{"title":"SEQUENTIAL","description":"","products":[{"product_id":"prophet-6-desktop-17900001","title":"Sequential Prophet 6 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;Module version of the 6-voice polyphonic analog synth with 2 discrete VCOs and sub-oscillator. 2 VCF filters: 4-pole low pass and 2-pole high pass. 1 LFO, 2 ADSR envelopes, 2 24-bit 48kHz digital multi-effects with true-bypass, arpeggiator and 64-step polyphonic sequencer. 1000 memories, including 500 presets. Dimensions and weight: 54x18.9x11.2cm Weight: 5.9KG.\u0026lt;\/p\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003367985497,"sku":"17900001","price":2611.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-6-desktop-17900001_0.jpg?v=1778119028"},{"product_id":"ob-6-desktop-17900002","title":"Oberheim OB-6 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in this compact module version offers a unique analog sound, born from the collaboration between \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e and \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. 2 discrete oscillators per voice and a 2-pole filter derived from the SEM project are paired with two digital multi-effects, an arpeggiator, and a polyphonic sequencer. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eTwo Legends. One Instrument.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB6 is born from a momentous collaboration between two of the most influential synth designers in the history of sound synthesis: \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e. The \u003cstrong\u003eSequential OB6\u003c\/strong\u003e revives the classic bold \u003cstrong\u003eOberheim\u003c\/strong\u003e sound: true voltage-controlled oscillators, the 2-pole filter, and amplifiers, adding modern enhancements like studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No modern analog polyphonic synth can boast such a pedigree and such a massive sonic footprint.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Sound Synthesis in the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWith the\u003cstrong\u003e Sequential OB-6\u003c\/strong\u003e, you can easily create both raw and powerful sounds, as well as elegant and refined ones. This is also due to its discrete analog oscillators. The OB-6 has \u003cstrong\u003etwo VCOs\u003c\/strong\u003e, a \u003cstrong\u003ewhite-noise\u003c\/strong\u003e generator, and a \u003cstrong\u003esub-oscillator\u003c\/strong\u003e. The latter plays an octave lower than oscillator 1 and produces a square waveform. Each of these generators has a dedicated volume control in the Mixer section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eVCO 1 can generate 2 waveforms: sawtooth and pulse with variable width. VCO 2, on the other hand, generates 3 waveforms: triangle, sawtooth, and pulse, also with variable width. Both oscillators can continuously change waveforms, allowing us to obtain various nuances that will arise during the transition between one waveform and another.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOscillator 1 can be synchronized with oscillator 2 to create sharp yet harmonically rich sounds (Hard Sync). Oscillator 2 is accompanied by a \u003cstrong\u003eDetune\u003c\/strong\u003e potentiometer to vary the pitch within a ¼ tone range. The switch called \u003cstrong\u003eLow Freq\u003c\/strong\u003e is used to trigger the generation of very low frequencies and is therefore useful as an LFO or in creating drones.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSince the OB-6 has extremely stable VCOs, the \u003cstrong\u003eDetune\u003c\/strong\u003e potentiometer adds a random detuning to the oscillators to emulate the typical instability of vintage. When the \u003cstrong\u003eUnison\u003c\/strong\u003e function is on, the OB-6 behaves like a monophonic synth: it plays only one note at a time. Use it to create full and imposing basses and leads by dedicating all six voices to a single note (12 oscillators per key!). The classic \u003cstrong\u003ePoly-Chain\u003c\/strong\u003e by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e allows you to connect another OB-6 (keyboard or desktop) via MIDI to double the polyphony notes. The \u003cstrong\u003etwelve voices\u003c\/strong\u003e available in this particular configuration are also useful to avoid truncating the tail of notes in case of chords with long release times.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Filter of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6's filter is analog, two-pole (12db per octave), state-variable with Low-pass, High-pass, Notch, and Band-pass. A filter inspired by the \u003cb\u003eS.E.M. \u003c\/b\u003e(Synthesizer Expander Module) project, which was the first synthesizer created by \u003cb\u003eTom Oberheim\u003c\/b\u003e in 1974. This synthesizer's filter aroused considerable interest at the time because it was the first to provide a sound different from others on the market (Moog and Arp). Even today, the sound of this filter is re-proposed by many manufacturers of modular and keyboard synthesizers.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Effects of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eOB-6 is equipped with two high-quality \u003cb\u003eDigital Effects\u003c\/b\u003e. Reverbs, delays \u003c\/span\u003e\u003cspan lang=\"PT\"\u003e(standard and BBD), chorus, flanger, phase shifter, and faithful reproductions of \u003cb\u003eTom Oberheim\u003c\/b\u003e's ring modulator. Both have a \u003cstrong\u003e24-bit\/48kHz\u003c\/strong\u003e resolution and with the true-bypass function, they guarantee the purity of the analog path. The effects are divided into set A and B and are applied in series one after the other. Reverb is traditionally placed at the end of the chain, which is why this effect is only found in set B.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eModulations of the OB-6\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential OB-6\u003c\/strong\u003e has a modulation section called \u003cstrong\u003eX-mod\u003c\/strong\u003e. Many of the most famous sounds of the OB series were created with this section. The modulation sources are the filter envelope and oscillator 2, both with bipolar control. Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, filter Cut-Off, and filter mode: LP, HP, Notch, and BP. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIn OB-6 we find an \u003cb\u003eLFO \u003c\/b\u003ewith 5 waveforms: sine, sawtooth, rev saw, square, random. A sixth \"hidden\" one can be created by choosing Random and setting the frequency speed to maximum. This will create a \u003cb\u003eWhite Noise\u003c\/b\u003e-style waveform.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe 2 envelopes found in OB-6 are 4-stage (ADSR). The first is dedicated to the filter, the second to the VCA. The amplifier envelope was named by Tom as \u003cb\u003eLoudness Envelope\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Polyphonic Sequencer and Arpeggiator of the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe polyphonic sequencer allows storing a maximum of 64 steps and supports up to 6 notes simultaneously per step. While a sequence is playing, you can play over it with the rest of the available polyphony. You can create polyphonic sequences and synchronize them with an external MIDI clock. The programmable arpeggiator of the \u003cstrong\u003eSequential OB-6\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random successions, and in the order in which we play the notes. Synchronizable to an external \u003cstrong\u003eMIDI Clock\u003c\/strong\u003e or to the internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides configurable Re-latch and Sustain functions. The notes generated by the arpeggiator or sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe Connections of the Sequential OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAs in all instruments designed by \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003eDave Smith\u003c\/a\u003e\u003c\/strong\u003e, complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on five-pin DIN connectors and a class-compliant USB Type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI over USB connections (for example: \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003eAkai Pro MPC\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u003eForce\u003c\/a\u003e). You can connect a footswitch-type Sustain pedal (¼” TS jack), 2 expression pedals (¼” TRS jack), one for volume and one for the filter cutoff, and a footswitch for managing the on\/off of the sequencer to your \u003cstrong\u003eOB-6\u003c\/strong\u003e. As audio outputs, we find two (L and R) ¼” TS jacks and a stereo headphone output (TRS) on a ¼” jack.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eControls and Memories of the Sequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel features a potentiometer for each function and puts practically all OB-6 parameters within easy reach. 500 permanent factory programs and 500 rewritable user programs are included. Pressing the Manual button enables live panel mode, where the OB-6's sound switches to the current front panel settings. In this state, what you see is what you hear.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures of the Sequential OB-6\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cspan\u003e6-voice analog polyphonic synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003eDesktop Module Version\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e500 user and 500 factory programs\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 discrete VCOs per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eContinuously variable waveform\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSaw, variable width Pulse \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e+ Triangle on oscillator 2\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePulse width on each oscillator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSquare wave sub-oscillator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eLow Freq mode (osc 2)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eKeyboard Tracking on\/off (osc 2)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eUnison with Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePoly-Chain \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2-pole state-variable VCF (LP, HP, Notch, BP)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSR Envelopes\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eX-Mod Modulation Matrix\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e64-step Polyphonic Sequencer\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eProgrammable Arpeggiator\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 digital multi-effects, set A and set B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eAnalog Distortion\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eTrue-bypass\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB Type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4′′ TS jacks) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4′′ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e1 x 1\/4′′ TRS jack input for expression pedal\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4′′ TRS jack input for \u003c\/span\u003e\u003cspan\u003elow-pass filter\u003c\/span\u003e\u003cspan\u003e pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 x 1\/4” TS jack input for Sequencer\/Arpeggiator pedal \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eDimensions and weight: 52x19.8x11.2cm; 5.9KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eIEC connector for power cable\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eConsumption: max \u003c\/span\u003e\u003cspan\u003e30 watts\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eWalnut side panels and finish\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368083801,"sku":"17900002","price":2535.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-ob-6-desktop-17900002_0.jpg?v=1778119037"},{"product_id":"prophet-rev-2-8-voci-desktop-17900003","title":"Sequential Prophet Rev 2 8-Voice Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;Analog Synthesizer \u0026lt;strong\u0026gt;Sequential Prophet Rev 2\u0026lt;\/strong\u0026gt; in a compact \u0026lt;strong\u0026gt;desktop \u0026lt;\/strong\u0026gt;version. Bi-timbral, with \u0026lt;strong\u0026gt;8 voices of polyphony\u0026lt;\/strong\u0026gt;, 64-step polyphonic sequencer (6 notes per step), arpeggiator and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capability is extensive, thanks to the matrix of 22 sources and 53 destinations.\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;Sequential Rev 2 (keyboard) video tutorial\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;8-voice Polyphonic Analog Synthesis\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The 8 voices of \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Desktop\u0026lt;\/strong\u0026gt; are composed of \u0026lt;strong\u0026gt;2 digitally controlled analog oscillators\u0026lt;\/strong\u0026gt; (DCO). Both oscillators offer \u0026lt;strong\u0026gt;4 waveforms\u0026lt;\/strong\u0026gt;: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; are extremely stable, but if you are looking for the imprecise sound typical of vintage analog, you can use the \u0026lt;strong\u0026gt;Osc Slop \u0026lt;\/strong\u0026gt;potentiometer to gradually introduce random detuning. One of the important innovations introduced by this Rev2 is represented by the two potentiometers called \u0026lt;strong\u0026gt;Shape Mod\u0026lt;\/strong\u0026gt;. With these, you can continuously shape the amplitude and form of the generated wave on each oscillator, to access an extremely wide sonic palette. Pressing the \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; button will force oscillator 1's wave to follow oscillator 2's, thus obtaining a more complex and harmonically rich sound. An indispensable white noise generator and the \u0026lt;strong\u0026gt;Sub oscillator\u0026lt;\/strong\u0026gt;: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u0026lt;strong\u0026gt;Pan Spread\u0026lt;\/strong\u0026gt; function found in the \u0026lt;strong\u0026gt;Amplifiers\u0026lt;\/strong\u0026gt; section allows us to expand the stereo image of the generated sound by spreading the individual voices across the panorama.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; button allows you to play up to \u0026lt;strong\u0026gt;8 voices simultaneously\u0026lt;\/strong\u0026gt;, with the freedom to assign the amount of detune between each voice to help you program very full-bodied sounds. Pressing it while playing a chord will activate the \u0026lt;strong\u0026gt;Chord Memory\u0026lt;\/strong\u0026gt; function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The Sequential Prophet Rev 2 is Bi-timbral\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Sequential Prophet Rev 2\u0026lt;\/strong\u0026gt; module version with 8 voices of polyphony is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u0026lt;strong\u0026gt;Prophet Rev 2s\u0026lt;\/strong\u0026gt; at your fingertips with 8 voices of polyphony dedicated to each sound. The two \u0026lt;strong\u0026gt;Layers\u0026lt;\/strong\u0026gt; can be played in \u0026lt;strong\u0026gt;Stacked\u0026lt;\/strong\u0026gt; mode, where the two sounds are played simultaneously across the entire keyboard range, or in \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed differently for each sound, without interfering with each other: \u0026lt;strong\u0026gt;two instruments in one\u0026lt;\/strong\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Prophet Rev2 8-voice filter\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The warm, unique, and incisive sound of this prodigious synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; filter also bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u0026lt;strong\u0026gt;Audio Mod\u0026lt;\/strong\u0026gt; knob, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter cutoff to obtain movement on the harmonics of the upper part of the sound spectrum, a particularly noticeable effect when in 4-pole mode with slight values of the resonance parameter.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Waveform Modulation\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;While the sonic character of the \u0026lt;strong\u0026gt;Sequential Prophet Rev2\u0026lt;\/strong\u0026gt; \u0026lt;strong\u0026gt;8-voice Desktop\u0026lt;\/strong\u0026gt; is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u0026lt;strong\u0026gt;4 LFOs\u0026lt;\/strong\u0026gt; offer five waveforms: triangle, sawtooth, reverse sawtooth, square, and random (sample \u0026amp;amp; hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations to modulate. The \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt; section allows us to program these modulations very easily and intuitively, by pressing and touching the parameters we want to connect via Source, Destination, and Amount.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Effects of the Sequential Prophet Rev2 Desktop\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The integrated multi-effect provides one of the following effects, selectable and applicable to each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each of the Layers. For even more extreme sound design, all effect parameters can be modulated via the dedicated matrix.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Arpeggiator and Poly Step Sequencer\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The programmable arpeggiator of the \u0026lt;strong\u0026gt;Sequential Prophet Rev2\u0026lt;\/strong\u0026gt; can be configured in the classic Up, Down, Up + Down, Random progressions and in the order in which we play the notes. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The arpeggiator and Sequencer are both \u0026lt;strong\u0026gt;synchronizable to external MIDI Clock\u0026lt;\/strong\u0026gt; or to the internal \u0026lt;strong\u0026gt;Master Clock\u0026lt;\/strong\u0026gt; with Tap Tempo.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Inside the \u0026lt;strong\u0026gt;Prophet Rev 2 Desktop 8-voice\u0026lt;\/strong\u0026gt; we find a \u0026lt;strong\u0026gt;Sequencer\u0026lt;\/strong\u0026gt; with two distinct modes. The first is the \u0026lt;strong\u0026gt;Polyphonic\u0026lt;\/strong\u0026gt; mode where we can record up to \u0026lt;strong\u0026gt;64 steps with a maximum of 6 notes per step\u0026lt;\/strong\u0026gt;. This mode will allow you to create rhythmic and melodic sequences, even very complex ones. The second mode is \u0026lt;strong\u0026gt;Gated\u0026lt;\/strong\u0026gt; mode: unlike the polyphonic mode, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but will allow us to store variations of the Synth parameters step-by-step.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Controls of the Prophet Rev2 Desktop 8-voice\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The panel provides us with no less than \u0026lt;strong\u0026gt;55 potentiometers\u0026lt;\/strong\u0026gt; for immediate access to almost all instrument parameters. Included are 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is enclosed in a compact desktop module measuring 54.8x20x8.4cm and weighing 3.4KG. Among other features that make it an ideal instrument for concerts or studio recording, we note the presence of an integrated power supply and an intelligible OLED display.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Connections of the Sequential Prophet Rev2\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;On the rear panel of the \u0026lt;strong\u0026gt;Prophet Rev2\u0026lt;\/strong\u0026gt; we find a headphone output and 2 stereo audio outputs called Main\/A Output and B Output. The Main\/A output plays the sound of both layers if no cable is connected to output B. Conversely, connecting a cable to output B will separate the two audio signals of the layers and assign them to their respective outputs.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;A \u0026lt;strong\u0026gt;Pedal\/CV Input \u0026lt;\/strong\u0026gt;is used to connect a standard expression pedal (1\/4” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). Naturally, there is a 1\/4” TS jack input dedicated to a \u0026lt;strong\u0026gt;sustain pedal\u0026lt;\/strong\u0026gt; and another input called \u0026lt;strong\u0026gt;Sequencer\u0026lt;\/strong\u0026gt; intended for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru DIN format and a USB type B port for bidirectional communication with PC and Mac computers.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Sequential Prophet Rev2 Desktop 8-voice Features\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;8-voice analog synthesizer\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Bi-timbral: 8x2 layers or split \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Memories: 512 presets (4x128) + 512 user\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;55 knobs and 35 buttons\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Glide (portamento): with separate speeds per oscillator\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Hard Sync\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;White noise generator\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;1 Curtis low-pass filter (2 or 4 pole)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Analog VCA\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;3 DADSR envelopes: filter, VCA, and assignable (with loop)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;64-step polyphonic sequencer (6 notes per step) \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;4-track 16-step x 4 mode \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Each layer can have a separate sequence\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;4 LFOs\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;8-slot modulation matrix\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;22 sources and 53 destinations\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Programmable arpeggiator with Re-latch\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Note repeat\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;MIDI: DIN In, Out, Thru; USB type B\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;2 stereo audio outputs: MAIN\/A and Out B\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Headphone output: 1\/4\" stereo jack.\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;1\/4” TS jack sustain pedal input\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Pedal input for sequencer and arpeggiator on\/off\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Pedal\/CV input (1\/4” TRS jack): for expression pedals or CV (0 - 5 VDC)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Dimensions and weight: 54.8x20x8.4cm; 3.4KG \u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;IEC connector for power supply\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Power consumption: max 17W at 8 voices\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;span\u0026gt;Wood side panels (African mahogany)\u0026lt;\/span\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368345945,"sku":"17900003","price":1990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-8-voci-desktop-17900003_0.jpg?v=1778119048"},{"product_id":"prophet-x-17900005","title":"Sequential Prophet X","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn the\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003edigital and sample-based synthesis (150GB + 50GB user-loadable) combine in a powerful sound engine. Analog filter, two multi-effects, 4 LFOs, 4 DADSR envelopes, and an extensive modulation matrix make this 5-octave semi-weighted keyboard synth (velocity and aftertouch), with arpeggiator and polyphonic sequencer, a perfect tool for professional keyboardists. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eVideo Tutorial\u0026nbsp;Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-xWjIFeoYp8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe\u003cstrong\u003e Sequential Prophet X \u003c\/strong\u003eis an 8-voice stereo (16 mono) bi-timbral synthesizer in a 61-key keyboard format, capable of generating a formidable fusion of high-quality audio samples and digital sound synthesis. Inside, it features a sound engine consisting of \u003cstrong\u003e2 sample-based instruments\u003c\/strong\u003e at 16 bit\/48kHz and \u003cstrong\u003e2 high-resolution DSP oscillators\u003c\/strong\u003e, \u003cstrong\u003eall 4 usable together\u003c\/strong\u003e, simultaneously, without limits. The generated sound is then processed through a newly designed analog stereo filter inspired by the vintage sound of the past. The extensive internal sample library consists of a full \u003cstrong\u003e150GB\u003c\/strong\u003e of sounds produced by the renowned independent company \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, for years one of the most highly-rated in the sound design and sound library production sector. \u003cstrong\u003eProphet X\u003c\/strong\u003e offers an important modulation matrix. 4 LFOs, 4 envelopes along with the polyphonic sequencer make it a truly complete tool for music production and sound design.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X Instrument engine\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003etwo powerful sample players\u003c\/strong\u003e responsible for sample playback can be managed like oscillators. In them, you'll find a vast collection of acoustic and electronic instruments, cinematic and environmental sounds. \u003c\/span\u003e\u003cspan\u003eNot just a Rompler, an additional \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e50GB\u003c\/strong\u003e are dedicated to samples and libraries that you can upload into the synth yourself via a simple \u003cstrong\u003eUSB 3.0\u003c\/strong\u003e flash drive. To program and map audio samples simply and intuitively, we will use the free computer software (Mac and PC) \u003cstrong\u003eSequential Prophet X Mapping Utility\u003c\/strong\u003e developed by \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/\" target=\"_blank\"\u003e\u003cstrong\u003e8dio\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003eTo download the \u003cstrong\u003eSample Editor\u003c\/strong\u003e for your \u003cstrong\u003eProphet X\u003c\/strong\u003e click here\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/Npnh_qvwQbI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll instruments are organized by category and with the \u003cstrong\u003eType\u003c\/strong\u003e knob in the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section, you can quickly scroll to choose individual timbres. Each of the two instruments can manage a \u003cstrong\u003eSample Set\u003c\/strong\u003e (instrument composed of one or more mapped samples). Both are capable of treating samples with parameters such as \u003cstrong\u003eReverse\u003c\/strong\u003e, \u003cstrong\u003eStart\/Stop\u003c\/strong\u003e, \u003cstrong\u003eLoop\u003c\/strong\u003e playback with start point and duration settings. In Dual Layer mode (Stack or Split) the instruments become 4: 2 for each layer.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe digital synthesis of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this instrument, we find the synthesis engine of a classic Prophet emulated by \u003cstrong\u003etwo high-resolution DSP oscillators\u003c\/strong\u003e that generate sine, saw, pulse, and supersaw waveforms. With the \u003cstrong\u003eShape Mod\u003c\/strong\u003e control, you can vary the pulse width, thus increasing the timbral possibilities resulting from the modification of the harmonic content. When used on a SuperSaw waveform, this control allows you to play with detuning to create fuller sounds. Let's try to imagine the expressive potential of the sound generation section of this instrument, for example, by assigning an LFO (or other source) to the \u003cstrong\u003eShape Mod\u003c\/strong\u003e parameter, we can obtain a constantly variable waveform to our liking, and thus reproduce organic and evolving sounds, giving maximum vent to our creativity. For programming vintage-style sounds, we can use the \u003cstrong\u003eSlop 1 \u0026amp; 2\u003c\/strong\u003e parameter to add that pitch instability between the two oscillators typical of old analog synthesizers of the past: try it at low values for a slight fluctuation, bring it to maximum for an accentuated detuning. Among the various parameters we can manage with \u003cstrong\u003eGlide\u003c\/strong\u003e is the possibility to control the \u003cstrong\u003eRate\u003c\/strong\u003e of each individual Oscillator, whether it is DSP or Sample Player. \u003cstrong\u003eHard Sync\u003c\/strong\u003e could not be missing: oscillator 1 is synchronized with oscillator 2 to create powerful leads or experimental drones.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Sequential Prophet X filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAt the heart of the powerful Prophet X sound is its 24dB per octave resonant low-pass analog filter based on a vintage design. In 8-voice mode, the filter becomes Stereo, with left and right cut-off that can be managed separately to create sounds with different modulations per channel. In the \u003cstrong\u003eFilter\u003c\/strong\u003e section, we find the \u003cstrong\u003eDrive\u003c\/strong\u003e knob, which gradually increases the volume input to the filter to introduce pleasant harmonic saturation.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe modulations of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eYou can program and shape sounds with all the classic synthesis functions you would expect from a \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e instrument. \u003cstrong\u003e4 synchronizable LFOs\u003c\/strong\u003e with slew and phase offset, as well as \u003cstrong\u003e4 five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with loop function. 2 envelopes are pre-assigned to the amplifier and filter respectively, while the other two are freely assignable. The 16-slot \u003cstrong\u003eMod matrix\u003c\/strong\u003e offers \u003cstrong\u003e22 sources\u003c\/strong\u003e and \u003cstrong\u003e88 modulation destinations\u003c\/strong\u003e: you will have all the tools needed to sculpt and evolve any sound you wish to create. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet X sequencer and arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe polyphonic sequencer provides up to 64 steps, each capable of holding up to 6 notes. If you work in layered voices or split mode, you can create a \u003cstrong\u003edifferent sequence for each\u003c\/strong\u003e \u003cstrong\u003elayer\u003c\/strong\u003e. Phrases can optionally synchronize with an external MIDI clock, just like the arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are two available effects where you can choose one of the algorithms from multiple reverbs, 2 delays (standard and BBD), chorus, phase shifter, flanger, ring mod, vintage rotating speaker, high-pass filter, or distortion. Both effects are programmable, and in layered voices or split mode, you can apply two different effects to each layer. Effect parameters can be modulated through the matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, display and controls of the Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA distinguishing feature of the Prophet X is the presence of no less than \u003cstrong\u003e3 OLED displays\u003c\/strong\u003e. One is dedicated to the \u003cstrong\u003eSample Playback\u003c\/strong\u003e section for selecting instruments \u003c\/span\u003e\u003cspan\u003e(Sample Set),\u003c\/span\u003e\u003cspan\u003e the second to the effects section, and the third, the largest of the three, is placed in the center to allow clear navigation through the various settings. \u003cstrong\u003eProphet X\u003c\/strong\u003e has a 5-octave semi-weighted keyboard sensitive to velocity and aftertouch (mono). The wheels for \u003cstrong\u003ePitch\u003c\/strong\u003e and \u003cstrong\u003eModulation\u003c\/strong\u003e control are backlit to be visible even in low light conditions. Above the wheels are \u003cstrong\u003e2 Touch Sliders\u003c\/strong\u003e freely assignable to any parameter. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe connections of Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAmong the connections are the classic \u003cstrong\u003e3 MIDI ports\u003c\/strong\u003e (In, Out, and Thru), \u003cstrong\u003etwo USB ports\u003c\/strong\u003e, one of which is \u003cstrong\u003etype B\u003c\/strong\u003e dedicated to bidirectional MIDI communication (In \u0026amp; Out) and the other is \u003cstrong\u003etype A\u003c\/strong\u003e for inserting the flash drive (3.0) intended for importing your own samples\/libraries. There are 2 stereo outputs divided into \u003cstrong\u003eMain\/A Output\u003c\/strong\u003e and \u003cstrong\u003eB Output\u003c\/strong\u003e (4 \u0026frac14;\u0026rdquo; TS jacks). There is also a headphone output (1\/4\u0026rdquo; TRS) and 4 pedal inputs for Volume, Pedal\/Cv, Sustain, and Sequencer; the latter allows you to start or stop the sequencer or arpeggiator.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Prophet X\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003eHybrid Digital\/Analog Synthesizer \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e61-key keyboard (5 octaves)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 DSP oscillators and 2 Sample Players\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDSP: sine, saw, pulse, supersaw\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync, Unison, Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eShape Mode: to vary the waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 Sample Players: 150 GB of samples by 8dio\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e50 GB of user samples importable via USB (pendrive)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePC and Mac software editor for sample mapping\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSample start, end, stretch, reverse, loop, etc.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e3 OLED displays\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-pole LP VCF with resonance and drive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4 LFOs, 4 D-ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e16-slot modulation matrix, 22 sources, 88 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable polyphonic glide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64 Step polyphonic sequencer (1x Layer)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 multi-effects \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUSB type A port for flash drive (3.0)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMAIN\/A and Out B: 2 stereo audio outputs (4 \u0026frac14;\u0026rdquo; TS jacks)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output: \u0026frac14;\u0026rdquo; TRS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TRS volume pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u0026frac14;\u0026rdquo; TS sustain pedal input\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal input (1\/4” jack) for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePedal\/CV input (\u0026frac14;\u0026rdquo; TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 97.6cm x 34.3cm x 10.9cm; 11kg \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePower consumption: max 25 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/8dio.com\/instrument\/sequential-prophet-xxl-mapping-utility\/\" target=\"_blank\"\u003e\u003cstrong\u003eDownload the Sample Editor for PC and MAC\u003c\/strong\u003e\u003c\/a\u003e: click here\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368575321,"sku":"17900005","price":3925.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-x-17900005_0.jpg?v=1778119069"},{"product_id":"prophet-6-17900006","title":"Sequential Prophet 6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; is a 6-voice polyphonic analog synthesizer, with a\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; 4-octave velocity and aftertouch sensitive keyboard (programmable), equipped with 2 discrete VCOs and a sub-oscillator, 1 VCF low-pass and 1 VCF high-pass, 2 24bit\/48kHz digital multi-effects, analog distortion, and a 64-step polyphonic sequencer.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;Video: Sequential Prophet 6 demo by Giaga Robot\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\" frameborder=\"0\" height=\"669\" src=\"\/\/www.youtube.com\/embed\/2gRisVupF-s\" title=\"YouTube video player\" width=\"1190\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Vintage in a modern key\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;Prophet 6\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;'s tribute to the polysynth that started it all: the \u0026lt;strong\u0026gt;Sequential Prophet-5\u0026lt;\/strong\u0026gt;. It's not just a simple reissue of a classic, but, as \u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt; says: \"\u0026lt;em\u0026gt;It's the result of our efforts to build the most impressive sounding modern analog polysynth possible\u0026lt;\/em\u0026gt;\". To the strengths of the original (true voltage-controlled oscillators, filters, and amplifiers), the Prophet 6 adds features and improvements, such as 2 studio-quality effects, a polyphonic step sequencer, an arpeggiator, and much more. The result is a \u0026lt;strong\u0026gt;pure analog sound\u0026lt;\/strong\u0026gt; with the stability and reliability of a cutting-edge modern synthesizer.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sound synthesis in the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The warm and punchy sound of the Prophet 6 is the result of its newly designed voltage-controlled oscillators. 2 discrete VCOs with pure analog sound, plus a sub-oscillator and white noise. The waves generated by the oscillators are: saw, triangle, and variable-width pulse, while the sub-oscillator generates a square wave tuned one octave below oscillator 1. The waveforms are continuously variable, meaning our sound palette will increase thanks to the variety of intermediate waves created. Oscillator 1 can be synchronized to oscillator 2; this function is called \u0026lt;strong\u0026gt;Hard-Sync\u0026lt;\/strong\u0026gt; and can be activated via the \u0026lt;strong\u0026gt;Sync\u0026lt;\/strong\u0026gt; button located in the Oscillator 1 section. Oscillator 2 is accompanied by a \u0026lt;strong\u0026gt;Fine\u0026lt;\/strong\u0026gt; potentiometer to vary the tuning in a ¼ tone range. The \u0026lt;strong\u0026gt;Low Freq\u0026lt;\/strong\u0026gt; switch located in the Oscillator 2 section is used to trigger the generation of very low frequencies, thus allowing it to be used as a polyphonic LFO. Both oscillators are new generation: reliable and extremely in tune. To emulate the instability of oscillators in old vintage analog synthesizers, the \u0026lt;strong\u0026gt;Slop\u0026lt;\/strong\u0026gt; potentiometer adds a random detuning; use it to create Classic Analog sounds or to experiment with new soundscapes. By activating the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function, the Prophet 6 behaves like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by assigning all six voices to a single note: 12 oscillators per key! The classic \u0026lt;strong\u0026gt;Poly-Chain\u0026lt;\/strong\u0026gt; of the \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u0026gt;Sequential\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt; allows you to connect another \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; (keyboard or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/sequential\/prophet-6-desktop\" target=\"_blank\"\u0026gt;desktop\u0026lt;\/a\u0026gt;) via MIDI to double the polyphony notes. The \u0026lt;span\u0026gt;twelve voices\u0026lt;\/span\u0026gt; available in this particular configuration are also useful for avoiding note cutoff in chords with long release times.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Filter of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The Prophet 6 has \u0026lt;strong\u0026gt;two analog filters per voice\u0026lt;\/strong\u0026gt;. Two distinct VCFs that allow you to program a wide spectrum of sounds. These are a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;4-pole low-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt; and a \u0026lt;strong\u0026gt;\u0026lt;span\u0026gt;2-pole high-pass\u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;, both resonant. These filters are located in two dedicated sections, and each can be controlled via Cutoff, Resonance, and Envelope potentiometers. The \u0026lt;strong\u0026gt;Sequential Prophet 6\u0026lt;\/strong\u0026gt; was designed to use both filters simultaneously, resulting in a precise band-pass. The ability to assign Velocity to the filters independently is very interesting; this effect, though simple, opens up creative and impactful programming possibilities.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The effects of Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Two high-quality digital multi-effects (\u0026lt;span\u0026gt;24 bit\/48kHz\u0026lt;\/span\u0026gt;) are available in the instrument: \u0026lt;strong\u0026gt;Effect A\u0026lt;\/strong\u0026gt; and \u0026lt;strong\u0026gt;Effect B\u0026lt;\/strong\u0026gt;. Both provide standard delay, BBD delay, chorus, phase shifter, ring modulator, and flanger. In multi-effect B, we find room, plate, and the inevitable spring reverbs. The true-bypass function guarantees the purity of the analog path: if the effects are not activated, they do not interfere with the analog path. In addition to these two effects, there is also a stereo analog \u0026lt;strong\u0026gt;distortion\u0026lt;\/strong\u0026gt; ready to provide warmth or aggression.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The modulations of the Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;Compared to its predecessor, the \u0026lt;strong\u0026gt;Poly Mod\u0026lt;\/strong\u0026gt; section has been improved to connect modulation sources to destinations. True to the original, the sources are the filter envelope and oscillator 2 (both with bipolar control). Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. The \u0026lt;strong\u0026gt;Prophet 6\u0026lt;\/strong\u0026gt; has 1 syncable LFO with 5 waveforms and 6 programmable destinations. There are \u0026lt;strong\u0026gt;two ADSR type envelopes\u0026lt;\/strong\u0026gt; located on the right side of the front panel: the first dedicated to the amplifier and the second to the filters. The second oscillator can be activated in Low Freq mode to be used as a second LFO.\u0026lt;span\u0026gt;\u0026nbsp;\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The connections of the Prophet 6\u0026lt;span\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026lt;\/span\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;All Sequential instruments are designed with \u0026lt;strong\u0026gt;complete MIDI connectivity\u0026lt;\/strong\u0026gt; consisting of the classic triad (In, Out, and Thru) on five-pin DIN connectors and a class-compliant USB Type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with other instruments that support MIDI over USB connections (e.g.: \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;amp;o=5\u0026amp;amp;f=1\" target=\"_blank\"\u0026gt;Akai Pro MPC\u0026lt;\/a\u0026gt; or \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u0026gt;Force\u0026lt;\/a\u0026gt;). The Prophet 6 provides inputs for a Footswitch-type Sustain pedal (1\/4” TS jack), for 2 expression pedals (1\/4” TRS jack) – one for volume and one for filter cutoff – and for a footswitch to manage the sequencer's on\/off. As audio outputs, we find two (L and R) 1\/4” TS jack outputs and a stereo headphone output (TRS) on a 1\/4” jack.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard, controls and memory\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The front panel offers a knob for immediate access to practically all Prophet 6 functions. Included are 500 permanent factory Programs and 500 rewritable user Programs. By deactivating the Preset button, the \u0026lt;strong\u0026gt;live panel mode\u0026lt;\/strong\u0026gt; is activated, and the Prophet 6 sound switches to the current settings of the potentiometers and switches. This way, what you see is what you hear. The majestic sound of this instrument is enclosed in a four-octave semi-weighted keyboard with velocity and aftertouch. An ideal combination of portability and power for studio recording or for the musician ready to take it on stage.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Features of the Sequential Prophet 6\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;6-voice polyphonic analog synth\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;4-octave semi-weighted keyboard\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Velocity and aftertouch sensitive (mono)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Backlit Pitch and Mod Wheel\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Presets: 500 user and 500 factory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 discrete VCOs per voice\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Continuously variable waveform\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Triangle, Saw, variable-width Pulse\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Pulse width on each oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Hard Sync\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Square wave sub-oscillator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Low Freq mode (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Keyboard Tracking on\/off (Osc 2)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Unison with Chord Memory\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Chain\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 analog filters (VCF): 4-pole low-pass and 2-pole high-pass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 LFO, 2 ADSR Envelopes\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Poly-Mod Modulation Matrix\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Glide\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;64-step Polyphonic Sequencer\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Programmable Arpeggiator\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;2 digital multi-effects (A and B)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo analog distortion\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;True-bypass\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Clock: Master (Tap Tempo), external MIDI\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;MIDI: In, Out and Thru DIN, USB Type B\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Stereo output (2 x 1\/4'' jack TS)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Headphone output (1\/4\" TRS stereo jack)\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TS jack input for Sustain pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for expression pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4'' TRS jack input for low-pass filter pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;1 x 1\/4” TS jack input for Sequencer\/Arpeggiator pedal\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Dimensions and weight: 82x32.3x11.7cm; 9.5 kg\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;IEC connector for power cable\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Power consumption: max 30 watts\u0026lt;\/li\u0026gt;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Walnut side panels and finish\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003368706393,"sku":"17900006","price":3887.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-6-17900006_0.jpg?v=1778119080"},{"product_id":"ob-6-17900007","title":"Oberheim OB-6","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;in this version with a 49-key velocity and aftertouch-sensitive keyboard, offers a unique analog sound, born from the collaboration between \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e and \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. Two discrete oscillators per voice and a 2-pole filter derived from the SEM project are coupled with two digital multi-effects, an arpeggiator, and a polyphonic sequencer.\u0026nbsp; \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eDemo Video Sequential OB-6 by Giaga Robot\u0026nbsp;\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iuQIohDeg4U\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eTwo legends. One instrument\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB6 is born from an epochal collaboration between two of the most influential synth designers in the history of sound synthesis: \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003e\u003cstrong\u003eDave Smith\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and \u003cstrong\u003eTom Oberheim\u003c\/strong\u003e. The \u003cstrong\u003eSequential OB6\u003c\/strong\u003e recreates the classic bold \u003cstrong\u003eOberheim\u003c\/strong\u003e sound: true voltage-controlled oscillators, the 2-pole filter, and amplifiers, adding modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No modern analog polyphonic synth can boast such a pedigree and such a massive sound imprint.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe sound synthesis in the OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWith the\u003cstrong\u003e Sequential OB-6\u003c\/strong\u003e, you will be able to easily create raw and powerful sounds, as well as elegant and refined sounds. This is also thanks to its discrete analog oscillators. The OB-6 has \u003cstrong\u003etwo VCOs\u003c\/strong\u003e, a \u003cstrong\u003ewhite-noise generator\u003c\/strong\u003e, and a \u003cstrong\u003esub-oscillator\u003c\/strong\u003e. The latter plays one octave lower than oscillator 1 and produces a square wave. Each of these generators has a dedicated volume control in the Mixer section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eVCO 1 is capable of generating 2 waveforms: sawtooth and pulse with variable amplitude. VCO 2, on the other hand, generates 3 waveforms: triangular, sawtooth, and pulse, also with variable amplitude. Both oscillators can continuously change waveforms, allowing us to obtain the various nuances that will arise in the transition between one waveform and another.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eOscillator 1 can be synchronized with oscillator 2 to create sharp and harmonically rich sounds (Hard Sync). Oscillator 2 is accompanied by a \u003cstrong\u003eDetune\u003c\/strong\u003e knob to vary the pitch within a ¼ tone range. The switch called \u003cstrong\u003eLow Freq\u003c\/strong\u003e is used to trigger the generation of very low frequencies and is therefore useful as an LFO or in creating drones.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eSince the OB-6 has extremely stable VCOs, the \u003cstrong\u003eDetune\u003c\/strong\u003e knob adds random detuning to the oscillators to emulate the typical instability of vintage synths. When the \u003cstrong\u003eUnison\u003c\/strong\u003e function is on, the OB-6 acts like a monophonic synth: it plays only one note at a time. Use it to create full-bodied and imposing basses and leads by dedicating all six voices to a single note (12 oscillators per key!). The classic \u003cstrong\u003ePoly-Chain\u003c\/strong\u003e by \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e \u003c\/a\u003eallows you to connect another OB-6 (keyboard or desktop) via MIDI to double the polyphony notes. The \u003cstrong\u003etwelve voices\u003c\/strong\u003e available in this particular configuration are also useful to avoid truncating the tail of notes in case of chords with long release times.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe Filter of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6's filter is analog, two-pole (12db per octave), state-variable with Low-pass, High-pass, Notch, and Band-pass. A filter inspired by the \u003cb\u003eS.E.M.\u0026nbsp;\u003c\/b\u003e(Synthesizer Expander Module) project, which was the first synthesizer created by \u003cb\u003eTom Oberheim\u003c\/b\u003e in 1974. The filter of this synthesizer aroused considerable interest at the time because it was the first to give a different sound compared to others on the market (Moog and Arp). Even today, the sound of this filter is re-proposed by many manufacturers of modular and keyboard synthesizers.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe effects of the Sequential OB-6\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003eThe OB-6 is equipped with two high-quality \u003cb\u003eDigital Effects\u003c\/b\u003e. Reverbs, delays\u0026nbsp;\u003c\/span\u003e\u003cspan lang=\"PT\"\u003e(standard and BBD), chorus, flanger, phase shifter, and faithful reproductions of \u003cb\u003eTom Oberheim\u003c\/b\u003e's ring modulator. Both have a \u003cstrong\u003e24 bit\/48kHz\u003c\/strong\u003e resolution and with the true-bypass function, they guarantee the purity of the analog path. The effects are divided into sets A and B and are applied in series one after the other. Reverb is traditionally placed at the end of the chain, and for this reason, this effect is only found in set B.\u003c\/span\u003e\u0026nbsp;\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003ch2 class=\"CorpoA\"\u003e\u003cb\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eModulations of the OB-6\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/h2\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp class=\"CorpoA\" style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential OB-6\u003c\/strong\u003e has a modulation section called \u003cstrong\u003eX-mod\u003c\/strong\u003e. Many of the most famous sounds of the OB series were created precisely with this section. The modulation sources are the filter envelope and oscillator 2, both with bipolar control. Destinations include oscillator 1 frequency, oscillator 1 waveform, oscillator 1 pulse width, filter Cut-Off, and filter mode: LP, HP, Notch, and BP. \u0026nbsp;In OB-6 we find a \u003cb\u003eLFO \u003c\/b\u003ewith 5 waves: sine, sawtooth, rev saw, square, random. A sixth \"hidden\" one can be created by choosing Random and setting the frequency speed to maximum. This will create a \u003cb\u003eWhite Noise\u003c\/b\u003e-style waveform. The 2 envelopes we find in OB-6 are 4-stage (ADSR). The first is dedicated to the filter, the second to the VCA. The amplifier envelope was named \u003cb\u003eLoudness Envelope\u003c\/b\u003e by Tom.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe polyphonic sequencer and arpeggiator of OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe polyphonic sequencer allows for the storage of up to 64 steps and supports up to 6 simultaneous notes per step. While a sequence is playing, you can play along with the rest of the available polyphony. You can create polyphonic sequences and synchronize them with an external MIDI clock. The programmable arpeggiator of the \u003cstrong\u003eSequential OB-6\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions, and in the order in which the notes are played by us. Synchronizable to the external \u003cstrong\u003eMIDI Clock\u003c\/strong\u003e or to the internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides the configurable Re-latch and Sustain functions. The notes generated by the arpeggiator or sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eThe connections of the Sequential OB-6\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eAs in all instruments designed by \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential#Dave-Smith\" target=\"_blank\"\u003eDave Smith\u003c\/a\u003e\u003c\/strong\u003e, a complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (for example: \u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=mpc\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003eAkai Pro MPC\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/campionatori-sample-player\/akai-professional\/force\" target=\"_blank\"\u003eForce\u003c\/a\u003e). To your \u003cstrong\u003eOB-6\u003c\/strong\u003e you can connect a Footswitch type Sustain pedal (¼” TS jack), 2 expression pedals (¼” TRS jack), one for volume and one for filter cutoff, and a footswitch for managing the on\/off of the sequencer. As audio outputs, we find two (L and R) ¼” TS jacks and a stereo headphone output (TRS) on a ¼” jack.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eKeyboard controls and memories of the Sequential OB-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel features a potentiometer for each function and puts virtually all OB-6 parameters at your fingertips. 500 permanent factory programs and 500 rewritable user programs are included. Pressing the Manual button enables live panel mode, where the OB-6's sound switches to the current front panel settings. In this state, what you see is what you hear. All the analog sonic power of the \u003cstrong\u003eSequential OB6\u003c\/strong\u003e is easily playable from its four-octave semi-weighted keyboard with programmable velocity and aftertouch, making it perfect for both stage and recording studio.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFeatures of the Sequential OB-6\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e6-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e4-octave semi-weighted keyboard \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVelocity and aftertouch sensitive (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eBacklit Pitch and Mod Wheels\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e500 user and 500 factory programs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 discrete VCOs per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eContinuously variable waveform\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSaw, variable width Pulse \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e+ Triangular on oscillator 2\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePulse width on each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSquare wave sub-oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eLow Freq mode (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eKeyboard Tracking on\/off (osc 2)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison with Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Chain \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVCF 2-pole state variable (LP, HP, Notch, BP)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSR Envelopes\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eX-Mod Modulation Matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e64-step Polyphonic Sequencer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eProgrammable Arpeggiator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 digital multi-effects set A set B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eAnalog Distortion\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eTrue-bypass\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eClock: Master (Tap Tempo), external MIDI \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4'' TS jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e1 1\/4'' TRS jack input for expression pedal\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for low-pass filter pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4” TS jack input for Sequencer\/Arpeggiator pedal \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 80.7x32.3x11.7cm; 9.5 kg\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power cable\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 30 watts\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWalnut side panels and finish\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369001305,"sku":"17900007","price":3549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-ob-6-17900007_0.jpg?v=1778119091"},{"product_id":"prophet-rev-2-8-voci-a-tastiera-17900008","title":"Sequential Prophet Rev2 8-Voice Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003e\u003cstrong\u003eSequential Prophet Rev 2\u003c\/strong\u003e analog synth in 5-octave keyboard version, bi-timbral, with 8 voices of polyphony, 64-step polyphonic sequencer (6 notes per step), arpeggiator, and multi-effects. The synthesis engine is based on 2 DCOs with continuously variable waveforms, a 2\/4-pole Curtis low-pass VCF, 3 D-ADSR envelopes, and 4 LFOs. The modulation capabilities are extensive, thanks to a matrix of 22 sources and 53 destinations.\u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eVideo tutorial Sequential Rev 2\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bgM3sXt4HiY\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003e8-voice Polyphonic Analog Synthesis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003e8 voices\u003c\/strong\u003e of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are composed of \u003cstrong\u003e2 digitally controlled analog oscillators\u003c\/strong\u003e (DCO). Both oscillators offer \u003cstrong\u003e4 waveforms\u003c\/strong\u003e: sawtooth, sawtooth+triangle, triangle, and pulse. The oscillators of \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e are extremely stable, but if you're looking for the imprecise sound typical of vintage analog, you can use the \u003cstrong\u003eOsc Slop\u003c\/strong\u003e knob to gradually introduce a random detuning. One of the important innovations introduced by this Revision 2 is represented by the two knobs called \u003cstrong\u003eShape Mod\u003c\/strong\u003e. With these, you can continuously shape the amplitude and waveform of the generated sound on each oscillator, to access an extremely wide sonic palette. By pressing the \u003cstrong\u003eSync\u003c\/strong\u003e button, we force the wave of oscillator 1 to follow that of oscillator 2, thereby obtaining a more complex and harmonically rich sound. An indispensable white noise generator and the \u003cstrong\u003eSub oscillator\u003c\/strong\u003e: a square wave tuned an octave lower than oscillator 1, useful for recreating round and deep basses. The \u003cstrong\u003ePan Spread\u003c\/strong\u003e function found in the \u003cstrong\u003eAmplifiers\u003c\/strong\u003e section gives us the ability to expand the stereo image of the generated sound by positioning individual voices sparsely across the soundstage.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003eUnison\u003c\/strong\u003e button allows you to play up to \u003cstrong\u003e8 voices simultaneously\u003c\/strong\u003e, with the freedom to assign the amount of detune between one voice and the other to help you program very full-bodied sounds. Pressing it while playing a chord will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function, thus memorizing the intervals between notes, and then transposing and reproducing them following the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Sequential Prophet Rev 2 is Bi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev 2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan \u003e in the 5-octave keyboard version with \u003cstrong\u003e8 voices of polyphony\u003c\/strong\u003e is a powerful bi-timbral analog synthesizer, meaning the instrument can play two sounds independently. It's like having two \u003cstrong\u003eProphet Rev 2s\u003c\/strong\u003e at your fingertips, with \u003cstrong\u003e4 dedicated voices of polyphony for each sound\u003c\/strong\u003e. The two \u003cstrong\u003eLayers\u003c\/strong\u003e can be played in \u003cstrong\u003eStacked\u003c\/strong\u003e mode, where the two sounds are played simultaneously across the entire keyboard, or in \u003cstrong\u003eSplit\u003c\/strong\u003e mode: one sound is assigned to the upper part of the keyboard and the other to the lower part. Each Layer has its own distinct life. BPM, effects, Unison, Arpeggiator, and Sequencer can also be programmed differently for each sound, without interfering with each other: \u003cstrong\u003etwo instruments in one\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe 8-voice Prophet Rev2 filter\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe warm, unique, and incisive sound of this powerful synthesizer is also the result of its analog filter: a resonant low-pass filter switchable to 2 or 4 poles. Like many successful vintage or modern analog instruments, the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e filter also bears the signature of the late engineer Doug Curtis. In the filter section of this synth's panel, there is also the \u003cstrong\u003eAudio Mod\u003c\/strong\u003e knob, which allows us to adjust the amount of audio coming from oscillator 1, useful for modulating the filter cutoff to obtain movement on the harmonics of the upper part of the sound spectrum, a particularly noticeable effect when we are in 4-pole mode with light resonance parameter values.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eWaveform Modulation\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAlthough the sonic character of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e is determined by its analog oscillators and filters, much of its power to create unique and unusual sounds comes from the creative use of its modulations. The \u003cstrong\u003e4 LFOs\u003c\/strong\u003e offer five waveforms: triangle, sawtooth, inverted sawtooth, square, and random (sample \u0026 hold). There are three 5-stage envelopes: D(delay)-ADSR. One dedicated to the filter, another to the amplifier, and the third assignable. There are 22 sources from which to draw modulations and 53 destinations that can be modulated. The \u003cstrong\u003eModulation\u003c\/strong\u003e section allows us to program these modulations in a very simple and intuitive way, by pressing and touching the parameters we want to connect to each other via Source, Destination, and Amount.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Effects of the Sequential Prophet Rev2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe integrated multi-effect provides a choice of the following effects applicable to each Layer: reverb, delay (standard and BBD), chorus, phaser, flanger, ring mod, distortion, and a high-pass filter. In Stacked or Split mode, you can apply a different effect to each Layer. For even more extreme sound design, all effect parameters can be modulated through the dedicated matrix.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eArpeggiator and Poly Step Sequencer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe programmable arpeggiator of the \u003cstrong\u003eSequential Prophet Rev2\u003c\/strong\u003e can be configured in the classic Up, Down, Up + Down, Random progressions and in the order in which the notes are played by us. The notes generated by the arpeggiator and the Sequencer can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN, via USB, or only to one of the two options. Both Arpeggiator and Sequencer are \u003cstrong\u003esynchronizable to external MIDI Clock\u003c\/strong\u003e or to the internal \u003cstrong\u003eMaster Clock\u003c\/strong\u003e with Tap Tempo.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eInside \u003cstrong\u003eProphet Rev 2\u003c\/strong\u003e we find a \u003cstrong\u003eSequencer\u003c\/strong\u003e with two distinct modes. The first is the \u003cstrong\u003ePolyphonic\u003c\/strong\u003e mode where we can record up to \u003cstrong\u003e64 steps with a maximum of 6 notes per step\u003c\/strong\u003e. This mode will allow you to create very complex rhythmic and melodic sequences. The second mode is \u003cstrong\u003eGated\u003c\/strong\u003e: unlike the polyphonic one, it allows us to record up to 4 tracks of 16 steps each. In this mode, the Sequencer will not transmit notes, but will allow us to store parameter variations of the Synth step-by-step.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eProphet Rev2 Keyboard and Controls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe panel offers \u003cstrong\u003e55 potentiometers\u003c\/strong\u003e for immediate access to almost all instrument parameters. It includes 512 permanent factory presets and 512 rewritable user programs. All this polyphonic power is housed in a high-quality \u003cstrong\u003efive-octave semi-weighted keyboard\u003c\/strong\u003e, sensitive to velocity and aftertouch (mono). Among the other features that make it an ideal instrument for concerts or studio recording, we note the presence of an integrated power supply and an intelligible OLED display.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Prophet Rev2 Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eOn the rear panel of the \u003cstrong\u003eProphet Rev2\u003c\/strong\u003e, we find a headphone output and 2 stereo audio outputs named Main\/A Output and B Output. The Main\/A output reproduces the sound of both layers if no cable is connected to the B output. Simply connect a cable to the B output to separate the two audio signals of the layers and assign them to their respective outputs.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eA \u003cstrong\u003ePedal\/CV Input\u003c\/strong\u003e is used to connect a standard expression pedal (¼” TRS jack) assignable via the modulation section to control various parameters, or a CV audio signal (max 5V peak-to-peak). The presence of a ¼” TS jack input dedicated to a \u003cstrong\u003esustain pedal\u003c\/strong\u003e is natural, and another input called \u003cstrong\u003eSequencer\u003c\/strong\u003e is intended for connecting a footswitch or receiving a CV audio signal to start\/stop the sequencer, arpeggiator, or other functions indicated in the manual. For MIDI connection, we have In, Out, and Thru in DIN format and a USB Type B port for bidirectional communication with PC and Mac computers.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSequential Prophet Rev2 Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan \u003e8-voice analog synthesizer\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eBi-timbral: 4x2 layers or split\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMemory: 512 presets (4x128) + 512 user\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5-octave keyboard with semi-weighted keys\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eVelocity and mono aftertouch sensitive\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAssignable Pitch and Modulation Wheel\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e55 knobs and 35 buttons\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eGlide (portamento): with separate speeds for each oscillator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 DCOs: saw, triangle, saw\/triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHard Sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWhite noise generator\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e1 Curtis low-pass filter (2 or 4 poles)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eAnalog VCA\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e3 DADSR envelopes: filter, VCA, and assignable (with loop)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e64-step polyphonic sequencer (6 notes per step)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4-track 16-step x 4 mode\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eEach layer can have a separate sequence\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e4 LFOs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e8-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e22 sources and 53 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e5 additional sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eProgrammable arpeggiator with Re-latch\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eNote repeat\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eMIDI: DIN In, Out, Thru; USB Type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003e2 stereo audio outputs: MAIN\/A and Out B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eHeadphone output: 1\/4\" stereo jack.\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eSustain pedal input ¼” TS jack\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal input for sequencer and arpeggiator on\/off\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003ePedal\/CV input (¼” TRS jack): for expression pedals or CV (0 - 5 VDC)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eDimensions and weight: 89.20x32.26x9.65cm; 9.3KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eIEC connector for mains power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eConsumption: approx. 17W\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan \u003eWooden side panels (African mahogany)\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369099609,"sku":"17900008","price":2872.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-rev-2-8-voci-a-tastiera-17900008_0.jpg?v=1778119101"},{"product_id":"prophet-5-rev-4-17900010","title":"Sequential Prophet 5 Rev 4","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave keyboard\u003c\/strong\u003e, the \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e embodies all three revisions of the legendary synth: Rev1, Rev2, and Rev3. It features 2 CEM 3340 VCOs per voice, analog Curtis (CEM 3320) filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9JFIrpARQMc\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA pure renewal of an analog classic: the authentic and powerful sound of the original with the precision of a modern, cutting-edge instrument.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound that this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely death of its creator \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\" target=\"_blank\"\u003e\u003cstrong\u003eDoug Curtis\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable pulse width waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is the fact that each oscillator can simultaneously play multiple waveforms, resulting in a unique, rich, and full-bodied sound. In the Oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, making it usable as an LFO. With the dedicated \u003cstrong\u003eDETUNE\u003c\/strong\u003e knob, it is possible to vary the pitch of Oscillator B by approximately a semitone compared to Oscillator A. As in previous versions, this Rev 4 also features the ability to synchronize Oscillator A to Oscillator B to create complex sounds rich in harmonics. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 5\u003c\/strong\u003e acts as a monophonic synth: it plays only one note at a time. Use it to create full-bodied, imposing basses and leads, dedicating all five voices to a single note: 10 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (root) you play on the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 5 Rev 1\u003c\/strong\u003e and \u003cstrong\u003eRev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its distinctive sonic imprint, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both created a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eProphet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e team decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter that reproposes \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revision 1 and 2 has instead been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 5's Vintage Mode Knob\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, and not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage knob:\u003c\/strong\u003e use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, to revision 4: the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e comes from the results of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. Faithful to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 5\u003c\/strong\u003e is the \u003cstrong\u003eUnison\u003c\/strong\u003e mode, which now features a configurable number of voices from one to five with variable detuning and chord memory.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and aftertouch on the Prophet 5\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough the mission of \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e was to make the new Prophet 5 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 5 to do things the original never could: filter sweeps, LFO mod, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Programming\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a knob for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the knobs and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the set of 40 original presets from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProphet 5 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave (61 full-size keys) semi-weighted Fatar keyboard, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each Prophet 5 is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 5 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cspan\u003e5-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC A saw, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eOSC B saw, triangle, variable pulse width\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWaveforms can be played simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eRev1\/2 or Rev3 filter selection button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e    \u003cli\u003e\u003cspan\u003eConsumption: max 20W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369328985,"sku":"17900010","price":4019.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-5-rev-4-17900010_0.jpg?v=1778119124"},{"product_id":"prophet-10-tastiera-17900011","title":"Sequential Prophet 10 Keyboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this velocity and aftertouch sensitive \u003cstrong\u003e5-octave\u003c\/strong\u003e keyboard, the \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e embodies all three revisions of the legendary synth (Rev1, 2, and 3) in a \u003cstrong\u003ebi-timbral synthesis structure\u003c\/strong\u003e with \u003cstrong\u003e10 voices of polyphony\u003c\/strong\u003e (2 layers x 5 voices). 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) analog filters, and SSI 2140 low-pass filters designed by Dave Rossum. \u003c\/span\u003e\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Polyphony and Bi-timbrality\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebi-timbral\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e: it can simultaneously play two sounds of 5 voices each in two different modes\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/strong\u003eIn \u003cspan\u003e\u003cstrong\u003eSplit \u003c\/strong\u003emode, the keyboard is divided into two, with one sound assigned to the lower octaves and another to the upper octaves. In \u003cstrong\u003eStacked\u003c\/strong\u003e mode, on the other hand, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 5.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 10 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 10 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound this synthesizer generates. These are not ordinary analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 10 rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely passing of its creator \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\"\u003eDoug Curtis\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e that the company he founded decided to reproduce this chip. The two oscillators, called A and B, can generate saw and variable-width pulse waves. Oscillator B also features a triangular wave. One of the peculiarities that made this synth famous is that each oscillator can simultaneously play multiple waveforms, which results in a unique, rich, and full identifiable sound. In the oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will be able to reproduce very low frequencies, thus usable as an LFO. With the appropriate \u003cstrong\u003eDETUNE\u003c\/strong\u003e potentiometer, it is possible to vary the pitch of oscillator B by approximately a semitone relative to oscillator A. As in previous versions, this Rev 4 also includes the ability to synchronize oscillator A to oscillator B to create complex and harmonically rich sounds. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 10\u003c\/strong\u003e behaves like a monophonic: it plays only one note at a time. Use it to create full, imposing basses and leads, dedicating all 10 voices to a single note: 20 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and reproduce them starting from the note (fundamental) you play on the keyboard. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of Prophet 10 rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters of the \u003cstrong\u003eProphet 10 rev 1\u003c\/strong\u003e and \u003cstrong\u003erev 2\u003c\/strong\u003e was highly appreciated; however, it was not particularly stable and functional. The chip of the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its identifiable sound signature, made a fundamental contribution to the stability and reliability of the instrument. The characteristics of these two chips were similar: both produced a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\"\u003eProphet\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e team wisely decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button located next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is by no means subtle, as variables such as different envelope response times come into play. The integrated circuit with which the filter reproducing \u003cstrong\u003erevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of revisions 1 and 2 has been replaced with its modern counterpart \u003cstrong\u003eSSI 2140\u003c\/strong\u003e designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 10 Vintage Mode Potentiometer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that many of these characteristics were due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of the individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all of this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-10\u003c\/strong\u003e, \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage\u003c\/strong\u003e knob. Use it to continuously transition from revision 1, the rarest and most capricious Prophet of all, up to revision 4: which is the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026amp; Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is a result of the connections that the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section allows us to achieve. True to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It is called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning that each voice must apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking, and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 10\u003c\/strong\u003e is \u003cstrong\u003eUnison\u003c\/strong\u003e, which now features a configurable number of voices from one to ten with variable detuning and chord memory. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eVelocity and Aftertouch on the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAlthough \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\"\u003eSequential\u003c\/a\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e's mission was to make the new Prophet 10 as accurate, authoritative, and faithful to the original as possible, they could not resist adding a couple of modern improvements to increase expressiveness: velocity sensitivity and aftertouch. These allow the new Prophet 10 to do things the original never could: filter sweeps, LFO modulations, and volume changes at your fingertips, without taking them off the keyboard.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProgramming the Prophet 10\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003ekeyboard synthesizer\u003c\/strong\u003e presents a potentiometer for each function, thus allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 10\u003c\/strong\u003e will automatically switch to the values corresponding to the physical settings of the potentiometers and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the original 40 preset set from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eProphet 10 Keyboard and Connections\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAll this analog power is housed in a robust chassis with a five-octave Fatar keyboard (61 full-size keys) semi-weighted, MIDI inputs and outputs via DIN and USB, Gate and CV. Since each \u003cstrong\u003eProphet 10\u003c\/strong\u003e is built with hand-selected woods, the image and color may vary from piece to piece, thus making each instrument unique and unrepeatable. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 10 Keyboard Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e10-voice polyphonic analog synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eBi-timbral (5 voices per Layer)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePremium full-size 5-octave Fatar keyboard\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC A saw, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eOSC B saw, triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWaveforms reproducible simultaneously on both oscillators\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eFilter selection button Rev1\/2 or Rev3\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TRS jack input for expression pedal (Filter Cutoff)\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003e1 x 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eDimensions and weight: 94.92x41.52x15.11cm; 14.51KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003e\u003cspan\u003ePower consumption: max 28W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369460057,"sku":"17900011","price":4579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-10-tastiera-17900011_0.jpg?v=1778119132"},{"product_id":"prophet-5-rev-4-desktop-17900012","title":"Sequential Prophet 5 Rev 4 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003eIn this \u003cstrong\u003ecompact desktop version\u003c\/strong\u003e, the \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e embodies all three revisions of the legendary synth: Rev1, Rev2, and Rev3. 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) analog filters, and Dave Rossum-designed SSI 2140 low-pass filters. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA pure revival of an analog classic: the authentic, powerful sound of the original with the precision of a modern, cutting-edge instrument.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSound Synthesis in the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe oscillators of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e are the source of the warm, deep, and powerful sound that this synthesizer generates. These are not just any analog oscillators. The \u003cstrong\u003e2 VCOs\u003c\/strong\u003e of the \u003cstrong\u003eProphet 5 Rev 4\u003c\/strong\u003e were designed and built with the same chip used in \u003cstrong\u003evintage Prophets\u003c\/strong\u003e: the \u003cstrong\u003eCEM 3340\u003c\/strong\u003e. It was only in 2016, 9 years after the untimely death of its creator \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Doug_Curtis\" target=\"_blank\"\u003e\u003cstrong\u003eDoug Curtis\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, that the company he founded decided to reproduce this chip. The two oscillators, named A and B, can generate saw waves and variable-width pulse waves. Oscillator B also includes a triangle wave. One of the unique features that made this synth famous is that each oscillator can simultaneously play multiple waveforms, resulting in a unique, full-bodied, and rich identifying sound. In the oscillator B section, there is a switch called \u003cstrong\u003eLOW FREQ:\u003c\/strong\u003e once activated, it will reproduce very low frequencies, making it usable as an LFO. With the dedicated \u003cstrong\u003eDETUNE\u003c\/strong\u003e knob, you can vary the pitch of oscillator B by approximately a semitone relative to oscillator A. As in previous versions, this Rev 4 also includes the ability to synchronize oscillator A to oscillator B to create complex sounds rich in harmonics. When we activate the \u003cstrong\u003eUnison\u003c\/strong\u003e function, the \u003cstrong\u003eProphet 5\u003c\/strong\u003e acts as a monophonic synth: it plays only one note at a time. Use it to create full-bodied, impressive basses and leads, dedicating all five voices to a single note: 10 oscillators per key! Holding down the Unison button will activate the \u003cstrong\u003eChord Memory\u003c\/strong\u003e function to store the intervals between notes of a chord, then transpose and replay them starting from the note (root) you play.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Filter Section of the Prophet 5 Rev 4\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip used for the filters in the \u003cstrong\u003eProphet 5 Rev 1\u003c\/strong\u003e and \u003cstrong\u003eRev 2\u003c\/strong\u003e was highly regarded; however, it was not particularly stable and functional. The chip in the third version, the \u003cstrong\u003eCEM 3320\u003c\/strong\u003e, in addition to its distinctive sonic footprint, made a fundamental contribution to the instrument's stability and reliability. The characteristics of these two chips were similar: both created a \u003cstrong\u003e4-pole resonant low-pass filter\u003c\/strong\u003e, but with different sonic results. In designing this fourth revision of the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=prophet\u0026amp;brand=Sequential\u0026amp;o=5\u0026amp;f=1\" target=\"_blank\"\u003e\u003cstrong\u003eProphet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e team decided to integrate \u003cstrong\u003eboth filters\u003c\/strong\u003e into the instrument. With the \u003cstrong\u003eRev\u003c\/strong\u003e button next to the \u003cstrong\u003eCut-off\u003c\/strong\u003e potentiometer, we can freely decide whether to select the Rev 1\/2 filter or the Rev 3 filter. The difference between the two filters is not subtle at all, as variables such as different envelope response times come into play. The integrated circuit with which the filter reproducing \u003cstrong\u003eRevision 3\u003c\/strong\u003e is built is the same component designed by \u003cstrong\u003eDoug Curtis\u003c\/strong\u003e in 1979. The \u003cstrong\u003eSSM 2040\u003c\/strong\u003e chip of Revision 1 and 2 has been replaced with its modern counterpart, the \u003cstrong\u003eSSI 2140\u003c\/strong\u003e, designed by \u003cstrong\u003eDave Rossum\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eThe Prophet 5 Vintage Mode Knob\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eIn addition to sourcing the original hardware components used in the vintage version of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e conducted extensive research to determine what made the sound so unique. It was discovered that much of these characteristics were due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To reproduce all this in this new \u003cstrong\u003eRev 4\u003c\/strong\u003e of the \u003cstrong\u003eProphet-5\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e added the \u003cstrong\u003eVintage knob\u003c\/strong\u003e: use it to continuously switch from Revision 1, the rarest and most capricious Prophet of all, to Revision 4: which is the most stable and precise version ever.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003ePoly Mod \u0026 Enhanced Unison\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eBeyond the unmistakable tone of its oscillators and filters, much of the classic sound of the \u003cstrong\u003eProphet 5\u003c\/strong\u003e comes from the connections enabled by the \u003cstrong\u003ePoly Mod\u003c\/strong\u003e section. True to the original, the modulation sources are the filter envelope and oscillator B. Destinations include oscillator A frequency, oscillator A pulse width, and filter cutoff. It's called Poly-Mod (polyphonic modulation) because the Prophet can play up to five voices, meaning each voice will apply the programmed modulation to the selected destination. For example, if we set oscillator B to LO FREQ mode, we will have just created 5 LFOs: one per voice. At this point, we activate keyboard tracking, and each of these LFOs will modulate the destination with a different frequency speed from note to note. The range of possible sounds defies its simplicity. Another welcome and famous mode in the \u003cstrong\u003eProphet 5\u003c\/strong\u003e is the \u003cstrong\u003eUnison\u003c\/strong\u003e mode, which now features a configurable number of voices from one to five with variable detuning and chord memory.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eProgramming in the Prophet 5\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe panel of this \u003cstrong\u003edesktop synthesizer\u003c\/strong\u003e features a knob for each function, allowing immediate access to all sound shaping controls. With the \u003cstrong\u003ePRESET\u003c\/strong\u003e button, we can enter \u003cstrong\u003eLIVE PANEL MODE\u003c\/strong\u003e: the sound of your \u003cstrong\u003eSequential Prophet 5\u003c\/strong\u003e will automatically switch to values corresponding to the physical settings of the potentiometers and buttons you see on the panel. What you see is exactly what you hear. 200 permanent factory programs and 200 rewritable user programs are included, which also include the set of 40 original presets from 1978. Sounds that made history, used in countless recordings and film soundtracks from that era to the present day.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eSequential Prophet 5 Desktop Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cspan\u003eCompact analog desktop synth\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e5-voice polyphony\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e200 user and 200 factory memories\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 VCOs (CEM 3340) per voice\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eOSC A saw, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eOSC B saw, triangle, variable width pulse\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eSimultaneous playback of waveforms on both oscillators\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHard-sync\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eUnison and Chord Memory\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 4-pole resonant LP VCFs (SSI2140\/CEM 3320)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eFilter selection button Rev1\/2 or Rev3\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 LFO, 2 ADSRs\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eWheel-Mod 2 sources 5 destinations \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003ePoly-Mod with 2 sources and 3 destinations\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eVelocity, Aftertouch (mono)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eVintage Knob\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eGlide\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMaster Tune and tune button\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMIDI: In, Out, and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eMain mono output (1\/4'' TS jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e2 CV in\/out; 2 GATE in\/out\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume) \u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eDimensions and weight: 52.70x18.8x7.62cm; 4.5KG\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan\u003eConsumption: max 20W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369558361,"sku":"17900012","price":2818.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-5-rev-4-desktop-17900012_0.jpg?v=1778119143"},{"product_id":"prophet-10-desktop-17900013","title":"Sequential Prophet 10 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003eCompact desktop version adaptable to any \u003cstrong translate=\"no\"\u003eSequential Prophet\u003c\/strong\u003e \u003cstrong translate=\"no\"\u003e10\u003c\/strong\u003e synthesizer setup, embodying all three revisions of the legendary synth (Rev1, 2, and 3) in a \u003cstrong translate=\"no\"\u003ebi-timbral synthesis structure\u003c\/strong\u003e with \u003cstrong translate=\"no\"\u003e10 voices of polyphony\u003c\/strong\u003e (2 layers x 5 voices). 2 CEM 3340 VCOs per voice, Curtis (CEM 3320) and SSI 2140 low-pass analog filters designed by Dave Rossum.\u003c\/h1\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003ePolyphony and bi-timbrality of the Prophet 10 Module\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eThe \u003cstrong translate=\"no\"\u003eSequential Prophet 10\u003c\/strong\u003e \u003cstrong translate=\"no\"\u003eModule\u003c\/strong\u003e is a \u003cstrong translate=\"no\"\u003ebi-timbral\u003c\/strong\u003e synth: it can simultaneously play two sounds of 5 voices each in two different modes\u003cstrong translate=\"no\"\u003e: Split\u003c\/strong\u003e and \u003cstrong translate=\"no\"\u003eStacked\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSequential Prophet 10 Desktop Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003eCompact analog desktop synth\u003c\/li\u003e \u003cli\u003e10-voice polyphony\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eBi-timbral (5 voices per Layer)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTwo modes: Split and Stacked\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e200 user and 200 factory memories\u003c\/li\u003e \u003cli\u003e2 VCOs (CEM 3340) per voice\u003c\/li\u003e \u003cli\u003eOSC A saw, variable pulse width\u003c\/li\u003e \u003cli\u003eOSC B saw, triangle, variable pulse width\u003c\/li\u003e \u003cli\u003eWaveforms simultaneously playable on both oscillators\u003c\/li\u003e \u003cli\u003eHard-sync\u003c\/li\u003e \u003cli\u003eUnison and Chord Memory\u003c\/li\u003e \u003cli\u003e2 resonant 4-pole LP VCFs (SSI2140\/CEM 3320)\u003c\/li\u003e \u003cli\u003eFilter selection button Rev1\/2 or Rev3\u003c\/li\u003e \u003cli\u003e1 LFO, 2 ADSR\u003c\/li\u003e \u003cli\u003eMod Wheel 2 sources 5 destinations\u003cspan\u003e \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003ePoly-Mod 2 sources and 3 destinations\u003c\/li\u003e \u003cli\u003eVelocity, Aftertouch (mono)\u003c\/li\u003e \u003cli\u003eVintage Knob\u003c\/li\u003e \u003cli\u003eGlide\u003c\/li\u003e \u003cli\u003eMaster Tune and tune button\u003c\/li\u003e \u003cli\u003eMIDI: In, Out and Thru DIN, USB type B\u003c\/li\u003e \u003cli\u003eMain mono output (1\/4'' TS jack)\u003c\/li\u003e \u003cli\u003eHeadphone output (1\/4\" TRS stereo jack)\u003c\/li\u003e \u003cli\u003e2 CV in\/out; 2 GATE in\/out\u003c\/li\u003e \u003cli\u003e1 1\/4'' TRS jack input for expression pedal (Amp Volume)\u003cspan\u003e \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e1 1\/4'' TRS jack input for expression pedal (Cutoff Filter)\u003c\/li\u003e \u003cli\u003e1 1\/4'' TS jack input for sustain pedal\u003c\/li\u003e \u003cli\u003eDimensions and weight: 52.70x18.8x7.62cm; 4.5KG\u003c\/li\u003e \u003cli\u003eIEC connector for power supply\u003c\/li\u003e \u003cli\u003ePower consumption: max 20W\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369689433,"sku":"17900013","price":3911.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-prophet-10-desktop-17900013_0.jpg?v=1778119152"},{"product_id":"pro-3-17900014","title":"Sequential Pro 3","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan \u003eHybrid, monophonic, duophonic, paraphonic synthesizer. A true HUB for your modular synth setup with its 4 CV inputs and 4 CV outputs, plus GATE. An audio input to process external sources. \u003cstrong\u003eSequential Pro 3\u003c\/strong\u003e has 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eSound Synthesis in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable oscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can modify by freely adjusting the waveform width with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e knob, we can continuously navigate between the waveforms of each individual wavetable. Moreover, by assigning an LFO or any other modulation source to the Shape Mods, you can generate constantly evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eWavetables are permanently stored in slots numbered 1 to 32. Since firmware update 1.1, the memory slots have been doubled, and it is \u003cstrong\u003epossible to import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 can be individually configured on each oscillator to creatively modulate pitch when transitioning from one note to another via the keyboard. In the mixer section, in addition to being able to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distortion, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eThree Filters Designed Based on Vintage Blueprints\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eAn important element in creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e is the filter section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve low-frequency punch. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eModulations in the Sequential Pro 3\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eModulations play a more than important role in sound synthesis. They allow us to sculpt sound as we imagine or transport us to unexpected soundscapes, providing inspiration. \u003c\/span\u003e\u003cspan \u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan \u003e understands the importance of having no limits in sound design, and precisely for this reason, the \u003cstrong\u003ePro 3\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 synchronizable LFOs\u003c\/strong\u003e, with slew and phase offset applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply press and hold the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired knob. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003ePro 3 Effects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe Pro 3's \u003cstrong\u003eEffects\u003c\/strong\u003e section provides programmable digital effects and analog distortion that can also be applied to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, and both offer one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Effect 2 also includes a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback connected to an envelope. And so on... This is just a small taste of the infinite possibilities for sound programming in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eThe Pro 3 Sequencer and Arpeggiator\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eUnleash your creative flair using the Pro 3's sequencer. It utilizes 4 sequences (A, B, C, and D), each consisting of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as Mod sources to assign to various destinations. Of the 16 tracks, the first 3 are for note-related parameters, while the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random sequences, or as played by us. We can decide the octave range and the repeat: that is, how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eCV\/GATE \u0026amp; MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 CV outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers—such as modular ones—compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan \u003eMonophonic, Duophonic, and Paraphonic Modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eDesigned as a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of playing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, however, we are looking for something that cannot be defined as \"ordinary,\" let's try choosing different waveforms and pitches among the oscillators to achieve something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will cycle between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button in the oscillator section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eKeyboard, Controls, and Display of the Sequential Pro 3 \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan \u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size velocity and aftertouch sensitive keys. There are also Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e \u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan \u003eSequential Pro 3 Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan \u003eHybrid monophonic\/3-voice paraphonic synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e512 user and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32 User wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eDimensions and weight: 67.7x33.8x12.5cm; 7.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan \u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003369886041,"sku":"17900014","price":2156.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-17900014_0.jpg?v=1778119162"},{"product_id":"pro-3-se-17900015","title":"Sequential Pro 3 SE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cspan\u003e\u003cstrong\u003eSequential Pro 3 SE\u003c\/strong\u003e is a version with a tilting control panel and wooden finishes of the hybrid, monophonic, duophonic, paraphonic synth. A real HUB for your modular synth set-up with its 4 CV inputs and 4 outputs, plus GATE. An audio input for processing external sources. 2 VCOs and a wavetable oscillator, three vintage-style analog filters, three LFOs, four envelopes with loop mode, a rich 32-slot modulation matrix with 46 sources and as many as 171 destinations. \u003c\/span\u003e\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ir_k6E17_Ps\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAll the features of the PRO 3, in an aesthetically appealing and ergonomic \u003cstrong\u003eSpecial Edition\u003c\/strong\u003e version, which stands out for the presence of the tilting control panel and the fine walnut wood finishes. \u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eSound synthesis in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eA hybrid instrument: pure analog synthesis produced by \u003cstrong\u003e2 VCOs\u003c\/strong\u003e coupled with the versatile digital technology of a \u003cstrong\u003eWavetable\u003c\/strong\u003e \u003cstrong\u003eoscillator\u003c\/strong\u003e. The two continuously variable analog oscillators generate triangle, saw, and pulse waves, which you can adjust by varying the width of the generated waveform as desired with the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer. The third digital oscillator generates sine, saw, triangle, super saw, pulse, and as many as \u003cstrong\u003e32 wavetables\u003c\/strong\u003e, each with 16 different waves. Using the \u003cstrong\u003eShape Mod\u003c\/strong\u003e potentiometer, we can continuously navigate between the waveforms of each individual wavetable. In addition, by assigning an LFO or any other modulation source to the Shape Mods, you can generate continuously evolving sounds. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eWavetables are permanently stored in slots numbered from 1 to 32. Since firmware update 1.1, memory slots have been doubled, and \u003cstrong\u003eyou can import your own waveforms\u003c\/strong\u003e into slots 33 to 64. Within the \u003cstrong\u003eOscillators\u003c\/strong\u003e section, we find the Sync button on oscillators 1 and 2. The \u003cstrong\u003eGlide\u003c\/strong\u003e of the Pro 3 SE can be individually configured on each oscillator to creatively modulate pitch when moving from one note to another via the keyboard. In the mixer section, in addition to the ability to adjust the individual volumes of the three oscillators, we will find the volume control for \u003cstrong\u003eWhite Noise\u003c\/strong\u003e and that of the \u003cstrong\u003eAudio input\u003c\/strong\u003e located on the rear panel. The latter allows for integrating a signal from an external source into the synthesis path's routing. Have fun processing a guitar, another synth, or your console through the Pro 3's filter, distorter, and effects.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eThree filters designed from Vintage projects\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eAn important element for creating the massive sound generated by the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e is the filtering section. Three buttons located just below the Cut-Off knob allow you to select which of the three filters to use. Filter 1 is a 4-pole low-pass based on the Prophet 6 filter. The second is a 4-pole Ladder with optional resonance compensation to preserve punch in the low frequencies. Filter 3 is a classic 2-pole in full \u003cstrong\u003eOB-6\u003c\/strong\u003e style, continuously variable from low-pass to notch and high-pass; an optional band-pass mode is also present. With the \u003cstrong\u003eDrive\u003c\/strong\u003e control, you can saturate the signal entering the filter.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eModulations in the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eModulations in sound synthesis play a more than important role. They allow us to sculpt sound as we imagine or transport us to unexpected landscapes, giving us inspiration. \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e knows well the importance of having no limits in sound design, which is why the \u003cstrong\u003ePro 3 SE\u003c\/strong\u003e offers a very rich and articulated \u003cstrong\u003eModulation Matrix\u003c\/strong\u003e where every idea can be \"connected.\" There are 32 programmable slots with 46 modulation sources and as many as 171 destinations.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThere are \u003cstrong\u003efour five-stage envelope generators\u003c\/strong\u003e (D-ADSR) with a loop function. Two of these are already connected to the amplifier and filter, respectively, while the other two are auxiliary and can be used for any of the programmable destinations. There are \u003cstrong\u003e3 LFOs\u003c\/strong\u003e that can be synchronized, with slew and phase offsets applicable to the selected waveform from one of the 5 available: saw and saw rev, square, triangle, and Sample\u0026Hold. To assign an LFO to a destination, simply hold down the \u003cstrong\u003eDestination\u003c\/strong\u003e button in the LFO section and then move the desired potentiometer. Among the many modulation sources, we also find the 16 sequencer tracks.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe effects of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003eEffects\u003c\/strong\u003e section of the Pro 3 provides programmable digital effects and an analog distorter, also applicable to an external audio source, such as a modular synth or a guitar. There are 2 digital effects, both offering one of the following algorithms: stereo delay, BBD delay, chorus\/phaser\/flanger, 1 high-pass filter, ring mod, vintage rotating speaker. Within effect 2, there is also a \u003cstrong\u003eSuper Plate Reverb\u003c\/strong\u003e. All effect parameters can be modulated. For example: delay quantization times controlled by LFOs, Flanger Feedback linked to an envelope. And so on... This is just a small taste of the infinite sound programming possibilities in the \u003ca href=\"https:\/\/www.algameko.com\/it\/brands\/sequential\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSequential\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003ePro 3\u003c\/strong\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/fUPKAAjlhUw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eThe sequencer and arpeggiator of the Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eUnleash your creativity using the Pro 3's sequencer. It features 4 sequences (A, B, C, and D) each composed of 16 steps. By chaining the 4 sequences, we can compose melodies with a maximum length of 64 steps. A fully programmable sequencer that allows us to record notes and\/or 3-note chords in paraphonic mode. We can store a note by selecting the desired step or play freely in live mode while the sequencer is recording. In addition to notes, we can write, record\/store automation parameters on the 16 tracks and use them as a Mod source to assign to the many destinations. Of the 16 tracks, the first 3 are dedicated to note-related parameters, the remaining (4-16) are freely assignable. \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe \u003cstrong\u003ePro 3 arpeggiator\u003c\/strong\u003e is programmable to develop rhythmic-melodic patterns in up, down, up\/down, random, or as-played sequences. We can decide the octave range and repeat: how many times, from one to three, each note within the arpeggio should repeat. Effects can synchronize with the arpeggiator, and the notes it plays are transmitted to the MIDI Out.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe sequencer and arpeggiator synchronize with the MIDI clock, external audio input, or alternatively, with the CV inputs.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eCV\/GATE \u0026 MIDI Interface\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe flexible architecture of the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/productsFT.php?str=sequential\" target=\"_blank\"\u003eSequential\u003c\/a\u003e Pro 3\u003c\/strong\u003e opens the doors not only to external audio processing but also to interfacing with \u003cstrong\u003emodular synthesizers\u003c\/strong\u003e through its \u003cstrong\u003e4 CV inputs\/4 outputs\u003c\/strong\u003e and \u003cstrong\u003e1 GATE output\u003c\/strong\u003e. Control voltages are assignable and addressable via the modulation matrix to control hardware synthesizers — for example, modular ones — compatible with this control standard. That's not all, because through the two DIN or USB outputs, we can drive external MIDI instruments not only with the Pro 3's modulations but also with the Sequencer and Arpeggiator. Among the numerous parameters transmitted to the CV outputs, we highlight LFOs, envelopes, sequencer tracks, and many, many others. Given its enormous flexibility, the \u003cstrong\u003ePro 3\u003c\/strong\u003e represents a true HUB in your modular setup or synth setup.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan\u003eMonophonic, Duophonic and Paraphonic modes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eDesigned to be a monophonic synth, the Pro 3 is actually a versatile \u003cstrong\u003eparaphonic synthesizer\u003c\/strong\u003e capable of reproducing up to 3 voices simultaneously. To create \"ordinary\" sounds, we need to set each oscillator to the same waveform and with the same pitch. If, on the other hand, we are looking for something that cannot be defined as \"ordinary,\" we can try choosing different waveforms and pitches between the oscillators to obtain something extraordinary and unpredictable. Since update 1.1, we have the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode in which the 2 VCOs will distribute cyclically between the notes played, while the third oscillator will enter LFO mode. Once in Paraphonic mode, to activate the \u003cstrong\u003eduophonic\u003c\/strong\u003e mode, press the Low Freq button located in the oscillators section.\u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eKeyboard, controls and display of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eThe keyboard is a 3-octave \u003cstrong\u003eFatar Premium\u003c\/strong\u003e, with full-size keys sensitive to velocity and aftertouch. It also features Pitch and Modulation control wheels (both backlit) and a programmable touch-sensitive \u003cstrong\u003eTouch Slider\u003c\/strong\u003e with position LEDs and a \u003cstrong\u003eLatch\u003c\/strong\u003e function. With \u003cstrong\u003e59 rotary potentiometers\u003c\/strong\u003e and more than \u003cstrong\u003e70 buttons\u003c\/strong\u003e, the \u003cstrong\u003ePro 3\u003c\/strong\u003e allows you to quickly program your sounds without constantly resorting to menus and submenus. The parameters and their respective values shown on the \u003cstrong\u003eOLED\u003c\/strong\u003e display will be extremely intelligible from any angle. \u003c\/span\u003e\u003c\/p\u003e\u003ch2 \u003e\u003cstrong\u003e\u003cspan\u003eFeatures of the Sequential Pro 3 SE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cspan\u003eTilting panel and f\u003c\/span\u003e\u003cspan\u003einishes in \u003c\/span\u003e\u003cspan style=\"color: #262626; font-family: 'Helvetica Neue';\"\u003efine walnut wood\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHybrid monophonic\/paraphonic 3-voice synthesizer\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFatar Premium 3-octave keyboard (37 keys)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSemi-weighted, with velocity and aftertouch \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e512 user memories and 512 factory memories\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 VCOs per voice\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eTriangle, saw, pulse: continuously variable waves\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 digital wavetable oscillator \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSine, triangle, saw, pulse with variable width\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 factory wavetables of 16 waves each\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32 user wavetables\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHard Sync \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eGlide settable for each oscillator\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 selectable analog filters\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 1: 4-pole low-pass\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 2: 4-pole low-pass ladder\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eFilter 3: 2-pole variable state \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e3 LFOs, 4 D-ADSR envelopes\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e32-slot modulation matrix\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e46 sources, 171 destinations\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e16-track sequencer, 4x16 steps \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e2 digital multi-effects, analog distortion\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eClock: Master, external MIDI\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMIDI: In, 2 Out and Thru DIN, USB type B\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eMain stereo output (2 x 1\/4’’ TS jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHeadphone output (1\/4’’ TRS stereo jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 mono audio input (1\/4 jack)\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TS jack input for Sustain pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e1 1\/4’’ TRS jack input for expression pedal\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003e4 CV in, 4 CV out, 1 GATE out \u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eDimensions and weight: 68.6x37x12.8cm; 12.25KG\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eIEC connector for power supply\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eConsumption: max 30W\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370770777,"sku":"17900015","price":2315.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-pro-3-se-17900015_0.jpg?v=1778119180"},{"product_id":"take-5-17900016","title":"Sequential Take 5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eSequential Take 5\u003c\/p\u003e\u003cp\u003eThe Sequential Take 5 combines the Californian company's historical expertise with the precision of modern technologies. The result is a powerful yet compact 5-voice polyphonic synth, featuring 2 VCOs, a 4-pole Low Pass filter with resonance and drive, a reverb, a multi-FX, and an overdrive. All of this is conveniently controllable via a rich array of potentiometers and buttons, an extensive modulation matrix, a 44-key Fatar Premium keyboard sensitive to velocity and aftertouch, an arpeggiator, and a 64-step polyphonic sequencer. Free Poly Chain update The free update introduces Poly Chain, new arpeggiator modes, Whiplash, and Violet Noise, making the instrument even more versatile without altering its classic character. Giaga Robot demonstrates Sequential Take 5 Sound Synthesis in the Take 5 At the heart of the instrument's sound generation are 2 fully analog oscillators that allow for continuous waveform morphing. Selectable waveforms for each VCO are: sine, sawtooth, and variable-width square. The pitch of the square-wave sub-oscillator is correlated to oscillator 1. Each oscillator offers a dedicated potentiometer to continuously vary the pitch within a +\/-7 semitone range. The two VCOs can be configured in Hard Sync mode so that OSC 1 follows OSC 2 to create rich and sharp-sounding leads. The FM button in the center of the Mixer section allows oscillator 2 to modulate oscillator 1 to obtain \"metallic\" sounds particularly appreciated on sounds such as pads and plucks. For both oscillators, the sub-oscillator, and the noise generator (Pink, White Noise), there are dedicated volume controls. Two knobs are dedicated to glide, the first to adjust the amount of the effect, the second to manage its duration. The Unison button allows up to five voices to be played simultaneously, with the freedom to assign the amount of detune between each voice. This will allow you to create very full-bodied sounds with plenty of punch. Pressing the same button while playing a chord of up to 5 notes, the Chord Memory function will memorize the intervals and then transpose and reproduce them following the note you play on the keyboard. With its analog components, the Take 5 is able to create the classic polysynth sounds that have made history in sound design. To relive the original imperfection of past synths, a knob called Vintage introduces parameter variations on individual voices, thus creating a more organic sound. Sequential Take 5 video review by Giulio Curiel The filter of the Sequential Take 5 The four-pole resonant low-pass filter is based on the design of one of the two filters of the Prophet-5 rev 4: the SSI 2140 VCF. The filter can self-oscillate by bringing the resonance control to high values, and can be modulated by one of the envelopes and by other sources configurable in the modulation matrix. It features a drive control to increase the input signal level in order to apply analog saturation to our sound. Modulations in the Take 5 The modulations of the Take 5 are applicable via two LFOs (1 global and 1 per voice), two D(delay)-ADSR envelopes with variable routing (filter, amplifier, auxiliary). The LFOs offer five waveforms: triangle, sawtooth, inverse sawtooth, square, and random (sample \u0026 hold). They can be synchronized to the internal clock or external MIDI and are also freely assignable to multiple modulation destinations. But that's not all, thanks to an extensive modulation matrix, you can assign numerous sources to the various parameters of the synthesizer, all in an extremely simple way by means of modulation learn. Effects of the Sequential Take 5 A reverb and a programmable multi-effect together with a dedicated overdrive are ready to give you all the tools necessary to define your sound. With the Sequential Take 5, programming classic sounds will be very natural, but with continuously variable wave shaping, front panel access for analog FM, and this array of effects to close the chain, we ensure the possibility of creating modern and futuristic sounds. The multi-effect allows us to select, apply, and modify one of the following effects: stereo delay, emulation of a vintage BBD (bucket-brigade) delay, tape delay and tape delay 2 (with more saturation), chorus, flanger, phaser (6 stages), ring mod, vintage rotating speaker, distortion or high-pass filter. On the independent reverb, we can control parameters such as mix, damping, pre-delay, decay, and tone (hi-pass\/low-pass). Keyboard and controls of the Sequential Take 5 The Take 5 features a Fatar premium semi-weighted 44-key (3.5 octaves) full-size keybed, sensitive to velocity and monophonic (bipolar) aftertouch; the latter is freely assignable to multiple modulation destinations. A very particular and useful function is Low Split, through which you can transpose only the first half of the keyboard by 1 or 2 octaves, so you can play lower octaves with your left hand and higher octaves of the same sound with your right hand. Indispensable are the wheels for pitch control (spring-loaded), with a variable range on each preset, and modulation. The Hold button allows the sound played to be sustained until it is released and, when used with the arpeggiator, activates the Latch function. Thanks to its 47 potentiometers and 50 buttons, the Sequential Take 5 synthesizer gives you immediate access to all its parameters, to create a sound from scratch or to modify a preset. The Live Panel Mode, once activated, ensures that the parameters of the currently used sound are brought to the actual value corresponding to the position of the potentiometers on the instrument's panel. In essence, the preset settings will be abandoned: what you see is what you hear, and the physical controls are ready to interact directly with the sound played. Use this function when you want to experiment, study sound synthesis, or for immediate gratification typically reserved for vintage analog instruments. Arpeggiator and Polyphonic Step Sequencer The programmable arpeggiator of the Sequential Take 5 can be configured in the classic Up, Down, Up + Down, Random sequences, and in the order in which we play the notes. Synchronizable to external MIDI Clock or internal Master Clock with Tap Tempo (BPM control and display), the arpeggiator also provides configurable Re-latch and Sustain functions. The notes generated by the arpeggiator can be transmitted to the MIDI OUT; through the dedicated Global setting, we can decide whether to send them both via DIN and via USB, or only to one of the two options. The Step Sequencer allows you to internally record and play back sequences of notes and\/or chords (max 5 notes per step) with a maximum duration of 64 steps. Velocity data is included in the sequence. The sequence, once recorded, can be transposed. You can also play over your sequence if you have enough polyphony. Connections of the Sequential Take 5 In an instrument designed by Dave Smith, complete MIDI connectivity could not be missing, consisting of the classic triad (In, Out, and Thru) on 5-pin DIN connectors and a class-compliant USB type B port (no drivers needed) for bidirectional communication with your PC or Mac computer, or with another instrument that supports MIDI connections via USB (e.g., Akai Pro MPC or Force). To your Take 5 you can connect a Footswitch Sustain pedal (1\/4\" TS jack) and an expression pedal (1\/4\" TRS jack) that you can freely assign to control any parameter (volume, filter cutoff, etc.) via the modulation matrix. As audio outputs, there are two (L and R) 1\/4\" TS jacks and a stereo headphone output (TRS) on a 1\/4\" jack. Features of the Sequential Take 5\u003c\/p\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e• 5-voice polyphonic analog synth\n\u003c\/p\u003e\u003cp\u003e• Fatar Premium 3.5-octave keyboard\n\u003c\/p\u003e\u003cp\u003e• Semi-weighted, with velocity and aftertouch (mono)\n\u003c\/p\u003e\u003cp\u003e• 128 user and 128 factory memories\n\u003c\/p\u003e\u003cp\u003e• 2 VCOs (SSI 2130) per voice\n\u003c\/p\u003e\u003cp\u003e• Continuously variable wave\n\u003c\/p\u003e\u003cp\u003e• Sine, saw, variable-width square\n\u003c\/p\u003e\u003cp\u003e• Square wave sub-oscillator\n\u003c\/p\u003e\u003cp\u003e• Hard Sync and FM\n\u003c\/p\u003e\u003cp\u003e• Unison with Chord Memory\n\u003c\/p\u003e\u003cp\u003e• 4-pole LP VCF (SSI 2140) with resonance and drive\n\u003c\/p\u003e\u003cp\u003e• 2 LFOs, 2 DADSR envelopes\n\u003c\/p\u003e\u003cp\u003e• Modulation matrix with learn function\n\u003c\/p\u003e\u003cp\u003e• Vintage Knob\n\u003c\/p\u003e\u003cp\u003e• Polyphonic Glide (portamento)\n\u003c\/p\u003e\u003cp\u003e• 64-step polyphonic sequencer\n\u003c\/p\u003e\u003cp\u003e• Programmable arpeggiator\n\u003c\/p\u003e\u003cp\u003e• Effects: Reverb, Multi-FX, Overdrive\n\u003c\/p\u003e\u003cp\u003e• Clock: Master (Tap Tempo), external MIDI\n\u003c\/p\u003e\u003cp\u003e• BPM control and display\n\u003c\/p\u003e\u003cp\u003e• MIDI: In, Out, and Thru DIN, USB type B\n\u003c\/p\u003e\u003cp\u003e• Main stereo output (2 x 1\/4′′ TS jack)\n\u003c\/p\u003e\u003cp\u003e• Headphone output (1\/4\" TRS stereo jack)\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TS jack input for Sustain pedal\n\u003c\/p\u003e\u003cp\u003e• 1 x 1\/4′′ TRS jack input for expression pedal\n\u003c\/p\u003e\u003cp\u003e• Dimensions and weight: 63.5x32.4x11.2cm; 7.7 kg\n\u003c\/p\u003e\u003cp\u003e• IEC connector for power supply\n\u003c\/p\u003e\u003cp\u003e• Consumption: max 14W\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003370869081,"sku":"17900016","price":1535.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-take-5-17900016_0.jpg?v=1778119196"},{"product_id":"oberheim-ob-x8-17900018","title":"Oberheim Oberheim OB-X8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Oberheim OB-X8\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;span\u0026gt; is an \u0026lt;b\u0026gt;analog synthesizer\u0026lt;\/b\u0026gt; with a 5-octave Fatar keyboard that is velocity and aftertouch sensitive. It incorporates all the key features of the legendary \u0026lt;b\u0026gt;OB-X\u0026lt;\/b\u0026gt;, \u0026lt;b\u0026gt;OB-Xa\u0026lt;\/b\u0026gt;, and \u0026lt;b\u0026gt;OB-8\u0026lt;\/b\u0026gt; products, combined with modern construction techniques. This polyphonic and bi-timbral 8-voice synth features 2 discrete VCOs, 2 selectable VCFs, 2 envelopes, a Vintage function, 2 LFOs, an Arpeggiator, and Master Tune.\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;h1 class=\"CorpoA\" style=\"text-align: center;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;o:p\u0026gt;\u0026lt;iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/xqn2kE0UBFI\" title=\"YouTube video player\" width=\"950\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/o:p\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;div\u0026gt;\u0026lt;h2 class=\"CorpoA\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;\u0026lt;span\u0026gt;The Return of the Sound\u0026lt;\/span\u0026gt;\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; \u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;b\u0026gt;Oberheim without compromise\u0026lt;\/b\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;p class=\"CorpoA\" style=\"text-align: justify;\"\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt;After 35 years,\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;b\u0026gt;Oberheim\u0026lt;\/b\u0026gt; is proud to introduce its first new product, the \u0026lt;b\u0026gt;OB-X8\u0026lt;\/b\u0026gt;. \"A new design, the greatest of all OB instruments, that maintains the style and sound that made this family of synthesizers famous,\" said \u0026lt;b\u0026gt;\u0026lt;a href=\"https:\/\/en.wikipedia.org\/wiki\/Tom_Oberheim\" target=\"_blank\"\u0026gt;Tom Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/b\u0026gt;.\u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span class=\"Nessuno\"\u0026gt;\u0026lt;span\u0026gt; \u0026lt;\/span\u0026gt;\u0026lt;\/span\u0026gt;A modern and precise Poly-Analog.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" src=\"https:\/\/www.algameko.com\/img\/items\/17900018_f.jpg\" title=\"Tom Oberheim con OB-X8 il sintetizzatore analogico Polifonico, bitimbrico a 8 voci distribuito in Italia dalla Algam EKO\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a id=\"firmware-2\" name=\"firmware-2\"\u0026gt;\u0026lt;\/a\u0026gt;Free v2.0 update: OB-X8 evolves!\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" src=\"\/images\/uploads\/\/Oberheim-ob-x8-firmware-update-versione-2.jpg\" title=\"Aggiornamento gratuito v2.0 per Oberheim OB-X8. Un sistema operativo che sblocca ulteriore potenziale creativo per gli attuali e futuri utenti dell'OB-X8 di Oberheim. Sovrapposizione di forme d’onda multiple, MPE, binaurale, nuovo filtro passo basso a 4 poli, catena polifonica estesa e non solo..\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;An operating system that unlocks further creative potential for current and future users of the \u0026lt;strong\u0026gt;Oberheim OB-X8\u0026lt;\/strong\u0026gt;, available in \u0026lt;a href=\"https:\/\/www.algameko.com\/it\/synth-analogici\/oberheim\/obx8-desktop\"\u0026gt;\u0026lt;strong\u0026gt;desktop\u0026lt;\/strong\u0026gt; format (click here\u0026lt;\/a\u0026gt;) and as a keyboard. Multiple waveform layering, MPE, binaural, new 4-pole low-pass filter, extended polyphonic chain, and more... \u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Many interesting new features and new timbral and expressive possibilities in this \u0026lt;strong\u0026gt;free firmware update\u0026lt;\/strong\u0026gt; that you can download by clicking here!\u0026lt;\/a\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Version 2.0 opens up new \u0026lt;strong\u0026gt;binaural soundscapes\u0026lt;\/strong\u0026gt;, immersive, allows simultaneous selection of multiple waveforms in the oscillators, and adds a new type of \u0026lt;strong\u0026gt;low-pass filter\u0026lt;\/strong\u0026gt;. Split and Double memory allocations have also been extended.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The new \u0026lt;strong\u0026gt;polyphonic chain\u0026lt;\/strong\u0026gt; allows for a total of 32 voices (4 instruments together) by connecting multiple OB-X8s. OB-X8 owners can now take advantage of \u0026lt;strong\u0026gt;MPE (MIDI Polyphonic Expression\u0026lt;\/strong\u0026gt;) control for maximum expressiveness in their performances.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\"\u0026lt;em\u0026gt;At \u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/it\/brands\/oberheim\"\u0026gt;Oberheim\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;, we have always worked to add more useful features to our instruments,\" said \u0026lt;strong\u0026gt;Tom Oberheim\u0026lt;\/strong\u0026gt;. \"It's unusual to add a new filter type and oscillator waveforms to an \u0026lt;strong\u0026gt;analog synthesizer\u0026lt;\/strong\u0026gt; via a \u0026lt;strong\u0026gt;software update\u0026lt;\/strong\u0026gt;, but our team is not afraid of challenges and is always committed to bringing true value to demanding musicians who love our instruments.\"\u0026lt;\/em\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;What's new in update 2.0 for Oberheim OB-X8\u0026lt;\/strong\u0026gt;:\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;- Instant binaural mode that pans individual voices completely left and right for true stereo.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Multiple waveforms simultaneously selectable on each oscillator to extend timbral variety\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New 4-pole low-pass filter type, for fuller bass even at high resonance values\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- New LFO modulation destinations to VCO 1 and 2 levels, for independent timbral mixing\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Arpeggiator clock sync now allows selection of selectable note division values for broader rhythmic control\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Doubled Split and Double memory locations, including storing programs directly in new banks: an additional 512 slots!\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Separate MIDI channels for bi-timbral operation, with keyboard split\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;- Polyphonic chain to reach up to 32 voices with 4 connected instruments\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;a href=\"https:\/\/oberheim.com\/support\/\" target=\"_blank\"\u0026gt;Download update 2.0 for Oberheim OB-X8: click here\u0026lt;\/a\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Sound Synthesis in the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt;\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The discrete analog oscillators of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; are capable of delivering the classic incisive \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; timbre. There are two per voice, and they can reproduce \u0026lt;span\u0026gt;pulse\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;saw\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, and \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;triangle\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; waveforms. \u0026lt;\/span\u0026gt;Both VCOs have a dedicated potentiometer for frequency adjustment and can be synchronized to create sharp leads and rich harmonic sounds. There is a potentiometer to detune the frequency of the second oscillator, found in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. When the \u0026lt;strong\u0026gt;Unison\u0026lt;\/strong\u0026gt; function is active, the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; behaves like a monophonic synth: it plays only one note at a time with the possibility to detune all eight voices used simultaneously. Activate it to create full and impressive basses and leads by dedicating all 8 voices to a single note. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Chord Memory\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; function stores the intervals between notes, then transposes and reproduces them according to the root note you play on the keyboard. To simultaneously change the pitch of both oscillators, a potentiometer named \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master Tune\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is dedicated and located in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Master\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-gli-oscillatori_da29.jpg\" title=\"Oberheim OB-X8 la sezione di controllo dedicata ai due oscillatori analogici discreti \" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Filters of the \u0026lt;span\u0026gt;Oberheim\u0026lt;\/span\u0026gt; OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable Oberheim, the filter section of the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is given prominence. This time, however, \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; did not stop at introducing only one filter into the synthesis path. Under the hood, we find two distinct filters, and on the front panel, a dedicated switch to toggle between the VCFs. The first is a discrete \u0026lt;strong\u0026gt;SEM\u0026lt;\/strong\u0026gt; filter capable of delivering the style and presence of the \u0026lt;strong\u0026gt;OB-X\u0026lt;\/strong\u0026gt;, with three additional modes: high-pass, band-pass, and notch, in addition to the classic low-pass. The second VCF is controlled by an authentic \u0026lt;strong\u0026gt;Curtis\u0026lt;\/strong\u0026gt; filter configurable as 2 or 4-pole to add the character and classic sound of the OB-Xa.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Vintage Mode Knob on OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In collaboration with \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Dave Smith\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; of \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Sequential\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;, \u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Tom\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; has undertaken in-depth research into what made the sound so unique, warm, and organic in old vintage synthesizers. Together, the two discovered that much of these characteristics are due to slight fluctuations and differences in response times from voice to voice, not only in the frequencies of individual VCOs but also in the filters, envelopes, and amplifiers. To achieve the same behavior in the new \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, Oberheim created the potentiometer called \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Vintage\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;, through which you can gradually and randomly add the same imperfections so appreciated in vintage synthesizers. Try it, and you won't be able to do without it.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Polyphonic and Bi-Timbral\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;The Oberheim OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt; is \u0026lt;strong\u0026gt;bi-timbral\u0026lt;\/strong\u0026gt;: it can simultaneously play two sounds of 4 voices each in two different modes. In \u0026lt;strong\u0026gt;Split\u0026lt;\/strong\u0026gt; mode, the keyboard is divided into two, with one sound dedicated to the lower octaves and another to the upper octaves. In \u0026lt;strong\u0026gt;Double\u0026lt;\/strong\u0026gt; mode, on the other hand, the \u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt; will be able to play two sounds simultaneously across the entire length of the keyboard; in this mode, the available voices per Program also become 4\u0026lt;\/span\u0026gt;.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;The Modulations of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;In this new \u0026lt;strong\u0026gt;Oberheim\u0026lt;\/strong\u0026gt; project, no detail has been left to chance. That's why there are two envelopes on the control panel: one dedicated to the amplifier and the other to the filter. Both are designed to provide the same response as all other models in the OB family. The \u0026lt;strong\u0026gt;Modulation\u0026lt;\/strong\u0026gt; section includes an \u0026lt;strong\u0026gt;LFO\u0026lt;\/strong\u0026gt; capable of generating sine, square, and S\/H (sample \u0026amp;amp; hold) waveforms. We can assign and program the amount of modulation to two groups of destinations to modulate the oscillator frequencies, filter cutoff, pulse width of both oscillators, and volume. A convenient and useful \u0026lt;strong\u0026gt;Arpeggiator\u0026lt;\/strong\u0026gt; is located to the left of the keyboard in classic vintage style, ready to provide up, down, up \u0026amp;amp; down patterns, or to follow the sequence of notes we play. This is available on both parts (split or double) independently.\u0026lt;\/span\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Oberheim-OB-X8-pitch-bend-modulation-arpeggiatore_1028.jpg\" title=\" Oberheim OB-X8 le leve per i controlli di pitch bend e modulation e l’arpeggiatore\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;The Oberheim Levers: Pitch Bend and Mod\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;To apply bending, vibrato, and other real-time modulations, the OB-X8 provides the classic two levers, both with adjustable range (pitch bend) and amount (mod) parameters, and they can act on one or both oscillators at our discretion. This section also houses the second LFO, dedicated to performance and controllable by the Mod lever, with its 6 waveforms: triangle, square, Up Saw, Down Saw, Sample \u0026amp;amp; Hold, and Noise.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400; text-align: justify;\"\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity and Aftertouch in the\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt; Oberheim \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8 \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;As with any respectable modern synthesizer, the ability to program \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Velocity\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; and \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Aftertouch\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; was essential. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; allows us to do this simply and immediately, thanks to the two dedicated buttons in the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Control\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; section. We can also decide whether to dedicate Velocity to the filter or volume, while Aftertouch can be dedicated to the filter or modulation.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Programming the OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;A creative and simple-to-program instrument. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; control panel features a potentiometer for each function, allowing immediate access to all sound shaping parameters. The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;Manual\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; button enables live panel mode: press it, and the \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; will detach from preset mode and switch to the current settings of the rotary controls and switches. What you see is exactly what you hear. 600 rewritable user programs are included, including the set of 400 original presets from OB-X, OB-SX, OB-Xa, and OB-8.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"font-weight: 400;\"\u0026gt;\u0026lt;strong\u0026gt;Keyboard and Connections of OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"font-weight: 400; text-align: justify;\"\u0026gt;The \u0026lt;span\u0026gt;\u0026lt;strong\u0026gt;OB-X8\u0026lt;\/strong\u0026gt;\u0026lt;\/span\u0026gt; is equipped with a 61-key (5-octave) FATAR keyboard, sensitive to Velocity and Aftertouch.\u0026lt;\/p\u0026gt;The connections found on the back of the instrument include two distinct audio outputs, one monophonic and the other stereo. The latter is of fundamental importance when we decide to widen the stereo image across the 8 voices. There are 4 pedal inputs: one for volume control, another for sustain, one for the filter cutoff, and one for the arpeggiator. For MIDI interfacing, we find the DIN In, Out, and Thru triad and a type B USB port for direct connection to PC and Mac computers.\n\n## **Artists' Impressions of the OB-X8**\n\n","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58003371065689,"sku":"17900018","price":4999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/111-oberheim-oberheim-ob-x8-17900018_0.jpg?v=1778119223"},{"product_id":"teo-5-17900023","title":"Oberheim TEO-5","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eOberheim \u003c\/strong\u003e\u003cspan data-ogsc=\"black\"\u003e\u003cstrong\u003e\u003cspan data-markjs=\"true\"\u003e\u003cspan data-markjs=\"true\"\u003eTEO 5\u003c\/span\u003e\u003c\/span\u003e\u0026nbsp;\u003c\/strong\u003eis a modern instrument, a 5-voice (2\u0026nbsp;\u003c\/span\u003eVCO, sub osc per voice\u003cspan data-ogsc=\"black\"\u003e) \u003cstrong\u003epolyphonic analog synth\u003c\/strong\u003e with X-Mod (FM) equipped with a 3.5-octave (44-key) semi-weighted \u003cstrong\u003eFatar Premium\u003c\/strong\u003e keyboard, sensitive to velocity and \u003cstrong\u003eaftertouch\u003c\/strong\u003e. The filter is a variable state \u003cstrong\u003eSEM\u003c\/strong\u003e (lowpass, highpass, notch, and bandpass). The modulation matrix is rich and articulate.\u0026nbsp;There are 2 24-bit\/48kHz \u003cstrong\u003edigital effects processors\u003c\/strong\u003e: one dedicated exclusively to reverb\u0026nbsp;\u003c\/span\u003e(room, hall, plate, spring)\u0026nbsp;\u003cspan data-ogsc=\"black\"\u003eand another to effects such as\u0026nbsp;\u003c\/span\u003edelay, chorus, flanger, Oberheim phase shifter and ring modulator emulations. Stereo analog overdrive.\u0026nbsp;\u003cspan data-ogsc=\"black\"\u003e2 LFOs, 2 assignable ADSRs. Arpeggiator and 64-step polyphonic sequencer with ties and rests.\u0026nbsp;\u003c\/span\u003e\u003c\/h1\u003e\u003cp\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https:\/\/www.youtube.com\/embed\/dKkfhJm92PU?si=SPqboUAa9K2r2Mpx\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cb\u003eThomas Elroy Oberheim.\u0026nbsp;\u003c\/b\u003e\u003cb\u003eTEO\u003c\/b\u003e. It's not an acronym, it's more than just initials, it represents the realization of a synth pioneer's vision. TEO-5 is a modern instrument, crafted with a classic analog soul, yet as elegant and powerful as you'd expect from a contemporary instrument.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eTEO-5 captures the secrets of the OB-X, the Four Voice, and the TVS, their legendary spirit concentrated in a compact and accessible machine. It's what Tom, the master himself, has always wanted to build: a sonic palette within reach of any keyboardist or music producer.\u003c\/p\u003e\u003cp style=\"text-align=\"justify;\"\u003eTake your musical experience to the next level with true analog VCOs and VCFs. The TEO's five voices of polyphony \"sing\" with the warmth and power of triangle, sawtooth, and pulse waves. But this is not a one-trick synth... The updated oscillators can operate with analog FM, creating unprecedented sound textures. An organic sound, ready to be sculpted with the legendary SEM filter, Oberheim's distinctive core.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cb\u003eModern Mastery Fused with Vintage Magic\u003c\/b\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eModulations that sculpt your sounds with precision, two digital effects: chorus, delay, and reverb to enhance the sound of a unique instrument. And for a taste of true Oberheim alchemy, leverage the emulations of Tom's legendary Phase Shifter and Ring Modulator to evoke swirling sounds and metallic resonances.\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eNot just a synth. With the TEO-5's 64-step polyphonic sequencer, you access infinite melodic possibilities, while the arpeggiator keeps your rhythms pulsating and thumping. Play it live with the premium Fatar keyboard, leveraging the expressiveness of aftertouch. From leads to chords, to thundering basses: the TEO-5 will elevate every aspect of your musical performance.\u003c\/p\u003e\u003ch2\u003e\u003cb\u003eOberheim TEO-5 Features\u003c\/b\u003e\u003c\/h2\u003e\u003cp\u003e- 5-voice polysynth based on VCO\/VCF\u003c\/p\u003e\u003cp\u003e- 2x VCOs and sub oscillator per voice\u003c\/p\u003e\u003cp\u003e- Simultaneously selectable waveforms for each oscillator: triangle, sawtooth, variable pulse\u003c\/p\u003e\u003cp\u003e- Oscillator 1 syncs with oscillator 2\u003c\/p\u003e\u003cp\u003e- Dedicated X-Mod control on the front panel for FM\u0026nbsp;\u003c\/p\u003e\u003cp\u003e- Switchable key tracking per oscillator\u003c\/p\u003e\u003cp\u003e- White noise generator accessible in the pre-filter mixer\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eSTATE-VARIABLE FILTER\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Classic SEM-style filter with selectable Band-Pass mode\u003c\/p\u003e\u003cp\u003e- State knob continuously sweeps from Low-Pass to Notch to High-Pass\u003c\/p\u003e\u003cp\u003e- Bi-polar filter envelope amount\u003c\/p\u003e\u003cp\u003e- Velocity modulation of envelope amount\u003c\/p\u003e\u003cp\u003e- Keyboard tracking\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eFILTER ENVELOPE\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Five-stage envelope generator (DADSR)\u003c\/p\u003e\u003cp\u003e- Velocity modulation of envelope amount\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eAMPLIFIER ENVELOPE\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Five-stage envelope generator (DADSR)\u003c\/p\u003e\u003cp\u003e- Velocity modulation of envelope amount\u003c\/p\u003e\u003ch3\u003e\u003cb\u003e2 LFOs (LOW FREQUENCY OSCILLATORS)\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Five waveforms: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/p\u003e\u003cp\u003e- BPM synchronization\u003c\/p\u003e\u003cp\u003e- Initial amount setting\u003c\/p\u003e\u003cp\u003e- Freely assignable modulation destinations\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eTHE VINTAGE KNOB on the Oberheim TEO 5\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Recreates vintage synth characteristics by adding voice-to-voice variations in component behavior\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eAFTERTOUCH\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Channel (mono) aftertouch with bi-polar amount\u003c\/p\u003e\u003cp\u003e- Freely assignable modulation destinations\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eCLOCK\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Main clock with tap tempo\u003c\/p\u003e\u003cp\u003e- BPM control and display\u003c\/p\u003e\u003cp\u003e- MIDI clock synchronization\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eARPEGGIATOR\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Selectable note value: sixteenth, eighth triplet, eighth, dotted eighth, quarter\u003c\/p\u003e\u003cp\u003e- Range of one, two, or three octaves\u003c\/p\u003e\u003cp\u003e- Up, down, up\/down, random, and assign mode\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eSEQUENCER\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- 64-step polyphonic sequencer, including ties and rests\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eEFFECTS\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Stereo analog overdrive\u003c\/p\u003e\u003cp\u003e- Two 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (digital and bucket brigade delay), chorus, flanger, Oberheim phase shifter and ring modulator emulations.\u003c\/p\u003e\u003cp\u003e- BPM synchronization\u0026nbsp;\u003c\/p\u003e\u003cp\u003e- True bypass maintains a fully analog signal path when digital effects are off\u003c\/p\u003e\u003ch3\u003e\u003cb\u003ePERFORMANCE CONTROLS\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Hold switch sustains held notes\u003c\/p\u003e\u003cp\u003e- Polyphonic portamento\u003c\/p\u003e\u003cp\u003e- Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes to control voice triggering priority\u003c\/p\u003e\u003ch3\u003e\u003cb\u003ePATCH MEMORIES\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- 256 user programs and 256 factory programs in 32 banks of 16 programs each\u003c\/p\u003e\u003cp\u003e- Direct program access, including one-button access to the current set of 16 programs\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eOberheim TEO-5 Connections\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- Left (mono) and right (2 x 1\/4\" jacks) audio outputs\u003c\/p\u003e\u003cp\u003e- Headphone output (stereo, 1\/4\" jack)\u003c\/p\u003e\u003cp\u003e- MIDI In, Out, and Thru ports\u003c\/p\u003e\u003cp\u003e- USB for bi-directional MIDI communication\u003c\/p\u003e\u003cp\u003e- Volume expression pedal input\u003c\/p\u003e\u003cp\u003e- Sustain pedal input\u003c\/p\u003e\u003ch3\u003e\u003cb\u003ePOWER SUPPLY\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- AC IEC input\u0026nbsp;\u003c\/p\u003e\u003cp\u003e- Operates worldwide with voltages between 100 and 240 volts at 50-60 Hz; maximum consumption of 30 watts\u003c\/p\u003e\u003ch3\u003e\u003cb\u003ePHYSICAL SPECIFICATIONS\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003e- 3.5-octave Fatar semi-weighted premium keyboard\u003c\/p\u003e\u003cp\u003e- Dimensions and weight: 63.5x32.4x11.2cm; 7.7KG\u003c\/p\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58016954319193,"sku":"17900023","price":1479.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/111-oberheim-teo-5-17900023_0.jpg?v=1778264325"},{"product_id":"trigon-6-desktop-17900021","title":"Sequential Trigon 6 Desktop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003eThe\u0026nbsp;\u003cstrong\u003eSequential Trigon\u0026nbsp;6\u0026nbsp;\u003c\/strong\u003ein this\u0026nbsp;\u003cstrong\u003eDesktop\u0026nbsp;\u003c\/strong\u003eversion offers the same powerful analog sound generation architecture as the 49-key keyboard version that is driving the world of sound synthesis enthusiasts crazy. From today, these sounds are also accessible in a compact desktop format that can be easily positioned in any setup, in the studio or live. Compatible with\u0026nbsp;\u003cstrong\u003eMIDI Polyphonic Expression\u0026nbsp;\u003c\/strong\u003e(MPE).\u0026nbsp;Dimensions and weight: 55.88x21.46x11.53cm; 4.95KG.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003eThe\u0026nbsp;\u003cstrong\u003eSequential Trigon 6\u0026nbsp;\u003c\/strong\u003ein this desktop version is a compact and portable instrument that retains all the sound generation capabilities present in the keyboard version. The voice architecture is identical: three oscillators per voice and a ladder filter that has been updated with dedicated drive and feedback control, making it easy to switch from a silky, smooth sound to a bold and \"crunchy\" one through the simple rotation of a knob. This versatility makes the Trigon-6 the perfect companion for your studio or live performances.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eMore Expression through MPE\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eTrigon-6\u0026nbsp;\u003c\/strong\u003eallows you to shape every note with\u0026nbsp;\u003cstrong\u003eMIDI Polyphonic Expression\u0026nbsp;\u003c\/strong\u003e(MPE), an extension of the MIDI protocol that allows compatible devices to control multiple parameters within individual notes in compatible synthesizers. This ensures more expressive instrumental performances, as each note can have its own pitch bend, filter cutoff, amplitude and other modulations.\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe desktop module is not just a simple scaled-down version of the\u0026nbsp;\u003cstrong\u003eTrigon-6\u0026nbsp;\u003c\/strong\u003ekeyboard. It is an expressive and powerful instrument that produces a warm and organic analog sound. \"\u0026lt;em\u0026gt;Desktop module designs continue to be a popular choice among our users\u0026lt;\/em\u0026gt;,\" said CEO\u0026nbsp;\u003cstrong\u003eDavid Gibbons\u003c\/strong\u003e. \"\u0026lt;em\u0026gt;We spent a little extra time on the\u0026nbsp;\u003cstrong\u003eMIDI polyphonic expression\u0026nbsp;\u003c\/strong\u003ecapabilities as we finalized this instrument, anticipating that people would pair it with some of the fantastic\u0026nbsp;\u003cstrong\u003eMPE controllers\u0026nbsp;\u003c\/strong\u003eavailable on the market. We can't wait to hear what users will do with this amazing and compact instrument!\u0026lt;\/em\u0026gt;\"\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eThe\u0026nbsp;\u003cstrong\u003eSequential\u0026nbsp;Trigon-6\u0026nbsp;synthesizer\u0026nbsp;\u003c\/strong\u003eis a testament to the legacy and innovation carried forward by the late\u0026nbsp;\u003cstrong\u003eDave Smith\u003c\/strong\u003e. An instrument that encapsulates all the best qualities of the\u0026nbsp;\u003cstrong\u003eProphet-6\u0026nbsp;\u003c\/strong\u003eand\u0026nbsp;\u003cstrong\u003eOB-6\u0026nbsp;\u003c\/strong\u003esynthesizers from\u0026nbsp;\u003cstrong\u003eSequential\u003c\/strong\u003e: 6-voice polyphony, unparalleled ease of programming.\u0026nbsp;It also features an LFO, a polyphonic step sequencer, an arpeggiator, and a dual effects processor with chorus, ring modulation, flanger, phaser, delay, and reverb.\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"MPE compatible analog synthesizer Sequential Trigon 6 Desktop\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Sequential-Trigon-6-desktop-Synth-Analogico-MPE-compatibile.jpg\" title=\"MPE compatible analog synthesizer Sequential Trigon 6 Desktop\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eSpecifications of the\u0026nbsp;\u003c\/strong\u003e\u003cstrong\u003eSequential Trigon\u0026nbsp;6 Desktop\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Three discrete VCOs per voice\u003c\/p\u003e\u003cp\u003e\u0026bull; Waveforms (simultaneously selectable): triangle, sawtooth, inverted sawtooth, and variable pulse width\u003c\/p\u003e\u003cp\u003e\u0026bull; Controllable pulse width on each oscillator\u003c\/p\u003e\u003cp\u003e\u0026bull;\u0026nbsp;Hard sync: oscillator 1 syncs with oscillator 2\u003c\/p\u003e\u003cp\u003e\u0026bull;\u0026nbsp;Keyboard tracking\u0026nbsp;on\/off (oscillator 3)\u003c\/p\u003e\u003cp\u003e\u0026bull; LFO mode (oscillator 3)\u003c\/p\u003e\u003cp\u003e\u0026bull; Feedback and drive controls on the oscillator for increased signal saturation\u003c\/p\u003e\u003cp\u003e\u0026bull; White noise source\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLOW-PASS FILTER\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Resonant, discrete, 2\/4-pole switchable low-pass ladder filter per voice\u003c\/p\u003e\u003cp\u003e\u0026bull; The filter can enter self-oscillation with the Resonance control\u003c\/p\u003e\u003cp\u003e\u0026bull; Bi-polar envelope on the filter\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u0026bull; Modulation of envelope amount via velocity\u003c\/p\u003e\u003cp\u003e\u0026bull; \u0026nbsp;Keyboard tracking: off, half, full\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFILTER ENVELOPE\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Four-stage envelope generator (ADSR)\u003c\/p\u003e\u003cp\u003e\u0026bull; Modulation of envelope amount via velocity\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAMPLIFIER ENVELOPE\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; ADSR envelope generator\u003c\/p\u003e\u003cp\u003e\u0026bull;\u0026nbsp;Modulation of envelope amount via velocity\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLFO\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Five waveforms: sine, sawtooth, inverted sawtooth, square, and random (sample \u0026amp; hold)\u003c\/p\u003e\u003cp\u003e\u0026bull; LFO sync\u003c\/p\u003e\u003cp\u003e\u0026bull; Initial amount\u003c\/p\u003e\u003cp\u003e\u0026bull; Modulation destinations: oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, filter cutoff, amplifier (VCA)\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePOLY MOD\u003c\/b\u003e\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u0026bull; Sources: oscillator 3 (bipolar) and filter envelope (bipolar)\u003c\/p\u003e\u003cp\u003e\u0026bull; Destinations: oscillator 1, 2, and 3 frequency, oscillator 1, 2 pulse width and filter cutoff, feedback amount.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eVINTAGE KNOB\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Recreates the characteristics of vintage synthesizers by adding voice-to-voice variations\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAFTERTOUCH\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Source: channel aftertouch (mono) with bipolar amount (+\/-)\u003c\/p\u003e\u003cp\u003e\u0026bull; Destinations: oscillator 1, 2, and 3 frequency, LFO amount, amplifier envelope amount, filter envelope amount, FX A mix, FX B mix\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSYNCHRONIZATION (CLOCK)\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Master clock with tap tempo\u003c\/p\u003e\u003cp\u003e\u0026bull; BPM control and display\u003c\/p\u003e\u003cp\u003e\u0026bull; Clock sync via MIDI\u003c\/p\u003e\u003cp\u003e\u003cb\u003eARPEGGIATOR\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Selectable note value: sixteenth note, eighth note triplet, eighth note, dotted eighth note, quarter note\u003c\/p\u003e\u003cp\u003e\u0026bull; One, two, or three octave range\u003c\/p\u003e\u003cp\u003e\u0026bull; Up, down, up\/down, random, and assignable modes\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSEQUENCER\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; 64-step polyphonic sequencer\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEFFECTS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Stereo analog distortion\u003c\/p\u003e\u003cp\u003e\u0026bull; Digital effects (dual), 24-bit\/48kHz: reverb\u0026nbsp;(room, hall, plate, spring),\u0026nbsp;delay (full bandwidth digital delay and bucket brigade simulation), chorus, flanger, phase shifter, and ring modulator\u003c\/p\u003e\u003cp\u003e\u0026bull; Delay sync\u003c\/p\u003e\u003cp\u003e\u0026bull; Bypass maintains a fully analog signal path when digital effects are off\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePERFORMANCE CONTROLS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Hold switch maintains held notes\u003c\/p\u003e\u003cp\u003e\u0026bull; Polyphonic portamento\u003c\/p\u003e\u003cp\u003e\u0026bull; Unison mode (monophonic) with configurable voice count, from one to all six voices, and key mode to control voice triggering priority\u003c\/p\u003e\u003cp\u003e\u0026bull; Preset switch: when on, the front panel is active - what you see is what you hear\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePATCH MEMORIES\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; 500 user and 500 factory programs: 10 banks of 100 programs each\u003c\/p\u003e\u003cp\u003e\u0026bull; Direct program access, including one-button access to the current set of 10 programs\u003c\/p\u003e\u003cp\u003e\u003cb\u003eIN \u0026amp; OUT\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Left\/mono and right audio outputs (2 x 1\/4\" jacks)\u003c\/p\u003e\u003cp\u003e\u0026bull; Headphone output (stereo, 1\/4\" jack)\u003c\/p\u003e\u003cp\u003e\u0026bull; MIDI In, Out, and Thru ports\u003c\/p\u003e\u003cp\u003e\u0026bull; USB type B port for bidirectional MIDI communication\u003c\/p\u003e\u003cp\u003e\u0026bull; Expression pedal input for filter cutoff\u003c\/p\u003e\u003cp\u003e\u0026bull; Expression pedal input for volume\u003c\/p\u003e\u003cp\u003e\u0026bull; Sustain pedal input\u003c\/p\u003e\u003cp\u003e\u0026bull; Pedal input for sequencer start\/stop\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePOWER\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; AC IEC power input for internal power supply\u003c\/p\u003e\u003cp\u003e\u0026bull; Operates worldwide with voltages between 100 and 240 volts at 50-60 Hz; maximum consumption of 30 watts\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePHYSICAL SPECIFICATIONS\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u0026bull; Maple side panels\u003c\/p\u003e\u003cp\u003e\u0026bull; The Trigon-6 desktop module weighs approximately 4.95KG\u0026nbsp;\u003c\/p\u003e\u003cp\u003e\u0026bull; Dimensions of 55.88x21.46x11.53cm\u003c\/p\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58035810271577,"sku":"17900021","price":2978.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/83-sequential-trigon-6-desktop-17900021_0.jpg?v=1778507971"},{"product_id":"teo-5-desktop-module-17900028","title":"Oberheim TEO-5 Desktop Module","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p data-end=\"1061\" data-start=\"317\" style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Oberheim TEO-5 Desktop Module\u0026lt;\/strong\u0026gt; combines the sound legacy of the historic brand with the efficiency of a compact studio module weighing only 3.08 kg and with a footprint of just 53.3 × 17.8 × 8.9 cm. This desktop version retains the same analog oscillators and the unmistakable multimode SEM filter already present in the keyboard version, along with a rich array of digital effects, linear and through-zero FM, and an advanced modulation matrix. All \u0026lt;strong\u0026gt;TEO-5\u0026lt;\/strong\u0026gt; functionalities are directly accessible from the top panel, allowing for immediate, direct, and intuitive synthesis. Perfect for studios with limited space or live sets, the \u0026lt;strong\u0026gt;TEO-5 Desktop\u0026lt;\/strong\u0026gt; combines analog power and practicality.\u0026lt;\/p\u0026gt;\u0026lt;h2 data-end=\"1110\" data-start=\"1068\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Legendary synthesis for everyone, in a portable format\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p data-end=\"1649\" data-start=\"1112\" style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;TEO-5 Desktop\u0026lt;\/strong\u0026gt; is a 5-voice polyphonic analog synthesizer with two VCOs plus a sub-oscillator per voice, an \u0026lt;strong\u0026gt;SEM filter\u0026lt;\/strong\u0026gt; with continuous morphing from low-pass to high-pass, flexible modulations, FM, and a comprehensive effects section including reverb, overdrive, and multi-FX with vintage emulations. The knob-laden front panel ensures total and immediate control over every parameter. MIDI, USB, pedalboard connectivity, and universal power supply make it an extremely versatile instrument, perfect for any modern setup.\u0026lt;\/p\u0026gt;\u0026lt;h3 data-end=\"1705\" data-start=\"1656\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Oberheim TEO-5 Desktop Module Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p data-end=\"1729\" data-start=\"1707\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"1729\" data-start=\"1707\"\u0026gt;Analog Synthesis:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"2091\" data-start=\"1731\"\u0026gt;    \u0026lt;li data-end=\"1775\" data-start=\"1731\"\u0026gt;    \u0026lt;p data-end=\"1775\" data-start=\"1733\" style=\"text-align: justify;\"\u0026gt;5-voice polyphony with analog VCOs and VCF\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"1810\" data-start=\"1776\"\u0026gt;    \u0026lt;p data-end=\"1810\" data-start=\"1778\" style=\"text-align: justify;\"\u0026gt;2 VCOs + sub-oscillator per voice\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"1906\" data-start=\"1811\"\u0026gt;    \u0026lt;p data-end=\"1906\" data-start=\"1813\" style=\"text-align: justify;\"\u0026gt;Simultaneously selectable waveforms: triangular, sawtooth, variable pulse\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"1952\" data-start=\"1907\"\u0026gt;    \u0026lt;p data-end=\"1952\" data-start=\"1909\" style=\"text-align: justify;\"\u0026gt;Hard sync between Oscillator 1 and Oscillator 2\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2003\" data-start=\"1953\"\u0026gt;    \u0026lt;p data-end=\"2003\" data-start=\"1955\" style=\"text-align: justify;\"\u0026gt;Through-zero FM with X-Mod control on the panel\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2040\" data-start=\"2004\"\u0026gt;    \u0026lt;p data-end=\"2040\" data-start=\"2006\" style=\"text-align: justify;\"\u0026gt;White noise in the pre-filter mixer\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2091\" data-start=\"2041\"\u0026gt;    \u0026lt;p data-end=\"2091\" data-start=\"2043\" style=\"text-align: justify;\"\u0026gt;Key tracking activatable for each oscillator\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"2104\" data-start=\"2093\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"2104\" data-start=\"2093\"\u0026gt;Filter:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"2298\" data-start=\"2106\"\u0026gt;    \u0026lt;li data-end=\"2182\" data-start=\"2106\"\u0026gt;    \u0026lt;p data-end=\"2182\" data-start=\"2108\" style=\"text-align: justify;\"\u0026gt;Multimode SEM filter with continuous morphing from low-pass to notch and high-pass\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2217\" data-start=\"2183\"\u0026gt;    \u0026lt;p data-end=\"2217\" data-start=\"2185\" style=\"text-align: justify;\"\u0026gt;Selectable band-pass mode\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2267\" data-start=\"2218\"\u0026gt;    \u0026lt;p data-end=\"2267\" data-start=\"2220\" style=\"text-align: justify;\"\u0026gt;Bi-polar envelope with velocity modulation\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2298\" data-start=\"2268\"\u0026gt;    \u0026lt;p data-end=\"2298\" data-start=\"2270\" style=\"text-align: justify;\"\u0026gt;Keyboard tracking activatable\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"2314\" data-start=\"2300\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"2314\" data-start=\"2300\"\u0026gt;Envelopes:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"2459\" data-start=\"2316\"\u0026gt;    \u0026lt;li data-end=\"2374\" data-start=\"2316\"\u0026gt;    \u0026lt;p data-end=\"2374\" data-start=\"2318\" style=\"text-align: justify;\"\u0026gt;2 five-stage envelopes (DADSR) for filter and amplifier\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2413\" data-start=\"2375\"\u0026gt;    \u0026lt;p data-end=\"2413\" data-start=\"2377\" style=\"text-align: justify;\"\u0026gt;Velocity modulation on both\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2459\" data-start=\"2414\"\u0026gt;    \u0026lt;p data-end=\"2459\" data-start=\"2416\" style=\"text-align: justify;\"\u0026gt;Freely assignable modulation routing\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"2469\" data-start=\"2461\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"2469\" data-start=\"2461\"\u0026gt;LFO:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"2721\" data-start=\"2471\"\u0026gt;    \u0026lt;li data-end=\"2512\" data-start=\"2471\"\u0026gt;    \u0026lt;p data-end=\"2512\" data-start=\"2473\" style=\"text-align: justify;\"\u0026gt;2 independent LFOs (global and per-voice)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2603\" data-start=\"2513\"\u0026gt;    \u0026lt;p data-end=\"2603\" data-start=\"2515\" style=\"text-align: justify;\"\u0026gt;5 waveforms: triangular, sawtooth, inverse sawtooth, square, sample \u0026amp;amp; hold\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2636\" data-start=\"2604\"\u0026gt;    \u0026lt;p data-end=\"2636\" data-start=\"2606\" style=\"text-align: justify;\"\u0026gt;Clock sync (internal or MIDI)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2667\" data-start=\"2637\"\u0026gt;    \u0026lt;p data-end=\"2667\" data-start=\"2639\" style=\"text-align: justify;\"\u0026gt;Initial amount setting\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2721\" data-start=\"2668\"\u0026gt;    \u0026lt;p data-end=\"2721\" data-start=\"2670\" style=\"text-align: justify;\"\u0026gt;Freely assignable modulation destinations\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"2738\" data-start=\"2723\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"2738\" data-start=\"2723\"\u0026gt;Mod Matrix:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"2830\" data-start=\"2740\"\u0026gt;    \u0026lt;li data-end=\"2771\" data-start=\"2740\"\u0026gt;    \u0026lt;p data-end=\"2771\" data-start=\"2742\" style=\"text-align: justify;\"\u0026gt;19 sources x 64 destinations\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2796\" data-start=\"2772\"\u0026gt;    \u0026lt;p data-end=\"2796\" data-start=\"2774\" style=\"text-align: justify;\"\u0026gt;19 modulation slots\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"2830\" data-start=\"2797\"\u0026gt;    \u0026lt;p data-end=\"2830\" data-start=\"2799\" style=\"text-align: justify;\"\u0026gt;Audio-rate routing support\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"2844\" data-start=\"2832\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"2844\" data-start=\"2832\"\u0026gt;Effects:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"3092\" data-start=\"2846\"\u0026gt;    \u0026lt;li data-end=\"2900\" data-start=\"2846\"\u0026gt;    \u0026lt;p data-end=\"2900\" data-start=\"2848\" style=\"text-align: justify;\"\u0026gt;Dedicated reverb (damping, pre-delay, decay, tone)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3071\" data-start=\"2901\"\u0026gt;    \u0026lt;p data-end=\"3071\" data-start=\"2903\" style=\"text-align: justify;\"\u0026gt;Multi-FX with: stereo delay, BBD delay, tape delay, chorus, flanger, Oberheim phaser, ring mod, vintage rotary speaker, distortion, high-pass filter, Lo-Fi effect\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3092\" data-start=\"3072\"\u0026gt;    \u0026lt;p data-end=\"3092\" data-start=\"3074\" style=\"text-align: justify;\"\u0026gt;Dedicated overdrive\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"3129\" data-start=\"3094\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"3129\" data-start=\"3094\"\u0026gt;Vintage and performance functions:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"3578\" data-start=\"3131\"\u0026gt;    \u0026lt;li data-end=\"3203\" data-start=\"3131\"\u0026gt;    \u0026lt;p data-end=\"3203\" data-start=\"3133\" style=\"text-align: justify;\"\u0026gt;\"Vintage\" knob to simulate analog voice-by-voice variations\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3235\" data-start=\"3204\"\u0026gt;    \u0026lt;p data-end=\"3235\" data-start=\"3206\" style=\"text-align: justify;\"\u0026gt;Assignable aftertouch (mono)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3259\" data-start=\"3236\"\u0026gt;    \u0026lt;p data-end=\"3259\" data-start=\"3238\" style=\"text-align: justify;\"\u0026gt;Polyphonic portamento\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3307\" data-start=\"3260\"\u0026gt;    \u0026lt;p data-end=\"3307\" data-start=\"3262\" style=\"text-align: justify;\"\u0026gt;Configurable Unison mode (up to 5 voices)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3380\" data-start=\"3308\"\u0026gt;    \u0026lt;p data-end=\"3380\" data-start=\"3310\" style=\"text-align: justify;\"\u0026gt;\"Live panel\" mode: real-time control of visible parameters\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3524\" data-start=\"3381\"\u0026gt;    \u0026lt;p data-end=\"3524\" data-start=\"3383\" style=\"text-align: justify;\"\u0026gt;Arpeggiator with selectable note values (1\/16, 1\/8T, 1\/8, 1\/8., 1\/4), range up to 3 octaves, up, down, up\/down, random, assign modes\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3578\" data-start=\"3525\"\u0026gt;    \u0026lt;p data-end=\"3578\" data-start=\"3527\" style=\"text-align: justify;\"\u0026gt;64-step polyphonic sequencer with ties and rests\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"3592\" data-start=\"3580\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"3592\" data-start=\"3580\"\u0026gt;Memory:\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"3694\" data-start=\"3594\"\u0026gt;    \u0026lt;li data-end=\"3631\" data-start=\"3594\"\u0026gt;    \u0026lt;p data-end=\"3631\" data-start=\"3596\" style=\"text-align: justify;\"\u0026gt;256 user presets + 256 factory presets\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3694\" data-start=\"3632\"\u0026gt;    \u0026lt;p data-end=\"3694\" data-start=\"3634\" style=\"text-align: justify;\"\u0026gt;Direct access to banks and sounds (32 banks of 16 programs)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"3712\" data-start=\"3696\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"3712\" data-start=\"3696\"\u0026gt;Connections of the\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt; Oberheim TEO-5 Desktop Module\u0026lt;strong data-end=\"3712\" data-start=\"3696\"\u0026gt;:\u0026lt;\/strong\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul data-end=\"3939\" data-start=\"3714\"\u0026gt;    \u0026lt;li data-end=\"3744\" data-start=\"3714\"\u0026gt;    \u0026lt;p data-end=\"3744\" data-start=\"3716\" style=\"text-align: justify;\"\u0026gt;L\/R audio outputs (1\/4” jack)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3779\" data-start=\"3745\"\u0026gt;    \u0026lt;p data-end=\"3779\" data-start=\"3747\" style=\"text-align: justify;\"\u0026gt;Stereo headphone output (1\/4” jack)\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3804\" data-start=\"3780\"\u0026gt;    \u0026lt;p data-end=\"3804\" data-start=\"3782\" style=\"text-align: justify;\"\u0026gt;MIDI In, Out and Thru on five-pin DIN connectors\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3829\" data-start=\"3805\"\u0026gt;    \u0026lt;p data-end=\"3829\" data-start=\"3807\" style=\"text-align: justify;\"\u0026gt;Bi-directional USB MIDI\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3855\" data-start=\"3830\"\u0026gt;    \u0026lt;p data-end=\"3855\" data-start=\"3832\" style=\"text-align: justify;\"\u0026gt;Sustain pedal input\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3887\" data-start=\"3856\"\u0026gt;    \u0026lt;p data-end=\"3887\" data-start=\"3858\" style=\"text-align: justify;\"\u0026gt;Expression pedal input\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;    \u0026lt;li data-end=\"3939\" data-start=\"3888\"\u0026gt;    \u0026lt;p data-end=\"3939\" data-start=\"3890\" style=\"text-align: justify;\"\u0026gt;Internal IEC power supply, 100–240V, 50\/60Hz, 22W\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p data-end=\"3995\" data-start=\"3941\" style=\"text-align: justify;\"\u0026gt;\u0026lt;strong data-end=\"3963\" data-start=\"3941\"\u0026gt;Dimensions and weight:\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;53.3 × 17.8 × 8.9 cm; 3.08KG\u0026lt;\/p\u0026gt;","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":58042368655705,"sku":"17900028","price":1135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/111-oberheim-teo-5-desktop-module-17900028_0.jpg?v=1778571358"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/d30f30de0eb7a0a990e91e561f93529f26f388b9.gif?v=1779268309","url":"https:\/\/yourmusiconline.it\/en\/collections\/sequential-2.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}