is fundamental to reiterate the enthusiasm that these important names had in helping to create an instrument that they themselves will use: the starting point of a new generation in the line of Taurus Bass Synthesizers. Main features: • Compact steel chassis • \"One-knob-per-function\" interface • Two oscillators - Sawtooth and Square waveforms • Classic Moog ladder filter • Two \"Minimoog-style\" ADSR envelope generators with Release switch • 1 MIDI-syncable triangular LFO that can modulate VCF\/VCO • DIN MIDI In and MIDI over USB • CV inputs for pitch, filter, volume, and gate • Audio In and Audio Out • Headphone output","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915380057,"sku":"TBP-002-06","price":661.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/minitaur.8_f.jpg?v=1778101119"},{"product_id":"moog-music-mother-32-mod-mother-32-06","title":"MOOG MUSIC Mother-32","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe news of a new Moog synthesizer is already important in itself, but if you add to this the fact that for the first time the well-known American brand has decided to fully embrace the Euro Rack format project, suggesting a future development of modules for this standard, it is clear that the interest in this novelty is far greater.Moog's entry into the Euro Rack format is a grand entrance with a semi-modular tabletop synthesizer with an on-board sequencer and a wide range of external connection options thanks to an interconnection patchbay with Euro Rack format mini jacks.The Mother-32, this is the name of the new synthesizer from the Asheville-based company, integrates a 32-step CV\/Gate step sequencer with 64 sequence locations, Moog low pass and high pass filter, an oscillator with independent output for waveforms, a sub audio\/audio modulation oscillator, two voltage-controlled mixers, MIDI In and MIDI to CV conversion, a patchbay with 32 connection points and CV jacks with 16 possible assignment sources, all in an aluminum cabinet with wooden side panels.This is the first (but certainly not the last) module available from Moog in the standard Euro Rack format and will be accompanied by a wide range of accessories such as kits for rack-mounting the module and patch cables.","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915478361,"sku":"MOD-MOTHER-32-06","price":572.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"moog-subsequent-25-lps-sub-007-06","title":"Moog Subsequent 25","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Subsequent 25\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eMoog Subsequent 25\u003c\/b\u003e is a paraphonic analog synthesizer that best combines the most classic features of the \"analog sound\" that distinguishes every Moog instrument with the practicality and workflow of a modern sound design tool. The Subsequent 25 effectively becomes Moog's most compact keyboard synthesizer, yet retains all the sound and design characteristics that have helped make the American brand the absolute international reference in the sector.\u003c\/p\u003e\u003cp\u003eThe approach guaranteed by this type of instrument is the ultimate in fun, practicality, and gratification: you can start from a preset patch and then redefine the sound in every detail using all the easily accessible functions from the front panel, ultimately achieving a new and never-before-created sound. The newly created sound can then be saved and recalled at any time thanks to the free Editor\/Librarian software.\u003c\/p\u003e\u003cp\u003eA possible example of creating a unique and powerful patch is the ability to converge the three available oscillators in Unison mode, to create a rich and extremely powerful bass line. You can then activate the new Duo mode to 'split' oscillators 1 and 2, opening up new scenarios of expressiveness and musicality by playing two different notes simultaneously. Through the four onboard CV inputs, you can trigger the Subsequent 25's analog sound engine with other voltage-controlled analog devices and then interface with the DAW via DIN and USB MIDI connections.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eThe Subsequent 25's analog filter section includes the Multidrive circuit, a perfect combination of OTA distortion and FET drive, which greatly contributes to characterizing the sound of this instrument. With the combined and creative use of the Multidrive circuit, the Mixer Section (with optimized headroom), and the Ladder Filter, there are almost infinite possibilities for sound generation.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eWith a perfect balance between classic full analog sound design and total integration into digital domain and DAW workflows, the Subsequent 25 features full MIDI implementation, allowing automation and recall of all functions and parameters accessible from the front panel and beyond.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eDesigned for extreme portability, the Subsequent 25 is the most suitable full-size Moog synthesizer to be transported with great ease due to its reduced size and compact design, for a stress-free studio-to-stage journey. Naturally, the space required on the desk or stage will also be minimal, favoring the inclusion of the synth in your setup.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eThe Subsequent 25 is a versatile new instrument designed for maximum creativity and expressiveness. Thanks to its simple and practical interface and the flexibility of the range of sounds it can generate, it is a synthesizer destined to revolutionize and perfect the connection between human and machine, opening up new, previously unthinkable scenarios for your musical experience. If you are looking for a powerful and accessible tool to create that unique and never-before-made bass line or that lead that will characterize your performance or your latest track to be produced, this is the right instrument.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eSound Engine: Analog (2 Oscillators, 1 Sub Oscillator, 1 Noise Generator)\u003c\/p\u003e\u003cp\u003eNumber of keys: 25\u003c\/p\u003e\u003cp\u003eKeyboard Type: Semi-weighted, Velocity-Sensitive\u003c\/p\u003e\u003cp\u003eOther controls: Pitchbend, Mod Wheel\u003c\/p\u003e\u003cp\u003ePolyphony: Monophonic, 2-Note Paraphonic\u003c\/p\u003e\u003cp\u003eLFO: Triangle, Square, Sawtooth, Ramp, Sample \u0026amp; Hold\u003c\/p\u003e\u003cp\u003eFilter: Moog Ladder Filter 6\/12\/18\/24 dB per Octave\u003c\/p\u003e\u003cp\u003eNumber of Presets: 16 (4 Banks of 4)\u003c\/p\u003e\u003cp\u003eEffect Types: Multidrive\u003c\/p\u003e\u003cp\u003eAudio Inputs: 1 x 1\/4\" (ext in)\u003c\/p\u003e\u003cp\u003eAudio Outputs: 1 x 1\/4\"\u003c\/p\u003e\u003cp\u003eUSB: 1 x Type B\u003c\/p\u003e\u003cp\u003eMIDI I\/O: In\/Out\/USB\u003c\/p\u003e\u003cp\u003eOther I\/O: Filter CV in, Pitch CV in, Volume CV in, KB Gate in\u003c\/p\u003e\u003cp\u003eSoftware: Editor\/librarian for Mac\/PC in plug-in and standalone versions\u003c\/p\u003e\u003cp\u003ePower Supply: 110V AC-240V AC (Internal)\u003c\/p\u003e\u003cp\u003eHeight: 17.1 cm\u003c\/p\u003e\u003cp\u003eWidth: 51.5 cm\u003c\/p\u003e\u003cp\u003eDepth: 37.5 cm\u003c\/p\u003e\u003cp\u003eWeight: approx. 7kg\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915576665,"sku":"LPS-SUB-007-06","price":1199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/13ed7a93ae2fb30c1a4c79564d557f6f66d4dc58.jpg?v=1781167459"},{"product_id":"moog-music-subsequent-37-lps-sub-006-06","title":"MOOG MUSIC Subsequent 37","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Subsequent 37 is a paraphonic (2-note) analog synthesizer built on the multi-award-winning architecture of the powerful Sub 37 Tribute Edition. The control panel features 40 potentiometers and 74 selectors for immediate control over a wide range of analog sound design tools and sequencer control. The Subsequent 37, as requested by users, now implements several sonic and functional improvements. Each improvement maintains the magic and characteristics of its predecessor, while offering access to new dimensions of sound and improved playability. The mixer section of the Subsequent 37 offers double the headroom of the Sub 37 Tribute Edition. This allows access to a new range of classic clean tones in both mono and duo modes. Leveraging the new flexibility of the mixer, the gain stage in the Ladder filter has been redesigned to increase harmonic saturation and analog compression, which leads to an overall enrichment of the low end. Completing the sonic evolution of the Subsequent 37, the Multidrive circuit has been revised, now extending well beyond the \"grit and growl\" of the original Sub 37. In addition to the enhanced sound engine, the Subsequent 37 offers an updated keyboard for improved playability, an enhanced headphone amplifier powerful enough to be used with the most demanding headphones, and a software plugin\/editor for both Windows and Mac. FEATURES SUB 37 ARCHITECTURE – All controls and features offered by the Sub 37 Tribute Edition SOUND ENGINE EVOLUTION – Richer bass and increased sonic dimension MORE MULTIDRIVE – Wider and \"dirtier\" range than ever before ROOM FOR TWO - More headroom means that sounds in Duo mode sound even better 37-NOTE KEYBOARD – Lightweight, with swift action and aftertouch. HIGH-POWER HEADPHONE OUTPUT – You can prepare your sounds even in the noisiest environment. EXTENDED MODULATION AND SEQUENCING - 2 assignable mod buses, 2 looping DAHDSR envelopes, and an ultra-powerful arpeggiator\/sequencer 256 PRESETS - 16 banks of 16 patches FREE SOFTWARE EDITOR – Works as a DAW plugin or as a standalone editor SPECIFICATIONS SOUND ENGINE: 100% Analog POLYPHONY: Selectable Monophonic or Paraphonic KEYBOARD: 37 semi-weighted notes with After Pressure LCD: 128 x 64 pixel LCD with white backlight CONTROLLERS: Pitch Bend, Mod Wheel, After Pressure, Velocity SOUND SOURCES: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Analog Noise Generator, 1 External Input\/Filter Feedback OSCILLATOR CALIBRATION RANGE: 22Hz-6.8KHz. Note range at 8’ = 18 - 116 GLIDE MODULE: Assignable to Osc1\/Osc2\/Both. Type - LCR, LCT, EXP, Gated, Legato FILTER: 20Hz-20KHz Moog Ladder Filter w\/ 6\/12\/18\/24 dB\/Oct Filter Slopes and MultiDrive TRANSPOSE: +\/- 2 Octaves ARPEGGIATOR\/SEQUENCER: Up, Down, Order, Random, Latching, Back\/Forth, Invert, +\/-2 Range, Tie, Rest, MIDI Sync, 64-note sequencer MODULATION BUS SOURCES: LFO (Triangle, Square, Saw, Ramp, Sample \u0026 Hold), Filter EG\/PGM PROGRAMMABLE SOURCES: Amp Env, Constant ON, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, and Seq Mod. DESTINATIONS: Osc 1 Pitch, Osc 2, Osc 1 \u0026 2 Pitch, Filter, LFO Rate, VCA Level, Osc 1 Wave, Osc 2 Wave, Osc 1 \u0026 2 Wave, Noise Level, EG Time\/PGM PROGRAMMABLE DESTINATIONS: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In\/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In\/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back\/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide OSC Choice, Glide Type, Glide Gate, Glide Legato, Glide On, LFO 1 Clock Division, LFO 1 Range, LFO 1 Sync, LFO 1 Keyboard Reset, LFO 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, LFO 2 Clock Division, LFO 2 Range, LFO 2 Sync, LFO 2 Keyboard Reset, LFO 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 DUO Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, and Bend Down. LFO PANEL FEATURES: Hi\/Low Range from .01Hz–1kHz, MIDI Sync, KB Reset ENVELOPES: DAHDSR Envelopes with Multi-Trigger, Reset, Looping, MIDI Sync, Latch, and Variable control of EG Delay, Hold, Velocity Amount, KB Tracking. INPUTS\/OUTPUTS: AUDIO INPUT: 1xTS AUDIO OUTPUT: 1xTS, 1xTRS Headphone with separate volume control PRESETS: 256 Presets - 16 Banks x 16 presets MIDI I\/O: DIN In\/Out, and MIDI over USB CV\/GATE INPUTS: Filter CV, Pitch CV, Volume CV, KB Gate CV\/GATE OUTPUTS: 4x Assignable CV, 2x Assignable Gate CV DESTINATIONS: KB Pitch (also sequence pitch), Velocity, Aftertouch, Mod 1, Mod 1x Ctrl, Mod 2, Mod 2 x Ctrl, Filter EG, Amp EG, Pitch Wheel, Mod Wheel, Seq Mod, Duo Pitch. GATE DESTINATIONS: KB Gate (also sequence gate), Ext. Gate, Arp\/Seq Clock, Arp\/Seq Run\/Stop, Arp\/Seq Step 1 Trig, Filt EG Trigger, Amp EG Trigger, LFO 1 Rate, LFO 2 Rate. DIMENSIONS: Height 17.14 cm x Width 67.94 cm x Depth 35.56 cm WEIGHT: 10 Kg POWER SUPPLY: 110VAC-240VAC Universal Power Supply with IEC connector","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915642201,"sku":"LPS-SUB-006-06","price":1690.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/moogsubsequent37.jpg?v=1778101130"},{"product_id":"moog-music-minimoog-model-d-2022-edition","title":"MOOG MUSIC Minimoog Model D 2022 Edition","description":"\u003ch2\u003eDescription\u003c\/h2\u003eMoog Music has officially resumed production of the Minimoog Model D, the world's first portable synth, still considered the quintessential synthesizer.After 35 years, they have decided to restart production of their flagship model in Asheville, using the same artisanal manufacturing procedures and the same components. No changes have been made to the signal path and the sound generation engine, but some important new features have been introduced that do not alter the sonic potential of the first edition but significantly enrich it.The main changes introduced with the new edition of the Minimoog Model D include a Fatar keyboard with velocity and aftertouch, a dedicated LFO with square and triangle waveforms, CV outputs for pitch, gate, velocity and aftertouch, basic MIDI integration and a modification to the mixer that allows for even greater sound pressure and overdrive. Every single Minimoog Model D unit is handmade in the Moog Factory in Asheville by Moog employees, who are also owners of the company. Due to the complexity of the manufacturing process, only a limited number of units can be produced per month, and waiting times to get hold of this highly sought-after synth could be quite long.","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001915904345,"sku":"MIN-MOOG-D-04-06","price":5999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/minimoog-model-d_f.jpg?v=1778101136"},{"product_id":"moog-etherwave-theremin","title":"Moog Etherwave Theremin","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Etherwave Theremin\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFor over 60 years, the Moog Theremin has captured the imagination and attention of musicians and audiences alike. More recently, over the past two decades, the Moog Etherwave Standard and Etherwave Plus versions have redefined the benchmark for performance in terms of design. Now, the best-selling theremin models of all time are being refined with a substantial upgrade, simply becoming: Etherwave Theremin. With no keys to press and no strings to pluck, the theremin has always defied all the prerogatives of a musical instrument. One of the first electronic instruments ever made, it has earned its place in over a century of history by being played in a way that seems to conjure music from the ether, simply through the movement of the body as it approaches the instrument. Throughout history, artists have achieved an unprecedented level of performance, mastering this unique connection between hands, body, environment, and instrument. The theremin's elegant simplicity and unparalleled expressiveness have always contributed to the deep affinity between Bob Moog and the instrument, from building his first theremin at age 14 to completing his last theremin at age 70. Today, the Etherwave Theremin carries on this legacy with a refined design for the modern theremin performer. Combining the typical playability of an analog instrument with an unprecedented range of sound options, Moog's Etherwave Theremin offers an accurate five-octave range with extremely balanced note spacing. The most advanced and updated analog electronic components have been used to create Bob Moog's classic theremin circuit, further improving performance, especially in the low-frequency range. The hand-finished wooden cabinet integrates the two traditional brass-plated antennas, as well as the input and output connections, all located on the rear panel. The microphone stand adapter ensures quick setup. Easily accessible front panel controls allow for quick timbral variations, and antenna calibration can be performed simply and immediately. The I\/O setup is completed by a front panel headphone output with volume control and a convenient Mute button. The Etherwave Theremin naturally has all the features and functionalities of a normal Theremin, with the added ability to be used as a standalone CV controller to control external synthesizers and effects. The control signals from the CV outputs are proportional to the pitch and volume of the Theremin's audio signal, and the Etherwave Theremin can be connected to the pitch or volume CV inputs of a Subsequent 37 or other analog synths for a completely new way to play the synthesizer or effects. For the passionate novice or the more experienced professional musician, the Etherwave Theremin offers unprecedented sonic potential, for a unique experience of playability and control that can take your sound to new dimensions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e Pitch Antenna: frequency range control from approximately 0 Hz to 4.2 kHz \u003c\/p\u003e\u003cp\u003eVolume Antenna: dynamic range control of approximately 70dB\u003c\/p\u003e\u003cp\u003e Sound Source: Analog Heterodyning Oscillator \u003c\/p\u003e\u003cp\u003eSound Modifier: Analog VCA \u003c\/p\u003e\u003cp\u003eHeadphones: 1\/4 output jack \u003c\/p\u003e\u003cp\u003eAudio Out: 1\/4 Audio output jack \u003c\/p\u003e\u003cp\u003eCV Out: 3.5mm jack for Volume CV Out, \u003c\/p\u003e\u003cp\u003ePitch CV Out, Gate CV Out \u003c\/p\u003e\u003cp\u003eWeight: 2.85 kg \u003c\/p\u003e\u003cp\u003eDimensions: 24.13 x 53.97 x 16.51 cm\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001916330329,"sku":"THE-ETHER-06","price":899.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/etherwave-theremin-images-photo-imported.jpg?v=1781167459"},{"product_id":"moog-theremini","title":"Moog Theremini","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eMoog Theremini\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe Theremini is the new version developed by Moog Music of the Theremin, the first electronic musical instrument in history.\n\u003c\/p\u003e\u003cp\u003eThis re-interpretation includes the implementation of new advanced features that make this instrument accessible to everyone, which until now was certainly not among the easiest to play. The Theremini allows you to play every note in a single discrete musical scale, and not in a continuous space as with the original model, thanks to total control over the intonation that can be adjusted and deactivated.\n\u003c\/p\u003e\u003cp\u003eThe ability to control the pitch also becomes very useful for educational purposes for those approaching this type of instrument for the first time. The integrated preset section allows you to select from 32 wavetable synthesis sounds, store and save a selected scale, set or recall a selected range of notes for performance, and specify settings for patches for the included stereo delay. On the back of the instrument, which features a particular futuristic design, there is also a speaker that makes the Theremini perfectly autonomous.\u003c\/p\u003e\u003cp\u003eThere are also two audio line outputs, a CV pitch output with selectable range, and a mini USB port for MIDI connectivity.\u003c\/p\u003e\u003cp\u003ePitch correction with user-selectable scales and root notes\n\u003c\/p\u003e\u003cp\u003eTuner with visual note tracking32 timbres\n\u003c\/p\u003e\u003cp\u003eBuilt-in speaker with independent volume control\n\u003c\/p\u003e\u003cp\u003eHeadphone output\n\u003c\/p\u003e\u003cp\u003eStereo line output\n\u003c\/p\u003e\u003cp\u003ePitch CV output with selectable range\n\u003c\/p\u003e\u003cp\u003ePresets for saving scales\n\u003c\/p\u003e\u003cp\u003eStereo delayRemovable antenna\n\u003c\/p\u003e\u003cp\u003e128×64 LCD display\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TY6no1QgU3g?si=X00duu4_upASDeNZ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" style=\"letter-spacing: 0.02em; max-width: 100%; padding-top: 5%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003ePitch correction with user-selectable scales and root notes\u003c\/p\u003e\u003cp\u003eTuner with visual note tracking32 timbres\u003c\/p\u003e\u003cp\u003eBuilt-in speaker with independent volume control\u003c\/p\u003e\u003cp\u003eHeadphone output\u003c\/p\u003e\u003cp\u003eStereo line output\u003c\/p\u003e\u003cp\u003ePitch CV output with selectable range\u003c\/p\u003e\u003cp\u003ePresets for saving scales\u003c\/p\u003e\u003cp\u003eStereo delayRemovable antenna\u003c\/p\u003e\u003cp\u003e128×64 LCD display\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\nPITCH DETECTION\n\u003c\/p\u003e\u003cp\u003eHeterodyning analog oscillator\n\u003c\/p\u003e\u003cp\u003eSYNTHESIS ENGINE\n\u003c\/p\u003e\u003cp\u003eAnimoog-derived wavetable\n\u003c\/p\u003e\u003cp\u003ePRESETS\n\u003c\/p\u003e\u003cp\u003e32\n\u003c\/p\u003e\u003cp\u003eDISPLAY\n\u003c\/p\u003e\u003cp\u003e128 x 64 pixel backlit LCD\n\u003c\/p\u003e\u003cp\u003eINTERNAL SPEAKER\n\u003c\/p\u003e\u003cp\u003e2-inch, full-range\n\u003c\/p\u003e\u003cp\u003eHEADPHONE JACK\n\u003c\/p\u003e\u003cp\u003e1\/8” (3.5mm) TRS headphone jack\n\u003c\/p\u003e\u003cp\u003eAUDIO OUTPUTS\n\u003c\/p\u003e\u003cp\u003e1\/4”TS Mono\/Stereo; Line Level\n\u003c\/p\u003e\u003cp\u003eCLOSE\n\u003c\/p\u003e\u003cp\u003eOUTPUT IMPEDANCE\n\u003c\/p\u003e\u003cp\u003e680 ohm nominal\n\u003c\/p\u003e\u003cp\u003eCV OUTPUT\n\u003c\/p\u003e\u003cp\u003e1\/4”TS; 0-5 Volt \/ 0-10 Volt (selectable)\n\u003c\/p\u003e\u003cp\u003eOUTPUT IMPEDANCE\n\u003c\/p\u003e\u003cp\u003e330 ohm nominal\n\u003c\/p\u003e\u003cp\u003eSECURITY\n\u003c\/p\u003e\u003cp\u003eKensington Slot Type\n\u003c\/p\u003e\u003cp\u003eUSB MIDI\n\u003c\/p\u003e\u003cp\u003eFull-speed USB 2.0; USB Mini-B connector\n\u003c\/p\u003e\u003cp\u003ePOWER JACK\n\u003c\/p\u003e\u003cp\u003e12VDC 300mA Center Pin Positive\n\u003c\/p\u003e\u003cp\u003eEXTERNAL POWER SUPPLY\n\u003c\/p\u003e\u003cp\u003e100-240VAC 50\/60Hz 3W\n\u003c\/p\u003e\u003cp\u003eDIMENSIONS\n\u003c\/p\u003e\u003cp\u003e22.75” L x 6.5” D x 15” H with antenna\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":58001916395865,"sku":"MOOTHM","price":409.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/034700587.jpg?v=1781167459"},{"product_id":"teenage-engineering-op-1-field","title":"TEENAGE ENGINEERING OP-1 field","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe evolution of our flagship synthesizer. Inspired by a decade of technological advancements, ideas, and refinements, OP-1 field features a thin aluminum frame, a new color scheme, a glass screen, and is packed with new features.","brand":"TEENAGE ENGINEERING","offers":[{"title":"Default Title","offer_id":58001950048601,"sku":"TE002AS002","price":1809.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"teenage-engineering-op-z-rumble-zm2-te012xs012","title":"TEENAGE ENGINEERING OP-Z Rumble, ZM2","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe kit includes two 20cm midi 3.5 trs \/ 5-pin DIN cables.","brand":"TEENAGE ENGINEERING","offers":[{"title":"Default Title","offer_id":58001950179673,"sku":"TE012XS012","price":39.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"po-modular-16-2","title":"Teenage Engineering Pocket Operator Modular 16","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eTeenage Engineering Pocket Operator Modular 16\u003c\/b\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eThe Teenage Engineering PO Modular 16-Keyboard is a standalone device that lets you customise any note. The device is super compact and is fantastic for on-the-go use.\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003eFor the DIY enthusiast. The set contains all the necessary components and a helpful, easy-to-understand manual for assembling the device. The Modular 16 Keyboard was developed as a controller for Teenage Engineering's 400 system but can also be used with other modular systems. It doesn't generate tones on its own but sends CV, pitch and triggers.\n\u003c\/p\u003e\u003cp style=\"text-align: justify; \"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e16-key keyboard with individual tuning options\n\u003c\/p\u003e\u003cp\u003eBuilt-in programmable sequencer\n\u003c\/p\u003e\u003cp\u003ePowered by 4x AA batteries\n\u003c\/p\u003e\u003cp\u003eSelf-assembly with all parts included and manual\n\u003c\/p\u003e\u003cp\u003eDesigned to control the 400 or other modular synthesizers\n\u003c\/p\u003e\u003cp\u003eSends CV, pitch, and trigonometry\u003c\/p\u003e","brand":"TEENAGE ENGINEERING","offers":[{"title":"Default Title","offer_id":58001950474585,"sku":"TE019AS016","price":99.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/b8d214cfe8ef2a8a0b6d5adce31824d59db241fa.jpg?v=1781167536"},{"product_id":"teenage-engineering-po-20-arcade","title":"TEENAGE ENGINEERING PO-20 Arcade","description":"\u003ch2\u003eDescription\u003c\/h2\u003ePocket Synth","brand":"TEENAGE ENGINEERING","offers":[{"title":"Default Title","offer_id":58001950736729,"sku":"TEPO20","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/po-20-arcade_f.jpg?v=1778102008"},{"product_id":"teenage-pro-case-ca28","title":"Teenage Engineering Pro Case Ca28","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eTeenage Engineering Pro Case Ca28\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eCase for PO-28\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eMaterial: Silicone\u003c\/p\u003e\u003cp\u003eColor: black\u003c\/p\u003e","brand":"TEENAGE ENGINEERING","offers":[{"title":"Default Title","offer_id":58001950933337,"sku":"POCA28","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/05b42d1e492738a32308637fb123c6c347015844.jpg?v=1781167538"},{"product_id":"sledge-20-black-edition","title":"StudioLogic Sledge 2.0 - Black Edition","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch3\u003eThe best SLEDGE ever!\u003c\/h3\u003e\u003cbr\u003e\u003cp\u003eThis version of Sledge features a new, \u003cstrong\u003eexclusive Dark \"Look\"\u003c\/strong\u003e, including the cabinet and the semi-weighted keyboard with Aftertouch, and inverted-color keys with a more solid feel.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe instrument's sound palette has also been updated with a new set of Presets created and signed by important Sound Designers, taking full advantage of the possibilities offered by the internal sound engine, which allows blending synthesis and samples.\u003c\/p\u003e\u003cbr\u003e\u003ch3\u003eMore dynamic sound\u003c\/h3\u003e\u003cbr\u003e\u003cp\u003eThe audio output level has been increased to achieve an even more powerful, dynamic, and clean sound. LFO 2 is now synchronized, allowing it to maintain the same phase in the modulation of all notes.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eInstrument Overview\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/SledgeBEFrontale_02_a337.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eStudiologic\u003c\/strong\u003e is pleased to present the \u003cstrong\u003eBlack Edition\u003c\/strong\u003e of its renowned \u003cstrong\u003eSLEDGE\u003c\/strong\u003e synthesizer.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis new version introduces interesting technical and operational features that position this instrument above any competitor.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/Pannello_e198.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn fact, the powerful synthesis system is now complemented by the ability to use samples, perfectly integrated with the user interface with extensive real-time controls and great immediacy. The new features further enhance the instrument's sonic power and versatility. The Studiologic and Waldorf Labs technical team has made \u003cstrong\u003eSledge Black Edition\u003c\/strong\u003e more versatile than a simple synthesizer, with the introduction of the \u003cstrong\u003eDUAL\u003c\/strong\u003e function, sample loading (\u003cstrong\u003e60 MB\u003c\/strong\u003e of internal Flash memory), and increased polyphony.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/SledgeBE_Slant_f0f8.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eAdditional Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eAuto Dual mode\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eSledge Black Edition\u003c\/strong\u003e can play two timbres simultaneously, thanks to the \u003cstrong\u003eDUAL\u003c\/strong\u003e mode. This function is appropriately controlled by a new page in GLOBAL mode, which allows intuitive selection of SPLIT mode (split keyboard) or LAYER (two superimposed sounds), and the sound assigned to them. The combination of the two sounds can naturally be stored in any of the 1,000 available locations.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eGlobal Pitch \u0026amp; Hold Controls\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA new GLOBAL page allows enabling Pitch Bend and Hold independently for the UPPER and LOWER sounds selected in DUAL mode. This allows, for example, enabling Pitch Bend only on the UPPER sound for solo parts, while the LOWER sound plays chords unaffected by Bending. Similarly, the HOLD pedal can act only on the LOWER part to maintain, for example, a DRUM GROOVE, or function as a DAMPER for a piano sound, or vice versa. Naturally, HOLD can be enabled on the sounds of both the UPPER and LOWER sections.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eReverb + Delay\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis function allows combining both effects, maintaining the previous reverb settings, while the real-time controls (Time \u0026amp; Level) adjust the Delay parameters even when it is mixed with the reverb.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eSamples\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNew sounds and samples can be loaded into the internal 60MB Flash memory and played by oscillator 1 (OSC1). The new samples can be edited directly from the control panel, with the possibility of adding other oscillators, filters, envelopes, effects, etc. This function creates an innovative combination of synthesis and sampling, allowing further development of the instrument's sounds.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eIncreased polyphony\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe number of simultaneous notes has now been increased to 24, to achieve better results using the new operational features introduced with DUAL mode and samples.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eSledge SPECTRE\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIt is a \u003cstrong\u003efree application\u003c\/strong\u003e downloadable from the \u003cstrong\u003e\u003ca href=\"http:\/\/www.studiologic-music.com\/products\/sledge2\/#downloads\" target=\"_blank\"\u003eStudiologic website\u003c\/a\u003e\u003c\/strong\u003e \u003ca href=\"http:\/\/www.studiologic-music.com\/products\/sledge2\/#downloads\" target=\"_blank\"\u003e(\u003cstrong\u003eclick here\u003c\/strong\u003e)\u003c\/a\u003e, which allows editing the main parameters of the samples: keyboard range, tuning, and more, and transmits them to SLEDGE 2.0 via the USB port. With this simple Editor, it is possible to load samples onto your computer and then download them into the instrument's memory.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp style=\"text-align:center\"\u003e\u003cimg alt=\"\" src=\"\/img\/media\/images\/html\/Spectre_ad54.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eKeyboard: 61 high-quality Fatar TP 9 keys, 5 octaves with After Touch\n\u003c\/p\u003e\u003cp\u003eControls: 32 Potentiometers, 3 rotary Chicken Head switches (7 positions), 1 rotary encoder with Push function, Pitch \u0026amp; Modulation Wheel\n\u003c\/p\u003e\u003cp\u003eDisplay: Backlit 2 x 16 character LCD\n\u003c\/p\u003e\u003cp\u003eSounds: Up to 1,000 Sounds and quick sound selection via numeric Key Pad\n\u003c\/p\u003e\u003cp\u003eSound generation: 2 fast LFOs per voice, adjustable speed and depth\n\u003c\/p\u003e\u003cp\u003e1x Extra modulation path for Mod Wheel, with adjustable modulation speed and depth\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sawtooth, Rectangular, Triangle, Sine, Sample \u0026amp; Hold, Ramp\n\u003c\/p\u003e\u003cp\u003eDestination: Osc 1, Osc2, Ocs3, PWM \/ Wave \/ FM, Volume, Filter Cutoff\n\u003c\/p\u003e\u003cp\u003ePolyphony: 24 voices\n\u003c\/p\u003e\u003cp\u003eModes: Single, DUAL, Split or Layer selectable\n\u003c\/p\u003e\u003cp\u003eMono with Single or Multiple Trigger\n\u003c\/p\u003e\u003cp\u003e3x Oscillators per voice\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sawtooth, Square, Triangle, Sine, Pulse (with PWM Pulse Width Modulation)\n\u003c\/p\u003e\u003cp\u003eOscillator 1 with 66 original PPG Wavetables: Frequency Modulation\n\u003c\/p\u003e\u003cp\u003eWaveforms: Sine, Triangle, Oscillator Hardsync (Osc 2 to Osc 3), External Sample Import (60MB internal Flash), Noise Generator selectable - White\/Pink, Mixer with Volume and ON\/OFF switch for oscillators and noise\n\u003c\/p\u003e\u003cp\u003e1x Multi Mode Filter per voice: 24 \/ 12dB, Lowpass, Highpass, Bandpass, Resonance up to self-oscillation, Keytrack and adjustable Drive\n\u003c\/p\u003e\u003cp\u003e2x \"fast Envelopes\" generators per voice (Filter\/Amplifier)\n\u003c\/p\u003e\u003cp\u003eArpeggiator: \"Latch\" mode, Synchronizable to MIDI Clock, Directions: Up, Down, Alternate, Range up to 10 Octaves\n\u003c\/p\u003e\u003cp\u003eEffects: 2x Simultaneous effects: Effect 1: Chorus \/ Phaser \/ Flanger, Effect 2: Reverb \/ Delay, Reverb + Delay\n\u003c\/p\u003e\u003cp\u003eOutputs: Stereo Line L\/R, Headphone Output\n\u003c\/p\u003e\u003cp\u003ePedal input: Expression Pedal, Hold Pedal\n\u003c\/p\u003e\u003cp\u003eMIDI: MIDI IN\/OUT\n\u003c\/p\u003e\u003cp\u003eUSB Port\n\u003c\/p\u003e\u003cp\u003ePower supply: Internal\n\u003c\/p\u003e\u003cp\u003eColor: Black\n\u003c\/p\u003e\u003cp\u003eDimensions: 970 x 405 x 110mm\n\u003c\/p\u003e\u003cp\u003eWeight: 8.3kg\u003c\/p\u003e","brand":"STUDIOLOGIC","offers":[{"title":"Default Title","offer_id":58003184419161,"sku":"11900059","price":949.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/11900059_m.jpg?v=1778114005"},{"product_id":"lead-a1-15700002","title":"Nord LEAD A1","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Lead A1 \u0026lt;\/strong\u0026gt;is an \u0026lt;strong\u0026gt;analog physical modeling\u0026lt;\/strong\u0026gt; synthesizer, with a powerful and distinctive sound, consisting of \u0026lt;strong\u0026gt;4 independent modules\u0026lt;\/strong\u0026gt; also in effects, configurable in \u0026lt;strong\u0026gt;Split\/Layer\u0026lt;\/strong\u0026gt;. Each oscillator can generate \u0026lt;strong\u0026gt;Analog and Digital waveforms\u0026lt;\/strong\u0026gt;, while thanks to the \"\u0026lt;strong\u0026gt;Analog Style\u0026lt;\/strong\u0026gt;\" control panel, it is possible to quickly and intuitively modify or create highly effective sounds.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_rXX2kickc?si=YIzMwXMZG7nZxfbC\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features of Nord Lead A1\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It consists of \u0026lt;strong\u0026gt;4 independent modules\u0026lt;\/strong\u0026gt; also in the effects section, configurable in Split\/Layer. Capable of generating Analog and Digital waveforms - 8 oscillator configurations: Pitch, Detune, Shape, Sync, AM, Noise, Sub Mix, FM; LFO with 5 waveforms, Mod. Envelope; Multi-mode filter 12\/24 dB Low-Pass, High\/Band-Pass; simulation of Mini and TB-303 filters; FX Modulation: Ensemble, Chorus, Phaser, Flanger, Ring Mod., Drive - Delay (Tap\/MIDI Sync) - Reverb; Arpeggiator, Velocity and Mod. Wheel Morph, USB MIDI, 4 independent audio outputs; 49-key velocity sensitive keyboard, controls: Stone Wheel\/Pitch Stick\/pedals.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"Nord Lead A1 is an analog physical modeling synthesizer, with a powerful and distinctive sound, consisting of 4 independent modules also in effects\" src=\"\/images\/uploads\/\/Nord-A1_02.jpg\" title=\"Nord Lead A1 is an analog physical modeling synthesizer, with a powerful and distinctive sound, consisting of 4 independent modules also in effects\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;THE MOST ADVANCED NORD PHYSICAL MODELING TECHNOLOGY\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;NORD Lead A1 \u0026lt;\/strong\u0026gt;implements a new physical modeling generation system that entirely recreates the entire path of an analog signal with great realism and consequent tonal versatility.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;THE OPERATIONAL SIMPLICITY OF NORD \u0026lt;\/strong\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;Fundamental to \u0026lt;strong\u0026gt;Lead A1 \u0026lt;\/strong\u0026gt;is the intuitive control panel interface; its structure is the result of suggestions and advice from professional musicians and the most experienced Sound Designers, who need to create high-quality sounds quickly, both in the studio and live. The structure of the oscillators, modulation matrix, and envelopes allows for sound creation and experimentation much faster than any other synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The oscillator section of Lead A1 generates \u0026lt;strong\u0026gt;47 different waveforms\u0026lt;\/strong\u0026gt;: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content. \u0026lt;br \/\u0026gt;The \u0026lt;strong\u0026gt;Oscillator Configuration Shortcuts\u0026lt;\/strong\u0026gt; allow you to immediately select your preferred configuration: \u0026lt;strong\u0026gt;Pitch, Detune, Shape, Sync, Sub Mix, FM, AM, or Noise\u0026lt;\/strong\u0026gt;; while the \u0026lt;em\u0026gt;\u0026lt;strong\u0026gt;Osc. Ctrl \u0026lt;\/strong\u0026gt;\u0026lt;\/em\u0026gt;knob appropriately adjusts its parameters. This method eliminates the complexity of these processes, leaving ample room for creativity and experimentation, useful for both less experienced and more advanced users.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;img alt=\"The oscillator section of Lead A1 generates 47 different waveforms: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_04.jpg\" title=\"The oscillator section of Lead A1 generates 47 different waveforms: from those typical of analog subtractive synthesis to digital ones with harmonic and inharmonic content.\" \/\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR CONFIGURATION:\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;PITCH A\u0026lt;\/strong\u0026gt; Adjusts the frequency (Pitch) of the original oscillator.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DETUNE\u0026lt;\/strong\u0026gt; Adds a second oscillator, with control over its frequency (Pitch).\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SUB MIX\u0026lt;\/strong\u0026gt; Adds a second oscillator, with a selection of waveforms and frequencies.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SHAPE\u0026lt;\/strong\u0026gt; Waveform shaping: Panel Analog, Extended Analog, and Fixed Pulse, uses a traditional Waveshaping system. Other waveforms are modified via a Spectral Shaping process.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SYNC\u0026lt;\/strong\u0026gt; Simulates Hard Sync by adding an oscillator that acts as a reference for the Sync itself.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt; Oscillator 1 is high-frequency modulated by a sine wave generated by oscillator 2. Several Pitch Offsets are available for oscillator 2: from -12 to +48 semitones.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;AM\u0026lt;\/strong\u0026gt; Uses a second oscillator to generate amplitude modulation.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;NOISE\u0026lt;\/strong\u0026gt; Adds Noise to the original oscillator, Osc Control adjusts the mix.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;FILTER SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The Filter section of Lead A1 features the classic 12 and 24 db Low Pass, a High Pass and a Band Pass, as well as simulating the filters of the legendary Mini and TB-303 synthesizers.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_03.jpg\" title=\"The Filter section of Lead A1 features the classic 12 and 24 db Low Pass, a High Pass and a Band Pass, as well as simulating the filters of the legendary Mini and TB-303 synthesizers.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The Filter section of Lead A1 features the classic \u0026lt;strong\u0026gt;12 and 24 dB Low Pass\u0026lt;\/strong\u0026gt;, a \u0026lt;strong\u0026gt;High Pass\u0026lt;\/strong\u0026gt; and a \u0026lt;strong\u0026gt;Band Pass\u0026lt;\/strong\u0026gt;, as well as simulating the filters of the legendary \u0026lt;strong\u0026gt;Mini \u0026lt;\/strong\u0026gt;and \u0026lt;strong\u0026gt;TB-303\u0026lt;\/strong\u0026gt; synthesizers. The filters have a smooth response with a typically analog warmth; the modeling successfully captured the character and performance of the originals.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;NORD LEAD A1 EFFECTS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The effects section of Lead A1 features two new Ensemble and Chorus effects with a particularly warm character, accurately modeled on those of some renowned vintage Synths\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_05.jpg\" title=\"The effects section of Lead A1 features two new Ensemble and Chorus effects with a particularly warm character, accurately modeled on those of some renowned vintage Synths\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The effects section of \u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; features two new \u0026lt;strong\u0026gt;Ensemble \u0026lt;\/strong\u0026gt;and \u0026lt;strong\u0026gt;Chorus \u0026lt;\/strong\u0026gt;effects with a particularly warm character, accurately modeled on those of some renowned vintage synths. Alongside these, you can choose between: Ring Modulation, Phaser, Flanger, or Drive, plus a Delay with Tap Tempo and Reverb; independently for each \u0026lt;strong\u0026gt;Slot\u0026lt;\/strong\u0026gt;.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;LFO \u0026amp;amp; MODULATION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has an LFO with various waveforms and a three-stage envelope (Modulation Envelope): ADR\/ASR, with Velocity adjustment and Invert function; the LFO speed can be synchronized to the Master or MIDI Clock.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SPECIAL FUNCTIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"NORD Lead A1 has the new \"Like\" function, to be used while creating sounds. \" src=\"\/img\/media\/images\/html\/Tasto_Like_45ca.jpg\" title=\"NORD Lead A1 has the new \"Like\" function, to be used while creating sounds. \" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/LIKE-Logo_a392.jpg\" style=\"height:22px; width:24px\" \/\u0026gt;\u0026lt;strong\u0026gt;\"LIKE\" BUTTON\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;NORD Lead A1 features the new \u0026amp;nbsp;\"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\" function, to be used while creating sounds. Often when programming, it is not immediately clear whether the result achieved is the desired one or not. Now on Lead A1, you can save what has been created to a temporary location with \"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\" and continue editing. You can save up to 50 rapidly selectable variations with \"\u0026lt;strong\u0026gt;Like\u0026lt;\/strong\u0026gt;\", recall a specific version, compare them, and modify them further. Once satisfied with the result, you can save it to a memory location.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;\"MUTATOR\" FUNCTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The \u0026lt;strong\u0026gt;Mutator \u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function automatically adds tonal variations to a sound by selecting the elements to act upon and setting the desired percentage of variation. \u0026amp;nbsp;\u0026lt;strong\u0026gt;Randomize\u0026lt;\/strong\u0026gt;, on the other hand, creates a completely new sound by randomly changing all of its parameters.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;FAT UNISON MODE\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The newly designed \u0026lt;strong\u0026gt;Unison Mode\u0026lt;\/strong\u0026gt; allows Lead A1 to generate \"Fat\" vintage sounds with great impact.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;ARPEGGIATOR\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has \u0026lt;strong\u0026gt;4 independent arpeggiators\u0026lt;\/strong\u0026gt; with Up\/Down and Random modes, a 4-octave range, and the ability to synchronize to the Master Clock.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MASTER CLOCK\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;\u0026lt;strong\u0026gt;Master Clock\u0026lt;\/strong\u0026gt; allows the LFO, arpeggiator, and Delay to be synchronized to the internal Clock, or an external MIDI Clock. The \u0026lt;strong\u0026gt;Tap Tempo\u0026lt;\/strong\u0026gt; button sets the tempo speed, to follow a drummer or audio tracks.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SPLITS AND LAYERS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;Having four identical and equally powerful synthesizers available at the same time opens up incredible possibilities for tonal and rhythmic layering. \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode offers two Slots on each side of the split. The \u0026lt;strong\u0026gt;Hold\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function sustains played notes and chords even after releasing the keys.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MULTI FOCUS MODE\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;span style=\"font-size:14px;\"\u0026gt;The \u0026lt;strong\u0026gt;Multi Focus\u0026lt;\/strong\u0026gt; mode allows editing and control of all four \u0026lt;strong\u0026gt;Slots \u0026lt;\/strong\u0026gt;simultaneously; and can be saved as a Performance parameter for refined real-time control of all parts generated by the synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MOD WHEEL AND VELOCITY MORPH\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;The \u0026amp;nbsp;\u0026lt;strong\u0026gt;Morph\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;function allows simultaneous control of multiple parameters via \u0026lt;strong\u0026gt;Modulation Wheel, Velocity, or Pedal\u0026lt;\/strong\u0026gt; and is easy to set up and use; simply turn the desired knob while holding down the \u0026lt;strong\u0026gt;Morph\u0026lt;\/strong\u0026gt; button.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;INDIVIDUAL AUDIO OUTPUTS\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Lead A1\u0026lt;\/strong\u0026gt; has \u0026lt;strong\u0026gt;4 independent audio outputs\u0026lt;\/strong\u0026gt;, with the possibility of routing each Slot to a different output, and it is also possible to control the \u0026lt;strong\u0026gt;Pan \u0026lt;\/strong\u0026gt;via a knob on the front panel.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;SOUND MANAGER\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Lead A1\u0026lt;\/strong\u0026gt; has a dedicated version of the \u0026lt;strong\u0026gt;NORD Sound Manager,\u0026lt;\/strong\u0026gt; (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;MIDI CONTROL\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Lead A1 \u0026lt;\/strong\u0026gt;can be used via MIDI or USB, with an external Sequencer or with the Sound Manager; all its knobs transmit the relevant MIDI Control Data.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Lead A1 has a dedicated version of the NORD Sound Manager, (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\" src=\"\/images\/uploads\/\/NORD_Lead_A1_1200x630_06.jpg\" title=\"Lead A1 has a dedicated version of the NORD Sound Manager, (OS X and Windows), a dedicated application for organizing, backing up, and transferring Programs created on the instrument to a computer.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Nord Lead A1 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;General Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;26 voices of polyphony, 4-part multi-timbral.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Effects section; 3 effects: FX, Delay and Reverb, for each part.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;49-key velocity sensitive keyboard with Octave Shift button +\/-2 octaves.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Keyboard Split with 2 slots for upper and lower sections.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Modulation Wheel\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Pitch Stick without \"Dead Zone\" at Zero Crossing\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Programmable Pitch Bend Range, up to +\/- 4 octaves.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Separate Pitch Bend Up\/Down Range: -12 or -24 semitones, + 2 semitones.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;One pedal input for Sustain.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;One input for Expression Pedal.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;USER INTERFACE\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;3 LED displays, 23 knobs, 3 encoders and 20+ buttons for Program and Performance editing.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Oscillator modeling with multiple waveforms: traditional analog, extended analog, pulse waveforms, real-time algorithmic waveforms with additive synthesis, FM, and formants.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;OSC configuration knob: 11 categories (Pitch, Shape, Osc Sync, Noise Mix, Osc 2 Detune, Sine Mix, Tri Mix, Saw Mix, Square Mix, Freq Modulation, Amp Modulation)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;FILTER SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Multi-mode filter with 12 dB (2-pole) low pass, 24 dB (4-pole) low pass and band pass, plus Ladder M and Ladder TB.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Cut off, resonance, envelope amount, velocity-controlled envelope amount.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;ADR\/ASR envelope.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Filter Keyboard Tracking can be set to: off, 1\/3, 2\/3, or full.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Adjustable Filter Distortion (filter saturation).\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;MODULATION SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;The LFO generates triangular, square, sawtooth, inverted sawtooth, or Sample \u0026amp;amp; Hold waveforms. The LFO can be routed to Filter Frequency and Osc mod. The LFO frequency can be synchronized with the Master Clock.\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;The LFO can be switched to polyphonic Env mode, with four different characteristics, and Sample \u0026amp;amp; Hold are manually activated by the keyboard (polyphonic S\/H).\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Arpeggiator: Range: 1 - 4 octaves. Modes: up, down, up\/down, and random.The arpeggio rate can be synchronized to the Master Clock.\u003c\/li\u003e\n     \u003cli\u003eADR\/ASR envelope, velocity control on\/off, inverse envelope on\/off.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAMPLIFIER SECTION\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eADR\/ASR envelope, velocity control on\/off, gain control. \u003c\/li\u003e\n     \u003cli\u003eIndividual Pan control for each Program\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePERFORMANCE SECTION\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eVoice Mode: Poly, Legato with portamento, Mono, True Unison 1, 2 and 3.\u003c\/li\u003e\n     \u003cli\u003eFour Program slots with layering and multi-timbrality.\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"margin-left:18.0pt;\"\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eFX section with: Flanger, Phaser, Ring Modulation, Chorus, Ensemble and Drive.\u003c\/li\u003e\n     \u003cli\u003eDelay section with: Tap tempo, 4 Feedback levels, stereo ping-pong, dry\/wet mix. The Delay rate can be synchronized to the Master Clock.\u003c\/li\u003e\n     \u003cli\u003eSection with 5 algorithms: Room, Stage 1, Stage 2, Hall 1, Hall 2.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMEMORY\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003ePrograms (single sounds): 8 x 50 (400) locations\u003c\/li\u003e\n     \u003cli\u003ePerformances (multiple sounds): 4 x 50 (200) locations\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAudio Outputs - AUDIO OUT\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003e4 independent outputs. each Slot can be routed to a different output.\u003c\/li\u003e\n     \u003cli\u003eHeadphone Output\u003c\/li\u003e\n     \u003cli\u003eHigh resolution 24bit DAC, low noise.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eAll knobs and switches send and receive Control Change messages.\u003c\/li\u003e\n     \u003cli\u003e System exclusive data dump: a single Program or all Programs.\u003c\/li\u003e\n     \u003cli\u003eThe Master Clock can be synchronized to the MIDI clock.\u003c\/li\u003e\n     \u003cli\u003eSoft Thru\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003e4 Audio Line outputs - ¼\", 6.35 mm unbalanced jacks\u003c\/li\u003e\n     \u003cli\u003eStereo Headphone Output - ¼\", 6.35 mm stereo jack\u003c\/li\u003e\n     \u003cli\u003eSustain Pedal - ¼\", 6.35 mm jack.\u003c\/li\u003e\n     \u003cli\u003eControl Pedal - ¼\", 6.35 mm TRS stereo jack connector. Use Korg EXP2, Korg XVP10, Quiklok VP26U.\u003c\/li\u003e\n     \u003cli\u003eUSB\/MIDI connection\u003c\/li\u003e\n     \u003cli\u003eMIDI In \u0026 Out – 5-pin DIN connector\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg alt=\"Overview of the Lead A1 rear panel with all connections\" src=\"\/images\/uploads\/\/nla1-connections.jpg\" title=\"Overview of the Lead A1 rear panel with all connections\" \/\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIncluded ACCESSORIES\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eUser manual\u003c\/li\u003e\n     \u003cli\u003ePower cable (IEC C14 connector)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eNord Lead A1: 802 x 92 x 260 mm (31.5 x 3.6 x 10.2\")\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n     \u003cli\u003eNord Lead A1: 4.85 kg (10.7 lbs)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003292422489,"sku":"15700002","price":1899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-lead-a1-15700002_0.jpg?v=1778117372"},{"product_id":"wave-2-performing-synthesizer-15700051","title":"Nord WAVE 2-Performing Synthesizer","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 - Performing Synthesizer\u0026lt;\/strong\u0026gt; composed of \u0026lt;strong\u0026gt;4 independent multi-synthesis modules\u0026lt;\/strong\u0026gt; with: Virtual analog, FM, Wavetable, \u0026lt;strong\u0026gt;Samples with 1GB RAM\u0026lt;\/strong\u0026gt;, each with its own effects chain. Advanced tonal possibilities thanks to \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt;, real-time editing allowed by the \u0026lt;strong\u0026gt;Analog Style panel\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Morphing\u0026lt;\/strong\u0026gt; with assignable physical parameters and controls. \u0026amp;nbsp;\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Watch videos about NORD WAVE 2 in this playlist\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLPGiP3xpCRiwD4rMaaSWXso\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;4-part synthesizer with dedicated Faders and LED Bargraphs for Volume\/Pan\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Synthesis: sampling, virtual analog, wavetable and FM\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;48 voices of polyphony\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;OLED display for PROGRAM and OSCILLATOR sections\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 GB user memory, compatible with the Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;User-replaceable internal Samples\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;61-note keyboard with Aftertouch\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Advanced \u0026lt;strong\u0026gt;Arpeggiator\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;Polyphonic Trigger Mode\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Gate\u0026lt;\/strong\u0026gt; to generate rhythmic effects\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Advanced Morph\u0026lt;\/strong\u0026gt; function with Impulse Morph\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Master Clock: control of arpeggiator, LFO, and Effects\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Oscillators of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Analog\u0026lt;\/strong\u0026gt;: Basic, Shape, Multi, Sync \u0026amp;amp; Noise up to 16 oscillators -\u0026amp;nbsp;\u0026lt;strong\u0026gt;Samples-\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;Wavetable -\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;up to \u0026lt;strong\u0026gt;8 operators\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;True Unison Mode\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Modulations -\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;LFO with 5 Waveforms Synchronization and Routing options -\u0026amp;nbsp;AD\/AR Envelope\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Amp -\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;ADSR Amp envelope-\u0026amp;nbsp;Transient Attack Mode\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Filter :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;12\/24 dB lowpass, lowpass M, band pass, high pass, and LP+HP,\u0026amp;nbsp;Filter Drive,\u0026amp;nbsp;ADSR Envelope\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Effects :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;FX Section with: Tremolo, Pan, Ring Modulation, Chorus, Ensemble, and Vibe -\u0026amp;nbsp;EQ Section with Drive -\u0026amp;nbsp;Delay - Reverb with 5 environments, plus: Dark, Bright, and Chorale modes\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The NORD Wave 2 Control Panel allows for sound creation even without specific knowledge of Sound Design\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nuova-Foto-Pagina-prodotto-1200x630.jpg\" title=\"The NORD Wave 2 Control Panel allows for sound creation even without specific knowledge of Sound Design\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Versatility of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;is composed of \u0026lt;strong\u0026gt;4 independent synthesizers\u0026lt;\/strong\u0026gt; with the possibility of \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt; between classic waveforms and \u0026lt;strong\u0026gt;Samples\u0026lt;\/strong\u0026gt;. Dedicated OLED displays for the Program and Oscillator sections provide a clear overview of parameters during sound creation or modification, while the range of instantly editable functions and effects make \u0026lt;strong\u0026gt;NORD WAVE 2\u0026lt;\/strong\u0026gt; the most versatile NORD performance synthesizer ever. \u0026lt;strong\u0026gt;Monitor mode : \u0026lt;\/strong\u0026gt;displays the Amp and Filter Envelope settings in the Program display for fine control of these parameters.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 Layering\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The central area of NORD Wave 2 controls the 4 synthesis modules, activation, level, pan, solo, Split and Layer\" src=\"\/images\/uploads\/\/NORDWAVE2_Layer.jpg\" title=\"The central area of NORD Wave 2 controls the 4 synthesis modules, activation, level, pan, solo, Split and Layer\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt;, each sound consists of 1 to 4 independent synthesis modules, even in terms of effects arranged in Layers or Splits. The central section controls Volume, Pan, On\/Off, Solo, and Group Mode, which groups 2, 3 or 4 modules together to share the same filter, envelope, arpeggiator, LFO and effects settings; ideal for creating complex multi-layered sounds, editable as a single coherent sound; the set of these parameters is called a Program.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The Oscillators\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Oscillator\u0026lt;\/strong\u0026gt; section offers 4 different synthesis modes for each of the 4 Layers: Analog, Wavetable, FM, and Samples, easily selectable thanks to the new feature: Direct Category Mode; Oscillator Control allows additional control over Shape, Sync, or Detune.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Oscillator Categories\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Analog\u0026lt;\/strong\u0026gt;: classic analog waveforms rich in harmonics.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Basic\u0026lt;\/strong\u0026gt;: Saw, Pulse, Pulse Width, Sine, Square with basic pitch (Tuning) controls.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Shape\u0026lt;\/strong\u0026gt;: Waveforms where Osc Control can modify the Shape of the waveform itself.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Multi\u0026lt;\/strong\u0026gt;: 2 or more waveforms combined, where Osc Control adjusts the amount of Detune and Spread.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt;: Soft and Hard, where Osc Control controls the Sync Frequency.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Noise: White Noise\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Samples\u0026lt;\/strong\u0026gt;: includes a curated selection of high-quality samples from the Nord Sample Library 3.0, with the possibility of adding personal Samples via the Nord Sample Editor 3. To create various types of sounds, internal Samples can be used immediately, while the \"Raw Samp\" function facilitates shaping a personal timbre from scratch.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Wavetable\u0026lt;\/strong\u0026gt;: A large number of advanced Wavetables providing a wide range of tonal characters.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;FM\u0026lt;\/strong\u0026gt;: 2, 3 and 4 operator configurations with harmonic and inharmonic spectrum variations.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt;: \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an effective Multi-oscillator Unison effect, capable of generating true Superwaves with hundreds of simultaneous waveforms, to achieve extremely thick and consistent (Fat) sounds.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Compatibility with NORD Sample Library 3.0\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Sample\u0026lt;\/strong\u0026gt; section of the multimode oscillator in \u0026lt;strong\u0026gt;NORD Wave 2 has 1 GB of memory\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;and comes with a curated selection of quality Samples including: strings, brass, guitars, choirs, chromatic percussion, as well as exclusively licensed sounds from the legendary Mellotron and Chamberlin. All sounds are easily replaceable using the Nord Sound Manager, which\u0026lt;strong\u0026gt;\u0026lt;\/strong\u0026gt; allows mapping, setting Loops, and transferring personal Samples to Nord Wave 2.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"The multi-synthesis oscillator of each NORD Wave 2 module can also use Samples with a 1GB non-volatile RAM memory area\" src=\"\/images\/uploads\/\/NORDWAVE2_Oscillator_01.jpg\" title=\"The multi-synthesis oscillator of each NORD Wave 2 module can also use Samples with a 1GB non-volatile RAM memory area\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Filters of NORD WAVE 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;NORD Wave 2 features a versatile multi-mode filter with 6 filter types: classic 12 and 24 dB low-pass, high-pass, high-pass\/low-pass, and a band-pass filter, along with emulation of the legendary Mini's transistor \u0026lt;strong\u0026gt;Ladder\u0026lt;\/strong\u0026gt; filter; it also has an ADSR envelope.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;LFO and Modulations\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an LFO for each Layer with a selection of waveforms and an AD\/AR modulation envelope, with dedicated settings for Velocity and Invert Mode. The LFO has several parameters controllable via \u0026lt;strong\u0026gt;Morphing\u0026lt;\/strong\u0026gt;, while the modulation frequency can be synchronized with the Master Clock.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Amp Envelope\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The Amplifier control section features a 4-stage \u0026lt;strong\u0026gt;ADSR\u0026lt;\/strong\u0026gt; envelope and the new \u0026lt;strong\u0026gt;Transient Attack\u0026lt;\/strong\u0026gt; mode to add more impact to sounds, with 3 levels of keyboard dynamics control.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Morphing and Impulse Morph\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features a wide range of parameters that can be modulated via \u0026lt;strong\u0026gt;Morph\u0026lt;\/strong\u0026gt;, which in turn can be assigned to four different sources: Velocity, Aftertouch, Wheel, and Control Pedal. Multiple parameters can also be quickly assigned to the same Morph source. Furthermore, the \u0026lt;strong\u0026gt;Impulse Morph\u0026lt;\/strong\u0026gt; function allows instant modification of any assignable parameter.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The iconic real-time controls of NORD Wave 2, wooden Pitch Bending and the Stone Wheel made of stone.\" src=\"\/images\/uploads\/\/NORDWAVE2_Controls_01.jpg\" title=\"The iconic real-time controls of NORD Wave 2, wooden Pitch Bending and the Stone Wheel made of stone.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Wheel Assignment\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The Modulation Wheel can be assigned to: LFO, Oscillator Control or Filter.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Arpeggiator of NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; features an advanced arpeggiator that can be either classic or polyphonic, or a \u0026lt;strong\u0026gt;Gate\u0026lt;\/strong\u0026gt; with editable patterns can be activated.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Polyphonic mode:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;In Poly mode, the polyphonic arpeggiator re-triggers all keys, both those pressed normally and those under the control of the selected Pattern, with various inversions generating interesting harmonic variations.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Gate mode :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;This mode \"cuts\" the sound following a precise rhythmic pattern with adjustable intensity.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Master Clock\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Synchronizes LFO, Arpeggiator and effects to the internal \u0026lt;strong\u0026gt;Clock\u0026lt;\/strong\u0026gt; or external via MIDI. With the Master Clock, it is possible to synchronize individual arpeggio Patterns used on Layers, with Delays and the LFO. The Tap Tempo function allows manual and real-time setting of the Clock speed.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Effects of NORD Wave 2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;E\u0026lt;\/strong\u0026gt;ach Layer of \u0026lt;strong\u0026gt;NORD Wave 2\u0026lt;\/strong\u0026gt; has an independent effects section with a library of stereo effects modeled on \u0026lt;strong\u0026gt;Vintage Stompboxes,\u0026lt;\/strong\u0026gt; with all parameters instantly accessible.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Modulation :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Tremolo, Pan, Ring Modulator, Chorus, Ensemble and Vibe effects with controls for: Rate (modulation speed) and Amount (modulation intensity). All effects are controllable via pedal, or other Morph sources, and can also be synchronized to the Master Clock to generate rhythmic effects.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;EQ \u0026amp;amp; Drive :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;EQ with controls for: Bass and Treble or a single-band \u0026lt;strong\u0026gt;Sweepable\u0026lt;\/strong\u0026gt; EQ, also available with a \u0026lt;strong\u0026gt;Tube Drive\u0026lt;\/strong\u0026gt; valve circuit simulation.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Delay:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;Stereo Delay with Ping Pong, Analog Mode and Tap Tempo. Options to add Ensemble, Chorus, Vibe, HP\/LP filter and BP effects into the Feedback Loop.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Reverb :\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;5 different room sizes: Booth, Room, Stage, Hall and Cathedral, which add spaciousness and depth to sounds, the Amount parameter (intensity) is controllable via Morphing, while \"Bright\" and \"Dark\" modes give the effect a brighter or darker character, and finally \u0026lt;strong\u0026gt;Chorale\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;adds a refined modulation to the reverb.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"All NORD Wave 2 parameters are instantly accessible thanks to the Analog Style panel where each physical control corresponds to an editable parameter\" src=\"\/images\/uploads\/\/NORDWAVE2_Effect_01.jpg\" title=\"All NORD Wave 2 parameters are instantly accessible thanks to the Analog Style panel where each physical control corresponds to an editable parameter\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Splits \u0026amp;amp; Layers\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;Having four identical and equally powerful synthesizers available simultaneously opens new horizons for tonal programming via \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt; by simply overlapping the modules. The \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode allows for 3 split points on the keyboard with \u0026lt;strong\u0026gt;4\u0026lt;\/strong\u0026gt; different \u0026lt;strong\u0026gt;zones\u0026lt;\/strong\u0026gt;, also controllable via \u0026lt;strong\u0026gt;Crossfade\u0026lt;\/strong\u0026gt;. The \u0026lt;strong\u0026gt;Hold\u0026lt;\/strong\u0026gt; function independently locks each Slot in the background, while other musical parts are played simultaneously.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SOUND MANAGER :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;NORD Wave 2 is compatible with \u0026lt;strong\u0026gt;NORD Sound Manager\u0026lt;\/strong\u0026gt; for OS X and Windows; this Software allows for organization, backup, and transfer of Programs.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MIDI CONTROL :\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;MIDI via USB, ideal for use with an external Sequencer or with the Sound Manager Software (included).\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;KEYBOARD :\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;61-key (C-C) semi-weighted, Waterfall with Aftertouch.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;HARDWARE : L\u0026lt;\/strong\u0026gt;ike all Nord instruments, Nord Wave 2 is handcrafted in the Nord factory in Stockholm with incredible attention to detail and quality control.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NORD WAVE 2 - TECHNICAL SPECIFICATIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;4 Layer Synthesizers with LED Faders\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Virtual Analog, Wavetable, FM, and Sample Playback Synthesis\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;48 Voices\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 GB memory compatible with Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Independent Effects, EQ, Delay and Reverb on each Layer\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Arpeggiator and Gate\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;61-note semi-weighted keyboard with dedicated Octave Shift keys, +\/-2 octave range.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 Split Points, 4 Zones.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Advanced Morph Function\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Impulse Morph for instant Morph modifications\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Group function for multi-layer editing\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;OSCILLATOR SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;Dedicated OLED display for oscillator settings\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Analog: Basic, Shape, Shape Sine, Multi, Sync, Bell, Noise.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Wavetable: Wavetables, Formants.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;FM: Dual, Triple, Vocal and Multi with options: Harmonic and Inharmonic.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Samples: Nord Sample Library 3.0\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Oscillator Control: Shape, Detune or Sync Amount for Analog waveforms, Shape for Wavetables, Modulation Amount for FM.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dual Osc: Unison Control with 3 selectable amplitude levels.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Pitch Controls: Semitone (-24\/+24) and Fine Tune.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;MODULATION SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;LFO with waveforms: triangle, square, sawtooth, inverted sawtooth or Sample \u0026amp;amp; Hold waveforms. LFO can be routed to modulate: Filter Frequency, Osc Pitch or Osc Mod. LFO speed can be synchronized with the Master Clock.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;AD\/AR envelope\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;ARPEGGIATOR\/GATE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left:17px\"\u0026gt;    \u0026lt;li\u0026gt;Arpeggiator: range: 1 - 4 octaves. Modes: up, down, up\/down, random. Zig-Zag.\u0026lt;\/li\u0026gt;The Arpeggio speed can be synchronized with the Master Clock.\u003c\/li\u003e    \u003cli\u003ePoly: Polyphonic Arpeggiator for retriggering chords at Zero Range, Polyphonic Arpeggio of chord inversions with wide extension.\u003c\/li\u003e    \u003cli\u003eGate: Rhythmic Gate level with Rhythmic with adjustable envelope.\u003c\/li\u003e    \u003cli\u003ePattern Mode: Pattern Mode for Arpeggiator, Trig or Gate with 30 editable Presets or Custom Pattern.\u003c\/li\u003e    \u003cli\u003ePattern Editor - Dedicated editor for creating personal rhythmic patterns, usable with the arpeggiator, Trig or Gate.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eFILTER SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eMulti-mode filter: 12 dB (2-pole) low pass, 24 dB (4-pole) lowpass and band pass, high pass, Ladder M, low pass+high pass.\u003c\/li\u003e    \u003cli\u003eCut off, Resonance, envelope amount, envelope amount controllable by velocity.\u003c\/li\u003e    \u003cli\u003eADSR envelope.\u003c\/li\u003e    \u003cli\u003eFilter Keyboard Tracking - Settings: Off, 1\/3, 2\/3 or Full.\u003c\/li\u003e    \u003cli\u003eAdjustable Filter Distortion.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eAMPLIFIER SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eADSR Envelope\u003c\/li\u003e    \u003cli\u003eMode: Transient Attack for more pronounced attack\u003c\/li\u003e    \u003cli\u003eAmp Velocity Amount (3 Levels)\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eLAYER CONTROL\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eFader with LED on each Layer for level control and panoramic view.\u003c\/li\u003e    \u003cli\u003eGroup Function. groups multiple Layers for fast editing of: Amp Env, Filter, Effects, Arpeggiator etc.\u003c\/li\u003e    \u003cli\u003eLayer Lock: Locks the active Layer configuration.\u003c\/li\u003e    \u003cli\u003eSplit Function: 3 Split points with 8 Locations and Split Crossfade.\u003c\/li\u003e    \u003cli\u003eIndividual Pan control on each layer.\u003c\/li\u003e    \u003cli\u003eSolo Mode to quickly MUTE all Layers except the selected one.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003ePERFORMANCE SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eVoice Modes: Poly, Legato and Mono with Glide\u003c\/li\u003e    \u003cli\u003eImpulse Morph: Instantly modifies one or more parameters with a single key press.\u003c\/li\u003e    \u003cli\u003eNord's typical Morph function for quick control of multiple parameters: Wheel, Aftertouch, Velocity and Control Pedal.\u003c\/li\u003e    \u003cli\u003eModulation Wheel.\u003c\/li\u003e    \u003cli\u003ePitch Stick with programmable Range.\u003c\/li\u003e    \u003cli\u003eFast assignment of Modulation Wheel destination.\u003c\/li\u003e    \u003cli\u003eAftertouch.\u003c\/li\u003e    \u003cli\u003eVibrato with 3 Delay Modes and assignment to Wheel or Aftertouch.\u003c\/li\u003e    \u003cli\u003eKeyboard Hold individually controllable on each Layer.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003ePROGRAM SECTION\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eProgram Gain Control\u003c\/li\u003e    \u003cli\u003eLarge OLED Display\u003c\/li\u003e    \u003cli\u003eProgram Transpose Function\u003c\/li\u003e    \u003cli\u003e5 Program Buttons\u003c\/li\u003e    \u003cli\u003eLive Mode\u003c\/li\u003e    \u003cli\u003eCopy\/Paste Function\u003c\/li\u003e    \u003cli\u003eMaster Clock - control of: Arpeggiator, LFO, Effects and Delay + External Clock Sync\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eFX Section with: Tremolo, Pan, Ring Modulation, Chorus, Ensemble and Vibe.\u003c\/li\u003e    \u003cli\u003eEQ with Bass\/Treble control, or 1-Band Parametric.\u003c\/li\u003e    \u003cli\u003eDrive effect for tube distortion\u003c\/li\u003e    \u003cli\u003eDelay Section with: rate\/time, tap tempo, analog mode, stereo ping-pong, dry\/wet mix. The Delay speed can be synchronized with the Master Clock. Feedback Loop effects: Chorus, Vibe and Ensemble, Feedback filters: HP, LP and BP.\u003c\/li\u003e    \u003cli\u003eReverb Section with 5 algorithms: Booth, Room, Stage, Hall, Cathedral + Dark, Bright and Chorale (modulated reverbs)\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eMEMORY\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003ePrograms (Single Sounds): 16 x 25 (400) Locations\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eAUDIO OUT\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e2 Outputs\u003c\/li\u003e    \u003cli\u003eHeadphone\u003c\/li\u003e    \u003cli\u003e24-bit high-resolution, low-noise DAC conversion stage.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eMIDI SPECIFICATIONS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAll controls: knobs, faders, switches send and receive appropriate Control Change messages.\u003c\/li\u003e    \u003cli\u003eMaster Clock synchronizes to any external MIDI Clock.\u003c\/li\u003e    \u003cli\u003eSoft Thru\u003c\/li\u003e    \u003cli\u003e2 Line Level Audio Outputs - ¼\", 6.35 mm jacks, unbalanced\u003c\/li\u003e    \u003cli\u003eHeadphone Output - ¼\", 6.35 mm stereo jack\u003c\/li\u003e    \u003cli\u003eSustain Pedal - ¼\", 6.35 mm jack. Compatible with: Roland DP-2, DP-6, Yamaha FC-4, FC-5, Fatar VFP1-25 etc.\u003c\/li\u003e    \u003cli\u003eControl Pedal - ¼\", 6.35 mm TRS stereo jack. Compatible with: Yamaha FC-7, Roland EV-7, Roland EV-5, Korg EXP2 or Korg XVP10.\u003c\/li\u003e    \u003cli\u003eUSB\/MIDI Port\u003c\/li\u003e    \u003cli\u003eMIDI In \u0026 Out Ports\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg alt=\"Connections\" src=\"https:\/\/www.nordkeyboards.com\/sites\/default\/files\/resize\/files\/products\/images\/NW2-connections-712x111.png\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eINCLUDED ACCESSORIES\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eUser Manual\u003c\/li\u003e    \u003cli\u003ePower cable with IEC C14 connector\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eNord Wave 2: 990 x 100 x 295 mm (38.9\" x 3.9\" x 11.6\")\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eNord Wave 2: 8.75 kg (19.29 lbs)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eSpecifications are subject to change without notice. * Steinway, Wurlitzer, Hohner, Clavinet, Farfisa and Vox are trademarks of their respective owners and are neither affiliated with nor associated with Clavia. These trademarks are mentioned here only as a reference to a sound. Leslie is mentioned to describe a connector standard.\u003c\/em\u003e\u003c\/p\u003e","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003293765977,"sku":"15700051","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-wave-2-performing-synthesizer-15700051_0.jpg?v=1778117496"},{"product_id":"stage-4-73-15700066","title":"Nord STAGE 4 73","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The Nord Stage 4 73 \u0026lt;\/strong\u0026gt;belongs to the new generation of advanced \u0026lt;strong\u0026gt;Nord\u0026lt;\/strong\u0026gt; stage keyboards. It features \u0026lt;strong\u0026gt;3 sound sections: Organ, Piano, Sample\/Synt\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;Advanced Layer\u0026lt;\/strong\u0026gt;, meaning the ability to manage Layer\/Split two sounds within the same section, a \u0026lt;strong\u0026gt;DSP effects\u0026lt;\/strong\u0026gt; chain with \u0026lt;strong\u0026gt;6 independent effects\u0026lt;\/strong\u0026gt; per Layer, a premium 73-note weighted triple sensor keyboard with \u0026lt;strong\u0026gt;aftertouch\u0026lt;\/strong\u0026gt;, and an extended \u0026lt;strong\u0026gt;analog-style\u0026lt;\/strong\u0026gt; control panel for direct access to every parameter.\u0026lt;\/h1\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Follow the Playlist for the presentation and listening to Nord Stage 4\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLPiHeGsWm-SRZ562l9DW4sD\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"margin-left: 14.2pt;\"\u0026gt;\u0026lt;strong\u0026gt;THE NORD STAGE 4 73 EXPERIENCE\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Stage 4\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;em\u0026gt;73 \u0026lt;\/em\u0026gt;features a new panel design with dedicated \u0026lt;strong\u0026gt;LED faders\u0026lt;\/strong\u0026gt; for each Layer, providing an even clearer and more immediate operational status overview, while also enhancing versatility in sound creation and live performances. It also includes an extensive library of \u0026lt;strong\u0026gt;Presets\u0026lt;\/strong\u0026gt; with ready-to-use \u0026lt;strong\u0026gt;piano\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;synth\u0026lt;\/strong\u0026gt;, and \u0026lt;strong\u0026gt;organ\u0026lt;\/strong\u0026gt; sounds, which are incredibly useful for quickly creating personal patches. The entire instrument operates in \u0026lt;strong\u0026gt;Seamless Transition\u0026lt;\/strong\u0026gt; mode, meaning no annoying pauses or interruptions when changing Programs, ensuring smooth and continuous performances. \u0026lt;strong\u0026gt;Layer Scene\u0026lt;\/strong\u0026gt; allows switching between two different timbre configurations with the touch of a button, while the powerful, completely redesigned effects section, combined with pedal functions, enables a higher level of musical expressiveness.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;img alt=\"Sulla sezione Piano di Nord Stage 4 è possibile sovrapporre due suoni di piano a piacere, con la stessa tecnologia applicata con successo su Nord Piano 5\" src=\"\/images\/uploads\/\/Nord-Stage-4-73-Detail-Section-Piano-02-1200x630.jpg\" title=\"Sulla sezione Piano di Nord Stage 4 è possibile sovrapporre due suoni di piano a piacere, con la stessa tecnologia applicata con successo su Nord Piano 5\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"margin-left: 7.1pt;\"\u0026gt;\u0026lt;strong\u0026gt;THE NORD STAGE 4 73 PIANO SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Stage 4 73 \u0026lt;\/strong\u0026gt;comes with a new, even richer sound library of grand, upright, and electric pianos selected from the exclusive Nord Piano Library, enhanced with new features like dynamic compression and Unison mode.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;Selected collection of Grand, Upright, Electric, Digital, and other pianos from the Nord Piano Library\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;Ability to Layer two sounds within the section\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Dynamic compression\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Unison function\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Creative presets\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt;\"\u0026gt;This section allows for \u0026lt;strong\u0026gt;Layering\u0026lt;\/strong\u0026gt; between two sounds, similar to the \u0026lt;strong\u0026gt;Nord Piano 5\u0026lt;\/strong\u0026gt;, making it possible to create very complex \u0026lt;strong\u0026gt;Stacked\u0026lt;\/strong\u0026gt; sounds by overlaying two piano sounds of various types: Acoustic and electric, Upright with digital, etc., in your preferred personal combination.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;img alt=\"La sezione Synth di Nord Stage 4 possiede tre Layer indipendenti basati sul Synth Engine di Nord Wave 2 con: sintesi Virtual Analog, Samples, FM e Digital Waves\" src=\"\/images\/uploads\/\/15700067_04.jpg\" title=\"La sezione Synth di Nord Stage 4 possiede tre Layer indipendenti basati sul Synth Engine di Nord Wave 2 con: sintesi Virtual Analog, Samples, FM e Digital Waves\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;THE NORD STAGE 4 73 SYNTH SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Synth section, with its \u0026lt;strong\u0026gt;three independent Layers\u0026lt;\/strong\u0026gt;, is based on the versatile Nord Wave 2 Synth Engine, including Virtual Analog synthesis, Samples, FM, and Digital Waves. A vast new collection of samples from the Nord Sample Library offers a wide sonic palette of strings, bass, choirs, guitars, and much more. The advanced \u0026lt;strong\u0026gt;arpeggiator\u0026lt;\/strong\u0026gt; features \u0026lt;strong\u0026gt;Polyphonic\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Gate\u0026lt;\/strong\u0026gt;, and \u0026lt;strong\u0026gt;Pattern\u0026lt;\/strong\u0026gt; modes and can be used for a wide variety of rhythmic applications with customizable Patterns.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Wave 2\u0026lt;\/strong\u0026gt; synthesis engine\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;3 independent Synth Layers\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Doubled sample memory area\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Samples enhanced with Tru-Vibrato, Unison, and Round Robin functions\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Extensive real-time control possibilities\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Advanced arpeggiator with \u0026lt;strong\u0026gt;Polyphonic, Gate, and Pattern\u0026lt;\/strong\u0026gt; modes\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Advanced MIDI control\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;img alt=\"L'area dei Drawbars combina la praticità e l'immediatezza del controllo fisico con la panoramica offerta dalla LED Strip\" src=\"\/images\/uploads\/\/Nord-Stage-4-73-Detail-Drawbar-03-1200x630.jpg\" title=\"L'area dei Drawbars combina la praticità e l'immediatezza del controllo fisico con la panoramica offerta dalla LED Strip\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"margin-left: 14.2pt;\"\u0026gt;\u0026lt;strong\u0026gt;THE NORD STAGE 4 73 ORGAN SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt;\"\u0026gt;The fully physical modeling \u0026lt;strong\u0026gt;Organ\u0026lt;\/strong\u0026gt; section uses the renowned simulations of the \u0026lt;strong\u0026gt;B3 Tonewheel\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;B3 Bass\u0026lt;\/strong\u0026gt;, classic \u0026lt;strong\u0026gt;Vox\u0026lt;\/strong\u0026gt;, and \u0026lt;strong\u0026gt;Farfisa\u0026lt;\/strong\u0026gt;, in addition to two \u0026lt;strong\u0026gt;Pipe\u0026lt;\/strong\u0026gt; Organ models. All Stage 4 models feature the new NORD \u0026lt;strong\u0026gt;physical Drawbars\u0026lt;\/strong\u0026gt; with LED indicators, which are even more practical and effective.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Physical modeling simulations of electromagnetic \u0026lt;strong\u0026gt;B3\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Vox\/Farfisa\u0026lt;\/strong\u0026gt;, and Pipe Organ\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Ability to Layer two sounds within the section, for example, to simulate a dual-manual organ.\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Physical Drawbars with LED indicators\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New B3 Bass mode\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Live Drawbar mode\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;122 Vintage Rotary Speaker model with adjustable microphone positions (normal or close)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt;\"\u0026gt;\u0026lt;img alt=\"Tutti i parametri degli effetti sono ad accesso diretto grazie al pannello esteso in perfetto Analog Style\" src=\"\/images\/uploads\/\/Nord_Stage4_Effect_section_web.jpg\" title=\"Tutti i parametri degli effetti sono ad accesso diretto grazie al pannello esteso in perfetto Analog Style\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"margin-left: 14.2pt; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;THE NORD STAGE 4 73 EFFECTS\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"margin-left:14.2pt;\"\u0026gt;\u0026lt;strong\u0026gt;Nord Stage 4 73\u0026lt;\/strong\u0026gt; features a powerful, completely redesigned \u0026lt;strong\u0026gt;Effects\u0026lt;\/strong\u0026gt; section that offers a \u0026lt;strong\u0026gt;full setup\u0026lt;\/strong\u0026gt; for each \u0026lt;strong\u0026gt;Layer\u0026lt;\/strong\u0026gt;. The wide range of FX includes the new BPM-synchronized \u0026lt;strong\u0026gt;Pump\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Side Chain\u0026lt;\/strong\u0026gt; with pedal control, the new \u0026lt;strong\u0026gt;Spin\u0026lt;\/strong\u0026gt;, and variations on the algorithms for Reverb, Delay, Amps, and Modulation.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;Complete effects setup for each Layer\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New Variations for: Modulation, Amp, Delay, and Reverb\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New Reverbs: Spring, Booth, and Cathedral\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New Pump Effect\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New Spin Effect\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"margin-left: 14.2pt;\"\u0026gt;New Flam and Space Delay\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 14.2pt;\"\u0026gt;As is Nord tradition, all effect parameters are directly accessible thanks to the extended \u0026lt;em\u0026gt;Analog Style\u0026lt;\/em\u0026gt; panel, allowing for adjustments at any time, even during performance.\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Nord Stage 4 73 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"I tre modelli della Serie Nord Stage 4 sono equivalenti dal punto di vista delle funzioni e delle possibilità Timbrico\/operative\" src=\"\/images\/uploads\/\/Nord-Stage-4-73-Detail-mani-05-1200x630.jpg\" title=\"I tre modelli della Serie Nord Stage 4 sono equivalenti dal punto di vista delle funzioni e delle possibilità Timbrico\/operative\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;GENERAL\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;​\u0026lt;strong\u0026gt;Nord Stage 4 73\u0026lt;\/strong\u0026gt;: 73-key Hammer Action keybed with triple sensor and Aftertouch. Range: E-E\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Master Level Control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Wooden Pitch Stick\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Modulation Wheel\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;512 Programs - 8 Banks with 8 Pages each. Each page has 8 Program locations\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Preset Library with Presets for: Organ, Piano, and Synth Presets including effects. 2 x 64 Preset locations for Organ, 2 x 64 Preset locations for Piano, 8 x 64 Preset locations for Synth.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;8 Live Programs\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Setups for 2 independent Layer Scenes\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 Morph sources: Modulation Wheel (also controllable with Swell pedal), Control Pedal, Aftertouch\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Stereo and Mono output routing options\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Programmable Transpose +\/- 6 semitones\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Master Clock function with controls: manual, external tap-tempo\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Internal and MIDI Clock source\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;MIDI over USB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Level Control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Aftertouch\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Up to 3 Split points (4 Keyboard Zones) with visual LED indication between zones\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Crossfade between the 3 Split points with adjustable depth: Lrg, Sml or Off\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;ORGAN SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Nord C2D simulation of the B3 Tonewheel Organ\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Vox Continental and Farfisa models\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;2 Digital Pipe Organ models\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;B3 Bass mode\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Physical Drawbars with LED graphs\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Live mode: Preset or Drawbar\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Percussion controls\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Vibrato\/Chorus controls\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;2 Layers (2-Part multi-timbral)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;PIANO SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;2 GB memory for Piano sounds\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;All sounds can be replaced via Nord Sound Manager (Mac\/Win)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;120-Voice polyphony\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Categories: Grand, Upright, Electric, Digital, Layer and Clav\/Harpsichord\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 selectable velocity (touch) curves: Heavy, Medium, Light\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Piano timbre controls with Custom settings for Electric Pianos and Clavinet\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;String Resonance for acoustic Grand Pianos and Uprights\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Selectable Soft Piano Release\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Pedal Noise available using: Nord Triple Pedal 1, Nord Triple Pedal 2 or Nord Sustain Pedal 2 on selected acoustic or electric piano sounds.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Unison function\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;2 Layers (2-Part multi-timbral)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;SYNTH SECTION\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Nord Wave 2 sound engine with Sample Playback\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dedicated OLED Display for: Waveform\/Sample selection and parameter editing\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 GB of sample memory (Nord Sample Library)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;All internal Samples can be replaced via Nord Sound Manager (Mac\/Win)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;46-Voice polyphony\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Oscillators: Analog (incl. Super, Noise, and Misc waveforms), Digital Waves, FM, and Sample\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Analog Waveform: Pure, Shape, Shape Sine, Multi, Super, Sync, Bell, Misc (Noise)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Filter: Classic Transistor Ladder Filter (LP M), 12 \u0026amp;amp; 24 dB Low Pass, High Pass, Band Pass, and Low Pass\/Band Pass (LP+BP) combined filters\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Filter Drive: Off, 1, 2, and 3\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Filter Tracking: Off, 1\/3, 2\/3, and Full\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 Unison Modes\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Filter Envelope (Attack, Decay, Sustain) with Velocity control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Amplitude envelope (Attack, Decay, Sustain) with Velocity control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Oscillator envelope (Attack, Decay, Sustain) with Velocity control\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;LFO with 5 waveforms\/modes: Square, Triangle, Ramp Dn, Ramp Up, Sample \u0026amp;amp; Hold\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Advanced Arpeggiator with modes: Arp, Polyphonic, and Gate\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Arpeggiator Patterns available for all modes, with options: Accent Pan\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;LFO and Arpeggiator synchronizable to Master Clock\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 Layers (3-Part multi-timbral)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;EFFECTS\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Mod 1: Tremolo, Auto Pan, Ring Modulator, Wah-Wah, Auto-Wah, Pump (with Sidechain modulation). Variation for each effect\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Mod 2: Phaser, Flanger, Vibe, Chorus, Ensemble, Spin. Variation for each effect\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Delay with controls for: Tempo, Feedback, and Mix (Dry\/Wet), Ping Pong (stereo), Tap-Tempo, Feedback Filter (HP\/LP\/BP), Feedback Effects with Variations and selectable Analog mode from panel.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3 types of Amp\/Speaker simulation: Twin, JC, and Small. Variation for each model\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Filter Mode (HP24\/LP24) with controls: Cut-off, Resonance, and Mix\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Tube Amp simulation with adjustable Overdrive\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3-band Equalizer with sweepable mids. EQ: 100 Hz, 200 Hz - 8 kHz, and 4 kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Rotary Speaker: selectable speed (Stop, Slow, and Fast) with independent Overdrive\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Effect rates\/tempo synchronizable to Master Clock\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Compressor with Fast Mode\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Reverbs: 6 algorithms: Spring, Booth, Room, Stage, Hall, and Cathedral, with modes: Dark\/Bright and Variation\/Chorale.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;CONNECTIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;4 Assignable Audio Outputs: \u0026lt;em\u0026gt;6.35 mm jack \u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\", unbalanced\u0026lt;\/em\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Stereo Headphone output: \u0026lt;em\u0026gt;6.35 mm stereo jack \u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\"\u0026lt;\/em\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;1 Monitor input: 3.5 mm mini stereo jack - 1\/8\".\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Sustain Pedal \u0026lt;em\u0026gt;6.35 mm jack\u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\".\u0026amp;nbsp;\u0026lt;\/em\u0026gt;Compatible with Nord Sustain Pedal 2 (with continuous sensor), Nord Triple Pedal 1, and Switch Pedals\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Triple Pedal \u0026amp;ndash;\u0026amp;nbsp;\u0026lt;em\u0026gt;5-pin DIN connector.\u0026amp;nbsp;\u0026lt;\/em\u0026gt;Compatible with Nord Triple Pedal 2\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Rotor Pedal: \u0026lt;em\u0026gt;6.35 mm jack.\u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\". Switch Pedal\u0026lt;\/em\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Organ Swell Pedal: \u0026lt;em\u0026gt;6.35 mm TRS stereo jack \u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\". \u0026lt;\/em\u0026gt;\u0026lt;em\u0026gt;Compatible with Control\/Expression Pedals such as: KORG EXP2, XVP20, Quiklok VP26U, etc.\u0026lt;\/em\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Control Pedal: \u0026lt;em\u0026gt;6.35 mm TRS stereo jack \u0026lt;\/em\u0026gt;-\u0026amp;nbsp;\u0026lt;em\u0026gt;¼\". \u0026lt;\/em\u0026gt;\u0026lt;\/li\u0026gt;Compatible with Control\/Expression Pedals type: KORG EXP2, XVP20, Quiklok VP26U, etc.\n* Foot Switch input: 6.35 mm (1\/4\") jack. A momentary or single switch pedal can be used.\n* MIDI In - 5-pin DIN connector\n* MIDI Out - 5-pin DIN connector\n* USB - Type B connector for USB MIDI, Software Update, and sound transfer\n* IEC C14 power cable connector\n\nThe extensive range of audio and control connections allows NS4 high levels of versatility in all operating conditions.\n\n**INCLUDED ACCESSORIES**\n\n* Manual\n* Power cable\n* USB cable\n\n**OPTIONAL ACCESSORIES**\n\n* Nord Triple Pedal 2\n* Nord Single Pedal 2\n* Nord Triple Pedal 1\n* Nord Piano Monitor\n* Nord Keyboard Stand EX\n* Nord Soft Case\n* Nord Music Stand EX\n* Nord Half-Moon Switch (Compact model only)\n* Dust Cover\n\n**DIMENSIONS**\n\n* **Nord Stage 4 73:** 1069 mm (42\"), 121 mm (4.7\"), 349 mm (13.7\")\n\n**WEIGHT**\n\n* **Nord Stage 4 73:** 16.7 kg (36.8 lb)\n\nSpecifications are subject to change without notice. *Steinway, Wurlitzer, Hohner, Clavinet, Farfisa, and Vox are trademarks of their respective owners and are not affiliated with or associated with Clavia. These brands are mentioned here only as a reference to a sound. Leslie is mentioned to describe a connector standard.","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003294814553,"sku":"15700066","price":4219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-stage-4-73-15700066_0.jpg?v=1778117573"},{"product_id":"stage-4-88-15700067","title":"Nord STAGE 4 88","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eNord STAGE 4 88\u003c\/p\u003e\u003cp\u003eNord Stage 4 88, the new generation of Nord's iconic flagship series, with a redesigned panel layout that is even more immediate and intuitive, a premium 88-key weighted triple sensor keyboard with aftertouch, comprehensive effects sections for each Layer, and significant enhancements to its proprietary technology, is poised to become a new benchmark in the advanced Stage keyboard segment. Follow the Playlist for the presentation and listening of Nord Stage 4. THE NORD STAGE 4 88 EXPERIENCE. Nord Stage 4 features a new panel design with dedicated LED faders for each Layer, providing an even clearer and more immediate overview of the operating status, while also enhancing versatility in sound creation and live performances. There is also an extensive library of Presets with ready-to-use piano, synth, and organ sounds, which is very useful for creating personal patches even faster. The entire instrument operates in Seamless Transition mode, meaning no annoying pauses or interruptions when changing Programs, allowing for smooth and continuous performances. Layer Scene allows switching between two different timbre configurations with the touch of a button, while the powerful, completely revamped effects section, combined with pedal functions, enables a higher level of musical expressiveness. THE NORD STAGE 4 88 PIANO SECTION. Nord Stage 4 88 comes with an even richer new sound library of grand pianos, uprights, and electric pianos selected from the exclusive Nord Piano Library, enhanced with new features such as dynamic compression and Unison mode.\u003c\/p\u003e\u003cdiv\u003e• Selected collection of Grand, Upright, Electric, Digital, and other Pianos from the Nord Piano Library\u003c\/div\u003e\u003cdiv\u003e• Ability to Layer two sounds within the section\u003c\/div\u003e\u003cdiv\u003e• Dynamic Compression\u003c\/div\u003e\u003cdiv\u003e• Unison Function\u003c\/div\u003e\u003cdiv\u003e• Creative Presets. This section allows for layering between two sounds, similar to the Nord Piano 5, making it possible to create very complex stacked sounds by overlaying two piano sounds of various types: Acoustic and electric, Upright with digital, etc., in your preferred personal combination. THE NORD STAGE 4 88 SYNTH. The Synth section, with its three independent Layers, is based on the versatile Nord Wave 2 Synth Engine, including Virtual Analog, Samples, FM, and Digital Waves synthesis. A vast new collection of samples from the Nord Sample Library offers a wide sonic palette of strings, bass, choirs, guitars, and much more. The advanced arpeggiator features Polyphonic, Gate, and Pattern modes and can be used for a wide variety of rhythmic applications with customizable Patterns.\u003c\/div\u003e\u003cdiv\u003e• Nord Wave 2 synthesis engine\u003c\/div\u003e\u003cdiv\u003e• 3 independent Synth Layers\u003c\/div\u003e\u003cdiv\u003e• Doubled sample memory area\u003c\/div\u003e\u003cdiv\u003e• Samples implemented with Tru-Vibrato, Unison, and Round Robin functions\u003c\/div\u003e\u003cdiv\u003e• Extensive real-time control possibilities\u003c\/div\u003e\u003cdiv\u003e• Advanced arpeggiator with Polyphonic, Gate, and Pattern modes\u003c\/div\u003e\u003cdiv\u003e• Advanced MIDI control. THE NORD STAGE 4 88 ORGAN SECTION. The entirely physical modeling Organ section uses the renowned simulations of the B3 Tonewheel, B3 Bass, classic Vox, and Farfisa, in addition to two Pipe Organ models. All Stage 4 models feature the new NORD physical Drawbars with LED indicators, which are even more practical and effective.\u003c\/div\u003e\u003cdiv\u003e• Physical modeling simulations of B3 electromagnetic, Vox\/Farfisa, and Pipe Organ\u003c\/div\u003e\u003cdiv\u003e• Ability to layer two sounds within the section, for example, to simulate a double manual organ.\u003c\/div\u003e\u003cdiv\u003e• Physical drawbars with LED indicators\u003c\/div\u003e\u003cdiv\u003e• New B3 Bass mode\u003c\/div\u003e\u003cdiv\u003e• Live Drawbar mode\u003c\/div\u003e\u003cdiv\u003e• 122 Vintage Rotary Speaker model with adjustable microphone positions (normal or close) NORD STAGE 4 88 EFFECTS. Nord Stage 4 88 features a powerful and completely revamped Effects section that offers a complete setup for each Layer. The wide range of FX includes the new BPM-synced Pump, Side Chain with pedal control, the new Spin, and variations on Reverb, Delay, Amps, and Modulation algorithms.\u003c\/div\u003e\u003cdiv\u003e• Complete effects setup for each Layer\u003c\/div\u003e\u003cdiv\u003e• New Variations for: Modulation, Amp, Delay, and Reverb\u003c\/div\u003e\u003cdiv\u003e• New Reverbs: Spring, Booth, and Cathedral\u003c\/div\u003e\u003cdiv\u003e• New Pump Effect\u003c\/div\u003e\u003cdiv\u003e• New Spin Effect\u003c\/div\u003e\u003cdiv\u003e• New Flam and Space Delay. As is Nord tradition, all effect parameters are directly accessible thanks to the extended panel in perfect Analog Style, allowing them to be modified at any time, even during performance. Nord Stage 4 88 Technical Specifications. GENERAL\u003c\/div\u003e\u003cdiv\u003e• Nord Stage 4 88: 88-key Hammer Action keybed with triple sensor and Aftertouch. Range: A-C\u003c\/div\u003e\u003cdiv\u003e• Master Level Control\u003c\/div\u003e\u003cdiv\u003e• Wooden Pitch Stick\u003c\/div\u003e\u003cdiv\u003e• Modulation Wheel\u003c\/div\u003e\u003cdiv\u003e• 512 Programs - 8 Banks with 8 Pages each. Each page 8 Program locations\u003c\/div\u003e\u003cdiv\u003e• Preset Library with Presets for: Organ, Piano, and Synth with included effects. 2 x 64 Organ Preset locations, 2 x 64 Piano Preset locations, 8 x 64 Synth Preset locations.\u003c\/div\u003e\u003cdiv\u003e• 8 Live Programs\u003c\/div\u003e\u003cdiv\u003e• Setups for 2 independent Layer Scenes\u003c\/div\u003e\u003cdiv\u003e• 3 Morph sources: Modulation Wheel (also controllable with Swell pedal), Control Pedal, Aftertouch\u003c\/div\u003e\u003cdiv\u003e• Stereo and Mono output routing options\u003c\/div\u003e\u003cdiv\u003e• Programmable Transpose +\/- 6 semitones\u003c\/div\u003e\u003cdiv\u003e• Master Clock function with controls: manual, external tap-tempo\u003c\/div\u003e\u003cdiv\u003e• Internal and MIDI Clock source\u003c\/div\u003e\u003cdiv\u003e• MIDI over USB\u003c\/div\u003e\u003cdiv\u003e• Level Control\u003c\/div\u003e\u003cdiv\u003e• Aftertouch\u003c\/div\u003e\u003cdiv\u003e• Up to 3 Split points (4 Keyboard Zones) with visual LED indication between zones\u003c\/div\u003e\u003cdiv\u003e• Crossfade between 3 Split points with adjustable depth: Lrg, Sml or Off. ORGAN SECTION\u003c\/div\u003e\u003cdiv\u003e• Nord C2D simulation of the B3 Tone wheel Organ\u003c\/div\u003e\u003cdiv\u003e• Vox Continental and Farfisa models\u003c\/div\u003e\u003cdiv\u003e• 2 Digital Pipe Organ models\u003c\/div\u003e\u003cdiv\u003e• B3 Bass Mode\u003c\/div\u003e\u003cdiv\u003e• Physical drawbars with LED graphs\u003c\/div\u003e\u003cdiv\u003e• Live Mode: Preset or Drawbar\u003c\/div\u003e\u003cdiv\u003e• Percussion Controls\u003c\/div\u003e\u003cdiv\u003e• Vibrato\/Chorus Controls\u003c\/div\u003e\u003cdiv\u003e• 2 Layers (2-part multitimbral). PIANO SECTION\u003c\/div\u003e\u003cdiv\u003e• 2 GB of memory for Piano sounds\u003c\/div\u003e\u003cdiv\u003e• All sounds can be replaced via Nord Sound Manager (Mac\/Win)\u003c\/div\u003e\u003cdiv\u003e• 120 Voice Polyphony\u003c\/div\u003e\u003cdiv\u003e• Categories: Grand, Upright, Electric, Digital, Layer, and Clav\/Harpsichord\u003c\/div\u003e\u003cdiv\u003e• 3 selectable velocity (touch) curves: Heavy, Medium, Light\u003c\/div\u003e\u003cdiv\u003e• Piano tone controls with Custom settings for Electric Pianos and Clavinet\u003c\/div\u003e\u003cdiv\u003e• String Resonance for acoustic Grand Pianos and Uprights\u003c\/div\u003e\u003cdiv\u003e• Selectable Soft Piano Release\u003c\/div\u003e\u003cdiv\u003e• Pedal Noise available using: Nord Triple Pedal 1, Nord Triple Pedal 2 or Nord Sustain Pedal 2 on selected acoustic or electric piano sounds.\u003c\/div\u003e\u003cdiv\u003e• Unison Function\u003c\/div\u003e\u003cdiv\u003e• 2 Layers (2-part multitimbral). SYNTH SECTION\u003c\/div\u003e\u003cdiv\u003e• Nord Wave 2 sound engine with Sample Playback\u003c\/div\u003e\u003cdiv\u003e• Dedicated OLED Display for: Waveform\/Sample selection and parameter editing\u003c\/div\u003e\u003cdiv\u003e• 1 GB of memory for samples (Nord Sample Library)\u003c\/div\u003e\u003cdiv\u003e• All internal Samples can be replaced via Nord Sound Manager (Mac\/Win)\u003c\/div\u003e\u003cdiv\u003e• 46 Voice Polyphony\u003c\/div\u003e\u003cdiv\u003e• Oscillators: Analog (incl. Super, Noise, and Misc waveforms), Digital Waves, FM, and Sample\u003c\/div\u003e\u003cdiv\u003e• Analog Waveform: Pure, Shape, Shape Sine, Multi, Super, Sync, Bell, Misc (Noise)\u003c\/div\u003e\u003cdiv\u003e• Filter: Classic Transistor Ladder Filter (LP M), 12 \u0026amp; 24 dB Low Pass, High Pass, Band Pass and Low Pass\/Band Pass (LP+BP) combined filters\u003c\/div\u003e\u003cdiv\u003e• Filter Drive: Off, 1, 2, and 3\u003c\/div\u003e\u003cdiv\u003e• Filter Tracking: Off, 1\/3, 2\/3, and Full\u003c\/div\u003e\u003cdiv\u003e• 3 Unison Modes\u003c\/div\u003e\u003cdiv\u003e• Filter Envelope (Attack, Decay, Sustain), velocity modulable\u003c\/div\u003e\u003cdiv\u003e• Amplitude envelope (Attack, Decay, Sustain), velocity modulable\u003c\/div\u003e\u003cdiv\u003e• Oscillator envelope (Attack, Decay, Sustain), velocity modulable\u003c\/div\u003e\u003cdiv\u003e• LFO with 5 waveforms\/modes: Square, Triangle, Ramp Dn, Ramp Up, Sample \u0026amp; Hold\u003c\/div\u003e\u003cdiv\u003e• Advanced Arpeggiator with modes: Arp, Polyphonic, and Gate\u003c\/div\u003e\u003cdiv\u003e• Arpeggiator Patterns available for all modes, with options: Accent and Pan\u003c\/div\u003e\u003cdiv\u003e• LFO and Arpeggiator synchronizable to Master Clock\u003c\/div\u003e\u003cdiv\u003e• 3 Layers (3-part multitimbral). EFFECTS\u003c\/div\u003e\u003cdiv\u003e• Mod 1: Tremolo, Auto Pan, Ring Modulator, Wah-Wah, Auto-Wah, Pump (with Sidechain modulation). Variation for each effect\u003c\/div\u003e\u003cdiv\u003e• Mod 2: Phaser, Flanger, Vibe, Chorus, Ensemble, Spin. Variation for each effect\u003c\/div\u003e\u003cdiv\u003e• Delay with controls for: Tempo, Feedback, and Mix (Dry\/Wet), Ping Pong (stereo), Tap-Tempo, Feedback Filter (HP\/LP\/BP), Feedback Effects with Variations and Analog mode selectable from panel.\u003c\/div\u003e\u003cdiv\u003e• 3 types of Amp\/Speaker simulation: Twin, JC, and Small. Variation for each model\u003c\/div\u003e\u003cdiv\u003e• Filter Mode (HP24\/LP24) with controls: Cut-off, Resonance, and Mix\u003c\/div\u003e\u003cdiv\u003e• Tube Amp simulation with adjustable Overdrive\u003c\/div\u003e\u003cdiv\u003e• 3-band Equalizer with sweepable mids. EQ: 100 Hz, 200 Hz - 8 kHz, and 4 kHz\u003c\/div\u003e\u003cdiv\u003e• Rotary Speaker: selectable speed (Stop, Slow, and Fast) with independent Overdrive\u003c\/div\u003e\u003cdiv\u003e• Effect rates\/tempo synchronizable to Master Clock\u003c\/div\u003e\u003cdiv\u003e• Compressor with Fast Mode\u003c\/div\u003e\u003cdiv\u003e• Reverbs: 6 algorithms: Spring, Booth, Room, Stage, Hall, and Cathedral, with modes: Dark\/Bright and Variation\/Chorale. CONNECTIONS\u003c\/div\u003e\u003cdiv\u003e• 4 Assignable Audio Outputs: 6.35 mm - ¼\" jack, unbalanced\u003c\/div\u003e\u003cdiv\u003e• Stereo Headphone output: 6.35 mm stereo jack - ¼\"\u003c\/div\u003e\u003cdiv\u003e• 1 Monitor input: 3.5 mm stereo mini jack - 1\/8\".\u003c\/div\u003e\u003cdiv\u003e• Sustain Pedal 6.35 mm jack - ¼\". Compatible with Nord Sustain Pedal 2 (with continuous sensor), Nord Triple Pedal 1, and Switch Pedals\u003c\/div\u003e\u003cdiv\u003e• Triple Pedal – 5-pin DIN connector. Compatible with Nord Triple Pedal 2\u003c\/div\u003e\u003cdiv\u003e• Rotor Pedal: 6.35 mm jack - ¼\". Switch Pedal\u003c\/div\u003e\u003cdiv\u003e• Organ Swell Pedal: 6.35 mm TRS stereo jack - ¼\". Compatible with Control\/Expression Pedals such as: KORG EXP2, XVP20, Quiklok VP26U, etc.\u003c\/div\u003e\u003cdiv\u003e• Control Pedal: 6.35 mm TRS stereo jack - ¼\". Compatible with Control\/Expression Pedals such as: KORG EXP2, XVP20, Quiklok VP26U, etc.\u003c\/div\u003e\u003cdiv\u003e• Foot Switch input: 6.35 mm jack - ¼\". A momentary or single switch pedal can be used\u003c\/div\u003e\u003cdiv\u003e• MIDI In - 5-pin DIN connector\u003c\/div\u003e\u003cdiv\u003e• MIDI Out - 5-pin DIN connector\u003c\/div\u003e\u003cdiv\u003e• USB - Type B connector for USB MIDI, Software Update, and sound transfer\u003c\/div\u003e\u003cdiv\u003e• IEC C14 power cable connector. INCLUDED ACCESSORIES\u003c\/div\u003e\u003cdiv\u003e• Manual\u003c\/div\u003e\u003cdiv\u003e• Power cable\u003c\/div\u003e\u003cdiv\u003e• USB cable. OPTIONAL ACCESSORIES\u003c\/div\u003e\u003cdiv\u003e• Nord Triple Pedal 2\u003c\/div\u003e\u003cdiv\u003e• Nord Single Pedal 2\u003c\/div\u003e\u003cdiv\u003e• Nord Triple Pedal 1\u003c\/div\u003e\u003cdiv\u003e• Nord Piano Monitor\u003c\/div\u003e\u003cdiv\u003e• Nord Keyboard Stand EX\u003c\/div\u003e\u003cdiv\u003e• Nord Soft Case\u003c\/div\u003e\u003cdiv\u003e• Nord Music Stand EX\u003c\/div\u003e\u003cdiv\u003e• Nord Half-Moon Switch (Compact model only)\u003c\/div\u003e\u003cdiv\u003e• Dust Cover. DIMENSIONS\u003c\/div\u003e\u003cdiv\u003e• Nord Stage 4 88: 1282 mm (50.5\"), 121 mm (4.7\"), 349 mm (13.7\"). WEIGHT\u003c\/div\u003e\u003cdiv\u003e• Nord Stage 4 88: 19.6 kg (43.2 lb). Specifications are subject to change without notice. *Steinway, Wurlitzer, Hohner, Clavinet, Farfisa, and Vox are trademarks of their respective owners and are not affiliated with or associated with Clavia. These brands are mentioned here only as a reference to a sound. Leslie is mentioned to describe a connector standard.\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e• Nord Wave 2 synthesis engine\n\u003c\/p\u003e\u003cp\u003e• 3 independent Synth Layers\n\u003c\/p\u003e\u003cp\u003e• Doubled sample memory area\n\u003c\/p\u003e\u003cp\u003e• Samples implemented with Tru-Vibrato, Unison, and Round Robin functions\n\u003c\/p\u003e\u003cp\u003e• Extensive real-time control possibilities\n\u003c\/p\u003e\u003cp\u003e• Advanced arpeggiator with Polyphonic, Gate, and Pattern modes\n\u003c\/p\u003e\u003cp\u003e• Advanced MIDI control. THE NORD STAGE 4 88 ORGAN SECTION. The entirely physical modeling Organ section uses the renowned simulations of the B3 Tonewheel, B3 Bass, classic Vox, and Farfisa, in addition to two Pipe Organ models. All Stage 4 models feature the new NORD physical Drawbars with LED indicators, which are even more practical and effective.\n\u003c\/p\u003e\u003cp\u003e• Physical modeling simulations of B3 electromagnetic, Vox\/Farfisa, and Pipe Organ\n\u003c\/p\u003e\u003cp\u003e• Ability to layer two sounds within the section, for example, to simulate a double manual organ.\n\u003c\/p\u003e\u003cp\u003e• Physical drawbars with LED indicators\n\u003c\/p\u003e\u003cp\u003e• New B3 Bass mode\n\u003c\/p\u003e\u003cp\u003e• Live Drawbar mode\n\u003c\/p\u003e\u003cp\u003e• 122 Vintage Rotary Speaker model with adjustable microphone positions (normal or close) NORD STAGE 4 88 EFFECTS. Nord Stage 4 88 features a powerful and completely revamped Effects section that offers a complete setup for each Layer. The wide range of FX includes the new BPM-synced Pump, Side Chain with pedal control, the new Spin, and variations on Reverb, Delay, Amps, and Modulation algorithms.\n\u003c\/p\u003e\u003cp\u003e• Complete effects setup for each Layer\n\u003c\/p\u003e\u003cp\u003e• New Variations for: Modulation, Amp, Delay, and Reverb\n\u003c\/p\u003e\u003cp\u003e• New Reverbs: Spring, Booth, and Cathedral\n\u003c\/p\u003e\u003cp\u003e• New Pump Effect\n\u003c\/p\u003e\u003cp\u003e• New Spin Effect\n\u003c\/p\u003e\u003cp\u003e• New Flam and Space Delay. As is Nord tradition, all effect parameters are directly accessible thanks to the extended panel in perfect Analog Style, allowing them to be modified at any time, even during performance. Nord Stage 4 88 Technical Specifications. GENERAL\n\u003c\/p\u003e\u003cp\u003e• Nord Stage 4 88: 88-key Hammer Action keybed with triple sensor and Aftertouch. Range: A-C\n\u003c\/p\u003e\u003cp\u003e• Master Level Control\n\u003c\/p\u003e\u003cp\u003e• Wooden Pitch Stick\n\u003c\/p\u003e\u003cp\u003e• Modulation Wheel\n\u003c\/p\u003e\u003cp\u003e• 512 Programs - 8 Banks with 8 Pages each. Each page 8 Program locations\n\u003c\/p\u003e\u003cp\u003e• Preset Library with Presets for: Organ, Piano, and Synth with included effects. 2 x 64 Organ Preset locations, 2 x 64 Piano Preset locations, 8 x 64 Synth Preset locations.\n\u003c\/p\u003e\u003cp\u003e• 8 Live Programs\n\u003c\/p\u003e\u003cp\u003e• Setups for 2 independent Layer Scenes\n\u003c\/p\u003e\u003cp\u003e• 3 Morph sources: Modulation Wheel (also controllable with Swell pedal), Control Pedal, Aftertouch\n\u003c\/p\u003e\u003cp\u003e• Stereo and Mono output routing options\n\u003c\/p\u003e\u003cp\u003e• Programmable Transpose +\/- 6 semitones\n\u003c\/p\u003e\u003cp\u003e• Master Clock function with controls: manual, external tap-tempo\n\u003c\/p\u003e\u003cp\u003e• Internal and MIDI Clock source\n\u003c\/p\u003e\u003cp\u003e• MIDI over USB\n\u003c\/p\u003e\u003cp\u003e• Level Control\n\u003c\/p\u003e\u003cp\u003e• Aftertouch\n\u003c\/p\u003e\u003cp\u003e• Up to 3 Split points (4 Keyboard Zones) with visual LED indication between zones\n\u003c\/p\u003e\u003cp\u003e• Crossfade between 3 Split points with adjustable depth: Lrg, Sml or Off. ORGAN SECTION\n\u003c\/p\u003e\u003cp\u003e• Nord C2D simulation of the B3 Tone wheel Organ\n\u003c\/p\u003e\u003cp\u003e• Vox Continental and Farfisa models\n\u003c\/p\u003e\u003cp\u003e• 2 Digital Pipe Organ models\n\u003c\/p\u003e\u003cp\u003e• B3 Bass Mode\n\u003c\/p\u003e\u003cp\u003e• Physical drawbars with LED graphs\n\u003c\/p\u003e\u003cp\u003e• Live Mode: Preset or Drawbar\n\u003c\/p\u003e\u003cp\u003e• Percussion Controls\n\u003c\/p\u003e\u003cp\u003e• Vibrato\/Chorus Controls\n\u003c\/p\u003e\u003cp\u003e• 2 Layers (2-part multitimbral). PIANO SECTION\n\u003c\/p\u003e\u003cp\u003e• 2 GB of memory for Piano sounds\n\u003c\/p\u003e\u003cp\u003e• All sounds can be replaced via Nord Sound Manager (Mac\/Win)\n\u003c\/p\u003e\u003cp\u003e• 120 Voice Polyphony\n\u003c\/p\u003e\u003cp\u003e• Categories: Grand, Upright, Electric, Digital, Layer, and Clav\/Harpsichord\n\u003c\/p\u003e\u003cp\u003e• 3 selectable velocity (touch) curves: Heavy, Medium, Light\n\u003c\/p\u003e\u003cp\u003e• Piano tone controls with Custom settings for Electric Pianos and Clavinet\n\u003c\/p\u003e\u003cp\u003e• String Resonance for acoustic Grand Pianos and Uprights\n\u003c\/p\u003e\u003cp\u003e• Selectable Soft Piano Release\n\u003c\/p\u003e\u003cp\u003e• Pedal Noise available using: Nord Triple Pedal 1, Nord Triple Pedal 2 or Nord Sustain Pedal 2 on selected acoustic or electric piano sounds.\n\u003c\/p\u003e\u003cp\u003e• Unison Function\n\u003c\/p\u003e\u003cp\u003e• 2 Layers (2-part multitimbral). SYNTH SECTION\n\u003c\/p\u003e\u003cp\u003e• Nord Wave 2 sound engine with Sample Playback\n\u003c\/p\u003e\u003cp\u003e• Dedicated OLED Display for: Waveform\/Sample selection and parameter editing\n\u003c\/p\u003e\u003cp\u003e• 1 GB of memory for samples (Nord Sample Library)\n\u003c\/p\u003e\u003cp\u003e• All internal Samples can be replaced via Nord Sound Manager (Mac\/Win)\n\u003c\/p\u003e\u003cp\u003e• 46 Voice Polyphony\n\u003c\/p\u003e\u003cp\u003e• Oscillators: Analog (incl. Super, Noise, and Misc waveforms), Digital Waves, FM, and Sample\n\u003c\/p\u003e\u003cp\u003e• Analog Waveform: Pure, Shape, Shape Sine, Multi, Super, Sync, Bell, Misc (Noise)\n\u003c\/p\u003e\u003cp\u003e• Filter: Classic Transistor Ladder Filter (LP M), 12 \u0026amp; 24 dB Low Pass, High Pass, Band Pass and Low Pass\/Band Pass (LP+BP) combined filters\n\u003c\/p\u003e\u003cp\u003e• Filter Drive: Off, 1, 2, and 3\n\u003c\/p\u003e\u003cp\u003e• Filter Tracking: Off, 1\/3, 2\/3, and Full\n\u003c\/p\u003e\u003cp\u003e• 3 Unison Modes\n\u003c\/p\u003e\u003cp\u003e• Filter Envelope (Attack, Decay, Sustain), velocity modulable\n\u003c\/p\u003e\u003cp\u003e• Amplitude envelope (Attack, Decay, Sustain), velocity modulable\n\u003c\/p\u003e\u003cp\u003e• Oscillator envelope (Attack, Decay, Sustain), velocity modulable\n\u003c\/p\u003e\u003cp\u003e• LFO with 5 waveforms\/modes: Square, Triangle, Ramp Dn, Ramp Up, Sample \u0026amp; Hold\n\u003c\/p\u003e\u003cp\u003e• Advanced Arpeggiator with modes: Arp, Polyphonic, and Gate\n\u003c\/p\u003e\u003cp\u003e• Arpeggiator Patterns available for all modes, with options: Accent and Pan\n\u003c\/p\u003e\u003cp\u003e• LFO and Arpeggiator synchronizable to Master Clock\n\u003c\/p\u003e\u003cp\u003e• 3 Layers (3-part multitimbral). EFFECTS\n\u003c\/p\u003e\u003cp\u003e• Mod 1: Tremolo, Auto Pan, Ring Modulator, Wah-Wah, Auto-Wah, Pump (with Sidechain modulation). Variation for each effect\n\u003c\/p\u003e\u003cp\u003e• Mod 2: Phaser, Flanger, Vibe, Chorus, Ensemble, Spin. Variation for each effect\n\u003c\/p\u003e\u003cp\u003e• Delay with controls for: Tempo, Feedback, and Mix (Dry\/Wet), Ping Pong (stereo), Tap-Tempo, Feedback Filter (HP\/LP\/BP), Feedback Effects with Variations and Analog mode selectable from panel.\n\u003c\/p\u003e\u003cp\u003e• 3 types of Amp\/Speaker simulation: Twin, JC, and Small. Variation for each model\n\u003c\/p\u003e\u003cp\u003e• Filter Mode (HP24\/LP24) with controls: Cut-off, Resonance, and Mix\n\u003c\/p\u003e\u003cp\u003e• Tube Amp simulation with adjustable Overdrive\n\u003c\/p\u003e\u003cp\u003e• 3-band Equalizer with sweepable mids. EQ: 100 Hz, 200 Hz - 8 kHz, and 4 kHz\n\u003c\/p\u003e\u003cp\u003e• Rotary Speaker: selectable speed (Stop, Slow, and Fast) with independent Overdrive\n\u003c\/p\u003e\u003cp\u003e• Effect rates\/tempo synchronizable to Master Clock\n\u003c\/p\u003e\u003cp\u003e• Compressor with Fast Mode\n\u003c\/p\u003e\u003cp\u003e• Reverbs: 6 algorithms: Spring, Booth, Room, Stage, Hall, and Cathedral, with modes: Dark\/Bright and Variation\/Chorale. CONNECTIONS\n\u003c\/p\u003e\u003cp\u003e• 4 Assignable Audio Outputs: 6.35 mm - ¼\" jack, unbalanced\n\u003c\/p\u003e\u003cp\u003e• Stereo Headphone output: 6.35 mm stereo jack - ¼\"\n\u003c\/p\u003e\u003cp\u003e• 1 Monitor input: 3.5 mm stereo mini jack - 1\/8\".\n\u003c\/p\u003e\u003cp\u003e• Sustain Pedal 6.35 mm jack - ¼\". Compatible with Nord Sustain Pedal 2 (with continuous sensor), Nord Triple Pedal 1, and Switch Pedals\n\u003c\/p\u003e\u003cp\u003e• Triple Pedal – 5-pin DIN connector. Compatible with Nord Triple Pedal 2\n\u003c\/p\u003e\u003cp\u003e• Rotor Pedal: 6.35 mm jack - ¼\". Switch Pedal\n\u003c\/p\u003e\u003cp\u003e• Organ Swell Pedal: 6.35 mm TRS stereo jack - ¼\". Compatible with Control\/Expression Pedals such as: KORG EXP2, XVP20, Quiklok VP26U, etc.\u003cp\u003e• Control Pedal: 6.35 mm (1\/4\") TRS stereo jack. Compatible with Control\/Expression pedals such as KORG EXP2, XVP20, Quiklok VP26U, etc.\n\u003c\/p\u003e\u003cp\u003e• Foot Switch input: 6.35 mm (1\/4\") jack. A momentary or single switch pedal can be used.\n\u003c\/p\u003e\u003cp\u003e• MIDI In - 5-pin DIN connector\n\u003c\/p\u003e\u003cp\u003e• MIDI Out - 5-pin DIN connector\n\u003c\/p\u003e\u003cp\u003e• USB - Type B connector for USB MIDI, Software Updates, and sound transfer\n\u003c\/p\u003e\u003cp\u003e• IEC C14 power cable connector SUPPLIED ACCESSORIES\n\u003c\/p\u003e\u003cp\u003e• Manual\n\u003c\/p\u003e\u003cp\u003e• Power cable\n\u003c\/p\u003e\u003cp\u003e• USB cable OPTIONAL ACCESSORIES\n\u003c\/p\u003e\u003cp\u003e• Nord Triple Pedal 2\n\u003c\/p\u003e\u003cp\u003e• Nord Single Pedal 2\n\u003c\/p\u003e\u003cp\u003e• Nord Triple Pedal 1\n\u003c\/p\u003e\u003cp\u003e• Nord Piano Monitor\n\u003c\/p\u003e\u003cp\u003e• Nord Keyboard Stand EX\n\u003c\/p\u003e\u003cp\u003e• Nord Soft Case\n\u003c\/p\u003e\u003cp\u003e• Nord Music Stand EX\n\u003c\/p\u003e\u003cp\u003e• Nord Half-Moon Switch (Compact model only)\n\u003c\/p\u003e\u003cp\u003e• Dust Cover DIMENSIONS\n\u003c\/p\u003e\u003cp\u003e• Nord Stage 4 88: 1282 mm (50.5\"), 121 mm (4.7\"), 349 mm (13.7\") WEIGHT\n\u003c\/p\u003e\u003cp\u003e• Nord Stage 4 88: 19.6 kg (43.2 lb) Specifications are subject to change without notice. *Steinway, Wurlitzer, Hohner, Clavinet, Farfisa, and Vox are trademarks of their respective owners and are not affiliated with or associated with Clavia. These trademarks are mentioned here only as a reference to a sound. Leslie is mentioned to describe a connector standard.\u003c\/p\u003e","brand":"NORD","offers":[{"title":"Default Title","offer_id":58003294912857,"sku":"15700067","price":4329.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/38-nord-stage-4-88-15700067_0.jpg?v=1778117587"},{"product_id":"prophet-6-desktop-17900001","title":"Sequential Prophet 6 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Module version of the 6-voice polyphonic analog synth with 2 discrete VCOs and sub-oscillator. 2 VCF filters: 4-pole low pass and 2-pole high pass. 1 LFO, 2 ADSR envelopes, 2 24-bit 48kHz digital multi-effects with true-bypass, arpeggiator and 64-step polyphonic sequencer. 1000 memories, including 500 presets. Dimensions and weight: 54x18.9x11.2cm Weight: 5.9KG.\u0026lt;\/p\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003367985497,"sku":"17900001","price":2611.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-6-desktop-17900001_0.jpg?v=1778119028"},{"product_id":"ob-6-desktop-17900002","title":"Oberheim OB-6 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in this compact module version offers a unique analog sound, born from the collaboration between \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e and \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. 2 discrete oscillators per voice and a 2-pole filter derived from the SEM project are paired with two digital multi-effects, an arpeggiator, and a polyphonic sequencer. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eTwo Legends. One Instrument.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB6 is born from a momentous collaboration between two of the most influential synth designers in the history of sound synthesis: \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e. The \u003cstrong\u003eSequential OB6\u003c\/strong\u003e revives the classic bold \u003cstrong\u003eOberheim\u003c\/strong\u003e sound: true voltage-controlled oscillators, the 2-pole filter, and amplifiers, adding modern enhancements like studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No modern analog polyphonic synth can boast such a pedigree and such a massive sonic footprint.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Sound Synthesis in the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWith the\u003cstrong\u003e Sequential OB-6\u003c\/strong\u003e, you can easily create both raw and powerful sounds, as well as elegant and refined ones. This is also due to its discrete analog oscillators. The OB-6 has \u003cstrong\u003etwo VCOs\u003c\/strong\u003e, a \u003cstrong\u003ewhite-noise\u003c\/strong\u003e generator, and a \u003cstrong\u003esub-oscillator\u003c\/strong\u003e. The latter plays an octave lower than oscillator 1 and produces a square waveform. Each of these generators has a dedicated volume control in the Mixer section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eVCO 1 can generate 2 waveforms: sawtooth and pulse with variable width. VCO 2, on the other hand, generates 3 waveforms: triangle, sawtooth, and pulse, also with variable width. Both oscillators can continuously change waveforms, allowing us to obtain various nuances that will arise during the transition between one waveform and another.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOscillator 1 can be synchronized with oscillator 2 to create sharp yet harmonically rich sounds (Hard Sync). Oscillator 2 is accompanied by a \u003cstrong\u003eDetune\u003c\/strong\u003e potentiometer to vary the pitch within a ¼ tone range. The switch called \u003cstrong\u003eLow Freq\u003c\/strong\u003e is used to trigger the generation of very low frequencies and is therefore useful as an LFO or in creating drones.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSince the OB-6 has extremely stable VCOs, the \u003cstrong\u003eDetune\u003c\/strong\u003e potentiometer adds a random detuning to the oscillators to emulate the typical instability of vintage. When the \u003cstrong\u003eUnison\u003c\/strong\u003e function is on, the OB-6 behaves like a monophonic synth: it plays only one note at a time. Use it to create full and imposing basses and leads by dedicating all six voices to a single note (12 oscillators per key!). The classic \u003cstrong\u003ePoly-Chain\u003c\/strong\u003e by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e allows you to connect another OB-6 (keyboard or desktop) via MIDI to double the polyphony notes. The \u003cstrong\u003etwelve voices\u003c\/strong\u003e available in this particular configuration are also useful to avoid truncating the tail of notes in case of chords with long release times.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Filter of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6's filter is analog, two-pole (12db per octave), state-variable with Low-pass, High-pass, Notch, and Band-pass. A filter inspired by the \u003cb\u003eS.E.M. \u003c\/b\u003e(Synthesizer Expander Module) project, which was the first synthesizer created by \u003cb\u003eTom Oberheim\u003c\/b\u003e in 1974. This synthesizer's filter aroused considerable interest at the time because it was the first to provide a sound different from others on the market (Moog and Arp). Even today, the sound of this filter is re-proposed by many manufacturers of modular and keyboard synthesizers.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Effects of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eOB-6 is equipped with two high-quality \u003cb\u003eDigital Effects\u003c\/b\u003e. Reverbs, delays \u003c\/span\u003e\u003cspan lang=\"PT\"\u003e(standard and BBD), chorus, flanger, phase shifter, and faithful reproductions of \u003cb\u003eTom Oberheim\u003c\/b\u003e's ring modulator. Both have a \u003cstrong\u003e24-bit\/48kHz\u003c\/strong\u003e resolution and with the true-bypass function, they guarantee the purity of the analog path. The effects are divided into set A and B and are applied in series one after the other. Reverb is traditionally placed at the end of the chain, which is why this effect is only found in set B.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eModulations of the OB-6\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential OB-6\u003c\/strong\u003e has a modulation section called \u003cstrong\u003eX-mod\u003c\/strong\u003e. Many of the most famous sounds of the OB series were created with this section. The modulation sources are the filter envelope and oscillator 2, both with bipolar control. Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, filter Cut-Off, and filter mode: LP, HP, Notch, and BP. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIn OB-6 we find an \u003cb\u003eLFO \u003c\/b\u003ewith 5 waveforms: sine, sawtooth, rev saw, square, random. A sixth \"hidden\" one can be created by choosing Random and setting the frequency speed to maximum. This will create a \u003cb\u003eWhite Noise\u003c\/b\u003e-style waveform.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe 2 envelopes found in OB-6 are 4-stage (ADSR). The first is dedicated to the filter, the second to the VCA. The amplifier envelope was named by Tom as \u003cb\u003eLoudness Envelope\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Polyphonic Sequencer and Arpeggiator of the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe polyphonic sequencer allows storing a maximum of 64 steps and supports up to 6 notes simultaneously per step. While a sequence is playing, you can play over it with the rest of the available polyphony. You can create polyphonic sequences and synchronize them with an external MIDI clock. The programmable arpeggiator of the \u003cstrong\u003eSequential OB-6\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random successions, and in the order in which we play the notes. Synchronizable to an external \u003cstrong\u003eMIDI Clock\u003c\/strong\u003e or to the internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides configurable Re-latch and Sustain functions. The notes generated by the arpeggiator or sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Connections of the Sequential OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAs in all instruments designed by \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003eDave Smith\u003c\/a\u003e\u003c\/strong\u003e, complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on five-pin DIN connectors and a class-compliant USB Type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI over USB connections (for example: \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003eAkai Pro MPC\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u003eForce\u003c\/a\u003e). You can connect a footswitch-type Sustain pedal (¼” TS jack), 2 expression pedals (¼” TRS jack), one for volume and one for the filter cutoff, and a footswitch for managing the on\/off of the sequencer to your \u003cstrong\u003eOB-6\u003c\/strong\u003e. As audio outputs, we find two (L and R) ¼” TS jacks and a stereo headphone output (TRS) on a ¼” jack.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eControls and Memories of the Sequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel features a potentiometer for each function and puts practically all OB-6 parameters within easy reach. 500 permanent factory programs and 500 rewritable user programs are included. Pressing the Manual button enables live panel mode, where the OB-6's sound switches to the current front panel settings. In this state, what you see is what you hear.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures of the Sequential OB-6\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cspan\u003e6-voice analog polyphonic synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003eDesktop Module Version\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e500 user and 500 factory programs\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 discrete VCOs per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eContinuously variable waveform\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSaw, variable width Pulse \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e+ Triangle on oscillator 2\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePulse width on each oscillator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSquare wave sub-oscillator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eLow Freq mode (osc 2)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eKeyboard Tracking on\/off (osc 2)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eUnison with Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePoly-Chain \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2-pole state-variable VCF (LP, HP, Notch, BP)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSR Envelopes\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eX-Mod Modulation Matrix\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e64-step Polyphonic Sequencer\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eProgrammable Arpeggiator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 digital multi-effects, set A and set B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eAnalog Distortion\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eTrue-bypass\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB Type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4′′ TS jacks) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4′′ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e1 x 1\/4′′ TRS jack input for expression pedal\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4′′ TRS jack input for \u003c\/span\u003e\u003cspan\u003elow-pass filter\u003c\/span\u003e\u003cspan\u003e pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4” TS jack input for Sequencer\/Arpeggiator pedal \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eDimensions and weight: 52x19.8x11.2cm; 5.9KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eIEC connector for power cable\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eConsumption: max \u003c\/span\u003e\u003cspan\u003e30 watts\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eWalnut side panels and finish\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368083801,"sku":"17900002","price":2535.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-ob-6-desktop-17900002_0.jpg?v=1778119037"},{"product_id":"prophet-rev-2-8-voci-desktop-17900003","title":"Sequential Prophet Rev 2 8-Voice Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;Analog Synthesizer \u0026lt;strong\u0026gt;Sequential Prophet Rev 2\u0026lt;\/strong\u0026gt; in a compact \u0026lt;strong\u0026gt;desktop \u0026lt;\/strong\u0026gt;version. Bi-timbral, with \u0026lt;strong\u0026gt;8 voices of polyphony\u0026lt;\/strong\u0026gt;, 64-step polyphonic sequencer (6 notes per step), arpeggiator and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capability is extensive, thanks to the matrix of 22 sources and 53 destinations.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;Sequential Rev 2 (keyboard) video tutorial\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;8-voice Polyphonic Analog Synthesis\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The 8 voices of \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Desktop\u0026lt;\/strong\u0026gt; are composed of \u0026lt;strong\u0026gt;2 digitally controlled analog oscillators\u0026lt;\/strong\u0026gt; (DCO). Both oscillators offer \u0026lt;strong\u0026gt;4 waveforms\u0026lt;\/strong\u0026gt;: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; are extremely stable, but if you are looking for the imprecise sound typical of vintage analog, you can use the \u0026lt;strong\u0026gt;Osc Slop \u0026lt;\/strong\u0026gt;potentiometer to gradually introduce random detuning. One of the important innovations introduced by this Rev2 is represented by the two potentiometers called \u0026lt;strong\u0026gt;Shape Mod\u0026lt;\/strong\u0026gt;. With these, you can continuously shape the amplitude and form of the generated wave on each oscillator, to access an extremely wide sonic palette. Pressing the \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; button will force oscillator 1's wave to follow oscillator 2's, thus obtaining a more complex and harmonically rich sound. An indispensable white noise generator and the \u0026lt;strong\u0026gt;Sub oscillator\u0026lt;\/strong\u0026gt;: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u0026lt;strong\u0026gt;Pan Spread\u0026lt;\/strong\u0026gt; function found in the \u0026lt;strong\u0026gt;Amplifiers\u0026lt;\/strong\u0026gt; section allows us to expand the stereo image of the generated sound by spreading the individual voices across the panorama.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; button allows you to play up to \u0026lt;strong\u0026gt;8 voices simultaneously\u0026lt;\/strong\u0026gt;, with the freedom to assign the amount of detune between each voice to help you program very full-bodied sounds. Pressing it while playing a chord will activate the \u0026lt;strong\u0026gt;Chord Memory\u0026lt;\/strong\u0026gt; function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The Sequential Prophet Rev 2 is Bi-timbral\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Sequential Prophet Rev 2\u0026lt;\/strong\u0026gt; module version with 8 voices of polyphony is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u0026lt;strong\u0026gt;Prophet Rev 2s\u0026lt;\/strong\u0026gt; at your fingertips with 8 voices of polyphony dedicated to each sound. The two \u0026lt;strong\u0026gt;Layers\u0026lt;\/strong\u0026gt; can be played in \u0026lt;strong\u0026gt;Stacked\u0026lt;\/strong\u0026gt; mode, where the two sounds are played simultaneously across the entire keyboard range, or in \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed differently for each sound, without interfering with each other: \u0026lt;strong\u0026gt;two instruments in one\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Prophet Rev2 8-voice filter\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The warm, unique, and incisive sound of this prodigious synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; filter also bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u0026lt;strong\u0026gt;Audio Mod\u0026lt;\/strong\u0026gt; knob, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter cutoff to obtain movement on the harmonics of the upper part of the sound spectrum, a particularly noticeable effect when in 4-pole mode with slight values of the resonance parameter.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Waveform Modulation\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;While the sonic character of the \u0026lt;strong\u0026gt;Sequential Prophet Rev2\u0026lt;\/strong\u0026gt; \u0026lt;strong\u0026gt;8-voice Desktop\u0026lt;\/strong\u0026gt; is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u0026lt;strong\u0026gt;4 LFOs\u0026lt;\/strong\u0026gt; offer five waveforms: triangle, sawtooth, reverse sawtooth, square, and random (sample \u0026amp;amp; hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations to modulate. The \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt; section allows us to program these modulations very easily and intuitively, by pressing and touching the parameters we want to connect via Source, Destination, and Amount.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Effects of the Sequential Prophet Rev2 Desktop\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The integrated multi-effect provides one of the following effects, selectable and applicable to each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each of the Layers. For even more extreme sound design, all effect parameters can be modulated via the dedicated matrix.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Arpeggiator and Poly Step Sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The programmable arpeggiator of the \u0026lt;strong\u0026gt;Sequential Prophet Rev2\u0026lt;\/strong\u0026gt; can be configured in the classic Up, Down, Up + Down, Random progressions and in the order in which we play the notes. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The arpeggiator and Sequencer are both \u0026lt;strong\u0026gt;synchronizable to external MIDI Clock\u0026lt;\/strong\u0026gt; or to the internal \u0026lt;strong\u0026gt;Master Clock\u0026lt;\/strong\u0026gt; with Tap Tempo.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Inside the \u0026lt;strong\u0026gt;Prophet Rev 2 Desktop 8-voice\u0026lt;\/strong\u0026gt; we find a \u0026lt;strong\u0026gt;Sequencer\u0026lt;\/strong\u0026gt; with two distinct modes. The first is the \u0026lt;strong\u0026gt;Polyphonic\u0026lt;\/strong\u0026gt; mode where we can record up to \u0026lt;strong\u0026gt;64 steps with a maximum of 6 notes per step\u0026lt;\/strong\u0026gt;. This mode will allow you to create rhythmic and melodic sequences, even very complex ones. The second mode is \u0026lt;strong\u0026gt;Gated\u0026lt;\/strong\u0026gt; mode: unlike the polyphonic mode, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but will allow us to store variations of the Synth parameters step-by-step.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Controls of the Prophet Rev2 Desktop 8-voice\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The panel provides us with no less than \u0026lt;strong\u0026gt;55 potentiometers\u0026lt;\/strong\u0026gt; for immediate access to almost all instrument parameters. Included are 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is enclosed in a compact desktop module measuring 54.8x20x8.4cm and weighing 3.4KG. Among other features that make it an ideal instrument for concerts or studio recording, we note the presence of an integrated power supply and an intelligible OLED display.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Connections of the Sequential Prophet Rev2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On the rear panel of the \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; we find a headphone output and 2 stereo audio outputs called Main\/A Output and B Output. The Main\/A output plays the sound of both layers if no cable is connected to output B. Conversely, connecting a cable to output B will separate the two audio signals of the layers and assign them to their respective outputs.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;A \u0026lt;strong\u0026gt;Pedal\/CV Input \u0026lt;\/strong\u0026gt;is used to connect a standard expression pedal (1\/4” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). Naturally, there is a 1\/4” TS jack input dedicated to a \u0026lt;strong\u0026gt;sustain pedal\u0026lt;\/strong\u0026gt; and another input called \u0026lt;strong\u0026gt;Sequencer\u0026lt;\/strong\u0026gt; intended for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru DIN format and a USB type B port for bidirectional communication with PC and Mac computers.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Sequential Prophet Rev2 Desktop 8-voice Features\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;8-voice analog synthesizer\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Bi-timbral: 8x2 layers or split \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Memories: 512 presets (4x128) + 512 user\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;55 knobs and 35 buttons\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Glide (portamento): with separate speeds per oscillator\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Hard Sync\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;White noise generator\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;1 Curtis low-pass filter (2 or 4 pole)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Analog VCA\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;3 DADSR envelopes: filter, VCA, and assignable (with loop)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;64-step polyphonic sequencer (6 notes per step) \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;4-track 16-step x 4 mode \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Each layer can have a separate sequence\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;4 LFOs\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;8-slot modulation matrix\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;22 sources and 53 destinations\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Programmable arpeggiator with Re-latch\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Note repeat\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;MIDI: DIN In, Out, Thru; USB type B\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;2 stereo audio outputs: MAIN\/A and Out B\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Headphone output: 1\/4\" stereo jack.\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;1\/4” TS jack sustain pedal input\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Pedal input for sequencer and arpeggiator on\/off\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Pedal\/CV input (1\/4” TRS jack): for expression pedals or CV (0 - 5 VDC)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Dimensions and weight: 54.8x20x8.4cm; 3.4KG \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;IEC connector for power supply\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Power consumption: max 17W at 8 voices\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Wood side panels (African mahogany)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368345945,"sku":"17900003","price":1990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-8-voci-desktop-17900003_0.jpg?v=1778119048"},{"product_id":"prophet-rev-2-16-voci-desktop-17900004","title":"Sequential Prophet Rev2 16-Voice Desktop","description":"\u003ch2\u003eDescrizione\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003eAnalog Synthesizer\u003cstrong\u003e Sequential Prophet Rev 2\u003c\/strong\u003e in a compact \u003cstrong\u003edesktop \u003c\/strong\u003eversion. Bi-timbral, with \u003cstrong\u003e16 voices of polyphony\u003c\/strong\u003e, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capability is extensive, thanks to a matrix of 22 sources and 53 destinations.\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eSequential Rev 2 (keyboard) Video Tutorial\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e16-Voice Polyphonic Analog Synthesis\u003c\/strong\u003e\u0026nbsp;\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe 16 voices of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e\u0026nbsp;\u003cstrong\u003eDesktop\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop \u003c\/strong\u003epotentiometer to gradually introduce a random detuning. One of the important innovations introduced by this Rev 2 is the two potentiometers called \u003cstrong\u003eShape Mod\u003c\/strong\u003e. These allow you to continuously shape the amplitude and form of the generated wave on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thus obtaining a more complex sound rich in harmonics. Also included are a noise generator (White) and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found within the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to widen the stereo image of the generated sound by positioning individual voices sparsely across the panorama.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows playing up to \u003cstrong\u003e16 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between each voice to help you program very rich sounds. Pressing it while playing a chord will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus storing the intervals between notes, and then transposing and reproducing them following the fundamental note you play.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e in module version with 16 voices of polyphony is a powerful bi-timbral analog synthesizer, meaning the instrument can reproduce two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2s\u003c\/strong\u003e at your fingertips, with 8 voices of polyphony dedicated to each sound. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are reproduced simultaneously across the entire keyboard range, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed for each sound differently, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe filter of the Prophet Rev2 16 voices\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe warm, unique, and incisive sound of this powerful synthesizer is also due to its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the filter of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e potentiometer, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter's cut-off to achieve movement in the harmonics of the upper part of the sound spectrum, an effect particularly noticeable when in 4-pole mode with light resonance parameter values.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eWaveform modulation\u003c\/strong\u003e\u0026nbsp;\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e \u003cstrong\u003e16-voice Desktop\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, inverted sawtooth, square, and random (sample \u0026amp; hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations in a very simple and intuitive way, by pressing and touching the parameters we want to connect using Source, Destination, and Amount.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe Effects of the Sequential Prophet Rev2 Desktop\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe integrated multi-effect provides one of the following effects, selectable for each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can therefore apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated through the dedicated matrix.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eArpeggiator and Poly Step Sequencer\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which the notes are played by us. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The Arpeggiator and Sequencer are both \u003cstrong\u003esynchronizable to external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eInside the \u003cstrong\u003eProphet Rev 2 Desktop 16-voice\u003c\/strong\u003e, we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode, where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create rhythmic and melodic sequences, even very complex ones. The second mode is \u003cstrong\u003eGated\u003c\/strong\u003e: unlike the polyphonic mode, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but rather will allow us to store parameter variations of the Synth step-by-step.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe controls of the Prophet Rev2 Desktop 16-voice\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe panel provides \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. It includes 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is contained in a compact desktop module measuring 54.8x20x8.4cm and weighing 3.4KG. Among other features that make it an ideal instrument for concerts or studio recording, we highlight the presence of an integrated power supply and a clear OLED display.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe connections of the Sequential Prophet Rev2\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs labeled Main\/A Output and B Output. The Main\/A output reproduces the sound of both layers if no cable is connected to the B output. Simply connect a cable to the B output to separate the two audio signals of the layers and then assign them to their respective outputs.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input \u003c\/strong\u003eis used to connect a standard expression pedal (1\/4” TRS jack) assignable via the modulation section to control various parameters, or an audio CV signal (max 5V peak-to-peak). Naturally, there's a 1\/4” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e, intended for connecting a foot switch or receiving an audio CV signal for starting\/stopping the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru DIN format and a USB type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eFeatures Sequential Prophet Rev2 Desktop 16-voice\u003c\/strong\u003e\u003cstrong\u003e\u0026nbsp;\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e16-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eBi-timbral: 8x2 layer or split \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMemory: 512 factory presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide (portamento): with separate speeds per oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 Curtis low-pass filter (2 or 4 pole)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64-step polyphonic sequencer (6 notes per step) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-track 16 steps x 4 mode \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eNote repeat\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: DIN In, Out, Thru; USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSustain pedal input 1\/4” TS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eInput (1\/4” TRS jack) pedal\/CV: for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 54.8x20x8.4cm; 3.4KG \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for AC power\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePower consumption: max 22W at 16 voices\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eA reinvented modern classic\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e is a modern classic that has appeared in countless recordings and stages since its debut in 2007. As \u003cstrong\u003eDave Smith\u003c\/strong\u003e says, \"\u003cstrong\u003eThe Prophet Rev2\u003c\/strong\u003e is the realization of our effort to improve everything we could from the original design, at a more accessible price.\" The Prophet Rev2 retains all the key features of the \u003cstrong\u003eProphet ’08\u003c\/strong\u003e and expands them. It has double the polyphony, a more extensive modulation matrix, continuous waveform variation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and much more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds, and they will not only sound identical but can be enhanced with the new features.\u003c\/p\u003e","brand":"DAVE SMITH","offers":[{"title":"Default Title","offer_id":58003368477017,"sku":"17900004","price":2890.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-16-voci-desktop-17900004_0.jpg?v=1778119057"},{"product_id":"prophet-x-17900005","title":"Sequential Prophet X","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn the\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003edigital and sample-based synthesis (150GB + 50GB user-loadable) combine in a powerful sound engine. Analog filter, two multi-effects, 4 LFOs, 4 DADSR envelopes, and an extensive modulation matrix make this 5-octave semi-weighted keyboard synth (velocity and aftertouch), with arpeggiator and polyphonic sequencer, a perfect tool for professional keyboardists. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eVideo Tutorial\u0026nbsp;Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-xWjIFeoYp8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003eis an 8-voice stereo (16 mono) bi-timbral synthesizer in a 61-key keyboard format, capable of generating a formidable fusion of high-quality audio samples and digital sound synthesis. Inside, it features a sound engine consisting of \u003cstrong\u003e2 sample-based instruments\u003c\/strong\u003e at 16 bit\/48kHz and \u003cstrong\u003e2 high-resolution DSP oscillators\u003c\/strong\u003e, \u003cstrong\u003eall 4 usable together\u003c\/strong\u003e, simultaneously, without limits. The generated sound is then processed through a newly designed analog stereo filter inspired by the vintage sound of the past. The extensive internal sample library consists of a full \u003cstrong\u003e150GB\u003c\/strong\u003e of sounds produced by the renowned independent company \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, for years one of the most highly-rated in the sound design and sound library production sector. \u003cstrong\u003eProphet X\u003c\/strong\u003e offers an important modulation matrix. 4 LFOs, 4 envelopes along with the polyphonic sequencer make it a truly complete tool for music production and sound design.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X Instrument engine\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003etwo powerful sample players\u003c\/strong\u003e responsible for sample playback can be managed like oscillators. In them, you'll find a vast collection of acoustic and electronic instruments, cinematic and environmental sounds. \u003c\/span\u003e\u003cspan\u003eNot just a Rompler, an additional \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e50GB\u003c\/strong\u003e are dedicated to samples and libraries that you can upload into the synth yourself via a simple \u003cstrong\u003eUSB 3.0\u003c\/strong\u003e flash drive. To program and map audio samples simply and intuitively, we will use the free computer software (Mac and PC) \u003cstrong\u003eSequential Prophet X Mapping Utility\u003c\/strong\u003e developed by \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003eTo download the \u003cstrong\u003eSample Editor\u003c\/strong\u003e for your \u003cstrong\u003eProphet X\u003c\/strong\u003e click here\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/Npnh_qvwQbI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll instruments are organized by category and with the \u003cstrong\u003eType\u003c\/strong\u003e knob in the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section, you can quickly scroll to choose individual timbres. Each of the two instruments can manage a \u003cstrong\u003eSample Set\u003c\/strong\u003e (instrument composed of one or more mapped samples). Both are capable of treating samples with parameters such as \u003cstrong\u003eReverse\u003c\/strong\u003e, \u003cstrong\u003eStart\/Stop\u003c\/strong\u003e, \u003cstrong\u003eLoop\u003c\/strong\u003e playback with start point and duration settings. In Dual Layer mode (Stack or Split) the instruments become 4: 2 for each layer.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe digital synthesis of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this instrument, we find the synthesis engine of a classic Prophet emulated by \u003cstrong\u003etwo high-resolution DSP oscillators\u003c\/strong\u003e that generate sine, saw, pulse, and supersaw waveforms. With the \u003cstrong\u003eShape Mod\u003c\/strong\u003e control, you can vary the pulse width, thus increasing the timbral possibilities resulting from the modification of the harmonic content. When used on a SuperSaw waveform, this control allows you to play with detuning to create fuller sounds. Let's try to imagine the expressive potential of the sound generation section of this instrument, for example, by assigning an LFO (or other source) to the \u003cstrong\u003eShape Mod\u003c\/strong\u003e parameter, we can obtain a constantly variable waveform to our liking, and thus reproduce organic and evolving sounds, giving maximum vent to our creativity. For programming vintage-style sounds, we can use the \u003cstrong\u003eSlop 1 \u0026amp; 2\u003c\/strong\u003e parameter to add that pitch instability between the two oscillators typical of old analog synthesizers of the past: try it at low values for a slight fluctuation, bring it to maximum for an accentuated detuning. Among the various parameters we can manage with \u003cstrong\u003eGlide\u003c\/strong\u003e is the possibility to control the \u003cstrong\u003eRate\u003c\/strong\u003e of each individual Oscillator, whether it is DSP or Sample Player. \u003cstrong\u003eHard Sync\u003c\/strong\u003e could not be missing: oscillator 1 is synchronized with oscillator 2 to create powerful leads or experimental drones.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Sequential Prophet X filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAt the heart of the powerful Prophet X sound is its 24dB per octave resonant low-pass analog filter based on a vintage design. In 8-voice mode, the filter becomes Stereo, with left and right cut-off that can be managed separately to create sounds with different modulations per channel. In the \u003cstrong\u003eFilter\u003c\/strong\u003e section, we find the \u003cstrong\u003eDrive\u003c\/strong\u003e knob, which gradually increases the volume input to the filter to introduce pleasant harmonic saturation.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe modulations of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eYou can program and shape sounds with all the classic synthesis functions you would expect from a \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e instrument. \u003cstrong\u003e4 synchronizable LFOs\u003c\/strong\u003e with slew and phase offset, as well as \u003cstrong\u003e4 five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with loop function. 2 envelopes are pre-assigned to the amplifier and filter respectively, while the other two are freely assignable. The 16-slot \u003cstrong\u003eMod matrix\u003c\/strong\u003e offers \u003cstrong\u003e22 sources\u003c\/strong\u003e and \u003cstrong\u003e88 modulation destinations\u003c\/strong\u003e: you will have all the tools needed to sculpt and evolve any sound you wish to create. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X sequencer and arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe polyphonic sequencer provides up to 64 steps, each capable of holding up to 6 notes. If you work in layered voices or split mode, you can create a \u003cstrong\u003edifferent sequence for each\u003c\/strong\u003e \u003cstrong\u003elayer\u003c\/strong\u003e. Phrases can optionally synchronize with an external MIDI clock, just like the arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are two available effects where you can choose one of the algorithms from multiple reverbs, 2 delays (standard and BBD), chorus, phase shifter, flanger, ring mod, vintage rotating speaker, high-pass filter, or distortion. Both effects are programmable, and in layered voices or split mode, you can apply two different effects to each layer. Effect parameters can be modulated through the matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, display and controls of the Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA distinguishing feature of the Prophet X is the presence of no less than \u003cstrong\u003e3 OLED displays\u003c\/strong\u003e. One is dedicated to the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section for selecting instruments \u003c\/span\u003e\u003cspan\u003e(Sample Set),\u003c\/span\u003e\u003cspan\u003e the second to the effects section, and the third, the largest of the three, is placed in the center to allow clear navigation through the various settings. \u003cstrong\u003eProphet X\u003c\/strong\u003e has a 5-octave semi-weighted keyboard sensitive to velocity and aftertouch (mono). The wheels for \u003cstrong\u003ePitch\u003c\/strong\u003e and \u003cstrong\u003eModulation\u003c\/strong\u003e control are backlit to be visible even in low light conditions. Above the wheels are \u003cstrong\u003e2 Touch Sliders\u003c\/strong\u003e freely assignable to any parameter. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe connections of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAmong the connections are the classic \u003cstrong\u003e3 MIDI ports\u003c\/strong\u003e (In, Out, and Thru), \u003cstrong\u003etwo USB ports\u003c\/strong\u003e, one of which is \u003cstrong\u003etype B\u003c\/strong\u003e dedicated to bidirectional MIDI communication (In \u0026amp; Out) and the other is \u003cstrong\u003etype A\u003c\/strong\u003e for inserting the flash drive (3.0) intended for importing your own samples\/libraries. There are 2 stereo outputs divided into \u003cstrong\u003eMain\/A Output\u003c\/strong\u003e and \u003cstrong\u003eB Output\u003c\/strong\u003e (4 \u0026frac14;\u0026rdquo; TS jacks). There is also a headphone output (1\/4\u0026rdquo; TRS) and 4 pedal inputs for Volume, Pedal\/Cv, Sustain, and Sequencer; the latter allows you to start or stop the sequencer or arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003eHybrid Digital\/Analog Synthesizer \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e61-key keyboard (5 octaves)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 DSP oscillators and 2 Sample Players\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDSP: sine, saw, pulse, supersaw\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync, Unison, Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eShape Mode: to vary the waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 Sample Players: 150 GB of samples by 8dio\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e50 GB of user samples importable via USB (pendrive)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePC and Mac software editor for sample mapping\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSample start, end, stretch, reverse, loop, etc.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e3 OLED displays\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-pole LP VCF with resonance and drive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4 LFOs, 4 D-ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e16-slot modulation matrix, 22 sources, 88 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable polyphonic glide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64 Step polyphonic sequencer (1x Layer)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 multi-effects \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUSB type A port for flash drive (3.0)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMAIN\/A and Out B: 2 stereo audio outputs (4 \u0026frac14;\u0026rdquo; TS jacks)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output: \u0026frac14;\u0026rdquo; TRS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TRS volume pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TS sustain pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal input (1\/4” jack) for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal\/CV input (\u0026frac14;\u0026rdquo; TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 97.6cm x 34.3cm x 10.9cm; 11kg \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePower consumption: max 25 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003e\u003cstrong\u003eDownload the Sample Editor for PC and MAC\u003c\/strong\u003e\u003c\/a\u003e: click here\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368575321,"sku":"17900005","price":3925.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-x-17900005_0.jpg?v=1778119069"},{"product_id":"prophet-6-17900006","title":"Sequential Prophet 6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; is a 6-voice polyphonic analog synthesizer, with a\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; 4-octave velocity and aftertouch sensitive keyboard (programmable), equipped with 2 discrete VCOs and a sub-oscillator, 1 VCF low-pass and 1 VCF high-pass, 2 24bit\/48kHz digital multi-effects, analog distortion, and a 64-step polyphonic sequencer.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;Video: Sequential Prophet 6 demo by Giaga Robot\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" frameborder=\"0\" height=\"669\" src=\"\/\/www.youtube.com\/embed\/2gRisVupF-s\" title=\"YouTube video player\" width=\"1190\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Vintage in a modern key\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Prophet 6\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;'s tribute to the polysynth that started it all: the \u0026lt;strong\u0026gt;Sequential Prophet-5\u0026lt;\/strong\u0026gt;. It's not just a simple reissue of a classic, but, as \u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt; says: \"\u0026lt;em\u0026gt;It's the result of our efforts to build the most impressive sounding modern analog polysynth possible\u0026lt;\/em\u0026gt;\". To the strengths of the original (true voltage-controlled oscillators, filters, and amplifiers), the Prophet 6 adds features and improvements, such as 2 studio-quality effects, a polyphonic step sequencer, an arpeggiator, and much more. The result is a \u0026lt;strong\u0026gt;pure analog sound\u0026lt;\/strong\u0026gt; with the stability and reliability of a cutting-edge modern synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sound synthesis in the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The warm and punchy sound of the Prophet 6 is the result of its newly designed voltage-controlled oscillators. 2 discrete VCOs with pure analog sound, plus a sub-oscillator and white noise. The waves generated by the oscillators are: saw, triangle, and variable-width pulse, while the sub-oscillator generates a square wave tuned one octave below oscillator 1. The waveforms are continuously variable, meaning our sound palette will increase thanks to the variety of intermediate waves created. Oscillator 1 can be synchronized to oscillator 2; this function is called \u0026lt;strong\u0026gt;Hard-Sync\u0026lt;\/strong\u0026gt; and can be activated via the \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; button located in the Oscillator 1 section. Oscillator 2 is accompanied by a \u0026lt;strong\u0026gt;Fine\u0026lt;\/strong\u0026gt; potentiometer to vary the tuning in a ¼ tone range. The \u0026lt;strong\u0026gt;Low Freq\u0026lt;\/strong\u0026gt; switch located in the Oscillator 2 section is used to trigger the generation of very low frequencies, thus allowing it to be used as a polyphonic LFO. Both oscillators are new generation: reliable and extremely in tune. To emulate the instability of oscillators in old vintage analog synthesizers, the \u0026lt;strong\u0026gt;Slop\u0026lt;\/strong\u0026gt; potentiometer adds a random detuning; use it to create Classic Analog sounds or to experiment with new soundscapes. By activating the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function, the Prophet 6 behaves like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by assigning all six voices to a single note: 12 oscillators per key! The classic \u0026lt;strong\u0026gt;Poly-Chain\u0026lt;\/strong\u0026gt; of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt; allows you to connect another \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; (keyboard or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/sequential\/prophet-6-desktop\" target=\"_blank\"\u0026gt;desktop\u0026lt;\/a\u0026gt;) via MIDI to double the polyphony notes. The \u0026lt;span\u0026gt;twelve voices\u0026lt;\/span\u0026gt; available in this particular configuration are also useful for avoiding note cutoff in chords with long release times.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Filter of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The Prophet 6 has \u0026lt;strong\u0026gt;two analog filters per voice\u0026lt;\/strong\u0026gt;. Two distinct VCFs that allow you to program a wide spectrum of sounds. These are a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;4-pole low-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt; and a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;2-pole high-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;, both resonant. These filters are located in two dedicated sections, and each can be controlled via Cutoff, Resonance, and Envelope potentiometers. The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; was designed to use both filters simultaneously, resulting in a precise band-pass. The ability to assign Velocity to the filters independently is very interesting; this effect, though simple, opens up creative and impactful programming possibilities.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The effects of Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Two high-quality digital multi-effects (\u0026lt;span\u0026gt;24 bit\/48kHz\u0026lt;\/span\u0026gt;) are available in the instrument: \u0026lt;strong\u0026gt;Effect A\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Effect B\u0026lt;\/strong\u0026gt;. Both provide standard delay, BBD delay, chorus, phase shifter, ring modulator, and flanger. In multi-effect B, we find room, plate, and the inevitable spring reverbs. The true-bypass function guarantees the purity of the analog path: if the effects are not activated, they do not interfere with the analog path. In addition to these two effects, there is also a stereo analog \u0026lt;strong\u0026gt;distortion\u0026lt;\/strong\u0026gt; ready to provide warmth or aggression.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The modulations of the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Compared to its predecessor, the \u0026lt;strong\u0026gt;Poly Mod\u0026lt;\/strong\u0026gt; section has been improved to connect modulation sources to destinations. True to the original, the sources are the filter envelope and oscillator 2 (both with bipolar control). Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. The \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; has 1 syncable LFO with 5 waveforms and 6 programmable destinations. There are \u0026lt;strong\u0026gt;two ADSR type envelopes\u0026lt;\/strong\u0026gt; located on the right side of the front panel: the first dedicated to the amplifier and the second to the filters. The second oscillator can be activated in Low Freq mode to be used as a second LFO.\u0026lt;span\u0026gt;\u0026nbsp;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The connections of the Prophet 6\u0026lt;span\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;All Sequential instruments are designed with \u0026lt;strong\u0026gt;complete MIDI connectivity\u0026lt;\/strong\u0026gt; consisting of the classic triad (In, Out, and Thru) on five-pin DIN connectors and a class-compliant USB Type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with other instruments that support MIDI over USB connections (e.g.: \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;amp;o=5\u0026amp;amp;f=1\" target=\"_blank\"\u0026gt;Akai Pro MPC\u0026lt;\/a\u0026gt; or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u0026gt;Force\u0026lt;\/a\u0026gt;). The Prophet 6 provides inputs for a Footswitch-type Sustain pedal (1\/4” TS jack), for 2 expression pedals (1\/4” TRS jack) – one for volume and one for filter cutoff – and for a footswitch to manage the sequencer's on\/off. As audio outputs, we find two (L and R) 1\/4” TS jack outputs and a stereo headphone output (TRS) on a 1\/4” jack.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard, controls and memory\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The front panel offers a knob for immediate access to practically all Prophet 6 functions. Included are 500 permanent factory Programs and 500 rewritable user Programs. By deactivating the Preset button, the \u0026lt;strong\u0026gt;live panel mode\u0026lt;\/strong\u0026gt; is activated, and the Prophet 6 sound switches to the current settings of the potentiometers and switches. This way, what you see is what you hear. The majestic sound of this instrument is enclosed in a four-octave semi-weighted keyboard with velocity and aftertouch. An ideal combination of portability and power for studio recording or for the musician ready to take it on stage.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Features of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;6-voice polyphonic analog synth\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;4-octave semi-weighted keyboard\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Velocity and aftertouch sensitive (mono)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Backlit Pitch and Mod Wheel\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Presets: 500 user and 500 factory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 discrete VCOs per voice\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Continuously variable waveform\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Triangle, Saw, variable-width Pulse\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Pulse width on each oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Hard Sync\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Square wave sub-oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Low Freq mode (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Keyboard Tracking on\/off (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Unison with Chord Memory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Chain\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 analog filters (VCF): 4-pole low-pass and 2-pole high-pass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 LFO, 2 ADSR Envelopes\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Mod Modulation Matrix\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Glide\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;64-step Polyphonic Sequencer\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Programmable Arpeggiator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 digital multi-effects (A and B)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo analog distortion\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;True-bypass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Clock: Master (Tap Tempo), external MIDI\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;MIDI: In, Out and Thru DIN, USB Type B\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo output (2 x 1\/4'' jack TS)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Headphone output (1\/4\" TRS stereo jack)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TS jack input for Sustain pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for expression pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for low-pass filter pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4” TS jack input for Sequencer\/Arpeggiator pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Dimensions and weight: 82x32.3x11.7cm; 9.5 kg\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;IEC connector for power cable\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Power consumption: max 30 watts\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Walnut side panels and finish\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368706393,"sku":"17900006","price":3887.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-6-17900006_0.jpg?v=1778119080"},{"product_id":"ob-6-17900007","title":"Oberheim OB-6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;in this version with a 49-key velocity and aftertouch-sensitive keyboard, offers a unique analog sound, born from the collaboration between \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e and \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. Two discrete oscillators per voice and a 2-pole filter derived from the SEM project are coupled with two digital multi-effects, an arpeggiator, and a polyphonic sequencer.\u0026nbsp; \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eDemo Video Sequential OB-6 by Giaga Robot\u0026nbsp;\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iuQIohDeg4U\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eTwo legends. One instrument\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB6 is born from an epochal collaboration between two of the most influential synth designers in the history of sound synthesis: \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e. The \u003cstrong\u003eSequential OB6\u003c\/strong\u003e recreates the classic bold \u003cstrong\u003eOberheim\u003c\/strong\u003e sound: true voltage-controlled oscillators, the 2-pole filter, and amplifiers, adding modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No modern analog polyphonic synth can boast such a pedigree and such a massive sound imprint.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe sound synthesis in the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWith the\u003cstrong\u003e Sequential OB-6\u003c\/strong\u003e, you will be able to easily create raw and powerful sounds, as well as elegant and refined sounds. This is also thanks to its discrete analog oscillators. The OB-6 has \u003cstrong\u003etwo VCOs\u003c\/strong\u003e, a \u003cstrong\u003ewhite-noise generator\u003c\/strong\u003e, and a \u003cstrong\u003esub-oscillator\u003c\/strong\u003e. The latter plays one octave lower than oscillator 1 and produces a square wave. Each of these generators has a dedicated volume control in the Mixer section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eVCO 1 is capable of generating 2 waveforms: sawtooth and pulse with variable amplitude. VCO 2, on the other hand, generates 3 waveforms: triangular, sawtooth, and pulse, also with variable amplitude. Both oscillators can continuously change waveforms, allowing us to obtain the various nuances that will arise in the transition between one waveform and another.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOscillator 1 can be synchronized with oscillator 2 to create sharp and harmonically rich sounds (Hard Sync). Oscillator 2 is accompanied by a \u003cstrong\u003eDetune\u003c\/strong\u003e knob to vary the pitch within a ¼ tone range. The switch called \u003cstrong\u003eLow Freq\u003c\/strong\u003e is used to trigger the generation of very low frequencies and is therefore useful as an LFO or in creating drones.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSince the OB-6 has extremely stable VCOs, the \u003cstrong\u003eDetune\u003c\/strong\u003e knob adds random detuning to the oscillators to emulate the typical instability of vintage synths. When the \u003cstrong\u003eUnison\u003c\/strong\u003e function is on, the OB-6 acts like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by dedicating all six voices to a single note (12 oscillators per key!). The classic \u003cstrong\u003ePoly-Chain\u003c\/strong\u003e by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e \u003c\/a\u003eallows you to connect another OB-6 (keyboard or desktop) via MIDI to double the polyphony notes. The \u003cstrong\u003etwelve voices\u003c\/strong\u003e available in this particular configuration are also useful to avoid truncating the tail of notes in case of chords with long release times.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Filter of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6's filter is analog, two-pole (12db per octave), state-variable with Low-pass, High-pass, Notch, and Band-pass. A filter inspired by the \u003cb\u003eS.E.M.\u0026nbsp;\u003c\/b\u003e(Synthesizer Expander Module) project, which was the first synthesizer created by \u003cb\u003eTom Oberheim\u003c\/b\u003e in 1974. The filter of this synthesizer aroused considerable interest at the time because it was the first to give a different sound compared to others on the market (Moog and Arp). Even today, the sound of this filter is re-proposed by many manufacturers of modular and keyboard synthesizers.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe effects of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6 is equipped with two high-quality \u003cb\u003eDigital Effects\u003c\/b\u003e. Reverbs, delays\u0026nbsp;\u003c\/span\u003e\u003cspan lang=\"PT\"\u003e(standard and BBD), chorus, flanger, phase shifter, and faithful reproductions of \u003cb\u003eTom Oberheim\u003c\/b\u003e's ring modulator. Both have a \u003cstrong\u003e24 bit\/48kHz\u003c\/strong\u003e resolution and with the true-bypass function, they guarantee the purity of the analog path. The effects are divided into sets A and B and are applied in series one after the other. Reverb is traditionally placed at the end of the chain, and for this reason, this effect is only found in set B.\u003c\/span\u003e\u0026nbsp;\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eModulations of the OB-6\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential OB-6\u003c\/strong\u003e has a modulation section called \u003cstrong\u003eX-mod\u003c\/strong\u003e. Many of the most famous sounds of the OB series were created precisely with this section. The modulation sources are the filter envelope and oscillator 2, both with bipolar control. Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, filter Cut-Off, and filter mode: LP, HP, Notch, and BP. \u0026nbsp;In OB-6 we find a \u003cb\u003eLFO \u003c\/b\u003ewith 5 waves: sine, sawtooth, rev saw, square, random. A sixth \"hidden\" one can be created by choosing Random and setting the frequency speed to maximum. This will create a \u003cb\u003eWhite Noise\u003c\/b\u003e-style waveform. The 2 envelopes we find in OB-6 are 4-stage (ADSR). The first is dedicated to the filter, the second to the VCA. The amplifier envelope was named \u003cb\u003eLoudness Envelope\u003c\/b\u003e by Tom.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe polyphonic sequencer and arpeggiator of OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe polyphonic sequencer allows for the storage of up to 64 steps and supports up to 6 simultaneous notes per step. While a sequence is playing, you can play along with the rest of the available polyphony. You can create polyphonic sequences and synchronize them with an external MIDI clock. The programmable arpeggiator of the \u003cstrong\u003eSequential OB-6\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions, and in the order in which the notes are played by us. Synchronizable to the external \u003cstrong\u003eMIDI Clock\u003c\/strong\u003e or to the internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides the configurable Re-latch and Sustain functions. The notes generated by the arpeggiator or sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe connections of the Sequential OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAs in all instruments designed by \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003eDave Smith\u003c\/a\u003e\u003c\/strong\u003e, a complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (for example: \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003eAkai Pro MPC\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u003eForce\u003c\/a\u003e). To your \u003cstrong\u003eOB-6\u003c\/strong\u003e you can connect a Footswitch type Sustain pedal (¼” TS jack), 2 expression pedals (¼” TRS jack), one for volume and one for filter cutoff, and a footswitch for managing the on\/off of the sequencer. As audio outputs, we find two (L and R) ¼” TS jacks and a stereo headphone output (TRS) on a ¼” jack.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard controls and memories of the Sequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel features a potentiometer for each function and puts virtually all OB-6 parameters at your fingertips. 500 permanent factory programs and 500 rewritable user programs are included. Pressing the Manual button enables live panel mode, where the OB-6's sound switches to the current front panel settings. In this state, what you see is what you hear. All the analog sonic power of the \u003cstrong\u003eSequential OB6\u003c\/strong\u003e is easily playable from its four-octave semi-weighted keyboard with programmable velocity and aftertouch, making it perfect for both stage and recording studio.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFeatures of the Sequential OB-6\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e6-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-octave semi-weighted keyboard \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVelocity and aftertouch sensitive (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eBacklit Pitch and Mod Wheels\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e500 user and 500 factory programs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 discrete VCOs per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eContinuously variable waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSaw, variable width Pulse \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e+ Triangular on oscillator 2\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePulse width on each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSquare wave sub-oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eLow Freq mode (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eKeyboard Tracking on\/off (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison with Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Chain \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVCF 2-pole state variable (LP, HP, Notch, BP)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSR Envelopes\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eX-Mod Modulation Matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64-step Polyphonic Sequencer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable Arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 digital multi-effects set A set B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eAnalog Distortion\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eTrue-bypass\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4'' TS jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e1 1\/4'' TRS jack input for expression pedal\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for low-pass filter pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4” TS jack input for Sequencer\/Arpeggiator pedal \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 80.7x32.3x11.7cm; 9.5 kg\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power cable\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 30 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWalnut side panels and finish\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369001305,"sku":"17900007","price":3549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-ob-6-17900007_0.jpg?v=1778119091"},{"product_id":"prophet-rev-2-8-voci-a-tastiera-17900008","title":"Sequential Prophet Rev2 8-Voice Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e analog synth in 5-octave keyboard version, bi-timbral, with 8 voices of polyphony, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capabilities are extensive, thanks to a matrix of 22 sources and 53 destinations.\u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eVideo tutorial Sequential Rev 2\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003e8-voice Polyphonic Analog Synthesis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003e8 voices\u003c\/strong\u003e of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop\u003c\/strong\u003e knob to gradually introduce a random detuning. One of the important innovations introduced by this Revision 2 is represented by the two knobs called \u003cstrong\u003eShape Mod\u003c\/strong\u003e. With these, you can continuously shape the amplitude and waveform of the generated sound on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thereby obtaining a more complex and harmonically rich sound. An indispensable white noise generator and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found in the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to expand the stereo image of the generated sound by positioning individual voices sparsely across the soundstage.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows you to play up to \u003cstrong\u003e8 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between one voice and the other to help you program very full-bodied sounds. Pressing it while playing a chord will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev 2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan \u003e in the 5-octave keyboard version with \u003cstrong\u003e8 voices of polyphony\u003c\/strong\u003e is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2s\u003c\/strong\u003e at your fingertips, with \u003cstrong\u003e4 dedicated voices of polyphony for each sound\u003c\/strong\u003e. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are played simultaneously across the entire keyboard, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed differently for each sound, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe 8-voice Prophet Rev2 filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe warm, unique, and incisive sound of this powerful synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e filter also bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e knob, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter cutoff to obtain movement on the harmonics of the upper part of the sound spectrum, a particularly noticeable effect when we are in 4-pole mode with light resonance parameter values.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eWaveform Modulation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, inverted sawtooth, square, and random (sample \u0026 hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations in a very simple and intuitive way, by pressing and touching the parameters we want to connect to each other via Source, Destination, and Amount.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Effects of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe integrated multi-effect provides a choice of the following effects applicable to each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated through the dedicated matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eArpeggiator and Poly Step Sequencer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions and in the order in which the notes are played by us. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN, via USB, or only to one of the two options. Both Arpeggiator and Sequencer are \u003cstrong\u003esynchronizable to external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eInside \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003e we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is the \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create very complex rhythmic and melodic sequences. The second mode is \u003cstrong\u003eGated\u003c\/strong\u003e: unlike the polyphonic one, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but will allow us to store parameter variations of the Synth step-by-step.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eProphet Rev2 Keyboard and Controls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe panel offers \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. It includes 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is housed in a high-quality \u003cstrong\u003efive-octave semi-weighted keyboard\u003c\/strong\u003e, sensitive to velocity and aftertouch (mono). Among the other features that make it an ideal instrument for concerts or studio recording, we note the presence of an integrated power supply and an intelligible OLED display.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev2 Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs named Main\/A Output and B Output. The Main\/A output reproduces the sound of both layers if no cable is connected to the B output. Simply connect a cable to the B output to separate the two audio signals of the layers and assign them to their respective outputs.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input\u003c\/strong\u003e is used to connect a standard expression pedal (¼” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). The presence of a ¼” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e is natural, and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e is intended for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru in DIN format and a USB Type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSequential Prophet Rev2 Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan \u003e8-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eBi-timbral: 4x2 layers or split\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMemory: 512 presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5-octave keyboard with semi-weighted keys\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eVelocity and mono aftertouch sensitive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAssignable Pitch and Modulation Wheel\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eGlide (portamento): with separate speeds for each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e1 Curtis low-pass filter (2 or 4 poles)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e64-step polyphonic sequencer (6 notes per step)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4-track 16-step x 4 mode\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eNote repeat\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMIDI: DIN In, Out, Thru; USB Type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eSustain pedal input ¼” TS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal\/CV input (¼” TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eDimensions and weight: 89.20x32.26x9.65cm; 9.3KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eIEC connector for mains power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eConsumption: approx. 17W\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369099609,"sku":"17900008","price":2872.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-8-voci-a-tastiera-17900008_0.jpg?v=1778119101"},{"product_id":"prophet-rev-2-16-voci-a-tastiera-17900009","title":"Sequential Prophet Rev2 16-Voice Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e analog synthesizer in the 5-octave keyboard version, bi-timbral, with 16 voices of polyphony, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effect. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capability is extensive, thanks to the matrix with 22 sources and 53 destinations.\u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"287\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"Sequential Prophet Rev 2 demo a cura di Giaga Robot\" width=\"510\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003e16-Voice Polyphonic Analog Synthesis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe 16 voices of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop\u003c\/strong\u003e potentiometer to gradually introduce a random detuning. One of the important innovations introduced by this Rev 2 is represented by the two potentiometers named \u003cstrong\u003eShape Mod\u003c\/strong\u003e. With these, you can continuously shape the amplitude and form of the generated waveform on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thus obtaining a more complex and harmonically rich sound. An inevitable white noise generator and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found in the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to widen the stereo image of the generated sound by positioning the individual voices scattered across the panorama. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows you to play up to \u003cstrong\u003e16 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between one voice and the next to help you program very full-bodied sounds. Pressing it while playing a chord, the same button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play on the keyboard. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet Rev 2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in the 5-octave keyboard version with 16 voices of polyphony is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003es at your fingertips, with 8 voices of polyphony dedicated to each sound. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are played simultaneously across the entire length of the keyboard, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed for each sound differently, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe filter of the Prophet Rev2 16 voices\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align; justify;\"\u003e\u003cspan\u003eThe warm, unique, and incisive sound of this prodigious synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the filter of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e potentiometer, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter's cutoff to achieve movement on the harmonics in the upper part of the sound spectrum, an effect particularly noticeable in 4-pole mode with low resonance parameter values.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eWaveform Modulation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, reverse sawtooth, square, and random (sample \u0026 hold). Three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations very simply and intuitively, by pressing and touching the parameters we want to connect using Source, Destination, and Amount. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Effects of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe integrated multi-effect provides us with one of the following effects, chosen for each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated via the dedicated matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eArpeggiator and Poly Step Sequencer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which we play the notes. The notes generated by the arpeggiator and sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them via DIN, via USB, or only to one of the two options. The Arpeggiator and Sequencer are both \u003cstrong\u003esynchronizable to an external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eInside the \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003e, we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is the \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create rhythmic and melodic sequences, even very complex ones. The second mode is the \u003cstrong\u003eGated\u003c\/strong\u003e mode: unlike the polyphonic one, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but rather will allow us to store variations of the Synth parameters step-by-step.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard and controls of the Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel provides us with no less than \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. Included are 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is enclosed in a \u003cstrong\u003ehigh-quality semi-weighted five-octave keyboard\u003c\/strong\u003e, sensitive to velocity and monophonic aftertouch. Among other features that make it an ideal instrument for concerts or studio recording, we highlight the presence of an integrated power supply and an intelligible OLED display.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe connections of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs labeled Main\/A Output and B Output. The Main\/A output plays the sound of both layers if no cable is connected to output B. Conversely, simply connecting a cable to output B will separate the two audio signals of the layers and assign them to their respective outputs.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input\u003c\/strong\u003e is used to connect a standard expression pedal (1\/4” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). Naturally, there is a 1\/4” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru DIN format and a USB type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSequential Prophet Rev2 Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan\u003e16-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eBi-timbral: 8x2 layer or split \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMemories: 512 presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e5-octave keyboard with semi-weighted keys\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eVelocity sensitive and mono aftertouch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAssignable Pitch and modulation wheel\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eGlide (portamento): with separate speeds per oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 Curtis low-pass filter (2 or 4 poles)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e64-step polyphonic sequencer (6 notes per step) \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 tracks 16 steps x 4 mode \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eNote repetition\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMIDI: DIN In, Out, Thru; USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSustain pedal input 1\/4” TS jack\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eInput (1\/4” TRS jack) pedal\/CV: for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eDimensions and weight: 89.20x32.26x9.65cm; 9.3KG \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eConsumption: max 22W at 16 voices; 17W at 8 voices\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eA Modern Classic Reimagined\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e is a modern classic that has appeared in countless recordings and stages since its debut in 2007. As \u003cstrong\u003eDave Smith\u003c\/strong\u003e says, \"\u003cstrong\u003eThe Prophet Rev2\u003c\/strong\u003e is the realization of our effort to improve everything we could from the original design, at a more accessible price.\" The Prophet Rev2 retains all the key features of the \u003cstrong\u003eProphet ’08\u003c\/strong\u003e and expands them. It has double the polyphony, a more extensive modulation matrix, continuous shape variation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing Prophet ’08 sound libraries, and not only will they sound identical, but they can be enhanced with the new features.\u003c\/p\u003e","brand":"DAVE SMITH","offers":[{"title":"Default Title","offer_id":58003369230681,"sku":"17900009","price":2949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-16-voci-a-tastiera-17900009_0.jpg?v=1778119112"},{"product_id":"prophet-5-rev-4-17900010","title":"Sequential Prophet 5 Rev 4","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave keyboard\u003c\/strong\u003e, the \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e embodies all three revisions of the legendary synth: Rev1, Rev2, and Rev3. It features 2 CEM 3340 VCOs per voice, analog Curtis (CEM 3320) filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9JFIrpARQMc\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA pure renewal of an analog classic: the authentic and powerful sound of the original with the precision of a modern, cutting-edge instrument.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound that this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely death of its creator \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\" target=\"_blank\"\u003e\u003cstrong\u003eDoug Curtis\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable pulse width waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is the fact that each oscillator can simultaneously play multiple waveforms, resulting in a unique, rich, and full-bodied sound. In the Oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, making it usable as an LFO. With the dedicated \u003cstrong\u003eDETUNE\u003c\/strong\u003e knob, it is possible to vary the pitch of Oscillator B by approximately a semitone compared to Oscillator A. As in previous versions, this Rev 4 also features the ability to synchronize Oscillator A to Oscillator B to create complex sounds rich in harmonics. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 5\u003c\/strong\u003e acts as a monophonic synth: it plays only one note at a time. Use it to create full-bodied, imposing basses and leads, dedicating all five voices to a single note: 10 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 5 Rev 1\u003c\/strong\u003e and \u003cstrong\u003eRev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its distinctive sonic imprint, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both created a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eProphet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e team decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter that reproposes \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revision 1 and 2 has instead been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 5's Vintage Mode Knob\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, and not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage knob:\u003c\/strong\u003e use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, to revision 4: the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e comes from the results of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. Faithful to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 5\u003c\/strong\u003e is the \u003cstrong\u003eUnison\u003c\/strong\u003e mode, which now features a configurable number of voices from one to five with variable detuning and chord memory.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and aftertouch on the Prophet 5\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough the mission of \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e was to make the new Prophet 5 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 5 to do things the original never could: filter sweeps, LFO mod, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Programming\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a knob for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the knobs and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the set of 40 original presets from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave (61 full-size keys) semi-weighted Fatar keyboard, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each Prophet 5 is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 5 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e5-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC A saw, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC B saw, triangle, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWaveforms can be played simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eRev1\/2 or Rev3 filter selection button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 20W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369328985,"sku":"17900010","price":4019.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-5-rev-4-17900010_0.jpg?v=1778119124"},{"product_id":"prophet-10-tastiera-17900011","title":"Sequential Prophet 10 Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave\u003c\/strong\u003e keyboard, the \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e embodies all three revisions of the legendary synth (Rev1, 2, and 3) in a \u003cstrong\u003ebi-timbral synthesis structure\u003c\/strong\u003e with \u003cstrong\u003e10 voices of polyphony\u003c\/strong\u003e (2 layers x 5 voices). 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) analog filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Polyphony and Bi-timbrality\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e: it can simultaneously play two sounds of 5 voices each in two different modes\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/strong\u003eIn \u003cspan\u003e\u003cstrong\u003eSplit \u003c\/strong\u003emode, the keyboard is divided into two, with one sound assigned to the lower octaves and another to the upper octaves. In \u003cstrong\u003eStacked\u003c\/strong\u003e mode, on the other hand, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 5.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 10 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 10 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 10 rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely passing of its creator \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\"\u003eDoug Curtis\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable-width pulse waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is that each oscillator can simultaneously play multiple waveforms, which results in a unique, rich, and full identifiable sound. In the oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, thus usable as an LFO. With the appropriate \u003cstrong\u003eDETUNE\u003c\/strong\u003e potentiometer, it is possible to vary the pitch of oscillator B by approximately a semitone relative to oscillator A. As in previous versions, this Rev 4 also includes the ability to synchronize oscillator A to oscillator B to create complex and harmonically rich sounds. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e behaves like a monophonic: it plays only one note at a time. Use it to create full, imposing basses and leads, dedicating all 10 voices to a single note: 20 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (fundamental) you play on the keyboard. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of Prophet 10 rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 10 rev 1\u003c\/strong\u003e and \u003cstrong\u003erev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its identifiable sound signature, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both produced a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\"\u003eProphet\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e team wisely decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter reproducing \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revisions 1 and 2 has been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 10 Vintage Mode Potentiometer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of the individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-10\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage\u003c\/strong\u003e knob. Use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, up to revision 4: which is the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is a result of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. True to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking, and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is \u003cstrong\u003eUnison\u003c\/strong\u003e, which now features a configurable number of voices from one to ten with variable detuning and chord memory. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and Aftertouch on the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e's mission was to make the new Prophet 10 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 10 to do things the original never could: filter sweeps, LFO modulations, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProgramming the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a potentiometer for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the potentiometers and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the original 40 preset set from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave Fatar keyboard (61 full-size keys) semi-weighted, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each \u003cstrong\u003eProphet 10\u003c\/strong\u003e is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e10-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eBi-timbral (5 voices per Layer)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC A saw, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC B saw, triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWaveforms reproducible simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eFilter selection button Rev1\/2 or Rev3\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Filter Cutoff)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePower consumption: max 28W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369460057,"sku":"17900011","price":4579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-10-tastiera-17900011_0.jpg?v=1778119132"},{"product_id":"prophet-5-rev-4-desktop-17900012","title":"Sequential Prophet 5 Rev 4 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this \u003cstrong\u003ecompact desktop version\u003c\/strong\u003e, the \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e embodies all three revisions of the legendary synth: Rev1, Rev2, and Rev3. 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) analog filters, and Dave Rossum-designed SSI 2140 low-pass filters. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA pure revival of an analog classic: the authentic, powerful sound of the original with the precision of a modern, cutting-edge instrument.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound that this synthesizer generates. These are not just any analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely death of its creator \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\" target=\"_blank\"\u003e\u003cstrong\u003eDoug Curtis\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, that the company he founded decided to reproduce this chip. The two oscillators, named A and B, can generate saw waves and variable-width pulse waves. Oscillator B also includes a triangle wave. One of the unique features that made this synth famous is that each oscillator can simultaneously play multiple waveforms, resulting in a unique, full-bodied, and rich identifying sound. In the oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will reproduce very low frequencies, making it usable as an LFO. With the dedicated \u003cstrong\u003eDETUNE\u003c\/strong\u003e knob, you can vary the pitch of oscillator B by approximately a semitone relative to oscillator A. As in previous versions, this Rev 4 also includes the ability to synchronize oscillator A to oscillator B to create complex sounds rich in harmonics. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 5\u003c\/strong\u003e acts as a monophonic synth: it plays only one note at a time. Use it to create full-bodied, impressive basses and leads, dedicating all five voices to a single note: 10 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and replay them starting from the note (root) you play.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters in the \u003cstrong\u003eProphet 5 Rev 1\u003c\/strong\u003e and \u003cstrong\u003eRev 2\u003c\/strong\u003e was highly regarded; however, it was not particularly stable and functional. The chip in the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its distinctive sonic footprint, made a fundamental contribution to the instrument's stability and reliability. The characteristics of these two chips were similar: both created a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eProphet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e team decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is not subtle at all, as variables such as different envelope response times come into play. The integrated circuit with which the filter reproducing \u003cstrong\u003eRevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of Revision 1 and 2 has been replaced with its modern counterpart, the \u003cstrong\u003eSSI 2140\u003c\/strong\u003e, designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 5 Vintage Mode Knob\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that much of these characteristics were due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage knob\u003c\/strong\u003e: use it to continuously switch from Revision 1, the rarest and most capricious Prophet of all, to Revision 4: which is the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026 Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e comes from the connections enabled by the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section. True to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It's called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning each voice will apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking, and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 5\u003c\/strong\u003e is the \u003cstrong\u003eUnison\u003c\/strong\u003e mode, which now features a configurable number of voices from one to five with variable detuning and chord memory.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProgramming in the Prophet 5\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003edesktop synthesizer\u003c\/strong\u003e features a knob for each function, allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e will automatically switch to values corresponding to the physical settings of the potentiometers and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the set of 40 original presets from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 5 Desktop Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cspan\u003eCompact analog desktop synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e5-voice polyphony\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eOSC A saw, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eOSC B saw, triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSimultaneous playback of waveforms on both oscillators\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 4-pole resonant LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eFilter selection button Rev1\/2 or Rev3\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eVelocity, Aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eDimensions and weight: 52.70x18.8x7.62cm; 4.5KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eConsumption: max 20W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369558361,"sku":"17900012","price":2818.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-5-rev-4-desktop-17900012_0.jpg?v=1778119143"},{"product_id":"prophet-10-desktop-17900013","title":"Sequential Prophet 10 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003eCompact desktop version adaptable to any \u003cstrong translate=\"no\"\u003eSequential Prophet\u003c\/strong\u003e \u003cstrong translate=\"no\"\u003e10\u003c\/strong\u003e synthesizer setup, embodying all three revisions of the legendary synth (Rev1, 2, and 3) in a \u003cstrong translate=\"no\"\u003ebi-timbral synthesis structure\u003c\/strong\u003e with \u003cstrong translate=\"no\"\u003e10 voices of polyphony\u003c\/strong\u003e (2 layers x 5 voices). 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) and SSI 2140 low-pass analog filters designed by Dave Rossum.\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003ePolyphony and bi-timbrality of the Prophet 10 Module\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong translate=\"no\"\u003eSequential Prophet 10\u003c\/strong\u003e \u003cstrong translate=\"no\"\u003eModule\u003c\/strong\u003e is a \u003cstrong translate=\"no\"\u003ebi-timbral\u003c\/strong\u003e synth: it can simultaneously play two sounds of 5 voices each in two different modes\u003cstrong translate=\"no\"\u003e: Split\u003c\/strong\u003e and \u003cstrong translate=\"no\"\u003eStacked\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet 10 Desktop Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003eCompact analog desktop synth\u003c\/li\u003e \u003cli\u003e10-voice polyphony\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eBi-timbral (5 voices per Layer)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTwo modes: Split and Stacked\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e200 user and 200 factory memories\u003c\/li\u003e \u003cli\u003e2 VCOs (CEM 3340) per voice\u003c\/li\u003e \u003cli\u003eOSC A saw, variable pulse width\u003c\/li\u003e \u003cli\u003eOSC B saw, triangle, variable pulse width\u003c\/li\u003e \u003cli\u003eWaveforms simultaneously playable on both oscillators\u003c\/li\u003e \u003cli\u003eHard-sync\u003c\/li\u003e \u003cli\u003eUnison and Chord Memory\u003c\/li\u003e \u003cli\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/li\u003e \u003cli\u003eFilter selection button Rev1\/2 or Rev3\u003c\/li\u003e \u003cli\u003e1 LFO, 2 ADSR\u003c\/li\u003e \u003cli\u003eMod Wheel 2 sources 5 destinations\u003cspan\u003e \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003ePoly-Mod 2 sources and 3 destinations\u003c\/li\u003e \u003cli\u003eVelocity, Aftertouch (mono)\u003c\/li\u003e \u003cli\u003eVintage Knob\u003c\/li\u003e \u003cli\u003eGlide\u003c\/li\u003e \u003cli\u003eMaster Tune and tune button\u003c\/li\u003e \u003cli\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/li\u003e \u003cli\u003eMain mono output (1\/4'' TS jack)\u003c\/li\u003e \u003cli\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/li\u003e \u003cli\u003e2 CV in\/out; 2 GATE in\/out\u003c\/li\u003e \u003cli\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume)\u003cspan\u003e \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/li\u003e \u003cli\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/li\u003e \u003cli\u003eDimensions and weight: 52.70x18.8x7.62cm; 4.5KG\u003c\/li\u003e \u003cli\u003eIEC connector for power supply\u003c\/li\u003e \u003cli\u003ePower consumption: max 20W\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369689433,"sku":"17900013","price":3911.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-10-desktop-17900013_0.jpg?v=1778119152"},{"product_id":"pro-3-17900014","title":"Sequential Pro 3","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003eHybrid, monophonic, duophonic, paraphonic synthesizer. A true HUB for your modular synth setup with its 4 CV inputs and 4 CV outputs, plus GATE. An audio input to process external sources. \u003cstrong\u003eSequential Pro 3\u003c\/strong\u003e has 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSound Synthesis in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable oscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can modify by freely adjusting the waveform width with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob, we can continuously navigate between the waveforms of each individual wavetable. Moreover, by assigning an LFO or any other modulation source to the Shape Mods, you can generate constantly evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eWavetables are permanently stored in slots numbered 1 to 32. Since firmware update 1.1, the memory slots have been doubled, and it is \u003cstrong\u003epossible to import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 can be individually configured on each oscillator to creatively modulate pitch when transitioning from one note to another via the keyboard. In the mixer section, in addition to being able to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distortion, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eThree Filters Designed Based on Vintage Blueprints\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAn important element in creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e is the filter section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve low-frequency punch. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eModulations in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eModulations play a more than important role in sound synthesis. They allow us to sculpt sound as we imagine or transport us to unexpected soundscapes, providing inspiration. \u003c\/span\u003e\u003cspan \u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan \u003e understands the importance of having no limits in sound design, and precisely for this reason, the \u003cstrong\u003ePro 3\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 synchronizable LFOs\u003c\/strong\u003e, with slew and phase offset applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply press and hold the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired knob. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003ePro 3 Effects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe Pro 3's \u003cstrong\u003eEffects\u003c\/strong\u003e section provides programmable digital effects and analog distortion that can also be applied to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, and both offer one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Effect 2 also includes a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback connected to an envelope. And so on... This is just a small taste of the infinite possibilities for sound programming in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Pro 3 Sequencer and Arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eUnleash your creative flair using the Pro 3's sequencer. It utilizes 4 sequences (A, B, C, and D), each consisting of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as Mod sources to assign to various destinations. Of the 16 tracks, the first 3 are for note-related parameters, while the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random sequences, or as played by us. We can decide the octave range and the repeat: that is, how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eCV\/GATE \u0026amp; MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 CV outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers—such as modular ones—compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eMonophonic, Duophonic, and Paraphonic Modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eDesigned as a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of playing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, however, we are looking for something that cannot be defined as \"ordinary,\" let's try choosing different waveforms and pitches among the oscillators to achieve something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will cycle between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button in the oscillator section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eKeyboard, Controls, and Display of the Sequential Pro 3 \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size velocity and aftertouch sensitive keys. There are also Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e \u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Pro 3 Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan \u003eHybrid monophonic\/3-voice paraphonic synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 User wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eDimensions and weight: 67.7x33.8x12.5cm; 7.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369886041,"sku":"17900014","price":2156.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-17900014_0.jpg?v=1778119162"},{"product_id":"pro-3-se-17900015","title":"Sequential Pro 3 SE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential Pro 3 SE\u003c\/strong\u003e is a version with a tilting control panel and wooden finishes of the hybrid, monophonic, duophonic, paraphonic synth. A real HUB for your modular synth set-up with its 4 CV inputs and 4 outputs, plus GATE. An audio input for processing external sources. 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and as many as 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAll the features of the PRO 3, in an aesthetically appealing and ergonomic \u003cstrong\u003eSpecial Edition\u003c\/strong\u003e version, which stands out for the presence of the tilting control panel and the fine walnut wood finishes. \u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound synthesis in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable\u003c\/strong\u003e \u003cstrong\u003eoscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can adjust by varying the width of the generated waveform as desired with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer, we can continuously navigate between the waveforms of each individual wavetable. In addition, by assigning an LFO or any other modulation source to the Shape Mods, you can generate continuously evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWavetables are permanently stored in slots numbered from 1 to 32. Since firmware update 1.1, memory slots have been doubled, and \u003cstrong\u003eyou can import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 SE can be individually configured on each oscillator to creatively modulate pitch when moving from one note to another via the keyboard. In the mixer section, in addition to the ability to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and that of the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path's routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distorter, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThree filters designed from Vintage projects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAn important element for creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e is the filtering section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve punch in the low frequencies. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eModulations in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eModulations in sound synthesis play a more than important role. They allow us to sculpt sound as we imagine or transport us to unexpected landscapes, giving us inspiration. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e knows well the importance of having no limits in sound design, which is why the \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 LFOs\u003c\/strong\u003e that can be synchronized, with slew and phase offsets applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply hold down the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired potentiometer. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eEffects\u003c\/strong\u003e section of the Pro 3 provides programmable digital effects and an analog distorter, also applicable to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, both offering one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Within effect 2, there is also a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback linked to an envelope. And so on... This is just a small taste of the infinite sound programming possibilities in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe sequencer and arpeggiator of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eUnleash your creativity using the Pro 3's sequencer. It features 4 sequences (A, B, C, and D) each composed of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as a Mod source to assign to the many destinations. Of the 16 tracks, the first 3 are dedicated to note-related parameters, the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random, or as-played sequences. We can decide the octave range and repeat: how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eCV\/GATE \u0026 MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens the doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers — for example, modular ones — compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eMonophonic, Duophonic and Paraphonic modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eDesigned to be a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of reproducing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, on the other hand, we are looking for something that cannot be defined as \"ordinary,\" we can try choosing different waveforms and pitches between the oscillators to obtain something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will distribute cyclically between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button located in the oscillators section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, controls and display of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size keys sensitive to velocity and aftertouch. It also features Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan\u003eTilting panel and f\u003c\/span\u003e\u003cspan\u003einishes in \u003c\/span\u003e\u003cspan style=\"color: #262626; font-family: 'Helvetica Neue';\"\u003efine walnut wood\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHybrid monophonic\/paraphonic 3-voice synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e512 user memories and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 user wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eDimensions and weight: 68.6x37x12.8cm; 12.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370770777,"sku":"17900015","price":2315.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-se-17900015_0.jpg?v=1778119180"},{"product_id":"take-5-17900016","title":"Sequential Take 5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eSequential Take 5\u003c\/p\u003e\u003cp\u003eThe Sequential Take 5 combines the Californian company's historical expertise with the precision of modern technologies. The result is a powerful yet compact 5-voice polyphonic synth, featuring 2 VCOs, a 4-pole Low Pass filter with resonance and drive, a reverb, a multi-FX, and an overdrive. All of this is conveniently controllable via a rich array of potentiometers and buttons, an extensive modulation matrix, a 44-key Fatar Premium keyboard sensitive to velocity and aftertouch, an arpeggiator, and a 64-step polyphonic sequencer. Free Poly Chain update The free update introduces Poly Chain, new arpeggiator modes, Whiplash, and Violet Noise, making the instrument even more versatile without altering its classic character. Giaga Robot demonstrates Sequential Take 5 Sound Synthesis in the Take 5 At the heart of the instrument's sound generation are 2 fully analog oscillators that allow for continuous waveform morphing. Selectable waveforms for each VCO are: sine, sawtooth, and variable-width square. The pitch of the square-wave sub-oscillator is correlated to oscillator 1. Each oscillator offers a dedicated potentiometer to continuously vary the pitch within a +\/-7 semitone range. The two VCOs can be configured in Hard Sync mode so that OSC 1 follows OSC 2 to create rich and sharp-sounding leads. The FM button in the center of the Mixer section allows oscillator 2 to modulate oscillator 1 to obtain \"metallic\" sounds particularly appreciated on sounds such as pads and plucks. For both oscillators, the sub-oscillator, and the noise generator (Pink, White Noise), there are dedicated volume controls. Two knobs are dedicated to glide, the first to adjust the amount of the effect, the second to manage its duration. The Unison button allows up to five voices to be played simultaneously, with the freedom to assign the amount of detune between each voice. This will allow you to create very full-bodied sounds with plenty of punch. Pressing the same button while playing a chord of up to 5 notes, the Chord Memory function will memorize the intervals and then transpose and reproduce them following the note you play on the keyboard. With its analog components, the Take 5 is able to create the classic polysynth sounds that have made history in sound design. To relive the original imperfection of past synths, a knob called Vintage introduces parameter variations on individual voices, thus creating a more organic sound. Sequential Take 5 video review by Giulio Curiel The filter of the Sequential Take 5 The four-pole resonant low-pass filter is based on the design of one of the two filters of the Prophet-5 rev 4: the SSI 2140 VCF. The filter can self-oscillate by bringing the resonance control to high values, and can be modulated by one of the envelopes and by other sources configurable in the modulation matrix. It features a drive control to increase the input signal level in order to apply analog saturation to our sound. Modulations in the Take 5 The modulations of the Take 5 are applicable via two LFOs (1 global and 1 per voice), two D(delay)-ADSR envelopes with variable routing (filter, amplifier, auxiliary). The LFOs offer five waveforms: triangle, sawtooth, inverse sawtooth, square, and random (sample \u0026 hold). They can be synchronized to the internal clock or external MIDI and are also freely assignable to multiple modulation destinations. But that's not all, thanks to an extensive modulation matrix, you can assign numerous sources to the various parameters of the synthesizer, all in an extremely simple way by means of modulation learn. Effects of the Sequential Take 5 A reverb and a programmable multi-effect together with a dedicated overdrive are ready to give you all the tools necessary to define your sound. With the Sequential Take 5, programming classic sounds will be very natural, but with continuously variable wave shaping, front panel access for analog FM, and this array of effects to close the chain, we ensure the possibility of creating modern and futuristic sounds. The multi-effect allows us to select, apply, and modify one of the following effects: stereo delay, emulation of a vintage BBD (bucket-brigade) delay, tape delay and tape delay 2 (with more saturation), chorus, flanger, phaser (6 stages), ring mod, vintage rotating speaker, distortion or high-pass filter. On the independent reverb, we can control parameters such as mix, damping, pre-delay, decay, and tone (hi-pass\/low-pass). Keyboard and controls of the Sequential Take 5 The Take 5 features a Fatar premium semi-weighted 44-key (3.5 octaves) full-size keybed, sensitive to velocity and monophonic (bipolar) aftertouch; the latter is freely assignable to multiple modulation destinations. A very particular and useful function is Low Split, through which you can transpose only the first half of the keyboard by 1 or 2 octaves, so you can play lower octaves with your left hand and higher octaves of the same sound with your right hand. Indispensable are the wheels for pitch control (spring-loaded), with a variable range on each preset, and modulation. The Hold button allows the sound played to be sustained until it is released and, when used with the arpeggiator, activates the Latch function. Thanks to its 47 potentiometers and 50 buttons, the Sequential Take 5 synthesizer gives you immediate access to all its parameters, to create a sound from scratch or to modify a preset. The Live Panel Mode, once activated, ensures that the parameters of the currently used sound are brought to the actual value corresponding to the position of the potentiometers on the instrument's panel. In essence, the preset settings will be abandoned: what you see is what you hear, and the physical controls are ready to interact directly with the sound played. Use this function when you want to experiment, study sound synthesis, or for immediate gratification typically reserved for vintage analog instruments. Arpeggiator and Polyphonic Step Sequencer The programmable arpeggiator of the Sequential Take 5 can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which we play the notes. Synchronizable to external MIDI Clock or internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides configurable Re-latch and Sustain functions. The notes generated by the arpeggiator can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The Step Sequencer allows you to internally record and play back sequences of notes and\/or chords (max 5 notes per step) with a maximum duration of 64 steps. Velocity data is included in the sequence. The sequence, once recorded, can be transposed. You can also play over your sequence if you have enough polyphony. Connections of the Sequential Take 5 In an instrument designed by Dave Smith, complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN connectors and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (e.g., Akai Pro MPC or Force). To your Take 5 you can connect a Footswitch Sustain pedal (1\/4\" TS jack) and an expression pedal (1\/4\" TRS jack) that you can freely assign to control any parameter (volume, filter cutoff, etc.) via the modulation matrix. As audio outputs, there are two (L and R) 1\/4\" TS jacks and a stereo headphone output (TRS) on a 1\/4\" jack. Features of the Sequential Take 5\u003c\/p\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370869081,"sku":"17900016","price":1535.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-take-5-17900016_0.jpg?v=1778119196"},{"product_id":"oberheim-ob-x8-17900018","title":"Oberheim Oberheim OB-X8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Oberheim OB-X8\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;span\u0026gt; is an \u0026lt;b\u0026gt;analog synthesizer\u0026lt;\/b\u0026gt; with a 5-octave Fatar keyboard that is velocity and aftertouch sensitive. It incorporates all the key features of the legendary \u0026lt;b\u0026gt;OB-X\u0026lt;\/b\u0026gt;, \u0026lt;b\u0026gt;OB-Xa\u0026lt;\/b\u0026gt;, and \u0026lt;b\u0026gt;OB-8\u0026lt;\/b\u0026gt; products, combined with modern construction techniques. This polyphonic and bi-timbral 8-voice synth features 2 discrete VCOs, 2 selectable VCFs, 2 envelopes, a Vintage function, 2 LFOs, an Arpeggiator, and Master Tune.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h1 class=\"CorpoA\" style=\"text-align: center;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;o:p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/xqn2kE0UBFI\" title=\"YouTube video player\" width=\"950\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/o:p\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;div\u0026gt;\u0026lt;h2 class=\"CorpoA\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Return of the Sound\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; \u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;Oberheim without compromise\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;p class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt;After 35 years,\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;b\u0026gt;Oberheim\u0026lt;\/b\u0026gt; is proud to introduce its first new product, the \u0026lt;b\u0026gt;OB-X8\u0026lt;\/b\u0026gt;. \"A new design, the greatest of all OB instruments, that maintains the style and sound that made this family of synthesizers famous,\" said \u0026lt;b\u0026gt;\u0026lt;a href=\"https:\/\/en.wikipedia.org\/wiki\/Tom_Oberheim\" target=\"_blank\"\u0026gt;Tom Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/b\u0026gt;.\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;A modern and precise Poly-Analog.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" src=\"https:\/\/www.algameko.com\/img\/items\/17900018_f.jpg\" title=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a id=\"firmware-2\" name=\"firmware-2\"\u0026gt;\u0026lt;\/a\u0026gt;Free v2.0 update: OB-X8 evolves!\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" src=\"\/images\/uploads\/\/Oberheim-ob-x8-firmware-update-versione-2.jpg\" title=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;An operating system that unlocks further creative potential for current and future users of the \u0026lt;strong\u0026gt;Oberheim OB-X8\u0026lt;\/strong\u0026gt;, available in \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/oberheim\/obx8-desktop\"\u0026gt;\u0026lt;strong\u0026gt;desktop\u0026lt;\/strong\u0026gt; format (click here\u0026lt;\/a\u0026gt;) and as a keyboard. Multiple waveform layering, MPE, binaural, new 4-pole low-pass filter, extended polyphonic chain, and more... \u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Many interesting new features and new timbral and expressive possibilities in this \u0026lt;strong\u0026gt;free firmware update\u0026lt;\/strong\u0026gt; that you can download by clicking here!\u0026lt;\/a\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Version 2.0 opens up new \u0026lt;strong\u0026gt;binaural soundscapes\u0026lt;\/strong\u0026gt;, immersive, allows simultaneous selection of multiple waveforms in the oscillators, and adds a new type of \u0026lt;strong\u0026gt;low-pass filter\u0026lt;\/strong\u0026gt;. Split and Double memory allocations have also been extended.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The new \u0026lt;strong\u0026gt;polyphonic chain\u0026lt;\/strong\u0026gt; allows for a total of 32 voices (4 instruments together) by connecting multiple OB-X8s. OB-X8 owners can now take advantage of \u0026lt;strong\u0026gt;MPE (MIDI Polyphonic Expression\u0026lt;\/strong\u0026gt;) control for maximum expressiveness in their performances.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\"\u0026lt;em\u0026gt;At \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/oberheim\"\u0026gt;Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;, we have always worked to add more useful features to our instruments,\" said \u0026lt;strong\u0026gt;Tom Oberheim\u0026lt;\/strong\u0026gt;. \"It's unusual to add a new filter type and oscillator waveforms to an \u0026lt;strong\u0026gt;analog synthesizer\u0026lt;\/strong\u0026gt; via a \u0026lt;strong\u0026gt;software update\u0026lt;\/strong\u0026gt;, but our team is not afraid of challenges and is always committed to bringing true value to demanding musicians who love our instruments.\"\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;What's new in update 2.0 for Oberheim OB-X8\u0026lt;\/strong\u0026gt;:\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;- Instant binaural mode that pans individual voices completely left and right for true stereo.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Multiple waveforms simultaneously selectable on each oscillator to extend timbral variety\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New 4-pole low-pass filter type, for fuller bass even at high resonance values\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New LFO modulation destinations to VCO 1 and 2 levels, for independent timbral mixing\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Arpeggiator clock sync now allows selection of selectable note division values for broader rhythmic control\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Doubled Split and Double memory locations, including storing programs directly in new banks: an additional 512 slots!\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Separate MIDI channels for bi-timbral operation, with keyboard split\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Polyphonic chain to reach up to 32 voices with 4 connected instruments\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Sound Synthesis in the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The discrete analog oscillators of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; are capable of delivering the classic incisive \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; timbre. There are two per voice, and they can reproduce \u0026lt;span\u0026gt;pulse\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;saw\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, and \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;triangle\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; waveforms. \u0026lt;\/span\u0026gt;Both VCOs have a dedicated potentiometer for frequency adjustment and can be synchronized to create sharp leads and rich harmonic sounds. There is a potentiometer to detune the frequency of the second oscillator, found in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. When the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function is active, the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; behaves like a monophonic synth: it plays only one note at a time with the possibility to detune all eight voices used simultaneously. Activate it to create full and impressive basses and leads by dedicating all 8 voices to a single note. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Chord Memory\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; function stores the intervals between notes, then transposes and reproduces them according to the root note you play on the keyboard. To simultaneously change the pitch of both oscillators, a potentiometer named \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master Tune\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is dedicated and located in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-gli-oscillatori_da29.jpg\" title=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti \" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Filters of the \u0026lt;span\u0026gt;Oberheim\u0026lt;\/span\u0026gt; OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable Oberheim, the filter section of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is given prominence. This time, however, \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; did not stop at introducing only one filter into the synthesis path. Under the hood, we find two distinct filters, and on the front panel, a dedicated switch to toggle between the VCFs. The first is a discrete \u0026lt;strong\u0026gt;SEM\u0026lt;\/strong\u0026gt; filter capable of delivering the style and presence of the \u0026lt;strong\u0026gt;OB-X\u0026lt;\/strong\u0026gt;, with three additional modes: high-pass, band-pass, and notch, in addition to the classic low-pass. The second VCF is controlled by an authentic \u0026lt;strong\u0026gt;Curtis\u0026lt;\/strong\u0026gt; filter configurable as 2 or 4-pole to add the character and classic sound of the OB-Xa.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Vintage Mode Knob on OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In collaboration with \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; of \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sequential\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Tom\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; has undertaken in-depth research into what made the sound so unique, warm, and organic in old vintage synthesizers. Together, the two discovered that much of these characteristics are due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To achieve the same behavior in the new \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, Oberheim created the potentiometer called \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Vintage\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, through which you can gradually and randomly add the same imperfections so appreciated in vintage synthesizers. Try it, and you won't be able to do without it.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Polyphonic and Bi-Timbral\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Oberheim OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;bi-timbral\u0026lt;\/strong\u0026gt;: it can simultaneously play two sounds of 4 voices each in two different modes. In \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode, the keyboard is divided into two, with one sound dedicated to the lower octaves and another to the upper octaves. In \u0026lt;strong\u0026gt;Double\u0026lt;\/strong\u0026gt; mode, on the other hand, the \u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt; will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 4\u0026lt;\/span\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Modulations of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In this new \u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt; project, no detail has been left to chance. That's why there are two envelopes on the control panel: one dedicated to the amplifier and the other to the filter. Both are designed to provide the same response as all other models in the OB family. The \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt; section includes an \u0026lt;strong\u0026gt;LFO\u0026lt;\/strong\u0026gt; capable of generating sine, square, and S\/H (sample \u0026amp;amp; hold) waveforms. We can assign and program the amount of modulation to two groups of destinations to modulate the oscillator frequencies, filter cutoff, pulse width of both oscillators, and volume. A convenient and useful \u0026lt;strong\u0026gt;Arpeggiator\u0026lt;\/strong\u0026gt; is located to the left of the keyboard in classic vintage style, ready to provide up, down, up \u0026amp;amp; down patterns, or to follow the sequence of notes we play. This is available on both parts (split or double) independently.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-pitch-bend-modulation-arpeggiatore_1028.jpg\" title=\" Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Oberheim Levers: Pitch Bend and Mod\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;To apply bending, vibrato, and other real-time modulations, the OB-X8 provides the classic two levers, both with adjustable range (pitch bend) and amount (mod) parameters, and they can act on one or both oscillators at our discretion. This section also houses the second LFO, dedicated to performance and controllable by the Mod lever, with its 6 waveforms: triangle, square, Up Saw, Down Saw, Sample \u0026amp;amp; Hold, and Noise.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity and Aftertouch in the\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8 \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable modern synthesizer, the ability to program \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; and \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Aftertouch\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; was essential. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; allows us to do this simply and immediately, thanks to the two dedicated buttons in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. We can also decide whether to dedicate Velocity to the filter or volume, while Aftertouch can be dedicated to the filter or modulation.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Programming the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;A creative and simple-to-program instrument. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; control panel features a potentiometer for each function, allowing immediate access to all sound shaping parameters. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Manual\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; button enables live panel mode: press it, and the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; will detach from preset mode and switch to the current settings of the rotary controls and switches. What you see is exactly what you hear. 600 rewritable user programs are included, including the set of 400 original presets from OB-X, OB-SX, OB-Xa, and OB-8.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard and Connections of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is equipped with a 61-key (5-octave) FATAR keyboard, sensitive to Velocity and Aftertouch.\u0026lt;\/p\u0026gt;The connections found on the back of the instrument include two distinct audio outputs, one monophonic and the other stereo. The latter is of fundamental importance when we decide to widen the stereo image across the 8 voices. There are 4 pedal inputs: one for volume control, another for sustain, one for the filter cutoff, and one for the arpeggiator. For MIDI interfacing, we find the DIN In, Out, and Thru triad and a type B USB port for direct connection to PC and Mac computers.\n\n## **Artists' Impressions of the OB-X8**\n\n","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003371065689,"sku":"17900018","price":4999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/111-oberheim-oberheim-ob-x8-17900018_0.jpg?v=1778119223"},{"product_id":"odyssey-fsk3-c1280200311","title":"ARP ODYSSEY-FSK3","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eARP ODYSSEY FS Kit\u003c\/strong\u003e is a user-assembly kit produced by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/korg\" target=\"_blank\"\u003e\u003cstrong\u003eKorg\u003c\/strong\u003e\u003c\/a\u003e of the well-known \u003cstrong\u003eduophonic analog synthesizer\u003c\/strong\u003e by \u003cstrong\u003eArp\u003c\/strong\u003e. Based on the analog circuit and with all the original specifications of the \u003cstrong\u003eRev. 3\u003c\/strong\u003e model, this synth features a full-size 37-key keyboard and a black panel with orange lettering. \u003cstrong\u003eThree different low-pass filter circuits\u003c\/strong\u003e are selectable via a switch. Assembling this \u003cstrong\u003eArp Odyssey\u003c\/strong\u003e is simple, thanks to the illustrated guide, and no technical knowledge or soldering is required. \u003c\/h1\u003e\u003ch2\u003e\u003cstrong\u003eThe unique and distinctive sound with the ARP Odyssey FS kit\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eIn 2015, the ARP sound returned to prominence with the re-release of the \u003cstrong\u003eARP Odyssey\u003c\/strong\u003e, astonishing and thrilling synthesizer fans around the world. From the \u003cstrong\u003eARP ODYSSEY FS\u003c\/strong\u003e, with its full-size keyboard, to the much-anticipated \u003cstrong\u003eARP 2600 FS\u003c\/strong\u003e and \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/arp\/2600m\"\u003eARP 2600 M (click here for info\/purchase)\u003c\/a\u003e\u003c\/strong\u003e, \u003cstrong\u003eARP\u003c\/strong\u003e synths were once again ready to dominate the music scene and the analog market.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eNow, with the arrival of the \u003cstrong\u003eARP ODYSSEY FS\u003c\/strong\u003e kit, distributed in Italy by \u003cstrong\u003eAlgam EKO\u003c\/strong\u003e, modern musicians have the opportunity to experience the \u003cstrong\u003eARP\u003c\/strong\u003e legacy, the unique and distinctive sound of analog synthesis, at their fingertips. Staying true to the \u003cstrong\u003eARP Odyssey FS\u003c\/strong\u003e, the kit uses the same circuitry and offers the original, warm, rich sounds we've all grown to love. This instrument features all the original specifications of the \u003cstrong\u003eRev. 3\u003c\/strong\u003e model, with a full-size keyboard and a black panel with orange lettering. An illustrated guide is included to facilitate assembly of the \u003cstrong\u003eOdyssey\u003c\/strong\u003e; no technical knowledge or soldering is required. \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eARP Odyssey FS Kit\u003c\/strong\u003e is a unique collector's item. To confirm the uniqueness of the experience, the instrument distinguishes itself from any other \u003cstrong\u003eARP Odyssey\u003c\/strong\u003e thanks to its serial number \u003cstrong\u003eengraved on an elegant metal plate\u003c\/strong\u003e. The coveted ARP sound that legendary musicians have used for the past 50 years is once again available, for you, for your passion as a sound designer, keyboardist, or music producer. \u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eFull-size ARP ODYSSEY\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eFeaturing a spacious panel with comfortable faders and a standard-size keyboard for excellent playability, this edition of the duophonic analog instrument is exactly what synthesizer lovers and keyboardists have been waiting for. Its weight and robustness perfectly represent the image of the original. A full-size \u003cstrong\u003eARP ODYSSEY\u003c\/strong\u003e, perfect in detail: from sound to stability, from appearance to size, but with the reliability of a state-of-the-art synthesizer.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe peculiar synthesis of the ARP Odyssey \u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe original ARP Odyssey was a 2 VCO duophonic instrument. Its main characteristic was its crisp, piercing sound and the rich range of tonal variations that could be generated through the wide modulation possibilities offered, from oscillator synchronization to sample \u0026 hold, from pulse wave amplitude modulation to the high-pass filter, from the two different envelope generators to pitch bend via PPC.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThree generations of ARP Odyssey in one\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThere were three versions of the original ARP Odyssey, distinguished by their production date, with the main difference being the filter circuit. This version of the ARP Odyssey provides all three low-pass filter circuits and allows you to select one using a dedicated switch. The \u003cstrong\u003eTYPE I \u003c\/strong\u003e(Rev1) is a \u003cstrong\u003e12 dB\/Oct\u003c\/strong\u003e circuit that produces a crisp, punchy sound. The \u003cstrong\u003eTYPE II\u003c\/strong\u003e (Rev2) is a \u003cstrong\u003e24 dB\/Oct\u003c\/strong\u003e filter for impressive bass. The \u003cstrong\u003eTYPE III\u003c\/strong\u003e (Rev3) maintains excellent stability even when resonance is increased. These characteristic filters have been reproduced exactly as they were originally.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eARP ODYSSEY FS Kit Technical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli style=\"text-align: justify;\"\u003e37 full-size keys\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eNote ON\/OFF; NO velocity or aftertouch\u003c\/li\u003e    \u003cli style=\"text-align: justify;\"\u003eMaximum polyphony: 2 voices for duophony; normally monophonic\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eTranspose: -2 octaves, normal, +2 octaves\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eBending:\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eb (Pitch down) Pad: approx. -2\/3 octave \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e- Pad (modulation)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e# (Pitch-up) Pad: approx. +2\/3 octave\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePortamento\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMaximum speed: approx. 0.01 ms\/oct\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMinimum speed: approx. 1.5 sec\/oct\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eVCO (Voltage Controlled Oscillator)\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eWaveforms: Sawtooth, Square, Pulse (variable)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eFrequency range:\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eVCO-1 in low frequency mode, 0.2 Hz - 20 Hz\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eVCO-1 and VCO-2 approx. 20 Hz - 20 kHz\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eNoise generator\u003c\/strong\u003e: white or pink.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eWarm-up variation:\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMax 1\/30 of a semitone from power-on \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePulse width: \u003c\/strong\u003e50% - 5%\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePulse width modulation: \u003c\/strong\u003eADSR, +45; LFO, +15\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eVoltage controlled response: 1 V\/oct\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eFrequency offsets: \u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eLFO sine wave, +1\/2 oct.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eLFO square wave, +1.5 oct.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eADSR, +9 oct.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eS\/H, +2 oct.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e* VCO-1 has priority on low notes, VCO-2 on high notes.\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eVCF (Voltage Controlled Filter)\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eLow-pass: \"I\" at 12 dB\/oct, \"II\" and \"III\" at 24 dB\/oct.)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eFrequency range: 16 Hz - 16 kHz\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMaximum Q: 30\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eResonance: 1\/2 - self-oscillation\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eVoltage controlled response: 0V (C3) to 3V (C6)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eVCA (Voltage Controlled Amplifier)\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDynamic range: 80dB\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRing Modulator\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDigital, with input: VCO-1, VCO-2 (square wave)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSample \u0026 Hold\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eSources: Keyboard or LFO trigger\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eSampled signals: sawtooth or square VCO-1, square and pink noise VCO-2\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eADSR Envelope Generator\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAttack time: 5 ms to 5 sec.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eDecay time: 10 ms to 8 sec.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eSustain level: 0 - 100% or peak\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eRelease time: 15 ms to 10 sec.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAR Envelope Generator\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAttack time: 5 ms to 5 sec.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eRelease time: 10 ms to 8 sec.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eControl Inputs\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003ePedal: 6.3mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003ePortamento Footswitch: 6.3mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\"LOW\" Audio Output\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 6.3mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMax output level: -20 dBu @ 10 k ohm load\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eOutput impedance: 10 k ohm\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\"HIGH\" Audio Output\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: XLR\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMax output level: +4 dBu @ 1 k ohm load\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eOutput impedance: 330 ohm\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eHeadphone Jack\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 6.3mm TRS (stereo) Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMax output level: 50 mW + 50 mW @ 33 ohm load\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eOutput impedance: 10 ohm\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eControllable via volume potentiometer.\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eExternal Audio Input Jack (Ext Audio Input)\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 6.3mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eMax input level: -10 dBu\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eInput impedance: 22 k ohm\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMIDI DIN connector\u003c\/strong\u003e: IN\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUSB MIDI connector\u003c\/strong\u003e: Type B\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eCV IN\/OUT Jacks\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eKeyboard CV (IN\/OUT): 1 V\/oct.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 3.5 mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eGATE IN\/OUT Jacks\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eGATE IN: +3 V (minimum)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eGATE OUT: +10 V, key down; 0 V all keys up\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 3.5 mm TS Jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eTRIG IN\/OUT Jacks\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eTRIG IN: +3V pulse min, 10 µsec (minimum duration)\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eTRIG OUT: +10V pulse on key press, 10 µsec. \u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eConnector: 3.5 mm TS jack\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e: AC adapter (DC 12V) + power cable\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 7.1 W\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eDimensions and Weight\u003c\/strong\u003e: 585x466x163mm; 7.3kg\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eIncluded in package:\u003c\/strong\u003e AC adapter (DC 12V), power cable, jack cable, mini-jack cable\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eAbout the Alan R. Pearlman Foundation\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eNicknamed \"\u003cstrong\u003eARP\u003c\/strong\u003e\" in New York City during his childhood, \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Alan_R._Pearlman\"\u003e\u003cstrong\u003eAlan R. Pearlman\u003c\/strong\u003e\u003c\/a\u003e decided to use his nickname as the identifying name for the company dedicated to designing \u003cstrong\u003eelectronic musical instruments\u003c\/strong\u003e that he co-founded. After leaving \u003cstrong\u003eNASA\u003c\/strong\u003e, Pearlman founded \u003cstrong\u003eARP\u003c\/strong\u003e, a company that stood out in the market thanks to synthesizers known for their sound quality. Pearlman created the ARP 2500 in 1970, then the classic \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=arp%20odyssey\" target=\"_blank\"\u003e\u003cstrong\u003eARP Odyssey\u003c\/strong\u003e\u003c\/a\u003e and \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=ARP%202600\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eARP 2600\u003c\/strong\u003e\u003c\/a\u003e. Pearlman's recognized abilities included building oscillators that were always in tune and developing a wire-free patching technique using a switch matrix. \u003cstrong\u003eArp Instruments\u003c\/strong\u003e built a unique history by distinguishing itself as a leader in the growth and development of the electronic music market.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eFounded in 2019, the \u003ca href=\"https:\/\/alanrpearlmanfoundation.org\/\" target=\"_blank\"\u003e\u003cstrong\u003eAlan R. Pearlman Foundation\u003c\/strong\u003e\u003c\/a\u003e was created by \u003cstrong\u003eDina Pearlman\u003c\/strong\u003e, Alan's daughter, to honor her father's legacy. The mission of the \u003ca href=\"https:\/\/alanrpearlmanfoundation.org\/\" target=\"_blank\"\u003e\u003cstrong\u003eARP Foundation\u003c\/strong\u003e\u003c\/a\u003e is to celebrate Pearlman by making his inventions accessible to the public and inspiring future generations to imagine and create.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e* All product, company, and standard names are trademarks or registered trademarks of their respective owners.\u003cbr \/\u003e* Product appearance and specifications are subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e","brand":"Arp","offers":[{"title":"Default Title","offer_id":58003639959897,"sku":"C1280200311","price":1748.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_2-arp-odyssey-fsk3-c1280200311_0.jpg?v=1778127828"},{"product_id":"nautilus-88-c1280200367","title":"Korg NAUTILUS-88","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;KORG NAUTILUS-88\u0026lt;\/strong\u0026gt; is an advanced music workstation with 9 different \u0026lt;strong\u0026gt;Synths\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Smooth Sound Transition\u0026lt;\/strong\u0026gt; technology for continuous switching between sound resources, an extensive PCM library, and an advanced DSP system with \u0026lt;strong\u0026gt;197\u0026lt;\/strong\u0026gt; different \u0026lt;strong\u0026gt;effects\u0026lt;\/strong\u0026gt;: Insert Mastering Total. All functions are intuitively managed by a large color \u0026lt;strong\u0026gt;Touch Display\u0026lt;\/strong\u0026gt;, complemented by physical controls on the panel, while \u0026lt;strong\u0026gt;Set Lists\u0026lt;\/strong\u0026gt; allow for instrument preparation for every \u0026lt;strong\u0026gt;Live\u0026lt;\/strong\u0026gt; performance. The workstation is equipped with a powerful \u0026lt;strong\u0026gt;MIDI \u0026amp; Audio sequencer\u0026lt;\/strong\u0026gt; with Full Editing capabilities, making composition and arrangement easy, and also integrating with the most popular DAW environments.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;A Video Playlist to discover the KORG NAUTILUS-88\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write;encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLmwacsrItvLMVub_heeXOg6UT9jIn8_E7\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;With \u0026lt;strong\u0026gt;NAUTILUS-88, KORG\u0026lt;\/strong\u0026gt; expands the boundaries of operational and timbral possibilities of \u0026lt;strong\u0026gt;Synth Workstations\u0026lt;\/strong\u0026gt;, featuring \u0026lt;strong\u0026gt;9\u0026lt;\/strong\u0026gt; sound generators, an innovative approach to synthesis, a large quantity of samples, \u0026lt;strong\u0026gt;MIDI \u0026amp; Audio\u0026lt;\/strong\u0026gt; recording, a high-quality effects section, and extensive processing power. \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; provides a wealth of resources for sound exploration, music creation, and production, with a logical and intuitive workflow. \u0026lt;strong\u0026gt;KORG\u0026lt;\/strong\u0026gt; has spent years developing and perfecting the technology used in \u0026lt;strong\u0026gt;NAUTILUS\u0026lt;\/strong\u0026gt;: digital electronics, analog, software, hardware, all to offer every musician a powerful and versatile instrument with which to immediately connect.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;Nine different sound generators with great timbral versatility\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SST Smooth Sound Transition\u0026lt;\/strong\u0026gt; seamless sound switching\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Sound library organized into three main categories\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Real-time dynamics management with the \u0026lt;strong\u0026gt;DYNAMICS\u0026lt;\/strong\u0026gt; knob\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Real-time parameter modification with \u0026lt;strong\u0026gt;RT Control\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;New, even more intuitive graphical interface\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;TouchView color display\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Polyphonic arpeggiator and Drum Track\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Set List Mode\u0026lt;\/strong\u0026gt; essential for Live Performances\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Open Sampling System\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;16-track MIDI \u0026amp; Audio Full Edit Sequencer\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Up to 16 simultaneous effect processors\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Control surfaces can be connected to the USB\/MIDI ports\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Three models available: \u0026lt;strong\u0026gt;88 keys with weighted RH3 keyboard, 73 and 61 with semi-weighted keys\u0026lt;\/strong\u0026gt;.\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the nine sound generators\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; has nine different sound engines, each specialized in the reproduction or synthesis of a specific timbral family. Starting with \u0026lt;strong\u0026gt;SGX-2\u0026lt;\/strong\u0026gt;, which generates a wide selection of acoustic pianos drawing from a vast \u0026lt;strong\u0026gt;PCM\u0026lt;\/strong\u0026gt; library without \u0026lt;em\u0026gt;Loops\u0026lt;\/em\u0026gt;, with all their nuances, even minimal ones, articulated across \u0026lt;strong\u0026gt;12 Velocity levels\u0026lt;\/strong\u0026gt;, with string resonance, key release noise, etc. \u0026lt;strong\u0026gt;EP-1\u0026lt;\/strong\u0026gt; realistically reproduces the timbres of the most famous electric piano models with tines and reeds. \u0026lt;strong\u0026gt;CX-3\u0026lt;\/strong\u0026gt; emulates the unmistakable timbre of \u0026lt;em\u0026gt;Tone Wheel\u0026lt;\/em\u0026gt; organs, including the characteristic \u0026lt;strong\u0026gt;Rotary Speakers\u0026lt;\/strong\u0026gt; amplifier. In addition to these, there are the synthesis modules \u0026lt;strong\u0026gt;MOD-7: VPM \/ FM, PolysixEX\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;MS-20EX\u0026lt;\/strong\u0026gt; for analog modeling, and \u0026lt;strong\u0026gt;STR-1\u0026lt;\/strong\u0026gt; for physical modeling. Used individually as Programs or combined in Combinations, these Sound Engines are capable of producing all types of sounds, from \u0026lt;strong\u0026gt;Vintage\u0026lt;\/strong\u0026gt; to the most modern or futuristic.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"KORG NAUTILUS-88 integrates an advanced multi-synthesis sound engine with 9 different Sound Engines\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_02.jpg\" title=\"KORG NAUTILUS-88 integrates an advanced multi-synthesis sound engine with 9 different Sound Engines\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 SST Smooth Sound Transition\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt;, selecting various operational modes or musical resources within them does not cause any sound interruption. It is possible to recall \u0026lt;strong\u0026gt;Programs\u0026lt;\/strong\u0026gt; or \u0026lt;strong\u0026gt;Combis\u0026lt;\/strong\u0026gt;, or switch from Program mode to Combi, or even switch between Songs on the Sequencer, always maintaining sound tails and effects during changes with a smooth, uninterrupted transition. This feature is widely appreciated and praised by all musicians.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the Sound Library\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;For timbral selection on \u0026lt;strong\u0026gt;NAUTILUS\u0026lt;\/strong\u0026gt;, a completely new approach has been applied, setting aside any preconceptions and conventions regarding Workstations, and thus devising a new type of classification capable of surpassing the boundaries of sampling and Sound Design. On \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt;, sounds are divided into three main groups:\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt; \u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Exclusive Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt; \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;In this category, \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; offers exclusive and particular sounds such as: \u0026lt;em\u0026gt;Loops\u0026lt;\/em\u0026gt; with musical phrases, prepared pianos, original percussion, and much more. Characteristic musical phrases of rare, difficult-to-find, and difficult-to-play instruments have been created and included in the internal sound library, freely usable in your musical pieces; and other unusual timbres such as the \"\u0026lt;em\u0026gt;prepared\u0026lt;\/em\u0026gt;\" piano, i.e., with a modified timbre, obtained by inserting screws, small pieces of wood, and other objects between the strings with very suggestive results; or percussion sounds created using ordinary objects such as kitchen utensils or other items. These sounds can add original colors to your compositions or arrangements, and also represent a valuable resource for musicians creating soundtracks and music for images.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt; \u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Modern Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt; \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; features the most up-to-date timbres suitable for the current music scene for genres such as: EDM, Electro, and Chiptune; with the most modern Synth timbres, Drum Kits, and special effects that also facilitate the creation of effective Dance Beats and Grooves. The instrument's over 50 Drum Kits offer a wide variety of percussive sounds capable of adequately representing the rhythmic evolution in musical styles of recent decades.\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Standard Sounds\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;On \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt;, essential workstation sounds have been carefully crafted: acoustic pianos, electric pianos, guitars, basses, etc., to satisfy all musical genres. In the new acoustic piano sounds, the acoustics of the recording room have also been sampled, with the possibility of personally mixing the direct sound with the ambiance; and a new electric piano model with a characteristic full-bodied timbre, particularly suitable for Funk, has also been added.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 dynamics management\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Using the DYNAMICS knob, it is possible to control the timbre and volume variations introduced by keyboard \u0026lt;em\u0026gt;Velocity\u0026lt;\/em\u0026gt;, and make them match the style required by the current song. By rotating this knob, a completely different feel can be achieved, even using the same sound. This is an additional method to adapt the instrument to your performance needs. By playing the keyboard and turning the \"Dynamics\" knob to the left, a softer sound is obtained, with a wider dynamic range, allowing for delicate and expressive passages, ideal for accompanying singers or solo instruments. By turning the knob to the right, the dynamic response becomes more energetic and uniform; this is particularly useful when playing in a band or orchestra to make a timbre stand out more, such as in a solo.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 physical controls\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The six \u0026lt;strong\u0026gt;RT (Real Time)\u0026lt;\/strong\u0026gt; knobs on the panel allow for direct modification of PROGRAM and COMBI settings. Each knob can be assigned a variety of functions, such as timbre editing with: Filter Cut Off, effect level; arpeggiator or Drum Track control with Gate, tempo speed, Swing, Snare type, and much more. In COMBI mode, different timbres can be grouped, and their volume controlled with a single knob. To prevent accidental modification during a Performance, they can be pressed in, retracting fully into the panel, thus locking their position. This also allows selecting only the most frequently used ones, hiding the others.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"KORG NAUTILUS-88 features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_06.jpg\" title=\"KORG NAUTILUS-88 features an intuitive user interface based on a color Touch Display integrated with physical controls on the panel\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the user interface\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;For \u0026lt;strong\u0026gt;NAUTILUS-88, KORG\u0026lt;\/strong\u0026gt; has redesigned the user interface to speed up and simplify every operation. Normally, adding functions tends to increase the presence of physical controls on the panel, but in this case, the approach was to rationalize and optimize operational speed and intuitiveness as much as possible. The MODE button displays the selection of operational modes: PROGRAM, COMBI, SET LIST, SAMPLING, SEQUENCE, and GLOBAL, all on a single screen. In each MODE, access to functions is achieved through TABs, while the PAGE buttons allow for more in-depth modifications with intuitive procedures. This navigation system always allows returning to the initial phase by simply pressing the MODE button. The display operates in \u0026lt;em\u0026gt;Dark\u0026lt;\/em\u0026gt; mode, which uses black as the main color to reduce eye strain. There are also 6 programmable shortcut buttons that can be assigned to a range of functions such as: selecting Program or Combi modes, transport buttons for the Sequencer, etc. Four different ready-to-use Templates are available, but it is possible to create and save your own settings.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the Touch Display\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The nerve center of the \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; user interface is the large color \u0026lt;strong\u0026gt;(800 x 480 pixel) WVGA TouchView\u0026lt;\/strong\u0026gt; display; with which it is possible to select or modify a sound or parameter directly with a simple finger touch thanks to \u0026lt;strong\u0026gt;Touch Drag\u0026lt;\/strong\u0026gt;. A series of graphic and interactive tools are also available that facilitate programming, such as adjusting the grand piano lid opening on \u0026lt;strong\u0026gt;SGX-2\u0026lt;\/strong\u0026gt;, or connecting virtual patch cables on MS-20EX. The display features a search function: \u0026lt;strong\u0026gt;Search\u0026lt;\/strong\u0026gt;, useful for tracking down any musical resource based on a search key.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the Set Lists\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The SET LIST mode of \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; allows for personal organization of sound resources. Each SET LIST is composed of a fundamental unit called a \u0026lt;strong\u0026gt;SLOT\u0026lt;\/strong\u0026gt;; there are 128 SLOTS in each SET LIST, and 128 SET LISTs are immediately available. Each SLOT can be given a name and assigned a musical resource according to needs: PROGRAM, COMBI, or SONG. From this, it is also possible to control parameters such as the volume of the selected resource, display text, or color it appropriately to highlight it within the list; each SLOT can also be moved and positioned as desired, or copied or deleted. This operational mode can meet any Live requirement, thanks to the possibility of programming the exact succession of musical resources needed. Finally, each SET LIST has a \u0026lt;strong\u0026gt;9-band graphic equalizer\u0026lt;\/strong\u0026gt;, located at the end of the audio chain and \u0026lt;strong\u0026gt;independent\u0026lt;\/strong\u0026gt; of the effects section, with which to modify or correct the global timbral response of NAUTILUS depending on the environment in which the Performance takes place.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"NAUTILUS-88 offers great versatility in live use thanks to programmable Set Lists\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Nautilus_LS_Photo_10.jpg\" title=\"NAUTILUS-88 offers great versatility in live use thanks to programmable Set Lists\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 Open Sampling System\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; uses the KORG Open Sampling System to quickly sample an external audio source, or resample a Performance executed on NAUTILUS, regardless of the selected operating mode. The timbral possibilities offered by the instrument's vast internal Sample library are significantly expanded by the \u0026lt;strong\u0026gt;USER SAMPLE\u0026lt;\/strong\u0026gt; area, which, thanks to \u0026lt;strong\u0026gt;VMT (Virtual Memory Technology)\u0026lt;\/strong\u0026gt;, allows personal samples to be used, maximizing the capacity of the Workstation's SSD. Samples in various formats can be loaded via the USB port: AIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000; if the amount of data is truly significant, a high-speed USB Ethernet adapter can also be used. NAUTILUS therefore allows for the use of Samples created on a computer for your compositions, arrangements, or productions.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the Sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; possesses a powerful Sequencer\/Recorder with 16 MIDI tracks and 16 Audio tracks; an important resource for musical creations or personal arrangements; this section features functions that facilitate and stimulate musical inspiration, with the possibility of recording polyphonic arpeggiators, Drum Tracks or RPPR (Realtime Pattern Play\/Recording), with professional quality results in a short time. The 16-track Audio Recorder acquires up to 4 tracks simultaneously in 16-bit\/24-bit 48 kHz format. During playback, effects can be added, the resulting sound can be resampled, and the Wav file can be imported into a Sequencer track. Editing functions such as: Copy, Paste, Normalize, and mixing automation are also present.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Polyphonic arpeggiator and Drum Track\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;These modules provide effective interactive musical support for every performance, with a wide library of rhythmic and melodic patterns; 4 different scenes are also available where different patterns can be set and recalled instantly; ideal for improvising, for performances, or for quickly creating complete songs or arrangements on the Sequencer.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;NAUTILUS-88 the effects\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The powerful \u0026lt;strong\u0026gt;NAUTILUS-88\u0026lt;\/strong\u0026gt; DSP section can produce up to 16 simultaneous effects, selectable from 197 different types, divided into 3 categories: Insert, Master, and Total FX. Insert effects apply to single or multiple timbres of the Timbre\/Track of a Combi or Sequencer. \u0026lt;strong\u0026gt;Master 1\u0026amp;2\u0026lt;\/strong\u0026gt; effects can be adjusted for all tracks using the corresponding sends (\u0026lt;strong\u0026gt;Send 1\u0026amp;2\u0026lt;\/strong\u0026gt;), while \u0026lt;strong\u0026gt;Total\u0026lt;\/strong\u0026gt; effects act globally on the entire instrument.\u0026lt;\/p\u0026gt;\u003cp\u003eAdditionally, for each timbre, MIDI track and Audio of the Sequencer, a three-band equalizer is available to correct tonal balance or to creatively modify the sound.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eControl surfaces can be connected to the USB\/MIDI ports\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eNAUTILUS \u003c\/strong\u003ecan be connected directly to any USB\/MIDI Class-Compliant controller, such as \u003cstrong\u003eKORG USB MIDI\u003c\/strong\u003e controllers with Pads like: nanoPAD, nanoPAD2, padKONTROL. With these, it is possible to play percussive parts, or trigger chords in Chord mode.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eNAUTILUS is available in 3 models: NAUTILUS-88 keys with weighted RH3 88-key keyboard, \u003ca href=\"https:\/\/www.algameko.com\/it\/music-workstation\/korg\/nautilus73\"\u003eNAUTILUS-73\u003c\/a\u003e and \u003ca href=\"https:\/\/www.algameko.com\/it\/music-workstation\/korg\/nautilus61\"\u003eNAUTILUS-61\u003c\/a\u003e with semi-weighted keys\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eNAUTILUS 88 \u003c\/strong\u003ekeys adopts the renowned \u003cstrong\u003eKORG RH3 88-weighted keybed\u003c\/strong\u003e, which accurately simulates the mechanical response of an authentic concert grand piano keyboard, including the difference in hammer mass between the bass and treble regions of the keyboard.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cstrong\u003eNAUTILUS-88 the Bundled Software\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eNAUTILUS-88 \u003c\/strong\u003ecomes with a wide range of music software including: Izotope's \"Ozone Elements\", an AI-based mastering software, \"Skoove\" an educational application to improve keyboard skills, \"Lite Reason\" DAW Software, as well as various synth software from KORG and other brands. In other words, as soon as you own this Synth, you have a variety of applications available to help you create your music.\u003c\/p\u003e\u003cul\u003e \u003cli\u003eApps for iPad\/iPhone\u003c\/li\u003e \u003cli\u003eKORG Gadget 2 Le (music production studio DAW app)\u003c\/li\u003e \u003cli\u003eKORG Module (piano\/keyboard sound module app)\u003c\/li\u003e \u003cli\u003eSoftware for Mac\/Windows\u003c\/li\u003e \u003cli\u003eKORG Collection - M1 Le (synthesizer sound module)\u003c\/li\u003e \u003cli\u003eUVI Digital Synsations (synthesizer sound module)\u003c\/li\u003e \u003cli\u003eAAS Ultra Analog Session (synthesizer sound module)\u003c\/li\u003e \u003cli\u003eAAS Strum Session (acoustic guitar sound module)\u003c\/li\u003e \u003cli\u003eAAS Lounge Lizard Session (electric piano sound module)\u003c\/li\u003e \u003cli\u003eReason Studios Reason Lite (DAW music production software)\u003c\/li\u003e \u003cli\u003eSkoove free 3 month trial of Skoove Premium (online piano lesson)\u003c\/li\u003e \u003cli\u003eKORG Gadget 2 Le for Mac (DAW music production software)\u003c\/li\u003e \u003cli\u003eiZotope Ozone Elements (Audio Mastering Plug-in Software)\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eKORG NAUTILUS-88 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003e[System] - \u003c\/strong\u003eNAUTILUS System Version 3.0\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKeybed - 88 Keys: RH3 (Real Weighted Hammer Action 3), A - C, Velocity Sensitive, No After Touch\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e[Sound Generator] - Synthesis Types: \u003c\/strong\u003e9\u003c\/p\u003e\u003cul\u003e \u003cli\u003e\u003cstrong\u003eSGX\u003c\/strong\u003e-\u003cstrong\u003e2\u003c\/strong\u003e: Premium Piano (Acoustic Piano)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eEP-1\u003c\/strong\u003e: MDS Electric Piano (Electric Piano)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eHD-1\u003c\/strong\u003e: High Definition Synthesizer (PCM)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eAL-1\u003c\/strong\u003e: Analog Synthesizer (Analog Modeling)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eCX-3\u003c\/strong\u003e: Tonewheel Organ (Tonewheel Organ Modeling)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eSTR-1\u003c\/strong\u003e: Plucked String (Physical Modeling)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eMOD-7\u003c\/strong\u003e: Waveshaping VPM Synthesizer (VPM Synthesis)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eMS-20EX\u003c\/strong\u003e: Component Modeling Technology (Analog Modeling)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003ePolysixEX\u003c\/strong\u003e: Component Modeling Technology (CMT Analog Modeling)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMaximum Polyphony *1*2:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eSGX-2: 100 Voices *3\u003c\/li\u003e \u003cli\u003eEP-1: 104 Voices\u003c\/li\u003e \u003cli\u003eHD-1: 140 Voices\u003c\/li\u003e \u003cli\u003eAL-1: 80 Voices\u003c\/li\u003e \u003cli\u003eCX-3: 200 Voices\u003c\/li\u003e \u003cli\u003eSTR-1: 40 Voices\u003c\/li\u003e \u003cli\u003eMOD-7: 52 Voices\u003c\/li\u003e \u003cli\u003eMS-20EX: 40 Voices\u003c\/li\u003e \u003cli\u003ePolysixEX: 180 Voices\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e \u003cli\u003e\u003cem\u003e*1: In some rare cases, when using many system-intensive effects simultaneously (e.g., 14 instances of O-Verbs), polyphony may be slightly reduced.\u003c\/em\u003e\u003c\/li\u003e \u003cli\u003e\u003cem\u003e*2: A portion of the multicore processor in NAUTILUS is dedicated to voice generation and a portion to effects. NAUTILUS dynamically allocates processing power between generators as needed. The stated maximum number of voices applies when 100% of the processing power is dedicated to a single generator.\u003c\/em\u003e\u003c\/li\u003e \u003cli\u003e\u003cem\u003e*3: 100 Dual-Stereo Voices are equivalent to 400 Mono Voices\u003c\/em\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePreset PCM - \u003c\/strong\u003e496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInternal PCM Sound Libraries:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eEXs301: German2 D Piano\u003c\/li\u003e \u003cli\u003eEXs302: Italian F Piano\u003c\/li\u003e \u003cli\u003eEXs303: Japanese Upright U Piano\u003c\/li\u003e \u003cli\u003eEXs304: Prepared Piano\u003c\/li\u003e \u003cli\u003eEXs305: Historical Keyboards\u003c\/li\u003e \u003cli\u003eEXs306: Vintage Keyboards 2\u003c\/li\u003e \u003cli\u003eEXs307: Strings \u0026 Synths\u003c\/li\u003e \u003cli\u003eEXs308: Guitar Collection\u003c\/li\u003e \u003cli\u003eEXs309: Bass Collection\u003c\/li\u003e \u003cli\u003eEXs310: World Essence\u003c\/li\u003e \u003cli\u003eEXs311: Background Loops\u003c\/li\u003e \u003cli\u003eEXs312: SFX \u0026 Hits\u003c\/li\u003e \u003cli\u003eEXs313: Found Percussions\u003c\/li\u003e \u003cli\u003eEXs314: Expansion Drums\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePCM RAM Capacity: \u003c\/strong\u003eApprox. 2GB *4\u003c\/p\u003e\u003cp\u003e\u003cem\u003e*4: Available memory for Samples changes depending on the use of expansion PCM libraries and User Sample banks. Approximately 760 MB are available from the factory (when loading the file named “PRELOAD.KSC”).\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWave Sequences: \u003c\/strong\u003e598 User memory, 377 Preload - Support Stereo multisamples, single note synchronization, and Tempo-based (BPM) settings.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[SGX-2 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePremium Piano:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eChromatic sampling of all 88 piano keys across 12 Velocity levels, without Loops.\u003c\/li\u003e \u003cli\u003eReproduction of: Damper resonance and mechanical noises (pedals, key releases).\u003c\/li\u003e \u003cli\u003eSupports the Sample: Una Corda sample\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePCM: \u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eEXs301 – German2 D Piano -12 Velocity levels, recording environment adjustment\u003c\/li\u003e \u003cli\u003eEXs302 – Italian F Piano - 12 Velocity levels – No Una Corda\u003c\/li\u003e \u003cli\u003eEXs303 – Japanese Upright U Piano - 8 Velocity levels\u003c\/li\u003e \u003cli\u003eExs304 – Prepared Piano – 1 to 4 Velocity levels\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePiano Types: \u003c\/strong\u003e28\u003c\/p\u003e\u003cp\u003e(With Factory settings, 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. This option must be downloaded. (They will be released later.)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGeneration Control: \u003c\/strong\u003eDamper Resonance, Damper Noise, Mechanical Noise, Note Release, Modeled String Resonance, Una Corda.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[EP-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e \u003cli\u003e\u003cstrong\u003eMDS Electric Piano: \u003c\/strong\u003eReproduces typical electric pianos: Tine and Reed through Multi-Dimensional Synthesis (MDS) technology, and vintage effects.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eElectric Piano Models:\u003c\/strong\u003e 7 Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eGeneration Control: \u003c\/strong\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eControl Panel: \u003c\/strong\u003eTine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive) Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eEffect Types: \u003c\/strong\u003e9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003e[HD-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Vector Synthesis: \u003c\/strong\u003eControl of oscillator volume, synthesis parameters, and effects via Vector Joystick and Tempo-synchronized Vector Envelope.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003c\/li\u003e \u003cli\u003eDouble mode: allows two independent synthesis channels to be overlaid, each with its own: oscillators, filters, EG, LFO, etc.\u003c\/li\u003e \u003cli\u003eDrums: 1 Drum Kit, Double Drums: 2 Drum Kits.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eOscillators: \u003c\/strong\u003e8 Velocity Zones per oscillator, with Switching, Crossfades and Layering - each zone can play mono or stereo Multi samples or Wave Sequences\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003eTwo multi-mode filters per voice: low-pass, high-pass, band-pass and band-reject), 4 different filter routings: single, serial, parallel and 24dB mode)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEQ: 3\u003c\/strong\u003e Bands, with Sweepable Midranges\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDriver: \u003c\/strong\u003eNon-linear Driver and Low Boost circuits for each voice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e3 Envelope Generators, 2 LFO per voice, Common LFO, 4 Key Tracking Generators, AMS (Alternate Modulation Source), 2 AMS Mixers\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFunctions: Quick Layer\/Split \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e[EXi Program Common]\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Vector Synthesis: \u003c\/strong\u003eControl of oscillator volume, synthesis parameters, and effects via Vector Joystick and Tempo-synchronized Vector Envelope.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEQ: \u003c\/strong\u003e3 Bands, with Sweepable Midranges\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[AL-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eOscillators: \u003c\/strong\u003eUltra-low-aliasing Oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Input: \u003c\/strong\u003eExternal audio sources can be processed through: Ring Modulator, Filter, Driver, Amp, and EQ\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003e2 multi-mode filters: low-pass, high-pass, band-pass and band-reject. 4 types of Routings: single, serial, parallel and 24dB mode), Mode: Multi Filter only Filter-A; a modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDriver: \u003c\/strong\u003eNon-linear Driver and Low Boost circuits for each voice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e5 Envelope Generators, 4 LFO per voice, 2 AMS Mixers; Step Sequencer Per voice.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQuick Layer \/ Split Function \u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[CX-3 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eTonewheel Organ Modeling: \u003c\/strong\u003ePhase-synchronous tonewheels, clean and vintage models, percussion, key click, wheel brake\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEX Mode: \u003c\/strong\u003e4 additional user-specified Drawbars, expanded percussion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInternal Effects: \u003c\/strong\u003eRotary Speaker, Vibrato\/Chorus, Amp Modeling with Overdrive, 3-Band EQ\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDrawbar Control: \u003c\/strong\u003eFrom the TouchView Display\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSplit: \u003c\/strong\u003eUpper, Lower (Also in EX mode)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulation: \u003c\/strong\u003e2 AMS Mixers\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[STR-1 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePhysically Modeled String: \u003c\/strong\u003ePhysical modeling of: damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters are controllable in real time.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eString Excitation: \u003c\/strong\u003e3 different excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 Preset “pluck” types with modulation and randomization. Noise generator with saturation and dedicated Low Filter.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePCM Oscillators: \u003c\/strong\u003eUltra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcitation Filter: \u003c\/strong\u003eDedicated 2-pole multimode filter, for modeling the string exciter. The filter can be activated\/deactivated separately for each excitation source. Modes: Low Pass, High Pass, Band Pass, and Band Reject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Input Audio and Feedback:\u003c\/strong\u003e real-time audio can be passed through the string, including Feedback also through effects. Feedback includes distance and orientation from instrument to amplifier, both modulatable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003e2 Multi-mode Filters per voice; configurations: Single, Serial, Parallel (with Stereo Split output), and 24dB (4-pole). Modes: Low Pass, High Pass, Band Pass, and Band Reject.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMulti Filter Mode (Filter A Only). \u003c\/strong\u003eA modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulations: \u003c\/strong\u003e5 Envelopes, 4 LFO per voice, 2 Key Track Generators, String Tracking Generators, 4 AMS Mixers.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e[MOD-7 Program]\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eWaveshaping VPM Synthesizer: \u003c\/strong\u003eCombines: Variable Phase Modulation (VPM), Waveshaping Ring Modulation, PCM Sample Playback, and Subtractive Synthesis; Capable of converting SYX type files.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOscillators - 6 VPM\/Waveshaper\/Ring Modulation: \u003c\/strong\u003ePhase and Pitch Modulation for each oscillator. 101 Waveshaper Tables plus modulatable Drive and Offset. Possibility of use: as oscillators, Waveshapers or Ring Modulators for other signals.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePCM Oscillators: \u003c\/strong\u003eUltra-Low-Aliasing technology like HD-1; 4 Velocity Zones per oscillator; any mono Multisamples can be used, including: ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Inputs: \u003c\/strong\u003epossibility of processing real-time audio through VPM oscillators and filters.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFilters: \u003c\/strong\u003eDual Multi-Mode filter per voice. Modes: Low Pass, High Pass, Band Pass, and Band Reject, 2 types of Filter Looping: Parallel and 24 dB “4-Pole”)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMulti Filter Mode (Filter A Only): \u003c\/strong\u003eA modulatable mix of: Low Pass, High Pass, Band Pass, and Dry Input, to create a wide variety of unique filters and effects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePatch Panel: \u003c\/strong\u003eSupports: 78 types of preset algorithms and Free Patching (free connection). 3 Mixers: 2-in\/1-out for audio processing, fully modulatable, with Phase Inversion.\u003c\/p\u003eMain Mixer 6-Input Stereo, with modulable pan and volume, plus Phase Inversion.\n\n**Modulations:** 10 Envelopes, 4 LFO per voice, 9 Key Tracking Generators, Step Sequencer per voice, 4 Standard AMS Mixers plus 4 simple AMS Mixers.\n\n### **[MS-20EX Program]**\n\n**Oscillators:** Ultra-low-aliasing Oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\n\n**Audio Inputs:** Audio signals can be processed through the synthesis engine and ESP (External Signal Processor)\n\n**Filters:** 12dB\/octave High Pass and Low Pass self-oscillating\n\n**ESP Section:** 24dB\/octave Low Cut and High Cut filters, available per voice.\n\n**Patch Panel:** Patchable Audio and modulation, Audio Rate\n\n**Patch Points:**\n*   **Keyboard:** Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\n*   **VCO:** VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\n*   **VCF:** External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\n*   **VCO+VCF:** Total External Modulation In\n*   **VCA:** External Initial Gain Control In, VCA In\n*   **EG:** EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\n*   **MG:** Triangle Out, Rectangle Out\n*   **Noise Generator:** Pink Noise Out, White Noise Out\n*   **Sample and Hold:** Clock Trigger In, Sample Signal In, S\/H Out\n*   **Modulation VCA:** Control Voltage In, Signal In, Signal Out\n*   **Manual Controller:** Control Wheel Out, Momentary Switch\n*   **ESP:** Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\n*   **Other:** EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\n\n**ESP (External Signal Processor):** Uses input audio as Trigger and\/or CV source.\n\n**Modulations:** Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026 2, original MG (with MIDI sync), Sample-and-Hold, MVCA, NAUTILUS: 4 additional multi-stage envelopes, 4 additional LFOs per voice, and 4 AMS Mixers.\n\n### **[PolysixEX Program]**\n\n**Oscillators:**\n*   **VCO:** Saw, Pulse, PWM\n*   **Sub Oscillator:** Off, 1 octave below, 2 octaves below\n\n**Filter:** 24dB (4-Pole) Octave Low Pass with self-oscillation\n\n**Effects:** Built-in Polysix Chorus, Phaser, and Ensemble\n\n**Arpeggiator:** Built-in MIDI-syncable Arpeggiator, with adjustable Range, Mode, and Latch\n\n**Modulations:** Polysix: original ADSR EG and MG (with MIDI sync). NAUTILUS: 2 additional multi-stage envelopes, 2 additional LFOs per voice, and 4 AMS Mixers.\n\n### **[Combination]**\n\n**Number of Timbres, Master Keyboard functions:** Max. 16\n*   Uses up to 16 programs in: Keyboard \u0026 Velocity Splits, Layers, and Crossfades and\/or control of external MIDI devices.\n*   The Tone Adjust Parameter function allows you to modify Programs, while the Master Keyboard function controls external MIDI devices.\n\n**Advanced Vector Synthesis:**\n*   Controls oscillator level, synthesis parameters and effects via Vector Joystick and\n*   Vector Envelope, tempo-syncable.\n\n**Quick Layer\/Split Function**\n\n### **[Drumkit]**\n\n**System:** Assignment of Stereo\/Mono samples with 8 velocity zones per oscillator (with Crossfade functions)\n\n**[Number of Programs\/Combinations\/Drum kits]**\n*   2,560 User Program Memory (1,920 [1,280 HD-1+ 640 EXi] Preloaded)\n*   1,792 Combinations User Memory (256 Preloaded)\n*   264 Drum Kits User Memory (104 Preloaded)\n*   256 GM Level2 Programs Preset + 9 GM Level 2 Drum Programs Preset\n\n### **[Set List]**\n\n**Number of Set Lists\/Slots:** 128 Set Lists, 128 Slots per each Set List - Each Set List has a **9-band Graphic EQ**, and for each Slot the following functions are available: Tone Adjust which regulates Program settings, Transpose, Hold Time for SST (Smooth Sound Transition).\n\n### **[Sampling]**\n\n**System:** Open Sampling System (Resampling, In-Track Sampling)\n\n**Bit Resolution \/ Sampling Frequency:**\n*   RAM: 16-bit\/48 kHz Stereo\/Mono Sampling\n*   DISK: 16 or 24-bit\/48 kHz\n\n**Sampling Times:**\n*   RAM: Depends on the amount of available PCM RAM\n*   DISK: 80 minutes Stereo Max. (879MB: 16bit)\n\n**Sample Locations:** 16,000 Samples\/4,000 Multisamples (128 index per Multisample)\n\n**Formats:** KORG, AKAI S1000\/S3000 data (with \"Advanced Program Parameter Conversion\"); SoundFont 2.0, AIFF, and WAVE\n\n**Editing:** Time Stretch, Time Slice, Crossfade Loop, and other Standard Audio Editing functions.\n\n**[Effects]**\n*   **Insert Effects:** 12 - Stereo in \/ stereo out\n*   **Master Effects:** 2 - Stereo in \/ stereo out\n*   **Total Effects:** 2 - Stereo in \/ stereo out\n*   **Timbre EQ:** a 3-band EQ for each Timbre\/Track\n\n**Effect Types:** 197\n\n**Modulations:** Dynamic Modulation and Common LFO\n\n**Effect Control Busses:** Stereo Side-Chaining for: compressors, gates, vocoders, etc.\n\n**Effect Presets:** 783 total Presets, Max. 32 for each effect (User Preset)\n\n**[Arpeggiator]**\n\n**Arpeggiator Modules:** 1 module in Program mode, 2 modules in Combination and Sequencer mode\n\n**Arpeggio Pattern:** 5 presets + ARP A 2,048 Slots (1,593 Preload) + ARP B 128 slots\n\n**Controls:** On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\n\n### **[Drum Track]**\n\n**Drum Track Patterns:** 1,272 Preset (Common with MIDI Sequencer Preset Patterns)\n*   1,000 User Patterns\n*   Patterns created on the Sequencer can be converted into Drum Track User Patterns.\n*   Trigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo can be set.\n\n### **[Sequencer\/HDR]**\n\n**Tracks:** 16-track MIDI Sequencer + 16-track Audio (Hard Disk Recorder) + 1 Master Track.\n*   **Number of Songs:** 200 Songs\n*   **Resolution:** 1\/480\n*   **Tempo:** 40.00 – 300.00 (1\/100 BPM resolution)\n*   **Memory Capacity:** 400,000 MIDI events or 300,000 Audio events\n*   **MIDI Tracks:** 16 Tracks + 1 Master Track, 697 Preset \/ 100 User Patterns (per Song), 18 Preset\/16 User Template Songs\n*   **Formats:** KORG (NAUTILUS, KRONOS, OASYS), SMF formats 0 and 1.\n\n**Audio Tracks:** 16- Track Playback, 4- Track simultaneous recording, Format: WAV file 16bit\/24bit.\n*   **Maximum recording time for a single audio file (Mono):** 80 minutes\n*   **Automation:** Volume, Pan, EQ, Send1\/2; 10,000 Regions (max.), Event Anchors, BPM adjustment\n*   **RPPR (Realtime Pattern Play \u0026 Record):** 1 Pattern Set Per Song\n*   **Function: Auto Song Setup**\n\n### **[General]**\n\n**Disk Mode:** Load, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\n\n**Controls:** Joystick, Switches 1 \u0026 2\n\n**Arpeggiator Controls:** On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\n\n**DRUM TRACK:** On\/Off, Swing, Drum SD, Tempo\n\n**Display:** \"TouchView\" graphical User Interface, 7-inch color TFT, WVGA (800 x 480), adjustable brightness\n\n### **General Specifications:**\n*   **Frequency Response:** 20Hz-22kHz, +\/-1.0dB, 10k Ω load\n*   **THD+N:** 20Hz-22kHz, 0.01%, 10k Ω load (typical)\n*   **S\/N:** 95dB (typical)\n*   **Dynamic Range:** 95dB (typical)\n*   **Crosstalk**: 95dB, at 1kHz (typical)\n\n**Outputs: L\/MONO, R, Individual 1-4:** 1\/4” TRS Balanced\n*   Output Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\n*   Nominal Level: +4.0 dBu,\n*   Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\n\nThe Slider: MAIN VOLUME only controls AUDIO OUTPUT (MAIN) L\/MONO and R\n\n**Headphones:** 1\/4” stereo phone jack\n*   Output Impedance: 33 Ω,\n*   Maximum Level: 60+60 mW (when load impedance is 33 Ω),\n*   MAIN VOLUME knob (connected to: AUDIO OUTPUT (MAIN))\n\n**USB-B:** 24-bit, Sampling Frequency: 48 kHz, 2 Audio Channels - (Digital signal of outputs: AUDIO OUTPUT (MAIN) L\/MONO and R)\n\n**Inputs - Audio Inputs 1 \u0026 2:** 1\/4” TRS Balanced\n*   Input Impedance: 10 kΩ\n*   Nominal Level: LINE +4 dBu\n*   Maximum Level: LINE +16 dBu\n*   Nominal Level: MIC –22 dBu\n*   Maximum Level: MIC -10 dBu\n*   Source Impedance: 600 Ω\n\n**USB-B:** 24-bit, Sampling Frequency: 48 kHz, 2 Audio Channels\n\n**Control Inputs:** Damper pedal (Half Damper supported), Assignable Switch, Assignable Pedal\n\n**MIDI:** In, Out, Thru (DIN)\n\n**USB:**\n*   USB A (TYPE A): for connecting USB devices such as: QWERTY keyboard, MIDI controllers, ethernet adapters, mass storage devices\n*   USB B (TYPE B): Audio\/MIDI Interface, MIDI: 1 (16 channels) input \/ 1 (16 channels) output, Audio: 2 channels input \/ 2 channels output\n*   *2 High-Speed USB ports (supports 480Mbps)\n\n**Disk Drives:** 60 GB SSD (2.5”)\n\n**Power Supply:** AC power terminal, Switch\n\n**Dimensions: (W x D x H):**\n*   **NAUTILUS 88 Keys:** 1,437 x 387 x 139 mm \/ 56.57” x 15.24” x 5.47”\n\n**Weight:**\n*   **NAUTILUS 88**: **23.1 kg** \/ 50.93 lbs.\n\n**Power Consumption:** 40 W\n\n**Included Accessories:** AC power cable, Quick Start Guide\n\n### **[Optional Accessories]**\n\n**== Hardware ==**\n*   XVP-20: Expression\/Volume Pedal\n*   EXP-2: Foot Controller\n*   DS-1H: Damper Pedal\n*   PS-1: Pedal Switch\n*   PS-3: Pedal Switch","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003640287577,"sku":"C1280200367","price":1846.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/30-korg-nautilus-88-c1280200367_0.jpg?v=1778127870"},{"product_id":"rk-100s2-blk-c1280200379","title":"Korg RK-100S2-BLK","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKORG RK-100S 2-BLK \u003c\/strong\u003eis the \u003cstrong\u003eKeytar, \u003c\/strong\u003ethe shoulder keyboard ideal for the keyboardist who wants to stand out on stage. Compact and lightweight with a \u003cstrong\u003eSlim 37-key\u003c\/strong\u003e velocity-sensitive keyboard, physical modeling generator with \u003cstrong\u003e200\u003c\/strong\u003e punchy and modern synth \u003cstrong\u003esounds\u003c\/strong\u003e, dual \u003cstrong\u003eRibbon\u003c\/strong\u003e controller, \u003cstrong\u003eVocoder\u003c\/strong\u003e, battery operation and MIDI control; programmable via the dedicated editor librarian. \u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eDiscover the main sounds and functions of the RK-100S 2-BLK in this Italian video\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CS8ydW5iy54\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003e\u003cstrong\u003eKey features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e2 types of translucent finishes \u003cstrong\u003eBLK: Black \u003c\/strong\u003eand \u003cstrong\u003eRED: Red \u003c\/strong\u003ewith wood grain.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eNew Programs \u003c\/strong\u003eparticularly effective for solos.\u003c\/li\u003e \u003cli\u003eSlim (thin) 37-note keyboard with excellent playability.\u003c\/li\u003e \u003cli\u003eTwo ribbon controllers expand expressive potential.\u003c\/li\u003e \u003cli\u003eLong-lasting battery operation.\u003c\/li\u003e \u003cli\u003eVocoder function.\u003c\/li\u003e \u003cli\u003eMIDI control functions.\u003c\/li\u003e \u003cli\u003eA complete range of accessories including a soft case\u003c\/li\u003e \u003cli\u003eFree Editor Librarian to modify or create your personal sounds.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eDesign and finishes of RK-100S 2-BLK\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eOne element immediately noticeable on \u003cstrong\u003eRK-100S 2-BLK\u003c\/strong\u003e is the elegance of its compact and thin design, inspired by the world of guitarists; the body of this Keytar is made of real natural wood with a transparent finish that highlights the grain, with attention to detail very close to the world of lutherie.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e* \u003cem\u003eSince the body of this instrument uses natural wood, \u003c\/em\u003e\u003cem\u003eindividual differences in the appearance \u003c\/em\u003e\u003cem\u003eand grain of the wood should be taken into account.\u003c\/em\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe sounds of RK-100S 2-BLK\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eOn the \u003cstrong\u003eRK-100S 2-BLK, \u003c\/strong\u003ethe internal Programs have been significantly expanded, with particular attention to Lead Synth sounds or other solo sounds that particularly highlight the musician. Many modern sounds frequently used in the current music scene have been included, with \u003cstrong\u003e200 Presets\u003c\/strong\u003e already ready to use and able to satisfy all genres and styles. The overall sound of the instrument is dynamic and always clearly present in any mix. Thanks to the \u003cstrong\u003eFAVORITE \u003c\/strong\u003ebuttons on the top panel, it is possible to immediately select all the Presets needed for our Live Performance; a versatile arpeggiator with numerous Patterns is also available.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eDedicated Editor\/Librarian for PC\/Mac environment of RK-100S 2-BLK\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003ecan be completely reprogrammed according to personal artistic needs using the dedicated Editor\/Librarian, which also allows data exchange between users and the loading of new sound libraries.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/synth-tastiera\/korg\/rk100s2rd\/download\"\u003eClick here to download the RK-100S 2 editor for free\u003c\/a\u003e\u003c\/strong\u003e\u003c\/h3\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe \u003cem\u003eSlim\u003c\/em\u003e (thin) Keyboard\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003euses a 37-note \u003cem\u003eSlim\u003c\/em\u003e (thin) keyboard, designed without compromise to achieve maximum playability and keep the instrument's weight and size to a minimum.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe two ribbon controllers of RK-100S 2-BLK\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003ehas two ribbon controls: \u003cstrong\u003eRibbon Controllers \u003c\/strong\u003ethat modify certain sound parameters in real time. The shorter ribbon located in the neck area controls \u003cstrong\u003ePitch Bend\u003c\/strong\u003e and \u003cstrong\u003emodulation\u003c\/strong\u003e, while the longer one positioned in the keyboard area controls \u003cstrong\u003ePitch\u003c\/strong\u003e or \u003cstrong\u003eFilter\u003c\/strong\u003e. In this way, the performer can create, for example, \u003cem\u003eSweeps\u003c\/em\u003e of these parameters according to their inspiration or the musical needs of the moment. With the long ribbon, it is also possible to control the pitch of the sounds as an alternative to the keyboard, thus providing considerable room for experimentation or unconventional performances.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"KORG RK-100S 2-BK is compact and lightweight compared to other similar products, allowing the performer to move freely on stage\" src=\"\/images\/uploads\/\/RK100S2_Product_Page_01.jpg\" title=\"KORG RK-100S 2-BK is compact and lightweight compared to other similar products, allowing the performer to move freely on stage\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003ecan be powered by six AA batteries, which provide up to 8 hours of continuous operation. Once powered, simply connect the instrument to headphones or a listening system and you can immediately start playing without worrying about power cables, which is very useful and efficient on a live stage. Of course, if necessary, an AC adapter (optional) can also be used.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Vocoder of KORG RK-100S 2-BLK\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK is \u003c\/strong\u003eequipped with an input with a \u003cstrong\u003emini Jack\u003c\/strong\u003e (mono) connector for connecting a microphone to obtain the characteristic synthetic \u003cstrong\u003eVocoder\u003c\/strong\u003e timbre, an element that can further characterize any live performance. The input can also be used to connect an external sound source such as a smartphone, to be used as a player for backing tracks.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eMIDI control functions\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003ehas extensive connections such as the MIDI OUT port and USB, which allow it to be used to control external units such as hardware sound modules, or virtual instruments on computers.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong\u003eRK-100S 2-BLK \u003c\/strong\u003ecomes with a useful set of accessories: a strap, a dedicated soft case for transport, and an adhesive logo.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe RK-100S 2-BLK is available in two colors: Red: \u003ca href=\"https:\/\/www.algameko.com\/it\/tastiere-pianoforti\/korg\/rk100s2rd\"\u003eKORG RK-100S 2 -RED\u003c\/a\u003e and Black: RK-100S 2-BLK \u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"KORG RK-100S 2-BK is made of high-quality and durable material with elegant and distinctive finishes on every stage\" src=\"https:\/\/www.algameko.com\/images\/uploads\/RK100S2_Product_Page_03.jpg\" title=\"KORG RK-100S 2-BK is made of high-quality and durable material with elegant and distinctive finishes on every stage\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKORG RK-100S 2-BLK Technical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cstrong\u003eFinishes\u003c\/strong\u003e: Translucent Black, Translucent Red\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eKeyboard\u003c\/strong\u003e: 37-keys (\u003cem\u003eSlimkey\u003c\/em\u003e, Velocity sensitive, no aftertouch)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eSound Generation System\u003c\/strong\u003e: MMT (Multiple Modeling Technology)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eProgram - \u003c\/strong\u003eNumber of Timbres: 2 Max. (using Layer, Split, Multi modes)\u003c\/li\u003e \u003cli\u003ePolyphony: 8 voices Max. (4 voices using Vocoder)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eSynth\u003c\/strong\u003e: 2 oscillators + Noise Generator\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eOscillator 1\u003c\/strong\u003e: Waveform: SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, PCM\/DWGS, AUDIO IN\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e: WAVEFORM, CROSS, UNISON, VPMModulation: WAVEFORM, CROSS, UNISON, VPM\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eOscillator 2\u003c\/strong\u003e: Waveform: SAW, PULSE, TRIANGLE, SINE\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e: RING, SYNC, RING+SYNC\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eWave shaping\u003c\/strong\u003e: WS type: DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eMulti-mode filters\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003eFilter 1: -24 dB\/oct LPF–-12 dB\/oct LPF–HPF–BPF–Thru\u003c\/li\u003e \u003cli\u003eFilter 2: LPF, HPF, BPF F\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eVocoder\u003c\/strong\u003e: 16-band, adjustable Level and Pan for each frequency band, functions: Formant Shift, Formant Hold\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eTimbres\u003c\/strong\u003e: 2-band EQ\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eMaster Effects\u003c\/strong\u003e: 17 types\u003c\/li\u003e \u003cli\u003eArpeggiator: UP, DOWN, ALT1\/2, Random, Trigger (6 types), function: Step Arpeggiator\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003ePrograms\u003c\/strong\u003e: 200 programs\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eAudio Input\/Output: Input\u003c\/strong\u003e: Input jack (Mono dynamic mic, Line input) - * \u003cem\u003eIntended for a mono dynamic microphone that does not require phantom power, this input can also be used as a line input\u003c\/em\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eInput select switch\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eMIC1: Mic (Unpowered) [Gain Low]\u003c\/li\u003e \u003cli\u003eMIC2: Mic (Unpowered) [Gain High]\u003c\/li\u003e \u003cli\u003eLINE: Line Input (mono L-ch input)\u003c\/li\u003e \u003cli\u003eConnector: Mini Mono Jack\u003c\/li\u003e \u003cli\u003eOutput: Output jack (Headphone, Stereo, Line out)\u003c\/li\u003e \u003cli\u003eMaximum output: 25mW + 25mW @ 33 ohms load\u003c\/li\u003e \u003cli\u003eConnector: \u0026phi;6.3 mm, Stereo Phone Jack\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eMIDI: OUT (DIN)\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUSB\u003c\/strong\u003e: Type B\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e: 7-segment LEDs, 3 digits\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e: 6 x AA batteries (alkaline or nickel-metal hydride), AC Adapter (DC 9 V) Optional - Battery life: approximately 8 hours (with alkaline batteries)\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e: 838 \u0026times; 263 \u0026times; 72 mm \/ 32.99\" \u0026times; 10.35\" \u0026times; 2.87\"\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 3.15 kg \/ 6.94 lbs.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e: Manual, Sticker, Strap, Soft Case\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eAccessories \u003c\/strong\u003e(sold separately): AC Adapter (DC 9 V)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cem\u003e* All product, company and standard names are trademarks or registered trademarks of their respective owners.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003e* Product appearance and specifications are subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003640353113,"sku":"C1280200379","price":702.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/30-korg-rk-100s2-blk-c1280200379_0.jpg?v=1778127886"},{"product_id":"rk-100s2-rd-c1280200381","title":"Korg RK-100S2-RD","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKORG RK-100S 2-RD \u003c\/strong\u003eis the ideal \u003cstrong\u003eKeytar \u003c\/strong\u003efor keyboardists who want to stand out on stage, compact and lightweight with a 37-key slim velocity-sensitive keyboard, 200 incisive and modern synth sounds, dual Ribbon controller, Vocoder, battery operation, and MIDI control; programmable via the dedicated editor librarian. \u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eDiscover the main sounds and functions of RK-100S 2-RD in this Italian video\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CS8ydW5iy54\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD Key Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e2 types of translucent finishes \u003cstrong\u003eRD: Black \u003c\/strong\u003eand \u003cstrong\u003eRED: Red \u003c\/strong\u003ewith wood grain.\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eNew Programs\u003c\/strong\u003e particularly effective for solos.\u003c\/li\u003e     \u003cli\u003e37-note slim keyboard with great playability.\u003c\/li\u003e     \u003cli\u003eTwo ribbon controllers expand expressive potential.\u003c\/li\u003e     \u003cli\u003eLong-lasting battery operation.\u003c\/li\u003e     \u003cli\u003eVocoder function.\u003c\/li\u003e     \u003cli\u003eMIDI control functions.\u003c\/li\u003e     \u003cli\u003eA complete range of included accessories, including a soft case\u003c\/li\u003e     \u003cli\u003eFree Editor Librarian to edit or create your personal sounds.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eDesign and finishes of RK-100S 2-RD\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eOne element immediately noticeable on \u003cstrong\u003eRK-100S 2-RD\u003c\/strong\u003e is the elegance of its compact and slim design, inspired by the world of guitarists; the body of this Keytar is made of real natural wood with a transparent finish that highlights its grain, with attention to detail very close to the world of lutherie.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e* \u003cem\u003eSince the body of this instrument uses natural wood, \u003c\/em\u003e\u003cem\u003eany individual differences in appearance \u003c\/em\u003e\u003cem\u003eand wood grain should be taken into account.\u003c\/em\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSounds of RK-100S 2-RD\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eOn \u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ethe internal Programs have been significantly expanded, with particular attention to Lead Synth sounds or other solo sounds that particularly highlight the musician. Many modern sounds frequently used in the current music scene have been included, with \u003cstrong\u003e200 Presets\u003c\/strong\u003e ready for use, capable of satisfying all genres and styles. The overall sound of the instrument is dynamic and always clearly audible in any mix. Thanks to the \u003cstrong\u003eFAVORITE \u003c\/strong\u003ebuttons on the top panel, it is possible to immediately select all the Presets needed for a Live Performance, and a versatile arpeggiator with numerous Patterns is also available.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eDedicated Editor\/Librarian for PC\/Mac environment of RK-100S 2-RD\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ecan be completely reprogrammed according to personal artistic needs using the dedicated Editor\/Librarian, which also allows data exchange between users and the loading of new sound libraries.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/synth-tastiera\/korg\/rk100s2rd\/download\"\u003eClick Here to download the RK-100S 2 editor for free\u003c\/a\u003e\u003c\/strong\u003e\u003c\/h3\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Slim Keyboard\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003euses a 37-note \u003cem\u003eSlim\u003c\/em\u003e keyboard, made without compromise to achieve maximum playability and minimize the instrument's weight and dimensions.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe two ribbon controllers of RK-100S 2-RD\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ehas two ribbon controls: \u003cstrong\u003eRibbon Controller \u003c\/strong\u003ethat modify certain sound parameters in real time. The shorter Ribbon located in the neck area controls \u003cstrong\u003ePitch Bend\u003c\/strong\u003e and \u003cstrong\u003emodulation\u003c\/strong\u003e, while the longer one located in the keyboard area controls \u003cstrong\u003ePitch\u003c\/strong\u003e or \u003cstrong\u003eFilter\u003c\/strong\u003e. This allows the performer to create, for example, \u003cem\u003eSweeps\u003c\/em\u003e of these parameters according to their inspiration or the musical needs of the moment. With the long Ribbon, it is also possible to control the pitch of sounds as an alternative to the keyboard, thus providing considerable room for experimentation or unconventional performances.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"KORG RK-100S 2-BK is compact and lightweight compared to other similar products, allowing the performer to move freely on stage\" src=\"\/images\/uploads\/\/RK100S2_Product_Page_01.jpg\" title=\"KORG RK-100S 2-BK is compact and lightweight compared to other similar products, allowing the performer to move freely on stage\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ecan be powered by six AA batteries, providing up to 8 hours of continuous operation. Once powered, simply connect the instrument to headphones or a listening system and you can immediately start playing without worrying about power cables, which is very useful and efficient on a live stage. Of course, an AC adapter (optional) can also be used if needed.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Vocoder of KORG RK-100S 2-RD\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003eis equipped with an input with a \u003cstrong\u003emini Jack\u003c\/strong\u003e (mono) connector for connecting a microphone to achieve the characteristic synthetic \u003cstrong\u003eVocoder\u003c\/strong\u003e timbre, an element that can further characterize any live performance. The input can also be used to connect an external sound source such as a smartphone, to be used as a player for backing tracks.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eMIDI control functions\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ehas extensive connections such as a MIDI OUT port and USB, which allow it to be used to control external units such as hardware sound modules, or virtual instruments on computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD \u003c\/strong\u003ecomes with a useful set of accessories: a strap, a dedicated soft case for transport, and an adhesive logo.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRK-100S 2-RD is available in two colors Red: \u003ca href=\"https:\/\/www.algameko.com\/it\/tastiere-pianoforti\/korg\/rk100s2rd\"\u003eKORG RK-100S 2 -RED\u003c\/a\u003e and Black: RK-100S 2-BLK \u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"KORG RK-100S 2-BK is made of high quality and durable material with elegant and distinctive finishes on every stage\" src=\"https:\/\/www.algameko.com\/images\/uploads\/RK100S2_Product_Page_03.jpg\" title=\"KORG RK-100S 2-BK is made of high quality and durable material with elegant and distinctive finishes on every stage\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKORG RK-100S 2-RD Technical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003eFinishes\u003c\/strong\u003e: Translucent Black, Translucent Red\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eKeyboard\u003c\/strong\u003e: 37-keys (\u003cem\u003eSlimkey\u003c\/em\u003e, velocity-sensitive, no aftertouch)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eSound Generation System\u003c\/strong\u003e: MMT (Multiple Modeling Technology)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eProgram - \u003c\/strong\u003eNumber of Timbres: 2 Max. (using modes: Layer, Split, Multi)\u003c\/li\u003e     \u003cli\u003ePolyphony: 8 voices Max. (4 voices using the Vocoder)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eSynth\u003c\/strong\u003e: 2 oscillators + Noise Generator\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eOscillator 1\u003c\/strong\u003e: Waveform: SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, PCM\/DWGS, AUDIO IN\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e: WAVEFORM, CROSS, UNISON, VPMModulation: WAVEFORM, CROSS, UNISON, VPM\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eOscillator 2\u003c\/strong\u003e: Waveform: SAW, PULSE, TRIANGLE, SINE\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e: RING, SYNC, RING+SYNC\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eWave shaping\u003c\/strong\u003e: WS type: DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eMulti-mode filters\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003eFilter 1: -24 dB\/oct LPF––12 dB\/oct LPF––HPF––BPF––Thru\u003c\/li\u003e     \u003cli\u003eFilter 2: LPF, HPF, BPF F\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eVocoder\u003c\/strong\u003e: 16-band, Level and Pan adjustable for each frequency band, functions: Formant Shift, Formant Hold\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eTimbres\u003c\/strong\u003e: 2-band EQ\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eMaster Effects\u003c\/strong\u003e: 17 types\u003c\/li\u003e     \u003cli\u003eArpeggiator: UP, DOWN, ALT1\/2, Random, Trigger (6 types), function: Step Arpeggiator\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003ePrograms\u003c\/strong\u003e: 200 programs\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eAudio Input\/Output: Input\u003c\/strong\u003e: Input jack (Mono dynamic mic, Line input) - * \u003cem\u003eDesigned for a mono dynamic microphone that does not require phantom power, this input can also be used as a line input\u003c\/em\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eInput select switch\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eMIC1: Mic (Unpowered) [Gain Low]\u003c\/li\u003e     \u003cli\u003eMIC2: Mic (Unpowered) [Gain High]\u003c\/li\u003e     \u003cli\u003eLINE: Line Input (mono L-ch input)\u003c\/li\u003e     \u003cli\u003eConnector: Mini Mono Jack\u003c\/li\u003e     \u003cli\u003eOutput: Output jack (Headphone, Stereo, Line out)\u003c\/li\u003e     \u003cli\u003eMaximum output: 25mW + 25mW @ 33 ohms load\u003c\/li\u003e     \u003cli\u003eConnector: φ6.3 mm, Stereo Phone Jack\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eMIDI: OUT (DIN)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eUSB\u003c\/strong\u003e: Type B\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e: 7-segment LEDs, 3 digits\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e: 6 x AA batteries (alkaline or nickel-metal hydride), AC Adapter (DC 9 V) Optional - Battery life: approximately 8 hours (with alkaline batteries)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e: 838 × 263 × 72 mm \/ 32.99\" × 10.35\" × 2.87\"\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 3.15 kg \/ 6.94 lbs. (batteries included)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e: Manual, Sticker, Strap, Soft Case, 6 AA alkaline batteries (for checking operation)\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eAccessories \u003c\/strong\u003e(sold separately): AC Adapter (DC 9 V)\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cem\u003e* All product names, company names, and standards are trademarks or registered trademarks of their respective owners.\u003cbr \/\u003e* Product appearance and specifications are subject to change without notice.\u003c\/em\u003e\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":58003640451417,"sku":"C1280200381","price":702.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_30-korg-rk-100s2-rd-c1280200381_0.jpg?v=1778127903"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/cat_synth_w27c_fp0v_s.jpg?v=1778070932","url":"https:\/\/yourmusiconline.it\/en\/collections\/sintetizzatori.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}