{"title":"RADIAL ENGINEERING","description":"","products":[{"product_id":"x-amp-grad8001080","title":"Radial Engineering X-Amp","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial X‑Amp\u003c\/strong\u003e is an active, \u003cstrong\u003eClass‑A Reamper\u003c\/strong\u003e with a balanced XLR input, ¼″ Hi‑Z outputs, level control, \u003cstrong\u003eground lift\u003c\/strong\u003e, and polarity inversion. The X‑Amp converts pre-recorded signals, making them compatible with amplifiers and effects chains. The ground lift manages potential ground loops, while the level control ensures a natural tonal and dynamic output.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial X-Amp\u003c\/strong\u003e uses an exclusive Class-A circuit optimized for use with guitars and bass. Features include 2 independent ¼” Hi-Z outputs and 1 balanced line-level input with an LED peak indicator. The output level control allows you to manage the signal sent to the two amplifiers, while the second transformer-isolated output helps eliminate hum caused by ground loops. A polarity inversion switch is also present on this output. With Radial X-Amp, you can focus on performance during recording and then sculpt the sound later.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial X-Amp Controls and Connections\u003c\/strong\u003e\u003c\/p\u003e\u003cul style=\"text-align: justify;\"\u003e    \u003cli\u003e\u003cstrong\u003eXLR INPUT\u003c\/strong\u003e: +4dB balanced line-level input. Used to receive the signal from your DAW.\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eLIFT\u003c\/strong\u003e: lifts the ground on XLR pin 1\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e: connection for the 15VDC 400mA power supply\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePOWER LED\u003c\/strong\u003e: illuminates automatically when power is connected\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eLEVEL\u003c\/strong\u003e: allows you to adjust the output level\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCLIP LED\u003c\/strong\u003e: when lit, it means you are overloading the input circuit\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOUTPUT 1\u003c\/strong\u003e: the buffered output is used to send a signal to your amplifier\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003e180° POLARITY:\u003c\/strong\u003e inverts the phase on output 2\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOUTPUT 2\u003c\/strong\u003e: the isolated output is used to send a signal to a second amplifier\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial X-Amp Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul style=\"text-align: justify;\"\u003e    \u003cli\u003eActive Reamper with two outputs\u003c\/li\u003e    \u003cli\u003eClass A circuit\u003c\/li\u003e    \u003cli\u003eTransformer isolated to eliminate noise\u003c\/li\u003e    \u003cli\u003eLED peak indicator and level control\u003c\/li\u003e    \u003cli\u003e100% discrete Class A circuit.\u003c\/li\u003e    \u003cli\u003eFrequency response: 20 Hz to 15 kHz (± 1.0 dB)\u003c\/li\u003e    \u003cli\u003eDynamic range: 119dB\u003c\/li\u003e    \u003cli\u003eTotal Harmonic Distortion: 0.02% at -15dBu\u003c\/li\u003e    \u003cli\u003eIntermodulation Distortion: 0.02% at -20dBu\u003c\/li\u003e    \u003cli\u003eInput impedance: 600 Ω\u003c\/li\u003e    \u003cli\u003eNoise: OUT-1 -110dB; OUT-2 -108dBu\u003c\/li\u003e    \u003cli\u003eMaximum input: +22dBu\u003c\/li\u003e    \u003cli\u003e180° polarity inversion, Ground lift, Level Control\u003c\/li\u003e    \u003cli\u003eInput connectors: XLR\u003c\/li\u003e    \u003cli\u003eOutput connectors: Isolated and direct 1\/4\" jack\u003c\/li\u003e    \u003cli\u003eConstruction: Steel shell\u003c\/li\u003e    \u003cli\u003eDimensions and weight: 84x127x48mm; 720g\u003c\/li\u003e    \u003cli\u003ePower supply: +15VDC\/400mA adapter included\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eVIDEO: What is reamping and which Reamp to choose\u003c\/strong\u003e\u003cbr\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"669\" src=\"https:\/\/www.youtube.com\/embed\/wBuT7G9E-HA\" title=\"YouTube video player\" width=\"1190\"\u003e\u003c\/iframe\u003e\u003c\/h2\u003e\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eAnswers to Frequently Asked Questions about Radial X-Amp\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3 style=\"text-align: justify;\"\u003eWhat is the difference between X-Amp and \u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/reamp-jcr\" target=\"_blank\"\u003eJCR\u003c\/a\u003e?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eThe X-Amp is active while the JCR is passive. The advantage of the X-Amp is the ability to drive more than one amplifier simultaneously.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eHow long should the cable be to connect the X-Amp to my amplifiers?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eThe buffered output of the X-Amp will allow you to use unbalanced cables up to 15 meters; for longer lengths, we recommend using the Radial \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/accessori-studio\/radial\/sgi-txrx\" target=\"_blank\"\u003eSGI\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eCan I reamp my Hammond organ?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eYou can reamp any instrument.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eHow do you reamp a snare or kick drum?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eThere are a couple of ways to do this. You could perform a simple Reamping process where you take the pre-recorded kick drum and send it through the X-Amp to an amplifier or a series of effects.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eWhat should I do if I get a hum from my system?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eTry pressing the LIFT switch. This will eliminate the ground connection between the X-Amp and the guitar amplifier.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eI connected two amplifiers together, but the sound is distant and thin?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eYour amplifiers may be out of phase. Just press the 180º polarity inversion.\u003c\/p\u003e\u003ch3\u003eCan I connect a guitar to the XLR input to use the X-Amp as a direct box?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eNo. The X-Amp's XLR input is line-level, designed to receive pre-recorded audio tracks. You should first connect your guitar to a preamplifier to boost the signal. The Radial \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/accessori-studio\/radial\/jd7\" target=\"_blank\"\u003eJD7\u003c\/a\u003e\u003c\/strong\u003e, on the other hand, has inputs that allow you to do this.\u003c\/p\u003e\u003ch3\u003eWhat is the difference between active Reamping and using a passive approach?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eA passive Reamper like the \u003cstrong\u003e\u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/reamp-jcr\" target=\"_blank\"\u003eJCR\u003c\/a\u003e\u003c\/strong\u003e or the \u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/prormp\" target=\"_blank\"\u003e\u003cstrong\u003eProRMP\u003c\/strong\u003e\u003c\/a\u003e employs transformers that tend to attenuate the transients of digital recordings. Active Reampers like the X-Amp use buffers that allow you to control levels with greater freedom.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eCan I use a passive direct box like \u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/jdi-mk3\" target=\"_blank\"\u003eJDI\u003c\/a\u003e or \u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/prodi\" target=\"_blank\"\u003e\u003cstrong\u003eProDI\u003c\/strong\u003e\u003c\/a\u003e to record a track for Reamping?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eYes.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003eIs there a difference between the original blue and new yellow X-Amp versions?\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eNo. We simply changed the exterior color to differentiate it from the \u003ca href=\"https:\/\/www.algameko.com\/it\/pedali-pedaliere-chitarre\/radial\/j48\" target=\"_blank\"\u003e\u003cstrong\u003eJ48\u003c\/strong\u003e\u003c\/a\u003e direct box.\u003c\/p\u003e\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vvDVV7rnDTs\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003741278553,"sku":"GRAD8001080","price":284.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-x-amp-grad8001080_0.jpg?v=1778131316"},{"product_id":"jdi-grad8001100","title":"Radial Engineering JDI","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial Engineering's JDI\u0026lt;\/strong\u0026gt; is a compact \u0026lt;strong\u0026gt;passive DI BOX\u0026lt;\/strong\u0026gt; that uses a Jensen audio transformer, adapting impedance and balancing your instruments' audio signal.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1765465002\/11091\/\" title=\"Radial JDI is a compact passive DI BOX that uses a Jensen audio transformer, adapting impedance and balancing your instruments' audio signal.\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Radial JDI Controls and Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"text-align: justify;\"\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;-15 dB PAD\u0026lt;\/strong\u0026gt;: reduces input sensitivity by 15 dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;MERGE\u0026lt;\/strong\u0026gt;: turns the input and thru jacks into a passive mixer to sum stereo signals to mono.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;INPUT\u0026lt;\/strong\u0026gt;: ¼” input jack for instruments\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;THRU\u0026lt;\/strong\u0026gt;: the ¼” thru jack passes the instrument signal to the amplifier. When the MERGE function is active, it becomes an input.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;OUTPUT XLR\u0026lt;\/strong\u0026gt;: 150 Ohm balanced microphone-level output.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;REV 180°\u0026lt;\/strong\u0026gt;: polarity inversion.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;GROUND\u0026lt;\/strong\u0026gt;: disconnects pin 1 at the XLR output to reduce hum caused by ground loops\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;SPEAKER\u0026lt;\/strong\u0026gt;: by connecting your speaker output to JDI, the speaker button engages a -30 dB PAD and a 12” cone emulation filter that allows you to connect the JDI to the input of a mixer in parallel\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial JDI\u0026lt;\/strong\u0026gt; is a \u0026lt;strong\u0026gt;passive direct box\u0026lt;\/strong\u0026gt; designed to handle extreme signal levels without any distortion. JDI uses the Jensen JT-DB-EPC audio transformer which, thanks to the integrated analog Bessel filter, with its typical warm and soft sound, reproduces the natural tone of the instrument free of artifacts. Thanks to its passive design without power, it converts the signal impedance from high to low and handles signal balancing. This makes JDI particularly useful in eliminating hum caused by ground loops. In addition, thanks to the “Speaker” button, by connecting your speaker output to the JDI, you can emulate a 12” cone that allows you to connect in parallel to the input of a mixer.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1765465146\/11092\/\" title=\"Radial JDI is a passive direct box designed to handle extreme signal levels without any distortion. JDI uses the Jensen JT-DB-EPC audio transformer.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial JDI Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"text-align: justify;\"\u0026gt;    \u0026lt;li\u0026gt;Jensen JT-DB-EPC transformer\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Excellent signal handling\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Audio circuit: Passive, transformer-based\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Number of channels: Single channel (mono)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response: 20 Hz to 20 kHz (± 0.2 dB)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range: 135dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total Harmonic Distortion: 0.05% from 20 Hz to 20 kHz (-10 dB)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Phase deviation: 0.3° at 100 Hz; 3° at 20Hz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input impedance: 140k Ohm, unbalanced\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output impedance: 150 Ohm, balanced\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum input: +21dB from 20Hz to 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input Pad, Mono Sum, 180° polarity inversion, Ground lift, Speaker filter\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Construction: steel shell\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Finish: durable powder coat\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions and weight: 127x84.1x45.5mm; 703g.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power: passive, no power required\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003742818649,"sku":"GRAD8001100","price":298.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-jdi-grad8001100_0.jpg?v=1778131373"},{"product_id":"jdi-stereo-passive-direct-box-grad8001101","title":"Radial Engineering JDI Stereo Passive Direct Box","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial JDI Stereo Passive Direct Box \u003c\/strong\u003eis a \u003cstrong\u003epassive stereo direct box\u003c\/strong\u003e designed to handle high-level signals without any distortion. Unlike an active DI, which is limited by buffer voltage, it uses a pair of \u003cstrong\u003eJensen audio transformers\u003c\/strong\u003e that balance the signal and reduce impedance for use with long cables. No power supply is required; simply connect it.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"The Radial JDI Stereo is a passive stereo direct box designed to handle extreme level signals without any distortion.\" src=\"\/images\/uploads\/\/JDI-Stereo-1200x630.jpg\" title=\"The Radial JDI Stereo is a passive stereo direct box designed to handle extreme level signals without any distortion.\"\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong style=\"font-size: 13px;\"\u003ePassive DI equipped with Jensen transformer\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eEliminates hum and noise due to ground loops\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eZero harmonic \u0026amp; phase distortion\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eCompact stereo format for double performance\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eUnaltered instrument sound\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe magic comes from the amazing internal Jensen transformers, renowned for their ability to correctly handle transients, offering a smooth and warm Bessel curve, reminiscent of the best vintage devices. Linear from 10Hz to 40kHz and with virtually zero phase deviation, the JDI Stereo keeps the instrument's sound natural and pure, not artificial. In addition to converting the unbalanced Hi-Z signal, the transformers isolate the input from the output, filtering out DC voltage that can cause noise and lead to so-called ground loops. All of this allows audio to pass through while eliminating problems.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"The internal Jensen transformers, renowned for their ability to correctly handle transients with a soft and warm Bessel curve, reminiscent of the best vintage devices.\" src=\"\/images\/uploads\/\/JDI-1200x630_02.jpg\" title=\"The internal Jensen transformers, renowned for their ability to correctly handle transients with a soft and warm Bessel curve, reminiscent of the best vintage devices.\"\u003e\u003c\/p\u003e\u003cp\u003eFeatures include ¼\" input and thru-put connectors plus a -15dB input pad on each channel. There is also a ground lift switch that lifts pin 1 on the two XLR outputs to further reduce hum and noise caused by ground loops. Built robustly to withstand the extreme demands of touring, the JDI Stereo uses a 14-gauge I-beam steel frame and an exclusive book-style outer shell. The innovative design eliminates stress on the circuitry, reducing the possibility of solder joint detachment, while the outer shell creates a protective zone around switches and connectors. The steel enclosure works with the mu-metal transformer and internal Faraday shielding to protect sensitive internal mechanisms from powerful magnetic fields, such as those generated by amplifiers, ensuring quiet, hum-free signal handling. The original Radial JDI has become the most famous passive direct box in professional touring and recording studios worldwide, and there is no doubt that the JDI Stereo will follow suit. The combination of these features has made the Radial JDI the most famous passive direct box in professional touring and an excellent choice for studio instrument use! Radial JDI - the best passive direct box in the world.\u003c\/p\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003e\u003cstrong\u003eJDI™ - Applications\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eTwo basses connected to amplifiers and PA system\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe JDI Stereo is perfect for sending the pure bass signal to the PA system. Use the Thru connectors to feed two channels on your amplifier.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"The JDI Stereo is perfect for sending the pure bass signal to the PA system. Use the Thru connectors to feed two channels on your amplifier.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/jdi-stereo-app-1.jpg\" title=\"The JDI Stereo is perfect for sending the pure bass signal to the PA system. Use the Thru connectors to feed two channels on your amplifier.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eStereo Laptop with keyboard\/controller\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe JDI Stereo is equipped with Jensen transformers and can correctly and easily handle extreme transients from a digital piano, laptop, or DJ mixer.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"The JDI Stereo is equipped with Jensen transformers and can correctly and easily handle extreme transients from a digital piano, laptop or DJ mixer.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/jdi-stereo-app-2.jpg\" title=\"The JDI Stereo is equipped with Jensen transformers and can correctly and easily handle extreme transients from a digital piano, laptop or DJ mixer.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eTwo acoustic guitars connected to the PA system\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eJensen transformers level out the peaks of the acoustic guitar, producing a rich, warm sound.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"Jensen transformers level out the peaks of the acoustic guitar, producing a rich, warm sound.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/jdi-stereo-app-3.jpg\" title=\"Jensen transformers level out the peaks of the acoustic guitar, producing a rich, warm sound.\"\u003e\u003c\/p\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003e\u003cstrong\u003eJDI Technical Specifications\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio circuit type: Passive, transformer-based\u003c\/li\u003e     \u003cli\u003eTransformer: Jensen JT-DBE\u003c\/li\u003e     \u003cli\u003eNumber of channels: 2 channels (Dual Mono)\u003c\/li\u003e     \u003cli\u003eFrequency response: 20Hz ~ 20KHz (± 0.2dB)\u003c\/li\u003e     \u003cli\u003eDynamic range: 135dB\u003c\/li\u003e     \u003cli\u003eTotal harmonic distortion: 0.05% from 20Hz ~ 20kHz @-10dB\u003c\/li\u003e     \u003cli\u003ePhase deviation: 0.3° @ 100Hz; 3° @ 20Hz\u003c\/li\u003e     \u003cli\u003eInput impedance: 140k Ohms, unbalanced\u003c\/li\u003e     \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eMaximum input level: +21dB @ 20Hz ~ 20kHz\u003c\/li\u003e     \u003cli\u003eFeatures\u003c\/li\u003e     \u003cli\u003e-15db attenuation pad, Ground Lift\u003c\/li\u003e     \u003cli\u003eInput connectors: unbalanced 1\/4\"\u003c\/li\u003e     \u003cli\u003eOutput connectors: XLR OUT, 1\/4\" thru\u003c\/li\u003e     \u003cli\u003eGeneral Specifications\u003c\/li\u003e     \u003cli\u003eConstruction: 14 gauge steel chassis and outer shell\u003c\/li\u003e     \u003cli\u003eDimensions (L x W x D): 127mm x 84.1mm x 45.5mm - 5\" x 3.3\" x 1.8\"\u003c\/li\u003e     \u003cli\u003eWeight: 703 grams - 1.55 lbs\u003c\/li\u003e     \u003cli\u003ePower supply: Passive, no power required\u003c\/li\u003e     \u003cli\u003eOperating conditions: Dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003742884185,"sku":"GRAD8001101","price":439.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-jdi-stereo-passive-direct-box-grad8001101_0.jpg?v=1778131378"},{"product_id":"j48-grad8001120","title":"Radial Engineering J48","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;J48\u0026lt;\/strong\u0026gt; by RADIAL Engineering is an \u0026lt;strong\u0026gt;Active Direct Box\u0026lt;\/strong\u0026gt; with \u0026lt;strong\u0026gt;48V Phantom Power\u0026lt;\/strong\u0026gt;, designed with ultra-low distortion circuitry, \u0026lt;strong\u0026gt;high headroom\u0026lt;\/strong\u0026gt;, and dynamic range. It preserves the sound of the connected instrument without coloration, with the ability to handle extreme transients without distortion. \u0026lt;strong\u0026gt;J48 is\u0026lt;\/strong\u0026gt; the ideal tool for touring, live concerts, and recording studios \u0026lt;strong\u0026gt;.\u0026lt;\/strong\u0026gt;\u0026lt;\/h1\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"J48 by RADIAL Engineering is an Active Direct Box with Phantom power, designed with ultra-low distortion circuitry, high headroom and dynamic range, it neutrally maintains the sound of the connected instrument without coloration\" src=\"\/images\/uploads\/\/J48_1200x630_01.jpg\" title=\"J48 by RADIAL Engineering is an Active Direct Box with Phantom power, designed with ultra-low distortion circuitry, high headroom and dynamic range, it neutrally maintains the sound of the connected instrument without coloration\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Main Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Ultra-low Distortion Active Circuitry \u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Excellent Headroom and Dynamic Range\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Maintains the Natural Sound of the Instrument\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;48V Phantom Power\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Higher Rail Voltage and Headroom\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Most active (battery-powered) guitars and basses produce up to 7 Volts when played at maximum volume, which can easily overload normal active Direct Boxes that can only handle up to about 3 Volts. The J48 uses a newly designed switching power supply that increases the internal rail voltage so it can handle up to \u0026lt;strong\u0026gt;9 Volts\u0026lt;\/strong\u0026gt;, resulting in improved signal and greater headroom. This additional headroom significantly reduces all types of distortion, allowing the natural timbre and character of the instrument to shine through.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The J48 uses a newly designed switching power supply that increases the internal rail voltage so it can handle up to 9 Volts, resulting in improved signal and greater headroom\" src=\"\/images\/uploads\/\/J48_1200x630_02.jpg\" title=\"The J48 uses a newly designed switching power supply that increases the internal rail voltage so it can handle up to 9 Volts, resulting in improved signal and greater headroom\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial J48 is an active Direct Box\u0026lt;\/strong\u0026gt; that exclusively uses 48V phantom power and produces an extremely wide and linear response from 20Hz to well beyond 40kHz. Low distortion is ensured by a unique digital switching power supply that increases the internal operating voltage, adding headroom and improving signal handling. The J48 is ideal for both live and studio use, with a robust and durable metallic construction. It features a -15dB input pad to handle particularly strong signals, 180º polarity reversal for feedback control on stage, and a ground lift to reduce hum and noise caused by ground loops. Special features of the J48 include the Merge function, which combines left and right signals into a single mono signal without phase cancellation. To minimize feedback with acoustic instruments, the J48 has an 80Hz high-pass filter (low-cut) that can also increase headroom by eliminating unwanted low frequencies. The innovative and characteristic design of Radial products protects switches and connectors, while the internal I-beam architecture eliminates stress on the circuitry, protecting sensitive components from potential torsional damage and ensuring trouble-free performance for years. The back features a non-slip pad that provides mechanical and electrical isolation, ensuring greater stability on stage.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;J48 Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Overview\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial J48 is a professional Direct Box\u0026lt;\/strong\u0026gt; equally useful in the studio and live, designed to convert a high-impedance instrument output into a low-impedance, mic-level signal compatible with console inputs. It also balances the signal, allowing the use of cables up to 300 meters long without noise and without appreciable signal loss. Unlike classic Direct Boxes that simply use phantom power to manage an internal buffer, the J48 converts phantom power from DC to AC; subsequently, thanks to a unique switching power supply, it increases the internal operating voltage, ensuring greater headroom. In this way, the active amplifier (buffer) is not always at maximum: we do not have to trade frequency response for dynamic range. The result is a response curve that starts at 10Hz and extends well beyond 40kHz! This ensures that the natural timbre of the instrument is maintained without degradation or the introduction of artifacts.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;As with any electronic audio device, make sure all levels are at zero and\/or power is off before making connections. This will prevent power-on transients or capacitor discharge from damaging speakers.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;strong\u0026gt;Setup with Standard Instruments\u0026lt;\/strong\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"As with any electronic audio device, make sure all levels are at zero and\/or power is off before making connections. This will prevent power-on transients or capacitor discharge from damaging speakers.\" src=\"\/img\/media\/images\/html\/GRAD8001120_dee0.jpg\" title=\"As with any electronic audio device, make sure all levels are at zero and\/or power is off before making connections. This will prevent power-on transients or capacitor discharge from damaging speakers.\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ol\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Connect a ¼\" cable from your instrument to the J48 input.\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Connect a ¼\" cable from the Thru connector to your amplifier. This parallel connection can be easily tested by raising the volume of your amplifier. Always perform a test at low volume to ensure that connections and cables are working correctly.\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Connect an XLR cable from the J48 output to the input of a microphone preamplifier on your mixer. Make sure 48V phantom power is on. Virtually all mixers today are equipped with 48V phantom power. This ingenious system sends a DC signal to the J48 that powers the internal amplifier and does not interfere with the AC audio signal path.\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Slowly raise the mixer volume and check at a low level that the signal is present. If you experience noise or hum, try lifting the ground. Start playing. If distortion occurs, lower the source volume or press the input pad.\u0026lt;\/li\u0026gt;\u0026lt;\/ol\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;After making the connections, turn on the sound system. Make sure 48V phantom power on the console is activated before raising system volume levels. To check phantom power, press the 80Hz high-pass filter on the J48 while looking at the LED. It should flash once to tell you that phantom power is present. The LED does not stay on. This feature is designed to distribute all available phantom current to the audio circuit. You are now ready for the audio test. Play your bass or acoustic guitar. You should hear your instrument in your stage amplifier, if connected. Slowly increase the audio level. If you experience hum or noise, try activating the Ground Lift on the J48: this often helps eliminate hum caused by ground loops.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the J48 with an Acoustic Guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;One of the most common applications for the Radial J48 is with an acoustic guitar on stage. The J48 is designed to be used alone, with PA and monitoring systems, or in combination with the PA system and instrumental stage amplifiers. On large professional concert stages, monitors or stage sound are usually controlled by a monitor engineer or the front-of-house (FOH) engineer. In this case, the J48 is essentially invisible: the guitar connects to the J48 and the rest is managed like a microphone. An instrument amplifier is optional.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"On large professional concert stages, monitors or stage sound are usually controlled by a monitor engineer or the front-of-house (FOH) engineer. In this case, the J48 is essentially invisible: the guitar connects to the J48 and the rest is managed like a microphone\" src=\"https:\/\/www.algameko.com\/images\/uploads\/j48-app-1.jpg\" title=\"On large professional concert stages, monitors or stage sound are usually controlled by a monitor engineer or the front-of-house (FOH) engineer. In this case, the J48 is essentially invisible: the guitar connects to the J48 and the rest is managed like a microphone\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Eliminating Feedback\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"The J48 is equipped with a Low-Cut (high-pass filter) that gradually reduces bass frequencies below 80Hz, eliminating low-frequency resonance\" src=\"https:\/\/www.algameko.com\/images\/uploads\/GRAD8001120_02_9b1c.jpg\" title=\"The J48 is equipped with a Low-Cut (high-pass filter) that gradually reduces bass frequencies below 80Hz, eliminating low-frequency resonance\"\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The biggest challenge with acoustic instruments is achieving sufficient stage volume before feedback. To eliminate feedback, the J48 is equipped with a Low-Cut (high-pass filter) that gradually reduces bass frequencies below 80Hz, eliminating low-frequency resonance. If you notice that feedback is more present in some areas of the stage and less in others, try using the polarity switch, which will change how the PA system and monitor wedges interact, improving the sound and eliminating resonant feedback hotspots. Some musicians prefer to have their own amplifier on stage to set the sound according to personal needs. However, this can be counterproductive in achieving good sound in the hall: for example, adding reverb on stage might seem good, but when playing in an arena with a lot of echo, more reverb means completely losing the acoustic guitar. The same applies to EQ: cutting the mid-range frequencies on stage might seem ideal, but the signal sent to the PA should be flat to allow the FOH engineer to mix the sound so that it stands above the drums and other instruments.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using the J48 with a Bass\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;As described earlier, just like an acoustic guitar, an electric bass can be used 'direct' or in conjunction with a bass amplifier. This applies to both studio recording and live performances. The advantage of a direct setup is simplicity. No amplifiers to carry around, no phase issues, just 'plug \u0026amp;amp; play'. The combination of direct feed from the Radial J48 with the sound of a mic'd amplifier is a more common approach, especially in a live event. With this setup, the bassist can create the sound and hear what they want on stage, which is extremely important for creating the right groove with the drummer. But even when it comes to EQ, what might sound good on stage doesn't necessarily sound good in the hall. This is why most musicians send the direct bass sound before it goes through the amplifier, allowing the FOH engineer to work with an unmodified sound and optimize the EQ for the room. Polarity inversion can sometimes help time-align low frequencies, reduce resonance, and make mixing easier.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\" an electric bass can be used 'direct' or in conjunction with a bass amplifier. This applies to both studio recording and live performances. The advantage of a direct setup is simplicity. No amplifiers to carry around, no phase issues\" src=\"https:\/\/www.algameko.com\/images\/uploads\/j48-app-2.jpg\" title=\" an electric bass can be used 'direct' or in conjunction with a bass amplifier. This applies to both studio recording and live performances. The advantage of a direct setup is simplicity. No amplifiers to carry around, no phase issues\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using J48 with Keyboards\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The Radial J48 can handle higher levels than other active DIs, making it perfect for keyboards and especially suitable for older vintage keyboards with limited output, such as a vintage Rhodes Piano. When using the J48 with highly dynamic instruments like digital pianos, samplers, and drum machines, it is recommended to engage the -20dB pad in the circuit, reducing the possibility of overload distortion.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Merge Function\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;An interesting feature on the J48 is the Merge function, specifically designed to handle many left\/right keyboard outputs relative to the available channels on the mixer. By pressing the Merge switch, you can transform the input and throughput into two inputs, allowing you to passively mix the left and right signals into a mono output. This saves valuable setup time and eliminates the need to reprogram all sounds to mono.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"By pressing the Merge switch, you can transform the input and throughput into two inputs, allowing you to passively mix the left and right signals into a mono output\" src=\"https:\/\/www.algameko.com\/images\/uploads\/J48.jpg\" title=\"By pressing the Merge switch, you can transform the input and throughput into two inputs, allowing you to passively mix the left and right signals into a mono output\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the J48 in the Studio\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Don't let the small size of the J48 compared to large and flashy studio Direct Boxes fool you. We've tested most of these expensive devices, and the J48 usually outperforms them when it comes to delivering fantastic audio. We're not saying that some of these studio DIs aren't useful; it can be fun to add personality to an instrument by introducing effects like tube distortion or radical EQ curves. The J48 was not designed to do this: its job is to send the most accurate signal possible to the recording system and allow the engineer to make artistic decisions from that point. With the advent of digital recording, 'extra tracks' open the door to creative options like never before. If you're recording bass or an acoustic or electric guitar, it's good practice to always record a track directly from the instrument. This way, you can capture a magical performance that cannot be recreated and insert it into the mix later. The Radial J48 is perfect for this. All you have to do is connect the instrument to the J48 and the Thru-put to the amplifier. The XLR output feeds your recorder, which you can safely use to capture tracks and save them for future use.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/j48-app3.jpg\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Re-amping - Using Radial J48 and Radial X-Amp\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Re-amping, or re-recording, is a process that involves recording a clean track and then playing the clean track through a re-recording device like the Radial X-Amp using effect pedals and amplifiers. This technique, usually used with electric guitars, is now also employed with bass, keyboards, percussion, and even vocals! For applying the technique with guitar, first set up the guitar and amplifier as usual, except the guitar should be connected to the input of the Radial J48 and the Thru-put to the guitar amplifier as indicated. The XLR output of the J48 will feed the mixing console of the recording system. As soon as the guitarist starts playing, record their amplifier using a microphone and simultaneously capture the clean direct sound of the guitar through the J48. Once the track is recorded, you can send the guitarist home and get to work! Here's the point: after acquiring the recording, managing a messed-up note is easy if the signal is clean, but doing so with a distorted guitar track is difficult, if not impossible. Furthermore, having a guitarist play and play and play again before the microphones are set up around their amplifier can often take hours. A tired guitarist doesn't play like a fresh one! Capture the performance, then worry about the sound later. With the dry track recorded with the J48, you can now send the guitar signal to the Radial X-Amp. The X-Amp is fundamentally a line-level to guitar amplifier signal converter and distribution amplifier. It allows you to pre-record the balanced line signal to process it with guitar amplifiers or effect pedals. Press Play on the recorder, and then, through the X-Amp, send the signal back into the effects and various amplifiers. While you are playing back the track, a collaborator moves the microphone around the room until it sounds good.\u0026lt;\/p\u0026gt;This is the magic behind Re-amping.\u0026lt;\/p\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;J48 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio circuit type: Proprietary analog with Low-noise op-amp\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response: 20Hz ~ 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range: 109dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total harmonic distortion: 0.002% @ -5dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Intermodulation distortion: 0.003% @ -3dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Phase deviation: +10º at 20Hz | 0º at 1kHz | -1º at 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input impedance: 220kΩ - ¼\" input\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output impedance: 200Ω - XLR output\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Equivalent input noise: -103dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Residual noise: -99dB below 0dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum input level: +10dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Features\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input pad, Mono Sum, 180° polarity inversion, Ground lift, HPF\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input connectors: 1\/4\"\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output connectors: Balanced XLR, 1\/4\" Thru\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;General specifications\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Construction: 14-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 84 x 127 x 48mm - 3.3\" x 5.0\" x 2\"\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 720 g - 1.55 lb\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power supply: 48V phantom – Proprietary digital switching power supply\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Conditions of use: Dry locations only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003743244633,"sku":"GRAD8001120","price":291.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-j48-grad8001120_0.jpg?v=1778131402"},{"product_id":"j48-stereo-grad8001121","title":"Radial Engineering J48 STEREO","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;The Radial \u0026lt;strong\u0026gt;J48 Stereo\u0026lt;\/strong\u0026gt; is an \u0026lt;strong\u0026gt;active Direct Box\u0026lt;\/strong\u0026gt; with 2 inputs, offering high performance and extremely low distortion, high headroom and dynamic range, and a wide and linear frequency response. It is \u0026lt;strong\u0026gt;powered\u0026lt;\/strong\u0026gt; by \u0026lt;strong\u0026gt;48V Phantom\u0026lt;\/strong\u0026gt; power, features a \u0026lt;strong\u0026gt;-15dB attenuation Pad\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;Ground Lift\u0026lt;\/strong\u0026gt;, and a \u0026lt;strong\u0026gt;High Pass filter\u0026lt;\/strong\u0026gt;. It is an ideal product for live performances and professional recording studios.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Radial J48 Stereo is a high-performance active direct box designed for professional touring and studio recording\" src=\"\/images\/uploads\/\/J48_Stereo_1200x630_01.jpg\" title=\"Radial J48 Stereo is a high-performance active direct box designed for professional touring and studio recording\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Extremely low distortion\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Exceptional headroom \u0026amp;amp; dynamic range\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Preserves the natural sound of the instrument\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Powered by 48V Phantom\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The \u0026lt;strong\u0026gt;Radial J48 Stereo\u0026lt;\/strong\u0026gt; is a high-performance active direct box designed for professional touring and studio recording. It features the same signal path that made the single-channel J48 the most suitable active direct box for touring. And with users as diverse as Paul McCartney, Tommy Emmanuel, and Joe Chiccarelli, you can be sure it will meet the most demanding requirements. The design begins with a 14-gauge steel chassis and a robust book-end design that protects switches and connectors. The internal I-beam construction ensures that the circuit board does not twist, reducing the possibility of solder joint detachment and potential failures. All connectors are made of fiberglass-reinforced nylon and have large, oxidation-proof nickel-silver contacts.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"extremely linear frequency response from 10Hz to 40kHz and the ability to easily handle high-output instruments\" src=\"\/images\/uploads\/\/J48_Stereo_1200x630_02.jpg\" title=\"extremely linear frequency response from 10Hz to 40kHz and the ability to easily handle high-output instruments\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Inside, an exclusive power supply converts the 48-volt phantom power into AC current, increasing headroom, resulting in improved signal handling and reduced distortion. This translates into an extremely linear frequency response from 10Hz to 40kHz and the ability to effortlessly handle high-output instruments. Additionally, a -15dB pad can be activated for handling extreme signals. There is also a \u0026lt;strong\u0026gt;high-pass filter\u0026lt;\/strong\u0026gt; that gently attenuates low frequencies below 80Hz to clean up muddy sounds and excessive resonance. The 180º polarity reverse will help when using the J48 Stereo with dual-element pickups to align phase sources or eliminate acoustic hot-spots that can cause feedback on stage. A unique aspect of the power supply is how the J48 handles hum and buzz caused by ground loops. The traditional solution is to lift the audio ground by disconnecting pin 1 on the XLR output, but doing so turns off the 48-volt phantom power from the console, forcing a battery into the system. Unfortunately, batteries are inconsistent, and when they start to discharge, they severely affect the available voltage and the resulting headroom. Instead, the J48 employs a DC-DC converter with a high-frequency transformer that allows the audio ground to be eliminated from the power supply. This does not turn off the phantom power and is invisible to the user.\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;J48\u0026amp;trade; Stereo - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using J48 Stereo with a keyboard\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The J48's active circuit and amazing signal handling make it the ideal choice for \"old school\" analog and digital keyboards. An built-in pad reduces sensitivity if needed.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The J48's active circuit and amazing signal handling make it the ideal choice for old school analog and digital keyboards\" old=\"\" school=\"\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using J48 Stereo with two basses\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The compact design makes it easy to connect two guitars to one direct box. The active circuit provides the same quality sound as other DIs that cost five times as much!\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The compact design makes it easy to connect two guitars to one direct box. The active circuit provides the same quality sound as other DIs that cost five times as much!\" src=\"https:\/\/www.algameko.com\/images\/uploads\/j48-stereo-app-bass.jpg\" title=\"The compact design makes it easy to connect two guitars to one direct box. The active circuit provides the same quality sound as other DIs that cost five times as much!\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;J48 Stereo with two different instruments\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Use the J48 Stereo with two completely different instruments. The low interference makes it the ideal choice for connecting bass, acoustic guitar, violin, or mandolin.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Use the J48 Stereo with two completely different instruments. The low interference makes it the ideal choice for connecting bass, acoustic guitar, violin, or mandolin.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/j48-stereo-app-different-instruments.jpg\" title=\"Use the J48 Stereo with two completely different instruments. The low interference makes it the ideal choice for connecting bass, acoustic guitar, violin, or mandolin.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Technical Specifications of J48 Stereo\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio circuit type:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; Proprietary analog with low-noise op-amp\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Number of channels:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 2\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response:\u0026amp;nbsp;\u0026amp;nbsp; 20Hz ~ 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 109dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total harmonic distortion:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 0.002% @ -5dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Intermodulation distortion:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 0.003% @ -3dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Phase deviation:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; +10\u0026amp;ordm; at 20Hz | 0\u0026amp;ordm; at 1kHz | -1\u0026amp;ordm; at 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input impedance:\u0026amp;nbsp; 220kΩ - \u0026amp;frac14;\u0026amp;quot; input\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output impedance:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 600Ω - XLR output\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Equivalent input noise :\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; -103dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Residual noise:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; -99dB below 0dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum input level:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; +10dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Specifications\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;-15db attenuation pad, 180\u0026amp;deg; phase reverse, Ground lift, HPF\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input connectors:\u0026amp;nbsp;\u0026amp;nbsp; 2 x 1\/4\u0026amp;quot; IN and THRU\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output connectors:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 2 x XLR\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;General Features\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Construction:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 14-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 84 x 127 x 48mm - 3.3\u0026amp;quot; x 5.0\u0026amp;quot; x 2\u0026amp;quot;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 720 g\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 1.55 lb\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power supply: 48V phantom \u0026amp;ndash; Proprietary digital switching\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating conditions:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; in dry locations only between 5\u0026amp;deg;C and 40\u0026amp;deg;C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003743375705,"sku":"GRAD8001121","price":432.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-j48-stereo-grad8001121_0.jpg?v=1778131409"},{"product_id":"pz-di-grad8001124","title":"Radial Engineering PZ-DI","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003ePZ-DI\u003c\/strong\u003e by Radial Engineering is a \u003cstrong\u003ehigh-performance active Direct Box, Variable Load with piezoelectric input.\u003c\/strong\u003e Designed for connecting acoustic and orchestral instruments, with variable input impedance optimized for \u003cstrong\u003emagnetic pickups\u003c\/strong\u003e or \u003cstrong\u003epiezoelectric transducers\u003c\/strong\u003e and an adjustable Low-Cut filter.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"The PZ-DI by Radial Engineering is a high-performance active Direct Box, Variable Load with piezoelectric input. Designed for connecting acoustic and orchestral instruments, with variable input impedance optimized for magnetic pickups or piezoelectric transducers and an adjustable Low-Cut filter.\" src=\"\/images\/uploads\/\/PZ-DI_1200x630_01.jpg\" title=\"The PZ-DI by Radial Engineering is a high-performance active Direct Box, Variable Load with piezoelectric input. Designed for connecting acoustic and orchestral instruments, with variable input impedance optimized for magnetic pickups or piezoelectric transducers and an adjustable Low-Cut filter.\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eOptimized for orchestral instruments on live stage\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eVariable Load for piezoelectric and magnetic pickups\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eLow-cut filter to control low-frequency resonances\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePowered by 48V phantom, no batteries required\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eOptimizes the connection of instruments with piezoelectric pickups\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003ePZ-DI\u003c\/strong\u003e has a variable load selector that allows you to set the input impedance of the direct box, to optimize performance with instrument pickups. The 1 megaohm position offers the classic impedance found on most active DI Boxes, while the 220k ohm setting warms the tone of magnetic pickups by providing a feel and timbre similar to direct connection to an amplifier. The third setting is an ultra-high impedance of 10 megaohms specifically designed for piezoelectric transducers, which helps compensate for the harsh or shrill tone that can occur when a piezo is connected to a lower impedance input.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"The PZ-DI has a variable load selector that allows you to set the input impedance of the direct box, to optimize performance with instrument pickups.\" src=\"\/images\/uploads\/\/PZ-DI_1200x630_06.jpg\" title=\"The PZ-DI has a variable load selector that allows you to set the input impedance of the direct box, to optimize performance with instrument pickups.\" \/\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eVariable filter to adapt to any instrument\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePZ-DI\u003c\/strong\u003e features a variable low-cut filter that gently attenuates low frequencies, to remove unwanted stage resonances and prevent feedback. The filter's attenuation point can be adjusted to match the frequency response of the connected instrument, with a lower point for acoustic basses and a higher setting for violin or banjo. A switchable high-cut filter is also included, useful on instruments such as acoustic guitars with battery-powered preamps, which softens high frequencies for a smoother timbre.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cstrong\u003ePractical applications of PZ-DI\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eUsing PZ-DI with a Piezo instrument\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"Piezoelectric pickups can sound harsh and unnatural. PZ-DI solves this problem with a 10 megaohm input impedance that extends the frequency response and attenuates peaks. The Low-Cut filter can be adjusted to reduce unwanted resonances.\" src=\"\/images\/uploads\/\/PZDI-app-piezo1200x630.jpg\" title=\"Piezoelectric pickups can sound harsh and unnatural. PZ-DI solves this problem with a 10 megaohm input impedance that extends the frequency response and attenuates peaks. The Low-Cut filter can be adjusted to reduce unwanted resonances.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePiezoelectric pickups can sound harsh and unnatural. \u003cstrong\u003ePZ-DI\u003c\/strong\u003e solves this problem with a 10 megaohm input impedance that extends the frequency response and attenuates peaks. The Low-Cut filter can be adjusted to reduce unwanted resonances.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing PZ-DI with an active acoustic guitar\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The convenience of a built-in pickup and a battery-powered preamp simplifies connection and playback. But with sub-optimal electronics, these instruments can sound thin and unnatural. The PZ-DI's low-pass filter helps by gently attenuating high frequencies, while the low-pass filter can eliminate resonances.\" src=\"\/images\/uploads\/\/PZDI-app-active-acoustics1200x630.jpg\" title=\"The convenience of a built-in pickup and a battery-powered preamp simplifies connection and playback. But with sub-optimal electronics, these instruments can sound thin and unnatural. The PZ-DI's low-pass filter helps by gently attenuating high frequencies, while the low-pass filter can eliminate resonances.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe convenience of a built-in pickup and a battery-powered preamp simplifies connection and playback. But with sub-optimal electronics, these instruments can sound thin and unnatural. The PZ-DI's low-pass filter helps by gently attenuating high frequencies, while the low-pass filter can eliminate resonances.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing PZ-DI with a magnetic pickup instrument\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The PZ-DI optimizes the bass tone by setting the load to 220k-ohm. This allows for a warmer and more natural tone, very useful in recording or preparing a Reamp. When touring with vintage instruments with low output, the impedance can be adjusted to 1 megaohm to reduce the load.\" src=\"\/images\/uploads\/\/PZDI-app-magnetic-pickup1200x630.jpg\" title=\"The PZ-DI optimizes the bass tone by setting the load to 220k-ohm. This allows for a warmer and more natural tone, very useful in recording or preparing a Reamp. When touring with vintage instruments with low output, the impedance can be adjusted to 1 megaohm to reduce the load.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe PZ-DI optimizes the bass tone by setting the load to 220k-ohm. This allows for a warmer and more natural tone, very useful in recording or preparing a Reamp. When touring with vintage instruments with low output, the impedance can be adjusted to 1 megaohm to reduce the load.\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cu\u003ePZ-DI Technical Specifications\u003c\/u\u003e\u003c\/strong\u003e            \u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eCircuit type:     proprietary analog with low-noise FET op-amp\u003c\/li\u003e    \u003cli\u003eFrequency response:   20Hz ~ 20kHz\u003c\/li\u003e    \u003cli\u003eDynamic range:               105dB\u003c\/li\u003e    \u003cli\u003eGain:                 +4.6dB\u003c\/li\u003e    \u003cli\u003eTotal harmonic distortion:          0.02%\u003c\/li\u003e    \u003cli\u003eInput impedance:  10M\/1M\/220K-Ohms\u003c\/li\u003e    \u003cli\u003eOutput impedance:           200 Ohms - nominal\u003c\/li\u003e    \u003cli\u003eEquivalent input noise: -98dBu\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eAttenuation pad\u003c\/li\u003e    \u003cli\u003eInput connectors:   1\/4\" hi-Z input\u003c\/li\u003e    \u003cli\u003eOutput connectors:           XLR male output\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction:     metal cabinet\u003c\/li\u003e    \u003cli\u003eWeight:     0.54kg 1.2lb ()\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 127 x 84 x 48mm (5.0\" x 3.3\" x 2\")\u003c\/li\u003e    \u003cli\u003ePower: 48V phantom - proprietary digital switching\u003c\/li\u003e    \u003cli\u003eOperating conditions:               dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003743670617,"sku":"GRAD8001124","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pz-di-grad8001124_0.jpg?v=1778131436"},{"product_id":"usb-pro-grad8001126","title":"Radial Engineering USB-PRO","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial Engineering's USB-Pro™ DI\u0026lt;\/strong\u0026gt; is a high-resolution \u0026lt;strong\u0026gt;(24bit\/96kHz)\u0026lt;\/strong\u0026gt; stereo digital audio converter \u0026lt;strong\u0026gt;(DAC)\u0026lt;\/strong\u0026gt; with an integrated \u0026lt;strong\u0026gt;Direct Box\u0026lt;\/strong\u0026gt;. Specifically designed to connect any computer system to a professional mixer, it provides high-quality audio performance without the need for additional drivers.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"USB Pro high-performance 24-bit DAC converter, no additional drivers needed, 3.5mm analog headphone output for signal monitoring, Lo-Z balanced outputs with switchable isolation\" src=\"\/images\/uploads\/\/USB-Pro_1200x630_01.jpg\" title=\"USB Pro high-performance 24-bit DAC converter, no additional drivers needed, 3.5mm analog headphone output for signal monitoring, Lo-Z balanced outputs with switchable isolation\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;High-performance 24bit\/96kHz digital audio converter\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Plug \u0026amp; Play, no additional drivers required\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;3.5mm analog headphone output for signal monitoring\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Lo-Z balanced outputs with switchable isolation\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Balanced XLR outputs for connection to a mixer\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The USB-Pro is the most practical and simple device capable of providing a high-quality, noise-free audio connection between a laptop and any sound system. Useful for playing music tracks, providing audio for a presentation, or supporting a DJ's performance on stage. The USB-Pro is a Plug \u0026amp; Play card; once connected to the computer, it is automatically detected as an audio device in popular operating systems like Windows and Mac. It features 24-bit\/96 kHz digital-to-analog converters for high-quality audio performance, while a stereo pair of balanced XLR outputs allows connection to a microphone preamplifier, a PA system, a mixing console, or even a powered speaker, with integrated level control for quick and direct adjustment of output volume. Additionally, there are a Ground Lift button and isolation transformers to eliminate hum and ground loop buzz. \u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"USB-Pro is the most practical and simple device capable of providing a high-quality, noise-free audio connection between a laptop and any sound system\" src=\"\/images\/uploads\/\/USB-Pro-1200x630-02.jpg\" title=\"USB-Pro is the most practical and simple device capable of providing a high-quality, noise-free audio connection between a laptop and any sound system\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;USB-Pro™ DI USB Stereo Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Connection to the computer is via a standard USB type-B port. Digital-to-analog conversion can be monitored via headphones through the 3.5mm analog output to check signal quality and level before connecting to an audio system. A mono-sum switch can be activated to check phase or for connection to a mono system. In case of noise or hum caused by ground loops, two recessed switches on the side allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, there is a Ground-lift switch that lifts pin 1 on both XLR jacks. Like all Radial products, the USB-Pro is designed to withstand the rigors of professional touring. Our unique book-end design creates protective zones around switches, connectors, and controls. Inside, I-Beam construction provides ample protection for the delicate internal PC board. Finally, a non-slip pad on the bottom provides mechanical and electrical isolation ensuring quiet operation.\u0026lt;\/p\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the USB-Pro with a laptop\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Nothing is simpler than using the USB-Pro! Connect it to a laptop and you will automatically have digital audio files for incredible stereo sound thanks to the 24-bit digital-to-analog converters. To get started, simply connect the outputs to the microphone inputs of your mixer or any line-level device at +4dB.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"Connect it to a laptop and you will automatically have digital audio files for incredible stereo sound thanks to the 24-bit digital-to-analog converters. To get started, simply connect the outputs to the microphone inputs of your mixer or any line-level device at +4dB.\" src=\"\/img\/media\/images\/html\/Network A_6bf1.png\" title=\"Connect it to a laptop and you will automatically have digital audio files for incredible stereo sound thanks to the 24-bit digital-to-analog converters. To get started, simply connect the outputs to the microphone inputs of your mixer or any line-level device at +4dB.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the USB-Pro in the studio\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Convert your clients' files instantly! Just connect your laptop to the USB-Pro port and transfer files to your recording system at the highest sampling rate and with the best audio fidelity. The integrated headphone amplifier facilitates monitoring of signal integrity.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Convert your clients' files instantly! Just connect your laptop to the USB-Pro port and transfer files to your recording system at the highest sampling rate and with the best audio fidelity. The integrated headphone amplifier facilitates monitoring of signal integrity.\" src=\"\/img\/media\/images\/html\/Network B_d78d.png\" title=\"Convert your clients' files instantly! Just connect your laptop to the USB-Pro port and transfer files to your recording system at the highest sampling rate and with the best audio fidelity. The integrated headphone amplifier facilitates monitoring of signal integrity.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the USB-Pro for a video presentation\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Anyone who has tried to incorporate audio with a projector knows that noise can be a serious problem. The USB-Pro features isolation transformers that eliminate interference and hum caused by stray DC current and ground loops.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Anyone who has tried to incorporate audio with a projector knows that noise can be a serious problem. USB-Pro features isolation transformers that eliminate interference and hum caused by stray DC current and ground loops.\" src=\"\/img\/media\/images\/html\/Network C_169c.png\" title=\"Anyone who has tried to incorporate audio with a projector knows that noise can be a serious problem. USB-Pro features isolation transformers that eliminate interference and hum caused by stray DC current and ground loops.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;USB Pro Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio circuit type: Custom Decoder with Analog Line Drive\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response: 5Hz ~ 40kHz (30Hz ~ 18kHz with isolation)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range: \u0026amp;gt;90dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Gain: +8dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total harmonic distortion: 0.01%\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output impedance: 250Ω nominal\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Residual noise: -90dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum output level: +8dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Compatibility: Software: Windows XP\/Vista\/Win7\/Win8\/Win10 and Mac OS - Sound files: WDM, MME, CoreAudio, DirectSound, WASAPI and .WAV\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Mono Sum, Ground lift, Level Control, Headphone\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input connector: USB Type B\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output connectors: 2 x XLR-M, 3.5mm headphone output\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Extra: USB 1.1 full speed, Sampling rate: 44.1kHz \/ 48kHz \/ 96kHz auto sensing, 75dBu stereo separation\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;General Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Construction: 14 gauge steel\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 127 x 84 x 48mm - 5.0\" x 3.3\" x 2\"\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 0.68kg - 1.5 lb\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power supply: USB Bus 500mA max.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating conditions: in dry places only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003744555353,"sku":"GRAD8001126","price":319.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-usb-pro-grad8001126_0.jpg?v=1778131452"},{"product_id":"icecube-ic-1-isolatore-di-linea-bilanciato-e-hum-eliminator-grad8001171","title":"Radial Engineering IceCube™ IC-1 Balanced Line Isolator and Hum Eliminator","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial IceCube IC-1\u003c\/strong\u003e is a \u003cstrong\u003ebalanced line isolator\u003c\/strong\u003e capable of reducing hum and noise caused by ground loops and stray DC voltage. It has a wide frequency response and is optimized to operate in the range from \u003cstrong\u003e-30 dB \u003c\/strong\u003eto\u003cstrong\u003e +15 dB\u003c\/strong\u003e with both balanced and unbalanced devices. \u003cstrong\u003eIceCube IC-1\u003c\/strong\u003e can solve many problems in applications where maintaining the full audio spectrum is essential.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"The Radial IceCube IC-1 is a balanced line isolator: simply inserting it into the signal path quickly eliminates hum and noise in an audio system.\" src=\"\/images\/uploads\/\/Ice_Cube_1200x630_01.jpg\" title=\"The Radial IceCube IC-1 is a balanced line isolator: simply inserting it into the signal path quickly eliminates hum and noise in an audio system.\"\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eMain Features of IceCube IC-1\u003c\/strong\u003e\u003c\/h2\u003e\u003cul style=\"margin-left: 17px;\"\u003e    \u003cli\u003e\u003cstrong\u003eEliminates hum \u0026amp; noise caused by ground loops\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eExceptional linear response from 20Hz to 18kHz\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eHandles pro-level outputs without issues\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003ePlug \u0026amp; play ease of use with XLR in \u0026amp; out\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eIceCube IC-1 \u003c\/strong\u003efeatures a compact design with two fiberglass-reinforced nylon XLRs at each end, and durable, oxidation-proof nickel-silver contacts, all within a space of just 10cm x 4cm. Unlike other plastic isolators, \u003cstrong\u003eIceCube\u003c\/strong\u003e is made from rugged 16-gauge powder-coated steel. The outer steel shell is not only more durable but also provides excellent shielding against electromagnetic fields radiated by power cables, dimmers, motors, and power supplies – resulting in consistently quieter performance when active. This feature is enhanced by a 'set \u0026amp; forget' ground lift switch that eliminates hum and noise caused by ground loops.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Inside the IceCube, an exclusive Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the IceCube is exceptionally linear from 20Hz to 18kHz.\" src=\"\/images\/uploads\/\/Ice_Cube_1200x630_07.jpg\" title=\"Inside the IceCube, an exclusive Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the IceCube is exceptionally linear from 20Hz to 18kHz.\"\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eInside the \u003cstrong\u003eIceCube\u003c\/strong\u003e, an exclusive \u003cstrong\u003eEclipse \u003c\/strong\u003etransformer isolates the input from the output and blocks stray DC currents. While small transformers rarely operate well below 100 Hz, the \u003cstrong\u003eIceCube\u003c\/strong\u003e is exceptionally linear from 20Hz to 18kHz. It can also withstand up to +10dB at 20Hz with less than 0.01% distortion. This is a quick and simple problem solver that will eliminate noise without limiting bandwidth or introducing phase inversion. These characteristics make the \u003cstrong\u003eIceCube\u003c\/strong\u003e an ideal device for AV technicians and sound engineers working in the fast-paced world of live touring, AV rentals, and system integrations.\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eIceCube IC-1™ - Applications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eIsolate a DJ mixer from the console\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eConnect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"Connect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\" src=\"\/images\/uploads\/icecube-app-isolate-dj.jpg\" title=\"Connect a pair of IceCubes between your mixer and the main PA to free the system from hum or noise caused by ground loops.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eIsolate a crossover from a power amplifier\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eEliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\u003c\/p\u003e\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\u003cimg alt=\"Eliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\" src=\"\/images\/uploads\/icecube-app-isolate-crossover.jpg\" title=\"Eliminating noise problems can take hours of searching to find a solution. IceCube solves the equation with a plug-and-play solution that works every time.\"\u003e\u003c\/div\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eIsolate a console from a remote Tower\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eIdeal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Ideal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\" src=\"\/images\/uploads\/\/icecube-app-isolate-console-1200x630-08.jpg\" title=\"Ideal for eliminating noise generated by remote power systems or power plants due to voltage fluctuations and ground contamination. IceCube isolates the system to reduce noise.\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eTechnical Specifications of IceCube IC-1\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAudio circuit type: Passive, transformer-based\u003c\/li\u003e    \u003cli\u003eTransformer: Eclipse Custom (proprietary)\u003c\/li\u003e    \u003cli\u003eNumber of channels: 1\u003c\/li\u003e    \u003cli\u003eFrequency response: 20Hz ~ 20KHz (± 1dB)\u003c\/li\u003e    \u003cli\u003eGain: 0dB \/ -5.7dB 10K \/ 600 Ω load\u003c\/li\u003e    \u003cli\u003eClip level: 25dBu\u003c\/li\u003e    \u003cli\u003eTotal harmonic distortion: \u0026lt;0.0006% 1KHz @ -10dBu\u003c\/li\u003e    \u003cli\u003eIntermodulation distortion: 0.002% @ -10dBu\u003c\/li\u003e    \u003cli\u003eInput impedance: 8.66k with 10k load\u003c\/li\u003e    \u003cli\u003eOutput impedance: 600 Ω nominal\u003c\/li\u003e    \u003cli\u003eEquivalent input noise: 110dBu\u003c\/li\u003e    \u003cli\u003eMaximum input level: 15dBu\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eGround lift\u003c\/li\u003e    \u003cli\u003eInput connector: XLR Female\u003c\/li\u003e    \u003cli\u003eOutput connector: XLR Male\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction: 16 gauge steel\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 107mm x 34mm x 41mm - 4.2\" x 1.32\" x 1.6\"\u003c\/li\u003e    \u003cli\u003eWeight: 0.18kg - 0.40lbs\u003c\/li\u003e    \u003cli\u003ePower: Passive, no power required\u003c\/li\u003e    \u003cli\u003eConditions of use: For use in dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003746226521,"sku":"GRAD8001171","price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-icecubetm-ic-1-isolatore-di-linea-bilanciato-e-hum-eliminator-grad8001171_0.jpg?v=1778131574"},{"product_id":"ox8-r-grad8001235","title":"Radial Engineering OX8-r","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eOX8™\u003c\/strong\u003e by Radial Engineering is an 8-channel passive microphone splitter in a 19'' rack format, designed to send the outputs of multiple microphones to three different destinations at once. It features an isolated transformer and a \"Ground Lift\" device to eliminate hum and buzz caused by ground loops.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Radial's OX8 is an 8-channel passive 19'' rack microphone splitter\" src=\"\/images\/uploads\/\/OX8-R_1200x630_01.jpg\" title=\"Radial's OX8 is an 8-channel passive 19'' rack microphone splitter\" x=\"\"\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003e8-channel balanced microphone signal splitter\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eHighest audio quality without distortion\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eChoice between Jensen or Eclipse transformers\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eEliminates hum and buzz caused by ground loops\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eMicrophone Splitter\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial OX8\u003c\/strong\u003e is a professional audio device, equally at home on a live stage or in a television broadcast studio. It can split the signal of 8 microphones to multiple destinations simultaneously, all without noise or distortion, eliminating common ground loop noises such as hum or buzz. Each channel is configured with a balanced input, a \"Direct Out\" which also serves as a return path for 48V Phantom power, a \"Thru-Put\" with a \"Ground Lift\" selector, and a fully transformer-isolated output. The OX8 can be ordered with the renowned \u003cstrong\u003eJensen JT-MB-CPC\u003c\/strong\u003e transformers, or, as an alternative, with the more affordable \u003cstrong\u003eEclipse ET-MS10\u003c\/strong\u003e. Each channel also benefits from a very short signal path and built-in RF filters that ensure silent performance, even in the most noise-prone environments.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/OX8-Panel.png\" style=\"height: 176px; width: 1000px;\"\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eXLR microphone input:\u003c\/strong\u003e Standard 600Ω balanced, input connected in parallel with the rear panel D-Sub.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eChannel identification label\u003c\/strong\u003e: area for writing with a wax pencil to immediately identify the channel in the instrument's configuration.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003e-36db attenuation pad: \u003c\/strong\u003ereduces input sensitivity to properly connect even line signals without distortion.\u003c\/span\u003e\u003c\/li\u003e     \u003cli\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cstrong\u003eGround Lift: \u003c\/strong\u003eHelps eliminate ground loops\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 to record a live show\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe OX8 is ideal for recording live shows. Simply connect the microphones on stage to the OX8 and send their split signal to the recording system and the PA System. The transformers isolate the recording system and eliminate hum and buzz caused by ground loops.\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-live-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 live with a PA System\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThere's nothing more annoying than the hum and buzz that can come from stage monitors. The OX8 is easily configurable to isolate the FOH mixer and monitor mixer to ensure complete noise elimination. Multiple units can be used for 16 or more channels.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-pa-system-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch3\u003e\u003cstrong\u003eUsing OX8 for Live Event Broadcasting\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe auxiliary output can feed the monitors, while the isolated output provides the signal to a broadcast truck. The OX8's exceptional sound quality provides a distortion-free feed to the broadcaster, allowing the PA system to operate independently.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/ox8-app-pa-broadcast-768x499.jpg\" style=\"height: 325px; width: 500px;\"\u003e\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eOX8 TECHNICAL SPECIFICATIONS\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio circuit type: Passive transformer-based microphone splitter\u003c\/li\u003e     \u003cli\u003eTransformers: Choice between Jensen JT-MB-CPC or Radial Eclipse MS10\u003c\/li\u003e     \u003cli\u003eNumber of channels: 8\u003c\/li\u003e     \u003cli\u003eFrequency response: Jensen 20Hz ~ 20KHz (+0dB\/-0.2dB) | Radial 20Hz ~ 18KHz (+0dB\/-3dB)\u003c\/li\u003e     \u003cli\u003eDynamic range: Jensen 140dB | Radial 140dB\u003c\/li\u003e     \u003cli\u003eTotal harmonic distortion: Jensen 0.003% @ 1kHz | Radial 0.005% @ 1kHz\u003c\/li\u003e     \u003cli\u003ePhase deviation: Jensen 0.7° @ 100Hz; 2.8° @ 20Hz | Radial 1° @ 100Hz; 5° @ 20Hz\u003c\/li\u003e     \u003cli\u003eInput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eCommon Mode Rejection Ratio: Jensen -115dB @ 60Hz | Radial 114dB @ 60Hz\u003c\/li\u003e     \u003cli\u003eMaximum input: Jensen +2dBu @ 20Hz | Radial +2dBu @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eInput pad, Ground lift\u003c\/li\u003e     \u003cli\u003eInput connectors: XLR, Euroblock, DB-25\u003c\/li\u003e     \u003cli\u003eOutput connectors: Euroblock, DB-25\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eConstruction: 14-gauge steel\u003c\/li\u003e     \u003cli\u003eDimensions (L x W x D): 19\" x 6\" x 1.75\" (48.25cm x 15.25cm x 4.45cm)\u003c\/li\u003e     \u003cli\u003eWeight: 7.5lb (3.4 kg)\u003c\/li\u003e     \u003cli\u003ePower supply: Passive, no power required\u003c\/li\u003e     \u003cli\u003eOperating conditions: Between 5°C and 40°C in low humidity conditions\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003747078489,"sku":"GRAD8001235","price":1387.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-ox8-r-grad8001235_0.jpg?v=1778131646"},{"product_id":"presenter-grad8001247","title":"Radial Engineering Presenter","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;RADIAL Presenter \u0026lt;\/strong\u0026gt;is a compact mixer designed for audio presentations that require excellent quality in a small footprint. Equipped with a \u0026lt;strong\u0026gt;USB port\u0026lt;\/strong\u0026gt;, Presenter allows you to connect your computer (PC or MAC), smartphone, or tablet for audio.\u0026lt;\/h1\u0026gt;\u0026lt;ul style=\"text-align: justify;\"\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Microphone Preamp with Phantom Power \u0026amp;amp; EQ Controls\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;USB connection for high-quality audio playback from laptops\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Connect to smartphones or tablets with a 3.5mm TRS input\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Balanced outputs for powered speakers or a PA system\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Presenter combines a microphone preamplifier and a USB input into a cutting-edge interface suitable for any type of presentation, from school lectures to corporate meetings. It replaces bulky and complicated mixers (which often offer unnecessary features and require special adapter cables for connection) with a practical and simplified set of features that are as intuitive as they are powerful.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Presenter is housed in a compact chassis, featuring: a microphone input, a USB connection for playback from a laptop, and XLR outputs to power active speakers. Simply connect your laptop via USB to send high-quality audio through Presenter, power the device, connect any microphone, and then connect to the speakers. Separate level controls for the microphone and laptop audio allow you to adjust the balance between the two sources. A low-cut filter and EQ controls help adjust the microphone's timbre to suit the room's acoustics and the speaker's voice. To play audio from smartphones, tablets, or any other portable device, Presenter has a 3.5mm stereo jack input. Connecting a source to the 3.5mm output disables the USB connection.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;With Presenter, you will improve the audio of your next event, significantly reducing setup times and virtually eliminating any problems.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Possible uses of RADIAL Presenter\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Use Presenter for a conference or speech\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;div class=\"row\" style=\"text-align: justify;\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;Connect the podium microphone to Presenter's XLR input and activate phantom power, if needed. Presenter is powered by your laptop's USB port, allowing you to play high-quality digital audio files through a pair of active speakers. Use the EQ controls to adapt the microphone's frequency response to the room.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/img\/items\/GRAD8001247_04_b.jpg\" rel=\"noopener\" target=\"_blank\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_04_b.jpg\"\u0026gt;\u0026lt;\/a\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Use RADIAL Presenter for wedding receptions and dances\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;div class=\"row\" style=\"text-align: justify;\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;Send your music playlist to the PA using the 3.5mm input to play music from your smartphone or tablet. When it's time for speeches, simply raise the microphone level.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/img\/items\/GRAD8001247_05_b.jpg\" rel=\"noopener\" target=\"_blank\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_05_b.jpg\"\u0026gt;\u0026lt;\/a\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Use RADIAL Presenter with wireless microphones\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;div class=\"row\" style=\"text-align: justify;\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;Presenter can be just as powerful when placed on the side of the stage. Connect the output of the wireless microphone receiver to the XLR input and set the levels. If you are using a single active speaker, press the MONO switch on the back of Presenter.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;a href=\"https:\/\/www.algameko.com\/img\/items\/GRAD8001247_06_b.jpg\" rel=\"noopener\" target=\"_blank\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_06_b.jpg\"\u0026gt;\u0026lt;\/a\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\" style=\"text-align: justify;\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_03.jpg\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;Presenter™ is a simple yet robust mixer that simplifies audio setup for any event or presentation. A high-quality microphone preamplifier with selectable phantom power allows you to connect any microphone, while dual-tone controls and a low-cut filter will optimize the microphone sound in the room. The XLR outputs power a pair of active PA speakers, with a Ground Lift switch to eliminate noise and hum caused by ground loops. Presenter is powered via a USB port, allowing it to connect to a laptop for high-quality digital audio playback. A Program knob provides control over the output from the laptop, and a 3.5mm input allows you to connect a smartphone or tablet as an alternative playback source.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;RADIAL Presenter Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;ul style=\"text-align: justify;\"\u0026gt;    \u0026lt;li\u0026gt;XLR microphone input with phantom power\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;USB input for connection to a laptop\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;3.5mm TRS jack for connecting a phone output\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Stereo XLR outputs to power active speakers\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Combines microphone and laptop audio for any presentation\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Intuitive EQ and level controls for easy operation\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Eliminates complicated mixers and simplifies setup\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;    \u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Dimensions and weight\u0026lt;\/strong\u0026gt;: 5.08x12.7x12.1CM; 0.68KG\u0026lt;\/p\u0026gt;    \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h4 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Extra \u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;ul style=\"text-align: justify;\"\u0026gt;    \u0026lt;li\u0026gt;Low \u0026amp;amp; High EQ controls for the microphone\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Low Cut switch for low-end reduction\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Anti-theft Kensington slot\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Ground Lift to eliminate noise and hum\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_05.jpg\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;RADIAL PRESENTER Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\" style=\"text-align: justify;\"\u0026gt;\u0026lt;p\u0026gt;An XLR microphone input allows you to connect a podium microphone, providing it with phantom power. The microphone signal can then be adjusted using three EQ controls to adapt the frequency response. A Program input level control manages the volume of the USB input or the 3.5mm input on the front of the unit, to connect the outputs of a laptop, smartphone, or MP3 player and mix them with the microphone signal. The XLR outputs provide a balanced signal for a set of active speakers, offering an ideal all-in-one portable solution for any seminar or conference.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\" style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001247_06.jpg\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003748094297,"sku":"GRAD8001247","price":347.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-presenter-grad8001247_0.jpg?v=1778131738"},{"product_id":"pro-di-grad8001520","title":"Radial Engineering Pro DI","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The ProDI by RADIAL Engineering\u0026lt;\/strong\u0026gt; is a passive, single-input (\u0026lt;strong\u0026gt;Mono\u0026lt;\/strong\u0026gt;) \u0026lt;strong\u0026gt;Direct Box\u0026lt;\/strong\u0026gt;, specifically designed for use on stage or in recording studios. The device is capable of handling high-output instruments without distortion and also features a transformer-isolated output to eliminate noise caused by ground loops.\u0026lt;\/h1\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"ProDI is a passive single-input (Mono) Direct Box, recommended for use on stage or in recording studios. It handles high-output instruments without distortion and also features a transformer-isolated output to eliminate noise caused by ground loops.\" src=\"\/images\/uploads\/\/ProDI_1200x630_01.jpg\" title=\"ProDI is a passive single-input (Mono) Direct Box, recommended for use on stage or in recording studios. It handles high-output instruments without distortion and also features a transformer-isolated output to eliminate noise caused by ground loops.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Main Features\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Compact passive direct box ideal for live stages and recording studios\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Handles high-amplitude transient signals without distortion\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Transformer isolation eliminates annoying ground loops\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Plug-and-play functionality, easy to use in any operating condition\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Professional-grade DI\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;At the heart of the ProDI is Radial's custom-designed transformer. It features an exceptionally high input impedance of 140 k\u0026amp;Omega; to reduce loading, allowing the ProDI to handle extreme signal levels at all frequencies without distortion. Additionally, an internal MuMETAL\u0026amp;reg; shield protects the transformer from electromagnetic fields, which cause distortion in unshielded transformers.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"An overview of the controls offered by ProDI on the input and output\" src=\"\/images\/uploads\/\/ProDI_1200x630_02White.jpg\" title=\"An overview of the controls offered by ProDI on the input and output\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;ProDI Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;ProDI with Electric Bass\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"ProDI works particularly efficiently with high-output devices such as active basses. It can handle the enormous signal levels from active pickups without distortion, while transformer isolation prevents noise induced by ground loops. In this way, ProDI sends a clean bass tone to the mixer and the performer's amplifier.\" src=\"\/images\/uploads\/\/ProDI_1200x630_03.jpg\" title=\"ProDI works particularly efficiently with high-output devices such as active basses. It can handle the enormous signal levels from active pickups without distortion, while transformer isolation prevents noise induced by ground loops. In this way, ProDI sends a clean bass tone to the mixer and the performer's amplifier.\" \/\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;ProDI\u0026lt;\/strong\u0026gt; works particularly efficiently with high-output devices such as active basses. It can handle the enormous signal levels from active pickups without distortion, while transformer isolation prevents noise induced by ground loops. In this way, ProDI sends a clean bass tone to the mixer and the performer's amplifier.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;ProDI with Acoustic Guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"Acoustic guitars sometimes have active preamplifiers with a particularly harsh sound. ProDI naturally attenuates transients, producing a warmer tone. Its ability to handle even high-level signals without distortion, such as those from active guitar pickups, makes it the ideal partner for connecting these instruments.\" src=\"\/images\/uploads\/\/ProDI_1200x630_04.jpg\" title=\"Acoustic guitars sometimes have active preamplifiers with a particularly harsh sound. ProDI naturally attenuates transients, producing a warmer tone. Its ability to handle even high-level signals without distortion, such as those from active guitar pickups, makes it the ideal partner for connecting these instruments.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Acoustic guitars sometimes have active preamplifiers with a particularly harsh sound. ProDI naturally attenuates transients, producing a warmer tone. Its ability to handle even high-level signals without distortion, such as those from active guitar pickups, makes it the ideal partner for connecting these instruments.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;ProDI with Keyboard\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Today's keyboards and synthesizers have particularly wide dynamic range and frequency response. ProDI easily supports even excessive signal levels at all frequencies without introducing distortion or phase shifts, resulting in optimal sound for patches.\" src=\"\/images\/uploads\/\/ProDI_1200x630_05.jpg\" title=\"Today's keyboards and synthesizers have particularly wide dynamic range and frequency response. ProDI easily supports even excessive signal levels at all frequencies without introducing distortion or phase shifts, resulting in optimal sound for patches.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Today's keyboards and synthesizers have particularly wide dynamic range and frequency response. ProDI easily supports even excessive signal levels at all frequencies without introducing distortion or phase shifts, resulting in optimal sound for patches.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;ProDI Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;Audio Circuit Type: Passive, transformer-based\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Transformer: Eclipse ET-DB2, 12:1 ratio\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Number of Channels: Single Channel (Mono)\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Frequency Response: 20Hz ~ 18.5KHz (\u0026amp;plusmn; 0.2dB)\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Dynamic Range: 128dB\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Total Harmonic Distortion: 0.01% from 20Hz~20kHz @-10dB\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Phase Deviation: 1\u0026amp;deg; @ 100Hz; 8\u0026amp;deg; @ 20Hz\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Input Impedance: 140k Ohms, unbalanced\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Output Impedance: 150 Ohms, balanced\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Maximum Input Level: +18dB @ 20Hz\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Functions and Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Attenuation Pad (-15db), Ground lift\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Input Connectors: 1\/4\u0026amp;quot; in \u0026amp;amp; thru\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Output Connectors: XLR-M OUT\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;General Characteristics\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Construction: 14-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Dimensions (L x W x D): 108 x 70 x 44mm - 4.25\u0026amp;rdquo; x 2.75\u0026amp;rdquo; x 1.75\u0026amp;quot;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Weight: 0.54kg - 1.2lb\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Packaging Dimensions (L x W x D): 165 x 76 x 102mm - 6.5\u0026amp;quot; x 4\u0026amp;quot; x 3\u0026amp;quot;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Packaging Weight: 0.61kg - 1.35lb\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Power: Passive, no power required\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Operating Conditions: in dry locations only between 5\u0026amp;deg;C and 40\u0026amp;deg;C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750093145,"sku":"GRAD8001520","price":156.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pro-di-grad8001520_0.jpg?v=1778131831"},{"product_id":"pro-d2-grad8001521","title":"Radial Engineering Pro D2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProD2 RADIAL Engineering\u003c\/strong\u003e Stereo Passive Direct Box is a \u003cstrong\u003e2-channel passive direct box\u003c\/strong\u003e ideal for connecting stereo keyboards or other instruments with high output levels to PA systems, professional mixers, or recording systems without noise or other interference.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"ProD2 RADIAL Engineering Stereo Passive Direct Box is a 2-channel passive direct box ideal for connecting stereo keyboards or other instruments with high output levels to PA systems, professional mixers, or recording systems without noise or other interference.\" src=\"\/images\/uploads\/\/ProD2_1200x630_01.jpg\" title=\"ProD2 RADIAL Engineering Stereo Passive Direct Box is a 2-channel passive direct box ideal for connecting stereo keyboards or other instruments with high output levels to PA systems, professional mixers, or recording systems without noise or other interference.\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eMain Features of ProD2\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003e\u003cstrong\u003eStereo direct box ideal for keyboards\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eDigital instruments benefit from its smooth and warm tone\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eEffortlessly handles high-amplitude attack transients\u003c\/strong\u003e\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eRack-mountable for installations or tours\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eTop-level DI\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eAt the heart of the design are two high-performance \u003cstrong\u003eEclipse ET-DB2\u003c\/strong\u003e transformers. These provide a performance from 20 Hz to 20 kHz with a deviation of less than 1.5 dB above 18 kHz and are able to withstand very high signal levels without distortion. Unlike active circuits that overload when the signal exceeds the rail voltage, transformers saturate. This creates a pleasing effect that naturally rounds out the tone, acting as a subtle limiter, an effect particularly beneficial when connecting ProD2 with digital pianos, samplers, and drum machines that can produce excessive dynamics. Transformers are particularly effective in eliminating hum and noise caused by ground loops.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Digital instruments such as keyboards, synthesizers, and drum machines can benefit from the smooth and warm tone produced by ProD2's transformers.\" src=\"\/images\/uploads\/\/ProD2_1200x630_02.jpg\" title=\"Digital instruments such as keyboards, synthesizers, and drum machines can benefit from the smooth and warm tone produced by ProD2's transformers.\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cu\u003e\u003cstrong\u003eProD2 Applications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eProD2 with Stereo Keyboard\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"ProD2 is specially designed for stereo instruments such as keyboards and synthesizers. Easy and direct connection simplifies interfacing with a recording system for high-quality stereo audio.\" src=\"\/images\/uploads\/\/ProD2_1200x630_03.jpg\" title=\"ProD2 is specially designed for stereo instruments such as keyboards and synthesizers. Easy and direct connection simplifies interfacing with a recording system for high-quality stereo audio.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eProD2 is specially designed for stereo instruments such as keyboards and synthesizers. Easy and direct connection simplifies interfacing with a recording system for high-quality stereo audio.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eProD2 with Instruments\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"ProD2 is also the ideal solution for multi-instrumentalists; it can also be used with bass, acoustic guitar, or any other instrument equipped with a pickup.\" src=\"\/images\/uploads\/\/ProD2_1200x630_04.jpg\" title=\"ProD2 is also the ideal solution for multi-instrumentalists; it can also be used with bass, acoustic guitar, or any other instrument equipped with a pickup.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eProD2 is also the ideal solution for multi-instrumentalists; it can also be used with bass, acoustic guitar, or any other instrument equipped with a pickup.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eProD2 with Drums and Samplers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"Sending the output of a sampler or drum machine to the PA System has never been easier. ProD2 offers plenty of headroom and also allows for connecting a DJ mixer.\" src=\"\/images\/uploads\/\/ProD2_1200x630_05.jpg\" title=\"Sending the output of a sampler or drum machine to the PA System has never been easier. ProD2 offers plenty of headroom and also allows for connecting a DJ mixer.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSending the output of a sampler or drum machine to the PA System has never been easier. ProD2 offers plenty of headroom and also allows for connecting a DJ mixer.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eProD2 used as a Splitter\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cimg alt=\"Take the mono output from the keyboard and connect it to Channel 1. Use the THRU on Channel 1 to send a split signal to Channel 2. Voilà! Two separate mic-level outputs to send to FOH and monitors!\" src=\"\/images\/uploads\/\/ProD2_1200x630_06.jpg\" title=\"Take the mono output from the keyboard and connect it to Channel 1. Use the THRU on Channel 1 to send a split signal to Channel 2. Voilà! Two separate mic-level outputs to send to FOH and monitors!\" \/\u003e\u003c\/p\u003e\u003cp\u003eTake the mono output from the keyboard and connect it to Channel 1. Use the THRU on Channel 1 to send a split signal to Channel 2. Voilà! Two separate mic-level outputs to send to FOH and monitors!\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003e\u003cu\u003eProD2 Technical Specifications\u003c\/u\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e \u003cli\u003eCircuit type: Passive transformer-based\u003c\/li\u003e \u003cli\u003eTransformer: \u003cstrong\u003eEclipse ET-DB2\u003c\/strong\u003e, 12:1 ratio\u003c\/li\u003e \u003cli\u003eNumber of channels: 2\u003c\/li\u003e \u003cli\u003eFrequency response: 20Hz ~ 18.5KHz (± 0.2dB)\u003c\/li\u003e \u003cli\u003eDynamic range: 128dB\u003c\/li\u003e \u003cli\u003eTotal Harmonic Distortion: 0.01% from 20Hz~20kHz @-10dB\u003c\/li\u003e \u003cli\u003ePhase Deviation: 1° @ 100Hz; 8° @ 20Hz\u003c\/li\u003e \u003cli\u003eInput Impedance: 140k Ohms, unbalanced\u003c\/li\u003e \u003cli\u003eOutput Impedance: 150 Ohms, balanced\u003c\/li\u003e \u003cli\u003eMaximum Input Level: +18dB @ 20Hz\u003c\/li\u003e \u003cli\u003eFeatures\u003c\/li\u003e \u003cli\u003eInput pad, 180° polarity invert, Ground lift\u003c\/li\u003e \u003cli\u003eInput Connectors: 1\/4\"\u003c\/li\u003e \u003cli\u003eOutput Connectors: XLR, 1\/4\" thru\u003c\/li\u003e \u003cli\u003eGeneral Specifications\u003c\/li\u003e \u003cli\u003eConstruction: 14-gauge steel frame and outer shell\u003c\/li\u003e \u003cli\u003eDimensions (L x W x D): 127mm x 84.1mm x 45.5mm - 5\" x 3.3\" x 1.8\"\u003c\/li\u003e \u003cli\u003eWeight: 0.54kg (1.2lbs)\u003c\/li\u003e \u003cli\u003ePackage Dimensions (L x W x D): 6.5\" x 4\" x 3\" (165mm x 102mm x 76mm)\u003c\/li\u003e \u003cli\u003ePackage Weight: 0.61 kg (1.35 lbs)\u003c\/li\u003e \u003cli\u003ePower Supply: Passive, no power required\u003c\/li\u003e \u003cli\u003eOperating Conditions: For use in dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750125913,"sku":"GRAD8001521","price":238.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pro-d2-grad8001521_0.jpg?v=1778131838"},{"product_id":"pro-d8-grad8001522","title":"Radial Engineering Pro D8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProD8 \u003c\/strong\u003eby Radial Engineering is an \u003cstrong\u003e8-channel passive Direct Box in 19'' rack format\u003c\/strong\u003e, offering high-performance audio, ideal for \u003cstrong\u003ekeyboard setups\u003c\/strong\u003e in professional touring. It features redundant \u003cstrong\u003eA\/B 1\/4\" inputs\u003c\/strong\u003e with an \u003cstrong\u003eInsert\u003c\/strong\u003e for each channel, 180° polarity inversion, \u003cstrong\u003eGround Lift\u003c\/strong\u003e to prevent noise induced by ground loops, \u003cstrong\u003e-15db attenuation pad\u003c\/strong\u003e, and passive circuitry that does not require power.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"8-channel DI box in 19'' rack format, ideal for keyboard setups\" src=\"\/images\/uploads\/\/SProD8_1200x630_01.jpg\" title=\"8-channel DI box in 19'' rack format, ideal for keyboard setups\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003e8-channel DI box in 19'' rack format, ideal for keyboard setups\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eReversible rack ears to optimize patching configuration\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eResistant to high dynamics\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eRedundant inputs allow for a backup system\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eProD8 Performance\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eProD8\u003c\/strong\u003e provides up to \u003cstrong\u003e8 Direct Box outputs\u003c\/strong\u003e in a single 1RU rack space, ideal for professional touring, with dual 1\/4\" inputs on each channel to integrate a backup system or connect up to 16 audio channels simultaneously. A 1\/4\" TRS effects insert jack on each channel allows connection to various devices, increasing routing versatility, while a thru-put jack can provide a direct feed to the musician's monitoring system. The front panel features isolated XLRs with low-noise balanced outputs, each equipped with ground lift and 180° polarity inversion switches.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"The heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing.\" src=\"\/images\/uploads\/\/SProD8_1200x630_06.jpg\" title=\"The heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing.\" \/\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eTransformer-based ProD8 for greater Headroom and low noise\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe heart of the ProD8 is an Eclipse ET-DB2 transformer with custom windings, performing both impedance matching and balancing. It boasts a linear frequency response from 20Hz to 20kHz, and is capable of withstanding the high dynamic levels of modern digital keyboards. Unlike active circuits that tend to overload and produce a square wave when the rail voltage is exceeded, transformers saturate instead. This means that as the signal increases, the ProD8 naturally rounds out the timbre, producing a warm Bessel curve, a characteristic reminiscent of the best vintage audio devices. The other significant advantage of passive circuitry is the 100% galvanic isolation between source and destination, which eliminates hum and noise caused by ground loops.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eAdaptable Configuration\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThe Radial ProD8 features reversible rack ears that increase its configuration versatility. This feature allows the engineer to position the inputs on the front of the rack when connecting keyboards, or to have them inside if the setup mainly consists of rack modules.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cstrong\u003ePractical Applications of ProD8\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 in the studio\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"You can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\" src=\"\/images\/uploads\/\/prod8-app-studio1200x630.jpg\" title=\"You can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eYou can set up the ProD8's rack ears so that the ¼-inch jack inputs are on the front panel to facilitate assigning different instruments. This provides access to the dual inputs and thru-put jacks for quick connection to studio amplifiers.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 with rack synthesizers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\" src=\"\/images\/uploads\/\/prod8-app-rack-synths-1200x630.jpg\" title=\"The ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe ProD8 can be configured with the XLR outputs facing forward for connecting rack synthesizer modules. With the ¼-inch jack inputs facing into the rack for connection to synthesizers, the sound engineer can use the XLR outputs to connect to the main PA snake.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing ProD8 for playing back music tracks\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"The ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\" src=\"\/images\/uploads\/\/prod8-app-backing-tracks-1200x630.jpg\" title=\"The ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe ProD8's dual summed inputs make it ideal for simultaneously connecting two sources on each channel. This allows the ProD8 to be used for playing backing music tracks from two multitracks in sync at the same time, or for connecting redundant keyboard setups for live performances.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eRadial ProD8 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio circuit type: Passive, transformer-based\u003c\/li\u003e     \u003cli\u003eTransformer: Eclipse ET-DB2, 12:1 ratio\u003c\/li\u003e     \u003cli\u003eNumber of channels: 8\u003c\/li\u003e     \u003cli\u003eFrequency response: 20Hz ~ 18.5KHz (± 0.2dB)\u003c\/li\u003e     \u003cli\u003eDynamic range: 128dB\u003c\/li\u003e     \u003cli\u003eTotal harmonic distortion: 0.01% from 20Hz~20kHz @-10dB\u003c\/li\u003e     \u003cli\u003ePhase deviation: 1° @ 100Hz; 8° @ 20Hz\u003c\/li\u003e     \u003cli\u003eInput impedance: 140k Ohms, unbalanced\u003c\/li\u003e     \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e     \u003cli\u003eMaximum input level: +18dB @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eAttenuation pad, 180° polarity inversion, Ground lift\u003c\/li\u003e     \u003cli\u003eInput connectors: 1\/4\" Jack\u003c\/li\u003e     \u003cli\u003eOutput connectors: XLR\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eConstruction: 14 gauge steel frame and outer shell\u003c\/li\u003e     \u003cli\u003eSize (L x W x D): 48.3cm x 15.875cm x 4.45cm - 19\" x 6.25\" x 1.75\"\u003c\/li\u003e     \u003cli\u003eWeight: 3.26 kg - 7.2lb\u003c\/li\u003e     \u003cli\u003ePower: Passive, no power required\u003c\/li\u003e     \u003cli\u003eOperating conditions: dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750256985,"sku":"GRAD8001522","price":1274.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-pro-d8-grad8001522_0.jpg?v=1778131850"},{"product_id":"pro48-grad8001540","title":"Radial Engineering Pro48","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1\u0026gt;\u0026lt;strong\u0026gt;Pro48\u0026lt;\/strong\u0026gt; by RADIAL Engineering is a single-input (\u0026lt;strong\u0026gt;Mono\u0026lt;\/strong\u0026gt;), active \u0026lt;strong\u0026gt;Direct Box\u0026lt;\/strong\u0026gt; with high audio performance. Designed for Live use or in a recording studio, it is ideal for managing both active and passive instruments. It has a linear frequency response from \u0026lt;strong\u0026gt;20Hz to 20kHz\u0026lt;\/strong\u0026gt\u003e with very low distortion, a standard \u0026lt;strong\u0026gt;1\/4'' Jack input\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;-15db attenuation Pad\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;+48V phantom power\u0026lt;\/strong\u0026gt;, and a balanced output connector with \u0026lt;strong\u0026gt;XLR\u0026lt;\/strong\u0026gt\u003e MIC level 175 ohm.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Pro48 by RADIAL Engineering is a single-input (Mono) active Direct Box with high audio performance, designed for stage or studio use\" src=\"\/images\/uploads\/\/Pro48_1200x630_01.jpg\" title=\"Pro48 by RADIAL Engineering is a single-input (Mono) active Direct Box with high audio performance, designed for stage or studio use\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;High-performance active direct box\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Increased dynamic range and headroom\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;48V phantom power with switching power supply\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Ideal for acoustic guitar and bass\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The Pro48 circuitry is housed in a robust and durable steel cabinet\" src=\"\/images\/uploads\/\/Pro48_1200x630_02.jpg\" title=\"The Pro48 circuitry is housed in a robust and durable steel cabinet\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;High-level audio performance of Pro48\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The innovative internal switching power supply of \u0026lt;strong\u0026gt;Pro48\u0026lt;\/strong\u0026gt\u003e significantly increases the instrument's headroom with less distortion, while providing a smooth and linear frequency response that extends from 20Hz to well above 40kHz. This results in a clean, neutral, uncolored signal, at the same level if not better than much more expensive DI Boxes. The superior audio performance makes \u0026lt;strong\u0026gt;Pro48\u0026lt;\/strong\u0026gt\u003e the ideal partner for use with active, battery-powered basses and acoustic guitars which tend to overload other Direct Boxes with their high-level signal.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Pro48 Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Pro48 with acoustic guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The Pro48 is the perfect interface for acoustic guitar on stage. The high internal rail voltage can handle the dynamics of today's active instruments without compromise, reproducing the soft and natural sound of the instrument in every detail.\" src=\"\/images\/uploads\/\/Pro48_1200x630_03psd.jpg\" title=\"The Pro48 is the perfect interface for acoustic guitar on stage. The high internal rail voltage can handle the dynamics of today's active instruments without compromise, reproducing the soft and natural sound of the instrument in every detail.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Pro48 is the perfect interface for acoustic guitar on stage. The high internal rail voltage can handle the dynamics of today's active instruments without compromise, reproducing the soft and natural sound of the instrument in every detail.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Pro48 with basses\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"Pro48 captures the sound of both active and passive basses without distortion or added artifacts\" src=\"\/images\/uploads\/\/Pro48_1200x630_04psd.jpg\" title=\"Pro48 captures the sound of both active and passive basses without distortion or added artifacts\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The exceptional signal handling of Pro48 can capture the sound of both active and passive electric basses without distortion or added artifacts, and with the correct signal load, the instrument will sound round and homogeneous both in recording and live.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Pro48 with acoustic instruments\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"With greater headroom and low distortion, Radial Pro48 is a versatile, high-quality active Direct Box suitable for all types of instruments, including those with problematic timbre during recording or amplification\" src=\"\/images\/uploads\/\/Pro48_1200x630_05.jpg\" title=\"With greater headroom and low distortion, Radial Pro48 is a versatile, high-quality active Direct Box suitable for all types of instruments, including those with problematic timbre during recording or amplification\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;With greater headroom and low distortion, \u0026lt;strong\u0026gt;Radial Pro48\u0026lt;\/strong\u0026gt\u003e is a versatile, high-quality active Direct Box suitable for all types of instruments, including those with problematic timbre during recording or amplification.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Pro48 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Circuit type:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; Proprietary analog with \u0026amp;ldquo;low-noise op-amp\u0026amp;rdquo;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 20Hz ~ 20kHz (\u0026amp;plusmn; 1.5 dB)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 99dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total harmonic distortion:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 0.001% @ 0 dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Intermodulation distortion:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 0.002% @ 0 dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Phase deviation:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; +28\u0026amp;ordm; at 20Hz | +1\u0026amp;ordm; at 1kHz | -2\u0026amp;ordm; at 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input impedance:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 220kΩ - \u0026amp;frac14;\u0026amp;quot; input\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output impedance:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 175Ω - XLR output\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Equivalent input noise:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; -86dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Residual noise:\u0026amp;nbsp; -82dB below 0dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum input level:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; +9dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Features\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Attenuation pad, Ground lift\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;General Specifications\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Construction:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 14-gauge steel\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D):\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 108 x 70 x 44mm 4.25\u0026amp;quot; x 2.75\u0026amp;quot; x 1.75\u0026amp;quot;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 0.54kg 1.2 lb\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power supply:\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; 48V phantom \u0026amp;ndash; Proprietary digital switching power supply\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating conditions: Dry locations only between 5\u0026amp;deg;C and 40\u0026amp;deg;C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;  ","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750486361,"sku":"GRAD8001540","price":153.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pro48-grad8001540_0.jpg?v=1778131862"},{"product_id":"pro-av1-grad8001550","title":"Radial Engineering Pro AV1","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProAV1\u003c\/strong\u003e by Radial Engineering is a versatile, high-performance passive \u003cstrong\u003eDirect Box\u003c\/strong\u003e with various input connector types to connect even consumer devices: 1\/4\" RCA, 3.5mm Stereo, and XLR (Line), with a \u003cstrong\u003eMerge\u003c\/strong\u003e function that sums stereo channels to a single mono output, thereby reducing the need for mixer channels, ideal for audio and video technicians.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"ProAV1 by Radial Engineering is a versatile passive Direct Box with various input connector types to connect even consumer audio devices\" src=\"\/images\/uploads\/\/ProAV1_1200x630_01.jpg\" title=\"ProAV1 by Radial Engineering is a versatile passive Direct Box with various input connector types to connect even consumer audio devices\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eVersatile passive Direct box ideal for multimedia applications\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eUltra-quiet passive Plug \u0026 Play circuitry\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eIsolated transformer to prevent hum and noise\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSupports high-level transients without distortion\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eProAV1 An indispensable tool\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eProAV1\u003c\/strong\u003e allows you to connect a wide variety of audio sources to a professional PA System, automatically summing stereo sources to mono to optimize the number of channels required and thus simplifying the audio setup itself. The input connections are: 1\/4\" RCA, 3.5mm Stereo, and XLR line level, with the ability to easily connect: smartphones, tablets, laptops, CD players, or a +4 dB line output from a console or recording interface. Transformer isolation helps eliminate noise while maintaining a linear frequency response, while a balanced mono XLR output allows connection to an audio interface or PA System.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"ProAV1 allows you to connect a wide variety of audio sources to a professional PA System, automatically summing stereo sources to mono to optimize the number of channels required\" src=\"\/images\/uploads\/\/ProAV1_1200x630_05.jpg\" title=\"ProAV1 allows you to connect a wide variety of audio sources to a professional PA System, automatically summing stereo sources to mono to optimize the number of channels required\" \/\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProAV1 Applications \u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eConnecting a Consumer Audio device to a Professional PA\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"ProAV1 is ideal for interfacing consumer audio electronic devices with professional PAs and recording equipment. The ProAV1's dual phone, RCA, and 3.5mm inputs sum the left and right stereo channels to a mono output.\" src=\"\/images\/uploads\/\/proav1-app-ipod-1200x630.jpg\" title=\"ProAV1 is ideal for interfacing consumer audio electronic devices with professional PAs and recording equipment. The ProAV1's dual phone, RCA, and 3.5mm inputs sum the left and right stereo channels to a mono output.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eProAV1 is ideal for interfacing consumer audio electronic devices with professional PAs and recording equipment. The ProAV1's dual phone, RCA, and 3.5mm inputs sum the left and right stereo channels to a mono output.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eOperating as a standard DI Box for instruments\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"ProAV1 can also be used as a normal Direct Box for passive and active musical instruments such as guitars, basses, and keyboards.\" src=\"\/images\/uploads\/\/proav1-app-bass1200x630.jpg\" title=\"ProAV1 can also be used as a normal Direct Box for passive and active musical instruments such as guitars, basses, and keyboards.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eProAV1 can also be used as a normal Direct Box for passive and active musical instruments such as guitars, basses, and keyboards. You can send the signal to an on-stage amplifier while transformer isolation keeps the connection free of noise.\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eProAV1 Technical Specifications      \u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAudio Circuit Type:         Passive, transformer-based\u003c\/li\u003e    \u003cli\u003eTransformer: Eclipse ET-DB2, 12:1 ratio\u003c\/li\u003e    \u003cli\u003eNumber of Channels:         Single (Mono)\u003c\/li\u003e    \u003cli\u003eFrequency Response:  20Hz ~ 18.5KHz (± 0.2dB)\u003c\/li\u003e    \u003cli\u003eDynamic Range:         128dB\u003c\/li\u003e    \u003cli\u003eTotal Harmonic Distortion:      0.01% from 20Hz~20kHz @-10dB\u003c\/li\u003e    \u003cli\u003ePhase Deviation:         1° @ 100Hz; 8° @ 20Hz\u003c\/li\u003e    \u003cli\u003eInput Impedance: 140k Ohms, unbalanced\u003c\/li\u003e    \u003cli\u003eOutput Impedance:       150 Ohms, balanced\u003c\/li\u003e    \u003cli\u003eCommon Mode Rejection Ratio:              100dB @ 60Hz\u003c\/li\u003e    \u003cli\u003eMaximum Input Level:         +18dB @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eAttenuation Pad, Mono Sum, Ground lift\u003c\/li\u003e    \u003cli\u003eInput Connectors:  1\/4\", RCA, 3.5mm TRS, XLR\u003c\/li\u003e    \u003cli\u003eOutput Connectors:       XLR\u003c\/li\u003e    \u003cli\u003eExtras:  1\/4\" thru, RCA thru\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction:    14 gauge steel chassis and shell\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 82.55 x 127 x 45.72 - 3.25” x 5” x 1.875”\u003c\/li\u003e    \u003cli\u003eWeight:    1.6 lbs - 0.73kg\u003c\/li\u003e    \u003cli\u003ePower:             Passive, no power required\u003c\/li\u003e    \u003cli\u003eOperating Conditions:           in dry places only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750551897,"sku":"GRAD8001550","price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pro-av1-grad8001550_0.jpg?v=1778131875"},{"product_id":"pro-av2-grad8001551","title":"Radial Engineering Pro-AV2","description":"\u003ch2\u003eDescrizione\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eProAV2\u003c\/strong\u003e by Radial Engineering is a \u003cstrong\u003eStereo Passive Direct Box\u003c\/strong\u003e designed specifically for AV operators and technicians, featuring a variety of input connectors that allow easy interfacing with a wide range of audio equipment such as: standard 1\/4'' Jack, RCA, 3.5'' TRS, balanced outputs with XLR connectors (MIC level 600 Ohm), plus \u003cstrong\u003eGround Lift\u003c\/strong\u003e and \u003cstrong\u003e-15db\u003c\/strong\u003e attenuation \u003cstrong\u003ePad\u003c\/strong\u003e.\u003c\/h1\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"Radial ProAV2 is a passive DI Box designed to handle the wide dynamics and frequencies of modern digital sources. It has a linear response across the entire audio range, with low distortion at all frequencies, versatile signal management, and reduced phase shift.\" src=\"\/images\/uploads\/\/ProAV2_1200x630_01.jpg\" title=\"Radial ProAV2 is a passive DI Box designed to handle the wide dynamics and frequencies of modern digital sources. It has a linear response across the entire audio range, with low distortion at all frequencies, versatile signal management, and reduced phase shift.\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eVersatile Stereo Direct Box ideal for multimedia applications\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eUltra-quiet, easy-to-use passive circuitry\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eTransformer isolation eliminates hum and background noise\u003c\/strong\u003e\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eHandles high-level transients without distortion\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eRadial ProAV2 is a passive DI Box designed to handle the wide dynamics and frequencies of modern digital sources. It features a linear response across the entire audio range, with low distortion at all frequencies, versatile signal management, and very low phase shift. The result is a clean, neutral, noise-free sound.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"ProAV2 is an indispensable device for both live sound engineers and audio-video technicians, thanks to its ability to perfectly interface most devices with a professional audio system\" src=\"\/images\/uploads\/\/ProAV2_1200x630_06.jpg\" title=\"ProAV2 is an indispensable device for both live sound engineers and audio-video technicians, thanks to its ability to perfectly interface most devices with a professional audio system\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003ePractical Applications of ProAV2\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eConnect any device to a PA System\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eProAV2 is an indispensable device for both live sound engineers and audio-video technicians, thanks to its ability to perfectly interface most devices with a professional audio system. It features a stereo 3.5mm input jack and dual 1\/4\" and RCA connectors that eliminate the need for adapters, and ultra-quiet audio performance due to transformer isolation to eliminate hum and noise from ground loops. ProAV2 maintains stereo separation and offers a linear frequency response from 20Hz to 20kHz, with mic-level balanced XLR outputs allowing signals to be sent on stage via a multi-channel audio snake, or to two channels of a mixing console.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eProAV2: Stereo In – Stereo Out\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eProAV2 has a True stereo (Dual Mono) architecture, making it ideal for devices such as laptops and DVD players. It is also possible to connect phones quickly and without adapters, using its RCA and 3.5mm jack connectors.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"ProAV2 has a True stereo (Dual Mono) architecture and is therefore ideal for devices such as laptops and DVD players. It is also possible to connect phones quickly and without adapters, using its RCA and 3.5mm jack connectors.\" src=\"\/images\/uploads\/\/ProAV2_1200x630_07.jpg\" title=\"ProAV2 has a True stereo (Dual Mono) architecture and is therefore ideal for devices such as laptops and DVD players. It is also possible to connect phones quickly and without adapters, using its RCA and 3.5mm jack connectors.\" \/\u003e\u003c\/p\u003e\u003chr \/\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eProAV2 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAudio circuit type:    Passive, transformer-based\u003c\/li\u003e    \u003cli\u003eTransformer:  Eclipse ET-DB2, 12:1 ratio\u003c\/li\u003e    \u003cli\u003eNumber of channels:             Dual Channel (stereo)\u003c\/li\u003e    \u003cli\u003eFrequency response:   20Hz ~ 18.5KHz (± 0.2dB)\u003c\/li\u003e    \u003cli\u003eDynamic range:           128dB\u003c\/li\u003e    \u003cli\u003eTotal Harmonic Distortion:          0.01% from 20Hz~20kHz @-10dB\u003c\/li\u003e    \u003cli\u003ePhase deviation:           1° @ 100Hz; 8° @ 20Hz\u003c\/li\u003e    \u003cli\u003eInput impedance:  140k Ohms, unbalanced\u003c\/li\u003e    \u003cli\u003eOutput impedance:          150 Ohms, balanced\u003c\/li\u003e    \u003cli\u003eMaximum input level:              +18dB @ 20Hz\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eGround lift\u003c\/li\u003e    \u003cli\u003eInput connectors:   1\/4\", RCA, 3.5mm TRS\u003c\/li\u003e    \u003cli\u003eOutput connectors:          XLR\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction:     14-gauge steel chassis and shell\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 82.55 x 127 x 45.72 - 3.25” x 5” x 1.875” -\u003c\/li\u003e    \u003cli\u003eWeight:    0.82kg \/ (1.8lbs)\u003c\/li\u003e    \u003cli\u003ePower: Passive, no power required\u003c\/li\u003e    \u003cli\u003eOperating conditions:                in dry places only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750650201,"sku":"GRAD8001551","price":262.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-pro-av2-grad8001551_0.jpg?v=1778131885"},{"product_id":"hot-shot-dm1-grad8001600","title":"Radial Engineering Hot Shot DM1","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;HotShot DM-1\u0026amp;trade;\u0026lt;\/strong\u0026gt; is a dynamic microphone footswitch. This device allows an artist to route a microphone on stage to the on-stage monitoring system or communicate with band members or technicians.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"\/images\/uploads\/\/HotShotDM1_Cover_1200x630.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Reroutes microphone signal for on-stage communication with technicians\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Allows band members with in-ear monitors to chat between songs\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Footswitch activation\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Passive design requires no power to operate\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Professional On-Stage Communication\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The HotShot DM-1 is a device designed to solve on-stage communication problems for artists using in-ear monitoring systems. The HotShot DM-1 is a simple passive footswitch that quickly reroutes the signal without interrupting the performance. Using the DM-1 is simple: just connect any dynamic microphone to the input and send the main XLR output to the mixer, then connect the cable from the DM-1's second output to the common intercom bus. As soon as the footswitch is pressed, the signal sent to the main output is muted and rerouted to the monitoring system. This allows the musician to discreetly speak with other band members or discuss a problem with the technicians. As soon as the footswitch is released, the system automatically returns to normal operation, allowing the show to continue as usual.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Practical Applications of HotShot DM-1\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Use the DM1 for silent on-stage communication\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"For silent on-stage communication, simply connect the microphone to the DM1, connect output 1 to the PA System and output 2 to a separate channel on the Monitor Mixer.\" src=\"\/images\/uploads\/\/HotShotDM-1_Applications_Silent-Communication_1200x630.jpg\" title=\"For silent on-stage communication, simply connect the microphone to the DM1, connect output 1 to the PA System and output 2 to a separate channel on the Monitor Mixer.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;For silent on-stage communication, simply connect the microphone to the DM1, connect output 1 to the PA System and output 2 to a separate channel on the Monitor Mixer. When the footswitch is pressed, the PA System output is muted and the signal is sent to the Monitor Mixer.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using the DM1 as a cough mute\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Sometimes on stage, the vocalist may have a coughing fit! By connecting the microphone to the DM1 input and output 1 of the sound system, if you feel the need to cough, simply hold down the footswitch to mute the system.\" src=\"\/images\/uploads\/\/HotShotDM-1_Applications_Cough-Mute_1200x630.jpg\" title=\"Sometimes on stage, the vocalist may have a coughing fit! By connecting the microphone to the DM1 input and output 1 of the sound system, if you feel the need to cough, simply hold down the footswitch to mute the system.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Sometimes on stage, the vocalist may have a coughing fit! By connecting the microphone to the DM1 input and output 1 of the sound system, if you feel the need to cough, simply hold down the footswitch to mute the system. Releasing it then returns to normal operation.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Use the DM1 to add effects\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"DM1 can be used to add a special effect to the microphone: use the two channels with the first set to normal functionality, and the second sent to effects such as echo or chorus.\" src=\"\/images\/uploads\/\/HotShotDM-1_Applications_Add-Effects_1200x630.jpg\" title=\"DM1 can be used to add a special effect to the microphone: use the two channels with the first set to normal functionality, and the second sent to effects such as echo or chorus.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The DM1 can be used to add a special effect to the microphone: use the two channels with the first set to normal functionality, and the second sent to effects such as echo or chorus. Simply hold down the footswitch to activate the effects, releasing it returns to normal.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Technical Specifications of HotShot DM-1\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio circuit type: passive, true-bypass\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response: 20Hz ~ 20kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range: unlimited\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Ground Lift\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;General\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Construction: 14-gauge steel\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 99 x 92 x 51 mm (3.9 x 3.6 x 2 inches)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 0.56 kg (1.25 lbs)\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating conditions: dry locations only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003750781273,"sku":"GRAD8001600","price":177.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-hot-shot-dm1-grad8001600_0.jpg?v=1778131896"},{"product_id":"sw8-grad8001682","title":"Radial Engineering SW8","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1\u0026gt;\u0026lt;strong\u0026gt;The Radial SW8\u0026lt;\/strong\u0026gt; is an \u0026lt;strong\u0026gt;8-channel auto-switcher\u0026lt;\/strong\u0026gt; that allows you to set up a redundant backup system with automatic switching between two sources, such as two digital recorders, computers, or network systems.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Radial SW8 è un auto-switcher a 8 canali che consente d'impostare un sistema di backup ridondante con la commutazione automatica tra due sorgenti, come ad esempio due registratori digitali, computer o sistemi di rete.\" src=\"\/images\/uploads\/\/SW8_1200x630_01.jpg\" title=\"Radial SW8 è un auto-switcher a 8 canali che consente d'impostare un sistema di backup ridondante con la commutazione automatica tra due sorgenti, come ad esempio due registratori digitali, computer o sistemi di rete.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Automatic switching between two playback systems\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Expandable ‘Link’ with remote control contact closure\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Balanced or unbalanced Mic and Line-level operation\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;DI with isolation transformer on each output channel\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;Primarily designed for live concerts and theatrical performances where backing tracks are used for orchestral sections, vocals, and sound effects, the \u0026lt;strong\u0026gt;SW8\u0026lt;\/strong\u0026gt; employs an adjustable gate that detects machine malfunction and switches to a backup machine, ensuring seamless performance. The device simply detects the steady operation of a signal on a track and feeds it into the \u0026lt;strong\u0026gt;SW8\u0026lt;\/strong\u0026gt;. If the signal drops, the \u0026lt;strong\u0026gt;SW8\u0026lt;\/strong\u0026gt; automatically switches to system B and sounds an alarm. Switching can also be done manually via the A~B switch on the front panel, a rear-access latching switch, or using the optional Radial JR2 footswitch. For larger setups, multiple SW8s can be linked together to create 16, 24, or 32-track systems.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"SW8 impiega un gate regolabile che rileva il malfunzionamento della macchina e passa a una seconda macchina 'backup' garantendo prestazioni senza problemi. \" src=\"\/images\/uploads\/\/Radial-SW8-mk2-panels-both-layer_1200x630-s.jpg\" title=\"SW8 impiega un gate regolabile che rileva il malfunzionamento della macchina e passa a una seconda macchina 'backup' garantendo prestazioni senza problemi. \"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Housed in a rugged 14-gauge steel 19\" rack enclosure, the \u0026lt;strong\u0026gt;Radial SW8\u0026lt;\/strong\u0026gt; features input connectors with a choice of 25-pin D-sub or ¼\" TRS jacks with D-Sub and XLR outputs. The front panel XLR jacks produce a balanced mic-level DI signal to feed a snake system and are transformer-isolated to eliminate hum and buzz caused by ground loops. The D-Sub connectors on the rear panel provide direct balanced line-level connectivity, and the transformer-isolated outputs can be internally rewired to send the mic-level signal to the 25-pin D-sub output if required. To further suppress switching noise, a series of internal filters helps eliminate DC offset from source devices. A global Mute switch disables the XLR outputs, allowing you to listen to tracks and cue on the fly. A Standby switch keeps the \u0026lt;strong\u0026gt;SW8\u0026lt;\/strong\u0026gt; on the A source inputs between songs. The Radial SW8 is useful for preventing embarrassing musical backing system malfunctions, a device that ensures problem-free performances.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;SW8™ - Applications (Practical Solutions)\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Below are three common live production setups. For obvious reasons, we have removed the names of the groups and technicians who provided this information: many artists prefer to keep their production secrets well hidden! Each scenario might have a click track on a separate output, usually only for the drummer and, very rarely, for front-of-house. Sometimes alternative click tracks are sent, via the monitor desk, to individual band members for certain songs.\u0026lt;\/p\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;‘Fly-in’ Scenario\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;This is the most common setup for clubs, TV fly-ins, and promotional video tours. In these scenarios, everything that is mixed is sent to a single stereo system or even a mono output feeding a PA system and broadcaster. Some bands have done this with great success, but it requires a lot of work to get the balance right.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"Questa è la configurazione più comune per club, fly-in TV e video tour promozionali. In questi scenari, tutto ciò che è mixato viene inviato ad un singolo impianto stereo o anche una uscita mono alimentando un sistema PA e broadcaster. Alcune band hanno fatto questo con grande successo, ma è necessario molto lavoro per ottenere il giusto equilibrio.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sw8-app-1-hirez.jpg\" title=\"Questa è la configurazione più comune per club, fly-in TV e video tour promozionali. In questi scenari, tutto ciò che è mixato viene inviato ad un singolo impianto stereo o anche una uscita mono alimentando un sistema PA e broadcaster. Alcune band hanno fatto questo con grande successo, ma è necessario molto lavoro per ottenere il giusto equilibrio.\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;‘Moderate’ Scenario\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In this scenario, 16 backing tracks are mixed into stereo subgroups. This is the most common way to manage backing tracks: the musicians do the main work, and the playback machines are just an addition, like icing on the cake. In these systems, you can find extra drums on the right and left, percussion and rhythms, keyboards and orchestration, guitars and backing vocals, and often all vocal effects.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"In questo scenario vengono mixate 16 basi in sottogruppi stereo. Questa è la forma più comune per gestire delle basi musicali: i musicisti fanno il lavoro principale e le macchine di riproduzione sono solo un'aggiunta come ciliegina sulla torta. In questi sistemi è possibile trovare una batteria extra a destra e a sinistra, percussioni e ritmi, tastiere e orchestrazione, chitarre e cori e spesso tutti gli effetti vocali.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sw8-app-2-hirez.jpg\" title=\"In questo scenario vengono mixate 16 basi in sottogruppi stereo. Questa è la forma più comune per gestire delle basi musicali: i musicisti fanno il lavoro principale e le macchine di riproduzione sono solo un'aggiunta come ciliegina sulla torta. In questi sistemi è possibile trovare una batteria extra a destra e a sinistra, percussioni e ritmi, tastiere e orchestrazione, chitarre e cori e spesso tutti gli effetti vocali.\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;‘Superstar’ Scenario\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Everything is on backing tracks: drums, electronic rhythms, instruments, backing vocals, vocal effects, and in some cases, even the main vocals. We're talking about various pop groups with extraordinarily huge productions. Each track is broken down into individual channels so that the stage sound engineer can send different mixes to the various musicians and the front-of-house mixer has total control.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"Tutto è su basi: batterie, ritmi elettronici, strumenti, cori, effetti vocali e, in alcuni casi, anche la voce principale. Parliamo di vari gruppi pop con produzioni straordinariamente enormi. Ogni traccia è scomposta su singoli canali in modo che il fonico di palco sia in grado di inviare differenti mix ai vari musicisti e il mixer front-of-house ha il controllo totale.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sw8-app-3-hirez.jpg\" title=\"Tutto è su basi: batterie, ritmi elettronici, strumenti, cori, effetti vocali e, in alcuni casi, anche la voce principale. Parliamo di vari gruppi pop con produzioni straordinariamente enormi. Ogni traccia è scomposta su singoli canali in modo che il fonico di palco sia in grado di inviare differenti mix ai vari musicisti e il mixer front-of-house ha il controllo totale.\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;SW8: USAGE \u0026amp;amp; APPLICATIONS\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Before making any connections, always verify that the audio levels on the PA system are at zero to prevent power-up or connection transients from damaging sensitive components like tweeters. There is no power switch on the SW8. Simply connect the 15VDC power supply, and the device automatically powers on. Once connected, either the A or B LED on the front panel will illuminate, depending on the SW8's last use. A convenient cable pass-through is provided to secure the cable. Most backing track systems employ two identical multi-track playback systems that produce balanced or unbalanced signals. To accommodate both types, the SW8 is equipped with 25-pin D-sub input connectors on the rear or two sets of 8 ¼\" TRS input connectors on the rear panel. The 8 D-Sub channels are wired to the ProTools \/ Tascam standard, while the TRS connectors follow the Tip (+), Ring (-), and Sleeve\/Ground convention. Unbalanced ¼\" cables can also be used as a source. The SW8 has two sets of outputs: the D-Subs on the rear panel are 'straight wire' and are typically used for connection to a professional +4dB balanced line-level device. The front panel XLR jacks are arranged as direct boxes with eight Eclipse transformers that isolate the outputs, producing a lower mic-level signal. These are generally used on stage to send the SW8's output to a snake system and a microphone splitter. For added convenience, you can reverse the SW8 and reassign the isolation transformer in the signal path to the D-sub output by simply moving a jumper cable. To further suppress switching noise, a series of internal filters are designed to remove excess DC and reduce switching noise.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Verifying Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Make sure you are in manual mode with the AUTO switch in the OUT position and the LED off. Verify that the JR-2 remote switch is disengaged (OUT position). Always test the audio system at low volumes. Test the connections by playing a signal through input-A. If the audio signal passes, the LED below the threshold releases the front panel A-B switch, deactivating input-A and activating input-B. Activate the second playback device. If you plan to use the transformer-isolated output option, you can use a global -20dB pad. This is typically used if the audio source is a line-level device. If you experience distortion during playback, it could be caused by transformer overload. Simply press the pad switch to reduce the input sensitivity.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Switching Options\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;There are several ways to switch the SW8: manual switching via the front panel selector, remote switching using a dedicated footswitch or a standard latching switch, or automatic switching through the integrated gate.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Front Panel A-B Selector\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can use the A-B switch on the front panel as described above. This method is used during system adjustment and testing. This is the most basic form of switching, thanks to the convenience of front access.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Remote Control Contact Closure\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can switch the SW8 remotely by simply shorting the tip and ground on the contact closure of the port. This ¼\" jack can also be switched via a standard latching footswitch commonly used to change channels or activate effects on guitar amplifiers. You can switch the SW8 remotely with the Radial JR-2, a dual-function footswitch that can be used to remotely control the A~B function or set the SW8 to standby mode. The advantage of using the JR2 is the LED indicators that signal the status. Use the JR2 ON switch to activate the device.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Automatic Control via Gate Signal\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can also set the SW8 for automatic switching using the internal gate. To do this, record a constant 1kHz tone on the primary recorder on one of channels 1 or 8. The SW8 will extract the tone from the track based on how you set the ALT source select switch. You can also separate a track and feed it directly into the auto-switcher's dedicated gate input. Activate the auto-switching circuit by releasing the front panel switch. The LED indicator will illuminate. Once activated, the SW8 automatically switches as soon as the input signal level to the auto-switch circuit drops below a predetermined level. This level is adjusted using the Threshold control on the front panel. The Threshold control is recessed and difficult to access: once set, it cannot be accidentally changed. Set the gate to 12 o'clock and activate the primary playback device. Test the gate function by reducing the threshold (Threshold) - turning the knob clockwise.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using SMPTE as Audio\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;For configurations using all playback channels, you can use a SMPTE time code signal as an audio source by feeding it into the auto-switch's gate input and setting the 3-position filter as needed. The filter is used to adjust the digital binary code to produce a more stable signal.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using the Standby Function\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In auto-switch mode, stopping the main recorder (A) will inevitably stop the drone track playing. This will switch the SW8 inputs as soon as the drone track disappears. Although this may not seem like a big problem, it becomes one when the artist decides to pause the songs, forcing an abrupt change in the show. The Standby switch is used to keep the gate and input in the A position. Once ready, activate the playback system and then deactivate Standby mode. This will release the gate for normal operation. The optional connection to a Radial JR2 will allow you to remotely activate or deactivate the Standby function.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using the Mute Function\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Many shows require playback tracks to be prepared to accommodate last-minute variations. This means the playback technician will need to search for songs, listen to them, and prepare them so they are ready when needed. To facilitate this procedure, the SW8 has a Mute function which, when released, disables the front panel XLR outputs that are typically sent to the PA system. The D-Sub connector remains active for monitoring.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Connecting to other SW8s\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;To expand the system and have 16 or more channels available, the SW8 features a JR2 link function that allows you to connect one SW8 to another using a TRS cable. A typical master-slave configuration is used whereby the first SW8 will be assigned as the master which, in turn, will control the slave units. Once connected, all A~B status changes will be automatically transferred to the cascaded units along with the Standby function. In auto-switch mode, the drone track should be connected to the master SW8, and the slaves would follow in cascade. For those using a second-generation SW8 with a first-generation SW8 unit, the new SW8 should be set as the master, and the top panel switches should be arranged to properly control the first-generation unit.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Sounding an Alarm!\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In complex configurations where automatic switching may not be immediate, an alarm in the form of a light or tone can be connected using a special 24-volt relay. When the SW8 switches from A to B, the relay contacts are automatically closed, allowing the system technician to set up an appropriate alarm.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Noise Suppression\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In most cases, audio playback systems are very quiet. However, sometimes switching can introduce annoying noise. This phenomenon is usually caused by a DC offset in the recording system. The SW8 includes a series of filters designed to remove excess DC and reduce switching noise.\u0026lt;\/p\u0026gt;XLR isolation transformers and ground-lift switches help reduce hum and buzz caused by ground loops. \u003c\/p\u003e\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ugH5Q9XkQM8\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eSW8 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003eAudio circuit type: Passive signal path with active relay switching\u003c\/li\u003e    \u003cli\u003eTransformers: Eclipse ET-DB2\u003c\/li\u003e    \u003cli\u003eNumber of channels: 8\u003c\/li\u003e    \u003cli\u003eFrequency response: 20Hz ~ 20KHz\u003c\/li\u003e    \u003cli\u003eDynamic range: \u003e120dB\u003c\/li\u003e    \u003cli\u003eGain: -20dB\u003c\/li\u003e    \u003cli\u003eTotal harmonic distortion: 0.002%\u003c\/li\u003e    \u003cli\u003eIntermodulation distortion: \u003e0.002%\u003c\/li\u003e    \u003cli\u003ePhase deviation: -2° @ 20Hz\u003c\/li\u003e    \u003cli\u003eInput impedance: 140k Ohms, balanced\u003c\/li\u003e    \u003cli\u003eOutput impedance: 150 Ohms, balanced\u003c\/li\u003e    \u003cli\u003eCommon-mode rejection ratio: -112dB at 50\/60Hz\u003c\/li\u003e    \u003cli\u003eEquivalent input noise: -95dBu\u003c\/li\u003e    \u003cli\u003eResidual noise: -115dBu\u003c\/li\u003e    \u003cli\u003eMaximum input level: 26dBu\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eInput pad, Ground lift, Remote Footswitch\u003c\/li\u003e    \u003cli\u003eInput connectors: 1\/4\" TRS, D-sub\u003c\/li\u003e    \u003cli\u003eOutput connectors: XLR, D-sub\u003c\/li\u003e    \u003cli\u003eExtras: Contact Alarm Input, JR-2 XLR\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eConstruction: 14-gauge steel chassis and outer shell\u003c\/li\u003e    \u003cli\u003eDimensions (L x W x D): 44.5cm x 15.25cm x 4.5cm - 17.5\" x 6\" x 1.75\" (44.5cm x 15.25cm x 4.5cm)\u003c\/li\u003e    \u003cli\u003eWeight: 9.2 lb (4.2kg)\u003c\/li\u003e    \u003cli\u003ePower supply: 2 x +15VDC\/400mA power adapters supplied\u003c\/li\u003e    \u003cli\u003eOperating conditions: Dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003751797081,"sku":"GRAD8001682","price":1699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sw8-grad8001682_0.jpg?v=1778131992"},{"product_id":"sb-1-acoustic-grad8001820","title":"Radial Engineering SB-1 Acoustic","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;The StageBug\u0026amp;trade; SB-1 is an ultracompact, single-channel (mono)\u0026lt;\/strong\u0026gt; active direct box with high audio performance, particularly suitable for acoustic guitars and passive basses. It is plug-and-play and easy to use, features \u0026lt;strong\u0026gt;48V phantom power\u0026lt;\/strong\u0026gt; (no batteries needed), a standard \u0026lt;strong\u0026gt;¼'' jack input\u0026lt;\/strong\u0026gt;, a \u0026lt;strong\u0026gt;balanced XLR output\u0026lt;\/strong\u0026gt;, a \u0026lt;strong\u0026gt;-15dB attenuation pad\u0026lt;\/strong\u0026gt;, \u0026lt;strong\u0026gt;ground lift\u0026lt;\/strong\u0026gt;, and a 180\u0026amp;deg; phase inversion switch.\u0026lt;\/h1\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"StageBug™ SB-1 is an ultracompact, mono active direct box with high audio performance, suitable for acoustic guitars and passive basses. It is plug-and-play and easy to use, features 48V phantom power (no batteries needed), a standard ¼'' jack input, a balanced XLR output, and a -15dB attenuation pad.\" src=\"\/images\/uploads\/\/StageBugSB1_1200x630_01.jpg\" title=\"StageBug™ SB-1 is an ultracompact, mono active direct box with high audio performance, suitable for acoustic guitars and passive basses. It is plug-and-play and easy to use, features 48V phantom power (no batteries needed), a standard ¼'' jack input, a balanced XLR output, and a -15dB attenuation pad.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Active direct box for acoustic guitars and basses with passive electronics\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Ultracompact design, fits easily into a guitar case\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Easy-to-use plug-and-play functionality\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;48V phantom power, no batteries needed\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Radial \u0026lt;strong\u0026gt;SB-1 Acoustic\u0026lt;\/strong\u0026gt; is a high-performance active direct box designed for musicians on the go. Built to fit inside a guitar case, the \u0026lt;strong\u0026gt;SB-1\u0026lt;\/strong\u0026gt; is the smallest DI box Radial has ever made. Despite its size, this ultracompact \u0026lt;strong\u0026gt;StageBug\u0026lt;\/strong\u0026gt; sounds absolutely fantastic! The device features a standard ¼” instrument input and a thru-put output to power your tuner or on-stage amplifier. The ultra-quiet active circuit immediately converts the high-impedance signal to low-impedance, reducing susceptibility to noise. The signal is then buffered and balanced for long cable runs to the PA system. The 48-volt phantom power provides the necessary operating power: the \u0026lt;strong\u0026gt;SB-1\u0026lt;\/strong\u0026gt; requires no batteries or external power. Simply connect your instrument to the device and to the PA, and you're ready to play!\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"The active circuit features an 800k ohm input impedance carefully selected to eliminate loading issues, while providing the audio system with a clear and crisp sound.\" src=\"\/images\/uploads\/\/StageBugSB1_1200x630_02.jpg\" title=\"The active circuit features an 800k ohm input impedance carefully selected to eliminate loading issues, while providing the audio system with a clear and crisp sound.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The active circuit features an 800k ohm input impedance carefully selected to eliminate loading issues, while providing the audio system with a clear and crisp sound. This provides greater top-end brilliance when interfaced with vintage guitars that have low-output pickups, and is particularly useful for recording or reamping. The \u0026lt;strong\u0026gt;SB-1\u0026lt;\/strong\u0026gt; also features a -15dB pad that reduces input sensitivity, correctly handling even the most powerful active instruments: this makes the \u0026lt;strong\u0026gt;SB-1\u0026lt;\/strong\u0026gt; perfectly suited for electric basses and keyboards. To reduce feedback, you can activate the 180\u0026amp;deg; polarity switch, which helps eliminate on-stage hot-spots that could cause low-frequency resonance.\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-1\u0026amp;trade; - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Live with an acoustic guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The StageBug SB-1 is plug-and-play and easy to use. Plug it in, and it will automatically convert the instrument's Hi-Z signal to a balanced Lo-Z for use with long cables.\u0026lt;\/p\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"The StageBug SB-1 is plug-and-play and easy to use. Plug it in, and it will automatically convert the instrument's Hi-Z signal to a balanced Lo-Z for use with long cables.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb1-app-acoustic.jpg\" title=\"The StageBug SB-1 is plug-and-play and easy to use. Plug it in, and it will automatically convert the instrument's Hi-Z signal to a balanced Lo-Z for use with long cables.\" \/\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Direct recording with a bass\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Record your bass directly using the StageBug SB-1, which will improve the tone by reducing noise and correctly matching the instrument's impedance.\u0026lt;\/p\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"Record your bass directly using the StageBug SB-1, which will improve the tone by reducing noise and correctly matching the instrument's impedance.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb1-app-bass.jpg\" title=\"Record your bass directly using the StageBug SB-1, which will improve the tone by reducing noise and correctly matching the instrument's impedance.\" \/\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Adding an amplifier or tuner\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Use the SB-1's thru-output to send the signal to your amplifier on stage. Try adding pedals after the SB-1 to color your sound on stage, while keeping the PA signal clean.\u0026lt;\/p\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"Use the SB-1's thru-output to send the signal to your amplifier on stage. Try adding pedals after the SB-1 to color your sound on stage, while keeping the PA signal clean.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb1-app-bass-amp.jpg\" title=\"Use the SB-1's thru-output to send the signal to your amplifier on stage. Try adding pedals after the SB-1 to color your sound on stage, while keeping the PA signal clean.\" \/\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Using the StageBug SB-1\u0026amp;trade;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The Radial StageBug SB-1 is designed for plug-and-play use. Below we describe how to connect and get the most out of the SB-1.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Overview\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The SB-1 direct box is specifically designed for instruments with active pickups and battery-powered preamplifiers, such as acoustic guitars and active basses. The SB-1 provides active instruments with a more detailed high-end and greater brilliance than passive direct boxes, offering the ability to hear the full acoustic quality through a PA or recording system.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Before making connections, always zero the audio levels or switch off the PA system to eliminate power-on transients that can damage sensitive components such as tweeters. The SB-1 is powered by +48V phantom power generated by your mixer. A red LED next to the XLR jack indicates when the SB-1 is powered. After connecting the SB-1, check the phantom power LED. If it's illuminated, you can play. If the red LED is not illuminated, turn on the phantom power on your mixer.\u0026amp;nbsp;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Connect your guitar to the SB-1 input using a standard ¼\" instrument cable. Connect the XLR output from the SB-1 to the PA or recording system with a standard XLR cable. Start with a low-volume test to have a safety margin in case of incorrect connections.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Connect your guitar to the SB-1 input using a standard ¼\\\" instrument cable. Connect the XLR output from the SB-1 to the PA or recording system with a standard XLR cable. Start with a low-volume test to have a safety margin in case of incorrect connections.\" src=\"\/images\/uploads\/\/Radial5_c508.jpg\" title=\"Connect your guitar to the SB-1 input using a standard ¼\\\" instrument cable. Connect the XLR output from the SB-1 to the PA or recording system with a standard XLR cable. Start with a low-volume test to have a safety margin in case of incorrect connections.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Adding a Tuner or Guitar Amplifier\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The SB-1 features a TUNER output that allows you to connect a tuner for quick on-stage tuning. You can also use this output to power a stage amplifier: you'll have your sound on stage and can use the XLR output to power the PA system.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;\u0026lt;img alt=\"The SB-1 features a TUNER output that allows you to connect a tuner for quick on-stage tuning. You can also use this output to power a stage amplifier: you'll have your sound on stage and can use the XLR output to power the PA system.\" src=\"\/img\/media\/images\/html\/Radial6_9f35.jpg\" title=\"The SB-1 features a TUNER output that allows you to connect a tuner for quick on-stage tuning. You can also use this output to power a stage amplifier: you'll have your sound on stage and can use the XLR output to power the PA system.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the Ground Lift\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Connecting an on-stage amplifier to a StageBug DI can result in noise and hum caused by ground loops. The SB-1 features a Ground Lift switch to address this common issue. If you experience noise, try using the side GND LIFT switch. The switch is recessed to prevent accidental bumping. Use a small screwdriver or pencil to activate the switch. If the interference persists, connect the AC power of your stage amplifier to the same power strip as the PA: this way, all grounds are together, making it easier to eliminate ground loops.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"The SB-1 features a Ground Lift switch to resolve hum and other interference issues; use the side GND LIFT switch.\" src=\"\/images\/uploads\/\/SB1_1200x630_04.jpg\" title=\"The SB-1 features a Ground Lift switch to resolve hum and other interference issues; use the side GND LIFT switch.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the PAD for High-Signal Instruments\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;Instruments with powerful outputs from battery-powered preamps, such as acoustic guitars and active basses, can overload the mixer's microphone preamp and cause distortion in the PA. The SB-1 has a -15dB PAD switch to use instruments with powerful outputs or active pickups without distortion. Play your guitar as usual. If you experience distortion, simply engage the PAD and increase the level on the PA or recording system to compensate.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the Polarity Inversion Feature\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The 180\u0026amp;deg; phase inversion switch can be used to reduce feedback hot spots on stage. Sometimes the combination of the PA system with the room acoustics creates hot spots on stage. This phenomenon can also occur when pairing a PA with a stage amplifier. These hot spots are known as room modes and form when two similar frequencies combine in a particular location. This creates a huge boost that can cause feedback in acoustic instruments.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Live Use of StageBug SB-1\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The most common use of the StageBug SB-1 is live. This setup shows how the SB-1 can be used on a stage where you don't have your own amplifier. The output signal from the SB-1 only feeds the PA system. Often, the signal is split to send the sound back to the stage via a wedge monitor.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"The most common use of the StageBug SB-1 is live. This setup shows how the SB-1 can be used on a stage where you don't have your own amplifier. The output signal from the SB-1 only feeds the PA system. Often, the signal is split to send the sound back to the stage via a wedge monitor.\" src=\"\/img\/media\/images\/html\/Radial8_72fc.jpg\" title=\"The most common use of the StageBug SB-1 is live. This setup shows how the SB-1 can be used on a stage where you don't have your own amplifier. The output signal from the SB-1 only feeds the PA system. Often, the signal is split to send the sound back to the stage via a wedge monitor.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Studio Use of SB-1\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align:justify\"\u0026gt;The StageBug SB-1 also works great in the studio with basses and electric guitars. It converts your guitar's Hi-Z output to a balanced Lo-Z output to feed the recording console. By applying a proper load to the pickup, you can achieve a smoother and more natural tone. This is particularly important if you plan to reamp later. To record an acoustic guitar, connect the SB-1 to your favorite tube microphone preamplifier, your analog effect, or simply use it to go directly into your digital workstation. Featuring exceptional headroom, the StageBug SB-1 sounds great and provides the essential features for excellent work.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"To record an acoustic guitar, connect the SB-1 to your favorite tube microphone preamplifier, your analog effect, or simply use it to go directly into your digital workstation. Featuring exceptional headroom, the StageBug SB-1 sounds great and provides the essential features for excellent work.\" src=\"\/img\/media\/images\/html\/Radial9_8063.jpg\" title=\"To record an acoustic guitar, connect the SB-1 to your favorite tube microphone preamplifier, your analog effect, or simply use it to go directly into your digital workstation.Equipped with exceptional headroom, the StageBug SB-1 sounds great and provides the essential features to get the job done right.\" \/\u003e\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-1 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio Circuit Type: Active buffer with phase splitter\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Number of Channels: 1\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency Response: 20Hz to 20KHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic Range: \u003e100dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Gain: +1.3dBu\/+4.4dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Clip Level: +3.3dBu\/+12.3dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total Harmonic Distortion: \u003c0.006%\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Intermodulation Distortion: \u003c0.01%\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Phase Deviation: 25\/12° Max.\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input Impedance: 800K\/23K\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output Impedance: 330 Ohms\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Equivalent Input Noise: -101dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Residual Noise: -97dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum Input Level: +2dBu\/+8dBu\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;-15dB pad, 180° polarity reverse, ground lift\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input Connectors: Standard 1\/4\" jack\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output Connectors: XLR\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;General Characteristics\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Construction: 16-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 114mm x 47mm x 34mm - 4.5\" x 1.85\" x 1.35\" ()\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 250g - 0.55 lbs\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power Supply: 48V phantom power, 5mA\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating Conditions: Dry locations only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003752419673,"sku":"GRAD8001820","price":108.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sb-1-acoustic-grad8001820_0.jpg?v=1778132049"},{"product_id":"sb-2-bass-grad8001830","title":"Radial Engineering SB-2 Bass","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1\u0026gt;\u0026lt;strong\u0026gt;Radial StageBug SB-2\u0026lt;\/strong\u0026gt; is a high-performance mono passive direct box designed for musicians on the go. Built to fit inside a guitar case, the \u0026lt;strong\u0026gt;SB-2\u0026lt;\/strong\u0026gt; is ultra-compact and packed with features that ensure excellent performance on any stage.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"\/images\/uploads\/\/StageBugSB2_1200x630_01.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;StageBug\u0026amp;trade; SB-2 Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Passive DI for bass, guitar and keyboards\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Ultra-compact, easily stows in your guitar case\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Plug \u0026amp; play and easy-to-use features\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Isolation transformer to eliminate noise\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;The device features a compact design, a ¼\" input, and a thru-put for feeding an amplifier on stage. It connects to the custom Eclipse ET-DB3 transformer, which performs impedance matching and balances the signal. When used with instruments with powerful outputs, a -15dB PAD can be inserted into the signal path to use the \u0026lt;strong\u0026gt;SB-2\u0026lt;\/strong\u0026gt; with active basses and digital pianos, which often tend to overload the interface input. An innovative stereo-to-mono merge function provides an easy solution for connecting stereo keyboards and computers without having to reconfigure the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR connector wired according to AES standards.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Once connected, the \u0026lt;strong\u0026gt;SB-2\u0026lt;\/strong\u0026gt; delivers a warm, smooth sound reminiscent of vintage devices. The \u0026lt;strong\u0026gt;Eclipse ET-DB3\u0026lt;\/strong\u0026gt; transformer has the ability to handle extreme signal levels with natural and pleasant compression. The transformer helps eliminate hum and noise caused by ground loops by isolating the input from the output. If the problem persists, the Ground lift switch can be used to lift pin 1 on the XLR connector, for professional results. These features make the \u0026lt;strong\u0026gt;StageBug SB-2\u0026lt;\/strong\u0026gt; the ideal choice for electric basses, acoustic guitars, and keyboards, in all those situations where great performance with a very small footprint is essential.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-2\u0026amp;trade; - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Using the SB-2 with an acoustic guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Connect your acoustic guitar to your SB-2 to soften peaks and warm up the tone with a vintage feel. The compact design reduces bulk when moving between gigs.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Stage Bug 2_01_cb74.jpg\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Using the SB-2 with a bass\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;Connect your bass to the StageBug SB-2; send the signal from the thru output to your amplifier and the output to the PA system. The isolation transformer eliminates hum and noise caused by ground loops.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Stage Bug 2_02_2cd1.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Using the SB-2 with a keyboard\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p\u0026gt;The passive SB-2 direct box is a perfect go-to direct box when you need to take the output signal from a keyboard and send it to the PA system. The input and thru jack sockets automatically merge the stereo signal to mono, saving channels, while the SB-2 balances the signal to handle distances of 100 meters without noise.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Stage Bug 2_03_7370.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;hr \/\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Using the StageBug SB-2\u0026amp;trade; Passive Direct Box\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p\u0026gt;The Radial StageBug SB-2 is designed for plug \u0026amp; play use. Below we describe how to connect and get the most out of your SB-2. We recommend downloading the free manual by clicking the icon on the left.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Overview\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The SB-2 is an ultra-compact passive direct box designed for keyboards, active basses, acoustic guitars, and other devices that produce high output levels. What makes the SB-2 particularly useful is the transformer-isolated circuit which requires no power, produces a warm, pleasing sound, and eliminates annoying noise and hum caused by ground loops. A ground loop can occur when connecting two AC-powered devices, such as a keyboard and a mixer, or when using a direct box with an electric bass or guitar amplifier. The SB-2 employs a high-quality isolation transformer that breaks the ground loop and eliminates noise.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Before making connections, always turn off or zero the PA audio levels to eliminate power-on transients that can damage more sensitive components such as tweeters. The StageBug SB-2 is 100% passive and requires no batteries or external power supplies. Connect your instrument to the SB-2 input using a standard ¼\" instrument cable. Connect the XLR output from the SB-2 to the PA or recording system with a standard XLR cable. Turn on the PA and begin testing. Always test at low volume to have a safety margin in case of incorrect connections.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_04_2728.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Adding a Stage Amplifier or Tuner\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The SB-2 features a THRU-put connection for connecting the instrument to a stage amplifier or a personal monitoring system. This output is fed directly from the instrument and is not affected by the PAD switch. You can use the THRU output to connect a tuner.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_05_3097.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the SB-2 in the Studio\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The StageBug SB-2 also works optimally in the studio with basses, electric guitars, and keyboards. It converts the Hi-Z output of your instrument into a balanced Lo-Z output to feed your recording interface. The SB-2 applies the appropriate load on the pickup and produces a more natural and smooth tone than directly connecting the instrument\/recorder, a very interesting feature if you plan to reamp later. To record, connect the SB-2 output to your favorite microphone preamplifier or simply to the microphone inputs of your mixer or digital workstation. The StageBug SB-2 sounds great, has excellent headroom, and allows you to get your work done better.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align:center\"\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_06_d7c9.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the Auto-Merge input\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;The SB-2 features an Auto-Merge function that combines the left and right outputs of a stereo device such as a keyboard or an MP3 player, resulting in a mono XLR output to feed the PA. This innovative feature saves channels on the mixer, eliminating the need to reprogram audio files or stereo setups before a show. Using the Auto-Merge function is simple: connect the left and right outputs from the stereo device to the ¼\" INPUT and THRU jack sockets, and the SB-2 will do the rest for you!\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_07_c344.jpg\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the PAD to manage instruments with high signal levels\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_08_59ba.jpg\" \/\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Instruments such as digital pianos or active basses generate extremely high output levels that can overload and distort more sensitive circuits. Although it is unlikely to overload the StageBug SB-2, it is equipped with a PAD switch that reduces the input sensitivity and the direct signal level to the audio circuit by 15dB. If distortion occurs, release the pad switch.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the Ground Lift\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 2_09_eed6.jpg\" \/\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Sometimes excessive hum or noise can occur, this phenomenon is known as a ground loop and is often caused by the audio ground interacting with the electrical ground. The passive circuit of the SB2 has a transformer that often helps to solve the problem. There is also a Ground lift switch that disconnects pin 1 on the XLR connector to lift the audio ground. In case of noise, press the LIFT switch.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;SB2 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Audio circuit type Passive\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Frequency response 20 Hz – 20 kHz\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Total harmonic distortion 0.005% at 1 kHz\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Dynamic range 115 dB\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Input impedance 140 kOhm, unbalanced\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Maximum input level +20 dBu\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Output impedance 1K Ohm\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Phase deviation 3° at 100 Hz; 8° at 50 Hz\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Transformer Eclipse ET-DB3\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Pad -10 dB\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Merge function Automatic, sums Left + Right to Mono\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Ground Lift Disconnects Pin-1 on the XLR output\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; XLR output AES standard (Pin-2 hot)\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Connectors ¼” IN and THRU, XLR-M in OUTPUT\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;General\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Power Not required, it is a Passive DI\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Construction Steel\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Finish Baked enamel\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Dimensions LxWxH 114 x 47 x 34 mm\u0026lt;\/li\u0026gt; \u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt; Weight 0.25 Kg\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003752485209,"sku":"GRAD8001830","price":108.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sb-2-bass-grad8001830_0.jpg?v=1778132052"},{"product_id":"sb-5-laptop-grad8001850","title":"Radial Engineering SB-5 Laptop","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;StageBug™ SB-5 Laptop DI\u0026lt;\/strong\u0026gt; is a compact stereo direct box designed to amplify the audio signal from laptops, tablets, and other consumer products through a PA system. It features an integrated 1.5m connecting cable with a side hook, includes a transformer to eliminate noise, and does not require power.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"\" src=\"\/images\/uploads\/\/StageBug_SB-5_1200x630_01.jpg\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Integrated 1.5m cable with side hook\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Isolation transformer to eliminate noise\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Easy to use plug \u0026amp;amp; play - no power required\u0026lt;\/strong\u0026gt;\u0026lt;strong\u0026gt; \u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;The device consists of a flexible, integrated 1.5m input cable with a standard 3.5mm stereo connector for connecting to a headphone output. The cable is secured by a clip and, when not in use, can be neatly wrapped around the side hook. This eliminates the need to find a cable to connect the unit to the device and facilitates quick setup in fast-paced environments. Inside, the unbalanced stereo signal is sent to a pair of custom transformers and balanced for use with long cables – up to 100 meters – without noise. The transformers also isolate the computer from the PA system, helping to eliminate hum and noise caused by ground loops. A ground lift switch is also present to further reduce ground contamination.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;A range of output connectors is available, including a stereo set of ¼\" TRS jacks for stereo operation or an XLR output that automatically sums the left and right signals to mono, reducing channel usage on the PA system and simplifying setup in situations where stereo playback is not required. A -15dB input PAD reduces sensitivity, allowing the device to be connected to extremely high-output sources without distortion. These features combine to make the SB-5 the perfect DI kit for the AV technician, media manager, or touring musician with a computer.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-5™ - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the SB-5 with a computer\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Connect the computer's headphone output directly to the Stage Bug SB-5 for silent performance in any situation. The side cable retainer allows for easy storage of the unit without ever losing the cable!\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;p class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb5-app-laptop-768x480.jpg\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the SB-5 with a tablet\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The SB-5 is the ideal direct box when maximum portability is required. Connect your iPad or Galaxy tablet to the SB-5 with the integrated 3.5mm cable and sum to mono through the XLR output.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb5-app-tablet-768x480.jpg\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using the SB-5 with an iPhone\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Need to play backing tracks in stereo? With Stage Bug SB-5 it's easy! Simply connect the headphone output of your portable music player to the SB-5 and send the balanced stereo signal to the PA.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-6 col-sm-12\"\u0026gt;\u0026lt;img alt=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/sb5-app-pphone-768x480.jpg\"\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Using the StageBug SB-5 ™ \u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Below we describe how to use the SB-5 with a classic laptop, mobile phone, tablet, desktop computer, or portable CD player. For more information, we recommend downloading the free manual by clicking on the icon to the left.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Overview\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The Stage Bug SB-5 is a passive stereo direct box designed specifically to interface your laptop, tablet, smartphone, or music player with professional audio systems. Using the SB-5 reduces noise and allows for the use of very long cables, improving sound quality by properly matching the impedance and level of your mobile device with the PA or recording system. The Stagebug SB-5 direct box is 100% passive and does not require batteries or power supplies to operate: plug \u0026amp;amp; play!\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;Connections\u0026lt;\/h3\u0026gt;\u0026lt;div class=\"row\"\u0026gt;\u0026lt;div class=\"col-md-5 col-sm-12\"\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 5_04_85bf.jpg\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div class=\"col-md-7 col-sm-12\"\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Before making connections, always zero the audio levels or switch off the PA to eliminate power-on transients that can damage sensitive components such as tweeters.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Stereo Line Input for Portable Devices:\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The SB-5 has a fixed 3.5mm mini cable that can be connected to a stereo line output or the headphone output of your mobile device. Unwind the input cable from the side retainer and connect it to the mobile device's output. The 3.5mm connector is wired tip-left, ring-right, and sleeve-ground.\u0026lt;\/p\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-5 offers you numerous output formats:\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Stereo Connection\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The source audio track will likely be stereo, so the SB-5 handles the signal with two ¼\" TRS connectors wired according to the AES convention: Tip (+), Ring (-), and Sleeve (ground). Connection to the microphone preamplifier input of the mixer is made using a standard TRS cable or a TRS\/XLR cable depending on the type of connector available.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 5_05_408a.jpg\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Mono Connection\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In many cases, a mono output is actually preferable to a stereo one, for example, when in a meeting room, the audience is spread out in a large room and can only hear audio from one speaker (the potential stereo effect would only be perceived by listeners in the center of the room). The SB-5 features a mono XLR output that automatically sums the left and right signals together. (This solution is also useful when channel availability is limited).\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"\" src=\"\/img\/media\/images\/html\/Stage Bug 5_06_257a.jpg\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Using the Ground Lift\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Sometimes, when connecting the device to the PA via the SB-5 direct box, you may encounter noise such as hum and interference caused by ground loops. If you experience noise after connecting, try using the Ground Lift switch. The outputs of the SB-5 device are transformer-isolated, and pressing the LIFT switch disconnects the ground signal between the SB-5 and the PA system, breaking the ground loop and eliminating noise.\u0026lt;\/p\u0026gt;\u0026lt;h4\u0026gt;\u0026lt;strong\u0026gt;Using the PAD to avoid distortion\u0026lt;\/strong\u0026gt;\u0026lt;\/h4\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Devices with high output levels, such as portable players and MP3s, can overload the mixer's microphone preamplifier and cause distortion in the PA. The SB-5 features a -15dB PAD switch that allows you to use such devices without distortion. Often, the best sound can be achieved by engaging the PAD and setting the device's volume to maximum. Adjust the microphone preamplifier gain to match it correctly. To get the best audio from mobile devices, ensure that the batteries are fully charged or that the portable device is powered by an AC adapter. A low battery level can have serious repercussions on the sound quality of mobile devices and cause distortion.\u0026lt;\/p\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h2 style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;StageBug SB-5 Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Audio Circuit Type\u0026lt;\/strong\u0026gt; Passive\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Number of Channels\u0026lt;\/strong\u0026gt; 2 input channels, mono or stereo output\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Frequency Response\u0026lt;\/strong\u0026gt; 20 Hz – 20 kHz +\/- 1dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Dynamic Range\u0026lt;\/strong\u0026gt; 100 dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Maximum Input\u0026lt;\/strong\u0026gt; +20 dBu\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;Total Harmonic Distortion\u0026lt;\/strong\u0026gt; 0.01% at 1 kHz \u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Phase Deviation\u0026lt;\/strong\u0026gt; 2° at 100Hz\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Input Impedance\u0026lt;\/strong\u0026gt; 40 kOhm, unbalanced\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Output Impedance\u0026lt;\/strong\u0026gt; 2.8 kOhm \u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Transformer\u0026lt;\/strong\u0026gt; Custom\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Input Pad\u0026lt;\/strong\u0026gt; -10 dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Switches\u0026lt;\/strong\u0026gt; High-pass filter, Polarity, Ground Lift\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Automatic Summing\u0026lt;\/strong\u0026gt; Sums Left + Right to mono XLR-M output\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Ground Lift\u0026lt;\/strong\u0026gt; Lifts Pin-1 on ¼” TRS output\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Input Connector\u0026lt;\/strong\u0026gt; 3.5 mm (1\/8”) integrated 1.5 m cable\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Output Connector\u0026lt;\/strong\u0026gt; ¼” stereo TRS, summed XLR-M\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;General\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Power\u0026lt;\/strong\u0026gt; Passive, no power required\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Construction\u0026lt;\/strong\u0026gt; Steel\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Finish\u0026lt;\/strong\u0026gt; Baked enamel\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Dimensions L x W x H\u0026lt;\/strong\u0026gt; 114 x 47 x 34 mm\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt; Weight\u0026lt;\/strong\u0026gt; 0.25 Kg\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003752583513,"sku":"GRAD8001850","price":128.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sb-5-laptop-grad8001850_0.jpg?v=1778132063"},{"product_id":"sb7-grad8001861","title":"Radial Engineering SB7","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eStageBug SB-7 Earmuff\u003c\/strong\u003e by \u003cstrong\u003eRadial Engineering \u003c\/strong\u003eis a passive device that manages headphone monitoring. It features a stereo input with level control, and an amplified output, where standard ¼\" or 3.5 mm (1\/8\") headphones can be connected. A \u003cstrong\u003eMono \u003c\/strong\u003eswitch sums the stereo track to mono for listening, while the \"OFF\" button deactivates the left headphone cup, leaving the right unaffected. \u003cstrong\u003eRadial SB-7\u003c\/strong\u003e is completely passive, does not alter signal quality, and does not require power.\u003c\/h1\u003e\u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e    \u003cli\u003eDeactivates one side of the headphones\u003c\/li\u003e    \u003cli\u003eChoice of source to listen to: playback or instrument\u003c\/li\u003e    \u003cli\u003eSets the ideal Volume level for the artist\u003c\/li\u003e    \u003cli\u003eCompletely passive, no power required\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003eWhen performing an overdub in an orchestral context, the musician usually listens to a prerecorded track while performing their part. To better hear the intonation and timbre of the instrument, the performer sometimes removes one side of the headphones away from an ear. In this way, the headphone level is increased, and as a consequence, the sound from the open headphone is picked up by the recording microphone, contaminating the mix. This is a fairly common problem when recording violins, flutes, and other orchestral instruments. The Radial StageBug SB-7 Earmuff is a compact device that solves this problem by allowing the artist to turn off one of the headphone cups.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg 3=\"\" alt=\"StageBug SB-7 Earmuff by Radial Engineering is a passive device that manages live headphone monitoring. It features a stereo input with a ¼” TRS connector with level control. There is also an amplified output, where standard ¼\" earbuds=\"\" from=\"\" or=\"\" src=\"https:\/\/www.algameko.com\/images\/uploads\/SB-7-Front-1200x630.jpg\" title=\"StageBug SB-7 Earmuff by Radial Engineering is a passive device that manages live headphone monitoring. It features a stereo input with a ¼” TRS connector with level control. There is also an amplified output, where standard ¼\" \/\u003e\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eSB-7 Applications\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 with one ear\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cimg alt=\"In the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-01.jpg\" title=\"In the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eIn the studio, many vocalists and instrumentalists prefer to take one side of their headphones off their ear to hear the natural sound of their instrument or other artists present. The earmuff provides attenuation for this side, preventing bleed into surrounding microphones.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 as a Stereo\/Mono Summer\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"When listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-02.jpg\" title=\"When listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\" \/\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eWhen listening to only one side of the headphones, half of the mix is lost! The Earmuff offers a mono sum button to ensure everything is heard.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eUsing the SB-7 as a local volume control\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Larger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazione-03.jpg\" title=\"Larger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003eLarger recording studios generally employ a stereo power amplifier to drive multiple sets of headphones simultaneously. Using the Earmuff as a simple volume control allows each musician to set the level to achieve a comfortable listening level that best suits their instrument and performance style.\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003752616281,"sku":"GRAD8001861","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-sb7-grad8001861_0.jpg?v=1778132066"},{"product_id":"radial-bt-pro-v2-grad8001869","title":"Radial Engineering RADIAL BT-Pro V2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eBT-Pro V2\u003c\/strong\u003e by \u003cstrong\u003eRadial Engineering\u003c\/strong\u003e is a \u003cstrong\u003eDirect Box with integrated Bluetooth\u003c\/strong\u003e capable of wirelessly connecting to smartphones, tablets, and other mobile devices, with a pair of balanced \u003cstrong\u003eanalog audio outputs\u003c\/strong\u003e (\u003cstrong\u003eXLR\u003c\/strong\u003e connectors) for connection to a \u003cstrong\u003ePA System\u003c\/strong\u003e. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same setup. BT-Pro can also be powered via \u003cstrong\u003e48 V Phantom power\u003c\/strong\u003e directly from a professional mixer.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"BT-Pro V2 by Radial Engineering is a Direct Box with integrated Bluetooth capable of wirelessly connecting to smartphones, tablets, and other mobile devices, with a pair of balanced analog audio outputs (XLR connectors) for connecting to a PA System.\" src=\"\/images\/uploads\/\/BT-ProV2_1200x630_01.jpg\" title=\"BT-Pro V2 by Radial Engineering is a Direct Box with integrated Bluetooth capable of wirelessly connecting to smartphones, tablets, and other mobile devices, with a pair of balanced analog audio outputs (XLR connectors) for connecting to a PA System.\"\u003e\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003e\u003cstrong\u003eWirelessly connect smartphones and tablets to a mixer\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eBluetooth reception up to 30 meters (100 feet)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eDual balanced XLR outputs for connection to PA Systems\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003ePowered via external power supply or 48V phantom power\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eUnique device ID allows the use of multiple BT-Pro units\u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eWireless connection, professional audio\u003c\/strong\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003eBT-Pro V2 allows quick connection of any smartphone, tablet, or mobile device to an audio system for high-quality audio playback. It connects wirelessly via Bluetooth, eliminating the need for cables and adapters, with the freedom to move around while staying connected. The Bluetooth 5.0 protocol used in this unit ensures superior audio quality, ideal for professional situations. BT-Pro V2 is built with a rugged 14-gauge steel outer shell, with injection-molded plastic inserts that allow for a wider Bluetooth reception range. It features balanced XLR outputs for connection to professional audio equipment, with a volume control, a headphone output for signal monitoring, and a Mono switch to reduce channel requirements when needed.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"\" src=\"\/images\/uploads\/\/BT-ProV2_1200x630_03.jpg\"\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003e48V Power and Unique Device Identifiers\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003eTo facilitate use in live audio applications, BT-Pro can be powered via 48V phantom power supplied directly from the PA System's mixer. This allows the external power supply (included) to be used as a safety backup or to eliminate it from the setup entirely. With 48V phantom power, BT-Pro provides MIC-level signals on the XLR outputs; using external power instead produces line-level signals that can be connected directly to the LINE inputs of a mixer, avoiding the use of additional MIC channels. Each individual BT-Pro V2 unit has a unique Bluetooth identifier, allowing multiple devices to be used nearby. This simplifies the use of multiple BT-Pros in various operating situations, avoiding confusion and interference between the various devices.\u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cstrong\u003eBT-Pro V2 Applications\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eUsing BT-Pro V2 in a presentation\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eYou can easily transmit audio from a laptop presentation to the BT-Pro from a podium to play background music, audio clips, or pair it with a video. Simply connect it directly to the PA System speakers for professional-level audio.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"You can easily transmit audio from a laptop presentation to the BT-Pro from a podium to play background music, audio clips, or pair it with a video\" src=\"\/images\/uploads\/\/BT-ProV2_1200x630_05.jpg\" title=\"You can easily transmit audio from a laptop presentation to the BT-Pro from a podium to play background music, audio clips, or pair it with a video\"\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing BT-Pro V2 in a performance with a Tablet\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eYou can use BT-Pro V2 on stage to stream audio files from a laptop or tablet! Simply pair BT-Pro V2 with your computer to move freely on stage without wires.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"You can use BT-Pro V2 on stage to stream audio files from a laptop or tablet! Simply pair BT-Pro V2 with your computer to move freely on stage without wires.\" src=\"\/images\/uploads\/\/BT-ProV2_1200x630_07.jpg\" title=\"You can use BT-Pro V2 on stage to stream audio files from a laptop or tablet! Simply pair BT-Pro V2 with your computer to move freely on stage without wires.\"\u003e\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eWireless connection, professional audio\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eBT-Pro V2 simplifies connecting your iPhone® to the PA System without having to search for cables or adapters. The antenna allows you to place BT-Pro anywhere without interference.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"BT-Pro V2 simplifies connecting your iPhone® to the PA System without having to search for cables or adapters. The antenna allows you to place BT-Pro anywhere without interference.\" src=\"\/images\/uploads\/\/BT-ProV2_1200x630_08.jpg\" title=\"BT-Pro V2 simplifies connecting your iPhone® to the PA System without having to search for cables or adapters. The antenna allows you to place BT-Pro anywhere without interference.\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\u003e\u003ch2\u003e\u003cstrong\u003eBT-Pro V2 Technical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e     \u003cli\u003eAudio Circuit Type: Active Audio Line Driver\u003c\/li\u003e     \u003cli\u003eFrequency Response: 20Hz to 20KHz\u003c\/li\u003e     \u003cli\u003eDynamic Range: 90dB\u003c\/li\u003e     \u003cli\u003eTotal Harmonic Distortion: 0.05%\u003c\/li\u003e     \u003cli\u003eOutput Impedance: 150Ω\u003c\/li\u003e     \u003cli\u003eSignal to Noise: 90dB\u003c\/li\u003e     \u003cli\u003eBluetooth Compliance: Bluetooth 5.0\u003c\/li\u003e     \u003cli\u003eData Compression: SBC Codec\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eMono Sum, Ground lift, Level Control, Headphone\u003c\/li\u003e     \u003cli\u003eInput Connectors: Bluetooth 5.0, Device range up to 100'\u003c\/li\u003e     \u003cli\u003eOutput Connectors: XLR-M, 3.5mm TRS headphone\u003c\/li\u003e     \u003cli\u003eExtra: Power supply included\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e     \u003cli\u003eConstruction: 14 gauge steel outer shell, molded nylon insert\u003c\/li\u003e     \u003cli\u003eFinish: Durable powder coat finish\u003c\/li\u003e     \u003cli\u003eDimensions (L x W x D): 84 x 127 x 51mm - 3.3” X 5” X 2”\u003c\/li\u003e     \u003cli\u003eWeight: 500g - 1.1lbs\u003c\/li\u003e     \u003cli\u003ePower: USB-C connector (power only) or 48V Phantom\u003c\/li\u003e     \u003cli\u003eOperating Conditions: For use in dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003753140569,"sku":"GRAD8001869","price":404.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-radial-bt-pro-v2-grad8001869_0.jpg?v=1778132122"},{"product_id":"mpress-grad8001870","title":"Radial Engineering mPress","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;mPRESS by Radial Engineering\u0026lt;\/strong\u0026gt; is an \u0026lt;strong\u0026gt;analog modular Press Box\u0026lt;\/strong\u0026gt; capable of handling up to \u0026lt;strong\u0026gt;448 outputs\u0026lt;\/strong\u0026gt;. It features \u0026lt;strong\u0026gt;active drive\u0026lt;\/strong\u0026gt; with an isolation transformer to eliminate noise and can play background music in standby. It is a useful device for broadcasting and distributing audio signals to press stands during international events.\u0026lt;\/h1\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Modular press box to manage up to 448 outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Fully analog, no digital shortcuts!\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Active drive with isolation transformer to eliminate noise\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Can play background music when in standby\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"mPress is a Masterhead distribution amplifier equipped with two microphone inputs, 48V Phantom power for condenser microphones, and an integrated limiter to prevent overload caused by overly enthusiastic speakers.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Mpress_Double_1200x630.jpg\" title=\"mPress is a Masterhead distribution amplifier equipped with two microphone inputs, 48V Phantom power for condenser microphones, and an integrated limiter to prevent overload caused by overly enthusiastic speakers.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;mPress is a Masterhead distribution amplifier equipped with two microphone inputs, 48V Phantom power for condenser microphones, and an integrated limiter to prevent overload caused by overly enthusiastic speakers. Eight balanced microphone outputs can be used to provide the signal to a small press room. For larger system requirements, a series of modular Exo-Pods can be implemented. These external modules are connected via standard microphone cables and feature ten balanced microphone outputs and four 3.5mm mini TRS outputs to power portable recorders or video cameras. To eliminate hum and noise caused by ground loops, stray DC currents, and imperfect power systems, all outputs are equipped with isolation transformers.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;The modular approach of mPress replaces the tangle of cables that usually hinders the setup of an organized system and allows for the creation of zones for various groups. Up to four Exo-Pods can be daisy-chained from each of the mPress's XLR outputs, for a total of 320 microphones and 128 recorder outputs. An integrated 1 kHz tone-test device provides everyone with a reference level, and the built-in headphone amplifier will assist in troubleshooting. To simplify configurations, a main stereo output is available to power a pair of amplified speakers and broadcast the event to the audience. Separate audio inputs also allow mPress to play background music while waiting for guest speakers.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;RADIAL mPress Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using mPress as a Basic Eight-Output Press Box\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"In this configuration, you use the eight balanced outputs of mPress to power the press stand without using the Exo-Pods. Set the outputs to low and connect them with standard microphone cables.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/MPress_Applicazioni_01.jpg\" title=\"In this configuration, you use the eight balanced outputs of mPress to power the press stand without using the Exo-Pods. Set the outputs to low and connect them with standard microphone cables.\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;In this configuration, you use the eight balanced outputs of mPress to power the press stand without using the Exo-Pods. Set the outputs to low and connect them with standard microphone cables.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using mPress in a Star Configuration\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"Connect up to eight Exo-Pods to mPress to create eight separate zones, each with 14 outputs for a total of 112 press feeds. All outputs are isolated to eliminate noise!\" src=\"https:\/\/www.algameko.com\/images\/uploads\/MPress_Applicazioni_02.jpg\" title=\"Connect up to eight Exo-Pods to mPress to create eight separate zones, each with 14 outputs for a total of 112 press feeds. All outputs are isolated to eliminate noise!\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Connect up to eight Exo-Pods to mPress to create eight separate zones, each with 14 outputs for a total of 112 press feeds. All outputs are isolated to eliminate noise!\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Extending Outputs in a Series Configuration\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Connect in \"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Daisy-chain one Exo-Pod to another to expand the system while reducing cable clutter. By setting the mPress outputs to a high value, the press feed is virtually unlimited!\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using mPress with Console Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"You can connect console outputs to the balanced line-level inputs of mPress, integrating it with the existing PA system. Simply press the recessed switch on the rear XLR inputs to connect line-level signals and distribute them to the press gallery outputs.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/MPress_Applicazioni_04.jpg\" title=\"You can connect console outputs to the balanced line-level inputs of mPress, integrating it with the existing PA system. Simply press the recessed switch on the rear XLR inputs to connect line-level signals and distribute them to the press gallery outputs.\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can connect console outputs to the balanced line-level inputs of mPress, integrating it with the existing PA system. Simply press the recessed switch on the rear XLR inputs to connect line-level signals and distribute them to the press gallery outputs.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;u\u0026gt;Radial mPress Technical Specifications\u0026lt;\/u\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Audio circuit type: Low-noise active buffer\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Frequency response: 20Hz to \u0026amp;gt;20KHz (+0\/-1.5dB)\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Total harmonic distortion: 112dB\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Microphone\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Input impedance: 7k Ω\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Maximum gain: +51dB\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Noise floor: -94dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Low-cut filter: 100Hz (12dB\/Octave)\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Limiter threshold: -10dBu to +5dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Output limiting ratio: \u0026amp;gt;20:1\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Line Input\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;Maximum gain: 0dB\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Program\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Input impedance: 22K Ω\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Maximum gain: +19dB\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Main Output\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Equivalent input noise: -111dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Clip level: +24dBu \/ +17dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Output impedance: 880 Ω\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Intermodulation distortion: 0.002%\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Gallery Output\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Output impedance: 115 Ohm\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Noise floor (Program to main output): -80 \/ -92dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Phase deviation: ±15°\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Mic signal present LED threshold: -70dBu \/ -54dBu \/ -42dBu\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Phase deviation: ±15°\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;General power supply: ±15V \/ +5V\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Custom power supply construction: 14-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Finish: Durable powder coat Dimensions: 19“ x 7.25” 1.75\" (482.6 mm x 184.15 mm x 44.5 mm)\u0026lt;\/li\u0026gt; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026lt;li\u0026gt;Weight: 6.25 lbs\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Connections\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Before making connections, ensure that all level controls are at zero (turned fully counter-clockwise), switches are disengaged, and PA system speakers are off, to prevent turn-on transients from damaging more sensitive components like tweeters. Connect the mPRESS power supply. There is no power switch. Once connected, mPRESS will activate. To check if mPress is powered, press MIC-1 ON to illuminate the LED. Connect the first microphone to the MIC-1 INPUT. You can use either the front panel XLR jack or the one on the rear panel. Do not use both front and rear inputs simultaneously: they are simply wired in parallel for convenience. If Phantom power is required, activate the 48V power switch with a small screwdriver. This switch is recessed to prevent accidental activation\/deactivation. Connect a pair of headphones to mPress and set the headphone level control to halfway (12 o'clock) to start. Slowly increase the MIC-1 INPUT level until you see the input LED illuminate. Test the maximum input level by speaking loudly until the red LED lights up. Then lower the level again to increase headroom. Continue by adjusting the headphone level.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Connect the first microphone to the MIC-1 INPUT. You can use either the front panel XLR jack or the one on the rear panel. Do not use both front and rear inputs simultaneously: they are simply wired in parallel for convenience.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/mPress_Collegamenti_01.jpg\" title=\"Connect the first microphone to the MIC-1 INPUT. You can use either the front panel XLR jack or the one on the rear panel. Do not use both front and rear inputs simultaneously: they are simply wired in parallel for convenience.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;MIC-2 can be used independently for a second source in conferences or meetings. Make connections exactly as described for MIC-1. When both microphone inputs are active, they are summed after the limiter section as a mono output that will be present in each of the press box outputs, main outputs, and headphones. After setting the microphone levels, engage the MAIN OUT ON switch to activate the outputs to the PA system and slowly raise the MAIN OUT LEVEL control until the desired output level is reached.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Adding stereo signals from another source\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The PROGRAM section of mPress features a number of unbalanced line-level inputs for connecting and distributing additional audio sources. This allows you to connect the output of a mixer for larger setups when more than two microphones are needed. You can also use these inputs to connect a music playback device for background music through active speakers while the audience waits for guest speakers. On the front panel, there are 3.5mm RCA inputs, while on the rear panel, there are ¼\" inputs and RCA inputs. You can only use one set of inputs because all connections are in parallel. When PROGRM ON is pressed, these inputs are active and sent to the GALLERY OUTPUT, MAIN OUTPUT, and HEADPHONES. When using active speakers, ensure that the MAIN OUT is on and set to an appropriate level before raising the PROGRAM LEVEL.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Connecting Gallery Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;mPress\u0026lt;\/strong\u0026gt; features eight dual-level XLR outputs to distribute the signal to a number of recording devices without any sound loss. Each of these outputs is a mono sum of MIC INPUTS 1 and 2, along with all active PROGRAM inputs. The first two GALLERY OUTPUTs are on the front of MPress for convenience, while the other six are on the rear panel. Recessed switches next to each output allow the user to set signal levels to HIGH or LOW, enabling connection of both line-level and mic-level devices. When connecting a mic-level device, press (activate) the recessed switch to set the output to LOW. When connecting a line-level recorder or an Exo-Pod module, disengage the recessed switch for the HIGH output. mPress features two XLR barrel adapters with -30dB Pad to handle line-level outputs from a mixer using the balanced XLR microphone inputs.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Test Signal\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;mPress also features a 1kHz signal generator for sending a test signal to each GALLERY output. This allows you to simultaneously calibrate each recording device with mPress to achieve an optimal recording level. Press the TEST switch to activate the test signal.\u0026lt;\/p\u0026gt;\u0026lt;hr\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Further mPress Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Basic System with 8 Outputs\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In this configuration, mPress is used to power up to eight recording devices in a press stand. Ensure that the recessed switches on the GALLERY OUTPUT are set correctly for each device (LOW for mic-level recorders, HIGH for line-level devices). After making the connections, activate the 1kHz Test Tone mode to calibrate each recorder to the mPress output. Now test with the microphone to ensure the signal is clean.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"In this configuration, mPress is used to power up to eight recording devices in a press stand. Ensure that the recessed switches on the GALLERY OUTPUT are set correctly for each device (LOW for mic-level recorders, HIGH for line-level devices). After making the connections, activate the 1kHz Test Tone mode to calibrate each recorder to the mPress output. Now test with the microphone to ensure the signal is clean.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/mPress_Collegamenti_02.jpg\" title=\"In this configuration, mPress is used to power up to eight recording devices in a press stand. Ensure that the recessed switches on the GALLERY OUTPUT are set correctly for each device (LOW for mic-level recorders, HIGH for line-level devices). After making the connections, activate the 1kHz Test Tone mode to calibrate each recorder to the mPress output. Now test with the microphone to ensure the signal is clean.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Distributing More Than Two Microphone Signals\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;When dealing with a group of speakers, mPress can be used to distribute mixer outputs via the PROGRAM INPUTS. In this configuration, you can also connect backup microphones through the mPress MIC INPUTs, which will continue to transmit even if the mixer shuts down or loses power.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Star Configuration with Exo-Pods\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In this configuration, we connect each Exo-Pod to one of the mPress GALLERY OUTPUTs using a standard XLR microphone cable. This allows up to 14 press room users to be powered using one Exo-Pod in a particular zone. Turn the level control on the Exo-Pod fully clockwise (maximum output level) then reduce it if it's too high. You can set up to eight zones, creating what is commonly known as a star network configuration.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"In this configuration, we connect each Exo-Pod to one of the mPress GALLERY OUTPUTs using a standard XLR microphone cable. This allows up to 14 press room users to be powered using one Exo-Pod in a particular zone. Turn the level control on the Exo-Pod fully clockwise (maximum output level) then reduce it if it's too high. You can set up to eight zones, creating what is commonly known as a star network configuration.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/mPress_Collegamenti_04.jpg\" title=\"In this configuration, we connect each Exo-Pod to one of the mPress GALLERY OUTPUTs using a standard XLR microphone cable. This allows up to 14 press room users to be powered using one Exo-Pod in a particular zone. Turn the level control on the Exo-Pod fully clockwise (maximum output level) then reduce it if it's too high. You can set up to eight zones, creating what is commonly known as a star network configuration.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Series Configuration with Exo-Pods\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;We connect one Exo-Pod to another via the LOOP THRU output, creating a series configuration (also known as daisy-chain or cascaded configuration). As described below, set the mPress GALLERY outputs to HIGH and then connect the first Exo-Pod. Add the second Exo-Pod by connecting it with a microphone cable to the LOOP THRU of the first Exo-Pod. You can connect up to four Exo-Pods in series for each mPress GALLERY output. You can use any combination of Star and Series configurations.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"Connect one Exo-Pod to another via the LOOP THRU output, creating a series configuration (also known as daisy-chain or cascaded configuration). As described below, set the mPress GALLERY outputs to HIGH and then connect the first Exo-Pod. Add the second Exo-Pod by connecting it with a microphone cable to the LOOP THRU of the first Exo-Pod. You can connect up to four Exo-Pods in series for each mPress GALLERY output. \u0026lt;\/p\u0026gt;You can use any combination of Star and Series configurations.","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003753566553,"sku":"GRAD8001870","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-mpress-grad8001870_0.jpg?v=1778132136"},{"product_id":"exo-pod-grad8001871","title":"Radial Engineering Exo-Pod","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial Engineering's Exo-Pod™\u0026lt;\/strong\u0026gt; is a \u0026lt;strong\u0026gt;passive broadcast splitter\u0026lt;\/strong\u0026gt; with line inputs capable of taking a balanced line output from a mixing console and \u0026lt;strong\u0026gt;distributing\u0026lt;\/strong\u0026gt; the signal to \u0026lt;strong\u0026gt;up to 14 recording devices.\u0026lt;\/strong\u0026gt; Multiple units can also be linked to create a larger modular system with a high number of simultaneous outputs.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"Radial Engineering's Exo-Pod™ is a passive broadcast splitter with line inputs capable of taking a balanced line output from a mixing console and distributing the signal to up to 14 recording devices. Multiple units can also be linked to create a larger modular system with a high number of simultaneous outputs.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Exo_Pod_1200x630.jpg\" title=\"Radial Engineering's Exo-Pod™ is a passive broadcast splitter with line inputs capable of taking a balanced line output from a mixing console and distributing the signal to up to 14 recording devices. Multiple units can also be linked to create a larger modular system with a high number of simultaneous outputs.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Passive splitter with 14 transformer-isolated outputs\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Trim control for adjusting output levels\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Balanced line-level XLR input can handle up to +24dB\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Daisy-chain multiple Exo-Pods for large events\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The compact floor-box features a 14-gauge steel construction that withstands the rigors of touring. The steel framework also provides excellent protection against magnetic fields produced by lighting dimmers, power transformers, and electrical cables. The protective bumper guards the connectors and trim switch, and the robust steel handle makes it easy to transport the Exo-Pod. Connections to and from the Exo-Pod include a balanced XLR input, ten balanced XLR outputs, and four 3.5mm TRS mini-jacks for video cameras, portable recorders, tablets, or other multimedia systems. An input trim allows the broadcast engineer to locally reduce the output level. All outputs are transformer-isolated to eliminate noise and hum often caused by ground loops. XLR outputs are integrated with individual ground lift switches for further noise reduction. The Exo-Pod is completely passive and requires no power. Simply connect your line-level source to power up to 14 microphone inputs at once with excellent audio performance, signal-to-noise ratio, and plenty of headroom.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"The compact Exo Pod Floor-Box is made of 14-gauge steel, ensuring resistance to the stresses of touring and protection from magnetic fields generated by dimmers, transformers, and electrical cables. The bumper protects connectors and trim, while the steel handle makes it easy to transport.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Exo_Pod_Front_Rear_1200x630.jpg\" title=\"The compact Exo Pod Floor-Box is made of 14-gauge steel, ensuring resistance to the stresses of touring and protection from magnetic fields generated by dimmers, transformers, and electrical cables. The bumper protects connectors and trim, while the steel handle makes it easy to transport.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Exo-Pod Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using the Exo-Pod as a simple broadcast splitter\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"The passive Exo-Pod easily integrates with any mixer using a +4dB line-level feed. All Exo-Pod outputs are transformer-isolated to eliminate hum and buzz.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni_01.jpg\" title=\"The passive Exo-Pod easily integrates with any mixer using a +4dB line-level feed. All Exo-Pod outputs are transformer-isolated to eliminate hum and buzz.\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The passive Exo-Pod easily integrates with any mixer using a +4dB line-level feed. All Exo-Pod outputs are transformer-isolated to eliminate hum and buzz.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Using the Exo-Pod for Assemblies\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;img alt=\"In addition to feeding the press box, send the signal to the mic inputs of your PA speakers to fill your meeting room or conference space.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni_02.jpg\" title=\"In addition to feeding the press box, send the signal to the mic inputs of your PA speakers to fill your meeting room or conference space.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;In addition to feeding the press box, send the signal to the mic inputs of your PA speakers to fill your meeting room or conference space.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Combining multiple Exo-Pods for large events\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"Multiple Exo-Pods can be linked together to create dozens of outputs for large events. Use the thru-jacks on the Exo-Pod to daisy-chain units to each other.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni_03.jpg\" title=\"Multiple Exo-Pods can be linked together to create dozens of outputs for large events. Use the thru-jacks on the Exo-Pod to daisy-chain units to each other.\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Multiple Exo-Pods can be linked together to create dozens of outputs for large events. Use the thru-jacks on the Exo-Pod to daisy-chain units to each other.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Exo-Pod™ Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Audio Circuit Type: Passive\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Number of Channels: 14 outputs\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Frequency Response: \u0026amp;lt;20Hz to \u0026amp;gt;20kHz ±1dB\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Dynamic Range: \u0026amp;gt;136dB \/ \u0026amp;gt;100dB\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Gain: -3.5dB \/ -18dBu\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Clip Level: \u0026amp;gt;+26dBu\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Total Harmonic Distortion: 0.001%\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Intermodulation Distortion: 0.006%\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Phase Deviation: -5\/+25\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Input Impedance: 350 Ω\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Output Impedance: XLR: 1000 Ω | 3.5mm: 4600 Ω\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Common Mode Rejection Ratio: 63 dB\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Equivalent Input Noise: -108dBu\/-84dBu\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Floor Noise: XLR: -111dBu | 3.5mm: -86dBu\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Features\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Ground Lift, Level Control\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Input Connectors: XLR\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Output Connectors: XLR, 3.5 mm\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;General\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Construction: 14-gauge steel frame and outer shell\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Dimensions (L x W x D): L:11.75“” x W:5“ H:2.25” (298.45 mm x 127 mm x 57.15 mm)\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Weight: 3.6 lb\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Power: Passive, no power required\u0026lt;\/li\u0026gt;    \u0026lt;li style=\"text-align: justify;\"\u0026gt;Conditions: For use in dry environments only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003753664857,"sku":"GRAD8001871","price":514.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-exo-pod-grad8001871_0.jpg?v=1778132148"},{"product_id":"catapult-mini-tx-grad8001883","title":"Radial Engineering Catapult Mini TX","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;\u0026lt;img alt=\"The Catapult Mini is a compact 4-channel audio snake that allows analog audio signals to be sent over standard Cat 5 or Cat 6 STP (Shielded Twisted Pair) cable. \" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001883.jpg\" title=\"The Catapult Mini is a compact 4-channel audio snake that allows analog audio signals to be sent over standard Cat 5 or Cat 6 STP (Shielded Twisted Pair) cable. \"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial Catapult Mini TX \u0026lt;\/strong\u0026gt;is a passive audio \u0026lt;strong\u0026gt;transmitter \u0026lt;\/strong\u0026gt;that handles up to \u0026lt;strong\u0026gt;4 balanced signals\u0026lt;\/strong\u0026gt; over a single \u0026lt;strong\u0026gt;Cat 5\/6 cable\u0026lt;\/strong\u0026gt;. It features XLR inputs and outputs, built-in Ground Lift, and color-coded breakout cables. Compact and lightweight, it ensures reliable and tidy transmissions in professional installations.\u0026lt;\/h1\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Send four analog audio channels over a single Cat 5\/6 cable\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Can work with existing cable systems\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Compact and lightweight, yet durable and robust\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Economical Cat 5\/6 cable replaces bulky multi-channel audio snakes\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766150888\/11520\/\" title=\"\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Catapult Mini TX \u0026lt;\/strong\u0026gt;behaves like a typical four-channel audio snake; it allows you to send microphone or line-level signals from one location to another without signal loss, noise, interference, or digital audio conversion. What makes the Catapult system unique is its use of widely available, lightweight, and inexpensive Cat 5 Ethernet cable. Simply connect a shielded Cat 5 cable between any two Catapult modules, which will use the analog conductors of the cable to deliver four balanced audio lines to any destination.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Analog audio over Cat 5 cabling\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Catapult Mini TX works like a traditional four-channel audio snake, allowing you to send microphone or line-level signals from one point to another without loss of quality, noise, interference, or the need for digital conversion. What sets the Catapult system apart is its use of Cat 5 Ethernet cable: lightweight, inexpensive, and readily available. Simply connect a shielded Cat 5 cable between two Catapult modules to get four balanced audio lines ready for use.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Passive direct-wired operation\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Catapult modules do not require power and maintain the signal completely analog, eliminating the need for digital conversions. The direct connection from the XLR connectors to the RJ45 connector on Cat 5 cable ensures a clean signal transfer, without coloration or distortion.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Utilize existing cable installations\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Many buildings already have Cat 5 cabling, which allows it to be used to transmit audio between distant rooms without installing new cables. This avoids bulky and expensive audio multicore cables, instead benefiting from the existing network for quick and tidy connections.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Mix \u0026amp; Match\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;All Radial Catapult modules are compatible with each other and are sold individually, allowing you to create the most suitable combination for your needs. Catapult Mini RX and TX can be used together to create a compact 4-channel audio snake. Alternatively, if you want a stage box for microphones but prefer a smaller breakout to fit into the mixer case, you can combine Catapult TX4 with Catapult Mini RX. The variety of available modules allows you to freely configure transmission and reception for any application.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Catapult Mini - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Mini RX\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151360\/11521\/\" title=\"You can directly connect Mini TX and RX with a single Cat 5 cable, creating an effective 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can directly connect Mini TX and RX with a single Cat 5 cable, creating an effective 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Mini RX\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151484\/11522\/\" title=\"You can directly connect Mini TX and RX with a single Cat 5 cable, creating a robust 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can directly connect Mini TX and RX with a single Cat 5 cable, creating a robust 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini RX with Catapult TX4\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151657\/11523\/\" title=\"You can use Catapult TX4 together with Mini RX to send audio signals from the stage to the FOH console. The Catapult TX4 acts as a stage box for connecting microphones, while the Mini RX is so compact it can be stored in a mixer case, with its XLR connectors ready for direct connection. If you need to split signals on stage, you can use Catapult modules with transformer isolation: the TX4M for microphone signals or the TX4L for line-level operation.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can use \u0026lt;strong\u0026gt;Catapult TX4\u0026lt;\/strong\u0026gt; together with the \u0026lt;strong\u0026gt;Mini RX\u0026lt;\/strong\u0026gt; to send audio signals from the stage to the \u0026lt;strong\u0026gt;FOH\u0026lt;\/strong\u0026gt; console. The Catapult TX4 acts as a stage box for connecting microphones, while the Mini RX is so compact that it can be stored in a mixer case, with its XLR connectors ready for direct connection. If you need to \u0026lt;strong\u0026gt;split\u0026lt;\/strong\u0026gt; signals on stage, you can use Catapult modules with transformer isolation: the \u0026lt;strong\u0026gt;TX4M\u0026lt;\/strong\u0026gt; for microphone signals or the \u0026lt;strong\u0026gt;TX4L\u0026lt;\/strong\u0026gt; for line-level operation.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Catapult RX4\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151780\/11524\/\" title=\"Mini TX can be used together with the Catapult RX4 to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the RX4L model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the RX4M model is available.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Mini TX\u0026lt;\/strong\u0026gt; can be used together with the \u0026lt;strong\u0026gt;Catapult RX4\u0026lt;\/strong\u0026gt; to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the \u0026lt;strong\u0026gt;RX4L\u0026lt;\/strong\u0026gt; model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the \u0026lt;strong\u0026gt;RX4M\u0026lt;\/strong\u0026gt; model is available.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Catapult RX4\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151780\/11524\/\" title=\"Mini TX can be used together with the Catapult RX4 to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the RX4L model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the RX4M model is available.\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Mini TX\u0026lt;\/strong\u0026gt; can be used together with the \u0026lt;strong\u0026gt;Catapult RX4\u0026lt;\/strong\u0026gt; to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the \u0026lt;strong\u0026gt;RX4L\u0026lt;\/strong\u0026gt; model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the \u0026lt;strong\u0026gt;RX4M\u0026lt;\/strong\u0026gt; model is available.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini Catapult with an existing network\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151932\/11525\/\" title=\"You can utilize existing Ethernet cables in a building to send audio from one room to another, without the need for new installations or additional cables creating clutter. It is important to remember that signals between two Catapult modules cannot pass through a network switch, as this would interrupt the analog audio signal.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can utilize existing Ethernet cables in a building to send audio from one room to another, without the need for new installations or additional cables creating clutter. It is important to remember that signals between two Catapult modules \u0026lt;strong\u0026gt;cannot pass through a network switch\u0026lt;\/strong\u0026gt;, as this would interrupt the analog audio signal.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Catapult Mini Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;Audio circuit type: Passive Splitter\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Frequency response: 7Hz ~ 20KHz\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Dynamic range: 140dB\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Total harmonic distortion: 0.0005% @ 1kHz\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Common Mode Rejection Ratio: \u0026amp;gt;103dB\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Maximum input level: +35dBu\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;Ground lift\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Input connectors: XLR, TRS, RJ45 (model dependent)\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Output connectors: XLR, TRS, RJ45 (model dependent)\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;General Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;Construction: 16-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Dimensions (L x W x D): 105 x 40 x 33mm - 4.125\" x 1.56\" x 1.31\"\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Weight: 0.4kg 0.85lb\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Power supply: Passive, no power required\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Operating conditions: Dry locations only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003754713433,"sku":"GRAD8001883","price":163.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-catapult-mini-tx-grad8001883_0.jpg?v=1778132259"},{"product_id":"catapult-mini-rx-grad8001884","title":"Radial Engineering Catapult Mini RX","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;p\u0026gt;\u0026lt;img alt=\"Catapult Mini is a compact 4-channel audio snake that allows analog audio signals to be sent over standard Cat 5 or Cat 6 STP (Shielded Twisted Pair) cable.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/\/GRAD8001883.jpg\" title=\"Catapult Mini is a compact 4-channel audio snake that allows analog audio signals to be sent over standard Cat 5 or Cat 6 STP (Shielded Twisted Pair) cable.\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Radial Catapult Mini RX \u0026lt;\/strong\u0026gt;is a passive audio \u0026lt;strong\u0026gt;receiver\u0026lt;\/strong\u0026gt; that handles up to \u0026lt;strong\u0026gt;4 balanced signals\u0026lt;\/strong\u0026gt; over a single \u0026lt;strong\u0026gt;Cat 5\/6 cable\u0026lt;\/strong\u0026gt;. It features \u0026lt;strong\u0026gt;XLR\u0026lt;\/strong\u0026gt; (female) inputs and outputs, integrated \u0026lt;strong\u0026gt;Ground Lift\u0026lt;\/strong\u0026gt;, and color-coded breakout cables. Compact and lightweight, it ensures reliable and tidy transmissions in professional installations.\u0026lt;\/h1\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul style=\"margin-left: 17px;\"\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Receives four analog audio channels over a single Cat 5\/6 cable\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Can work with existing cable systems\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Compact and lightweight, yet durable and robust\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;\u0026lt;strong\u0026gt;Economical Cat 5\/6 cable replaces bulky multi-channel audio snakes\u0026lt;\/strong\u0026gt;\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766159043\/11526\/\" title=\"Radial Catapult Mini RX is a passive audio receiver that handles up to 4 balanced signals over a single Cat 5\/6 cable. It features XLR (female) inputs and outputs, integrated Ground Lift, and color-coded breakout cables. Compact and lightweight, it ensures reliable and tidy transmissions in professional installations.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Catapult Mini RX \u0026lt;\/strong\u0026gt;functions like a typical four-channel audio snake; it allows you to send mic or line-level signals from one location to another without signal loss, noise, interference, or digital audio conversion. What makes the Catapult system unique is its use of widely available, lightweight, and economical Cat 5 Ethernet cable. Simply connect a shielded Cat 5 cable between any two Catapult modules, and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Analog Audio with Cat 5 Cabling\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Catapult \u0026lt;strong\u0026gt;Mini RX\u0026lt;\/strong\u0026gt; operates as a traditional four-channel audio snake, allowing you to send microphone or line-level signals from one point to another without loss of quality, noise, interference, or the need for digital conversion. What sets the Catapult system apart is its use of Cat 5 Ethernet cable: lightweight, economical, and readily available. Simply connect a shielded Cat 5 cable between two Catapult modules to get four balanced audio lines ready for use.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Passive Direct Cabling Operation\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Catapult modules require no power and maintain the signal completely analog, eliminating the need for digital conversions. The direct connection from the XLR connectors to the RJ45 connector on the Cat 5 cable ensures a clean signal transfer, without coloration or distortion.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Utilizing Existing Cable Installations\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;Many buildings already have Cat 5 cabling, which allows it to be used to transmit audio between distant rooms without installing new cables. This avoids bulky and expensive multi-core audio cables, instead leveraging the existing network for quick and tidy connections.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Mix \u0026amp;amp; Match\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;All Radial Catapult modules are compatible with each other and are sold individually, allowing you to create the combination best suited to your needs. The Catapult Mini RX and TX can be used together to create a compact 4-channel audio snake. Alternatively, if you want a stage box for microphones but prefer a smaller breakout to fit into the mixer case, you can pair the Catapult TX4 with the Catapult Mini RX. The variety of available modules allows for flexible configuration of transmission and reception for any application.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Catapult Mini - Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Mini RX\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151360\/11521\/\" title=\"You can directly connect Mini TX and RX with a single Cat 5 cable, creating an effective 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can directly connect Mini TX and RX with a single Cat 5 cable, creating an effective 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Mini RX\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151484\/11522\/\" title=\"You can directly connect Mini TX and RX with a single Cat 5 cable, creating a robust 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can directly connect Mini TX and RX with a single Cat 5 cable, creating a robust 4-channel analog audio snake capable of delivering balanced signals over long distances with high audio quality.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini RX with Catapult TX4\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151657\/11523\/\" title=\"You can use Catapult TX4 together with Mini RX to send audio signals from the stage to the FOH console. The Catapult TX4 acts as a stage box for connecting microphones, while the Mini RX is so compact it can be placed in a mixer case, with its XLR connectors ready for direct connection. If you need to split signals on stage, you can use Catapult modules with transformer isolation: the TX4M for microphone signals or the TX4L for line-level operation.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;You can use \u0026lt;strong\u0026gt;Catapult TX4\u0026lt;\/strong\u0026gt; together with the \u0026lt;strong\u0026gt;Mini RX\u0026lt;\/strong\u0026gt; to send audio signals from the stage to the \u0026lt;strong\u0026gt;FOH\u0026lt;\/strong\u0026gt; console. The Catapult TX4 acts as a stage box for connecting microphones, while the Mini RX is so compact it can be placed in a mixer case, with its XLR connectors ready for direct connection. If you need to \u0026lt;strong\u0026gt;split\u0026lt;\/strong\u0026gt; signals on stage, you can use Catapult modules with transformer isolation: the \u0026lt;strong\u0026gt;TX4M\u0026lt;\/strong\u0026gt; for microphone signals or the \u0026lt;strong\u0026gt;TX4L\u0026lt;\/strong\u0026gt; for line-level operation.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Catapult RX4\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151780\/11524\/\" title=\"Mini TX can be used with Catapult RX4 to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the RX4L model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the RX4M model is available.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Mini TX\u0026lt;\/strong\u0026gt; can be used with \u0026lt;strong\u0026gt;Catapult RX4\u0026lt;\/strong\u0026gt; to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the \u0026lt;strong\u0026gt;RX4L\u0026lt;\/strong\u0026gt; model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the \u0026lt;strong\u0026gt;RX4M\u0026lt;\/strong\u0026gt; model is available.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini TX with Catapult RX4\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p style=\"text-align: center;\"\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151780\/11524\/\" title=\"Mini TX can be used with Catapult RX4 to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the RX4L model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the RX4M model is available.\" width=\"\"\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Mini TX\u0026lt;\/strong\u0026gt; can be used with \u0026lt;strong\u0026gt;Catapult RX4\u0026lt;\/strong\u0026gt; to send output signals from a console to a remotely located power amplifier rack. To eliminate any stray DC voltages and prevent unwanted noise in the system, the \u0026lt;strong\u0026gt;RX4L\u0026lt;\/strong\u0026gt; model integrates line-level isolation transformers, which reduce hum and hiss. It also features four direct XLR outputs, useful for powering additional devices such as a recording interface. For isolating microphone-level signals, the \u0026lt;strong\u0026gt;RX4M\u0026lt;\/strong\u0026gt; model is available.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;Using Mini Catapult with an Existing Network\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img align=\"\" height=\"\" src=\"\/filer\/sharing\/1766151932\/11525\/\" title=\"It is possible to use existing Ethernet cables in a building to send audio from one room to another, without the need for new installations or additional cables that create clutter. It is important to remember that signals between two Catapult modules cannot pass through a network switch, as this would interrupt the analog audio signal.\" width=\"\"\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;It is possible to leverage existing Ethernet cables in a building to send audio from one room to another, without the need for new installations or additional messy cables. It is important to remember that signals between two Catapult modules \u0026lt;strong\u0026gt;cannot pass through a network switch\u0026lt;\/strong\u0026gt;, as this would interrupt the analog audio signal.\u0026lt;\/p\u0026gt;\u0026lt;h2 style=\"text-align: justify;\"\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;Technical Specifications Catapult Mini RX\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Audio circuit type: Passive Splitter\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Frequency response: 7Hz ~ 20KHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dynamic range: 140dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Total harmonic distortion: 0.0005% @ 1kHz\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Common Mode Rejection Ratio: \u0026amp;gt;103dB\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Maximum input level: +35dBu\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Ground lift\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Input connectors: XLR\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Output connectors: Female XLR\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;General Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt;    \u0026lt;li\u0026gt;Construction: 16-gauge steel chassis and outer shell\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Dimensions (L x W x D): 105 x 40 x 33mm - 4.125\" x 1.56\" x 1.31\"\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Weight: 0.4kg 0.85lb\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Power: Passive, no power required\u0026lt;\/li\u0026gt;    \u0026lt;li\u0026gt;Operating conditions: In dry locations only between 5°C and 40°C\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58003754910041,"sku":"GRAD8001884","price":163.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-catapult-mini-rx-grad8001884_0.jpg?v=1778132278"},{"product_id":"radial-tonebone-hot-british","title":"Radial Tonebone Hot British Distortion Pedal","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eGuitar pedal with \"Hot British\" Tube DistortionBuilt like a tank yet small enough to fit on a pedalboard, the Tonebone Hot British is the world\u003c\/p\u003e\u003cp\u003eThe ToneBone Hot British represents distortion at its finest.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFrom classic Marshall sounds to the most extraordinarily modern and powerful tones of today.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBased on the high-gain construction of modern amplifiers, the Hot British achieves superb high-gain saturation with particular richness in harmonics without the typical noise problems of other pedals.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe powerful equalization system allows you to create every imaginable timbre, remaining very natural and dynamic even when used with extreme settings, preserving the quality of the guitar.\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010311819609,"sku":"RAD8001010","price":199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/RAD8001010.jpg?v=1778198827"},{"product_id":"radial-tonebone-pz-pre-acoustic-preamp","title":"Radial Tonebone Pz-Pre Acoustic Preamp","description":"\u003ch2\u003eDescription\u003c\/h2\u003eRADIAL TONEBONE PZ-PRE","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010311852377,"sku":"RAD8001078","price":339.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/14788fcaf9597f0319e5cd536be7d5638fa3124b.jpg?v=1778198831"},{"product_id":"radial-prormp-re-amping-box","title":"Radial Prormp Re-Amping Box","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eRADIAL PRORMP RE-AMPING PEDAL BOX\u003c\/p\u003e\u003cp\u003eFor years, Reamping has been the secret weapon for countless recordings by the biggest names in the business. Few realize that recording engineers not only reamp guitars, but often bass and keyboards, drums, and even vocals as a means to bring new creative sounds and sonic signatures to their music. Reamping has many advantages. You start by recording a clean track and focusing on capturing the best musical performance. Once the magic has been captured, you send the clean track back to the amplifiers and effects and adjust the sound to fit. No more hours of repetition for the guitarist, no rushed work due to scheduling, and best of all you don't have to compromise the sound of the track.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e\u003cspan style=\"letter-spacing: 0.02em;\"\u003eMain Features\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePlays pre-recorded tracks through amplifiers and pedals\u003c\/p\u003e\u003cp\u003eLevel control for precise adjustments of amplification level\u003c\/p\u003e\u003cp\u003eTransformer isolated to eliminate buzz and hum\u003c\/p\u003e\u003cp\u003eOpens the door to new creative sounds and textures\u003c\/p\u003e\u003cp\u003eDimensions: 84 x 127 x 48 mm\u003c\/p\u003e\u003cp\u003eWeight: 720 g\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010311917913,"sku":"RAD8001095","price":137.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/RAD8001095.jpg?v=1778198836"},{"product_id":"radial-j48-mk2","title":"Radial J48 Mk2","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eRADIAL J48 MK2\u003c\/p\u003e\u003cp\u003eAn active direct box optimized for use with +48V phantom power equipment. A digitally controlled DC\/DC converter increases the power supply voltage of the electronics from the typical 3 Volts to approximately 10 Volts, which allows for an unprecedented dynamic range, and enables the J48 to be used with acoustic guitars and basses with high-output active pickups without saturation. It's simple, less distortion produces better sound. The Radial J48 was designed from the ground up to offer the most natural sound possible. As direct box manufacturers, Radial believes it is not its job to alter the sound of your 1962 \"Fender Jazz Bass\", but to maintain and transfer the true character of the instrument to the mixing console without adding distortion or introducing artifacts. This design philosophy has gained a massive following from many of the world's most discerning musicians.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eType: Active 48V with switching power supply\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eInput impedance: 220 kOhm unbalanced\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOutput impedance: 600 Ohm balanced\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFrequency response: 10Hz - 80kHz\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLinear performance: +\/- 0.12dB from 20Hz to 20kHz\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTHD: 0.06% @ 20Hz, 0.005% @ 1kHz\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePhase distortion: 0.02º at 1kHz\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eInput voltage: 3.12Volt max (9V peak)\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDimensions: 89 x H 50 x 140mm\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWeight: 1kg\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010312016217,"sku":"RAD8001120","price":255.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/RAD8001120.jpg?v=1778198841"},{"product_id":"radial-big-shot-io-2","title":"Radial Big Shot I\/O Effects Pedal","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eRADIAL BIG SHOT I\/O EFFECT PEDAL\u003c\/p\u003e\u003cp\u003eSelector that allows you to connect 2 guitars to a pedalboard and switch between them by simply pressing a button. Separate output for the tuner. Does not require power.\u003c\/p\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010312048985,"sku":"RAD8001651","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/41e15c1e6ff181aceed8004696bd1e5422f97f85.jpg?v=1778198849"},{"product_id":"boneyard-pedalboard-grad8001073","title":"Radial Engineering Boneyard Pedalboard","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1\u0026gt;\u0026lt;strong\u0026gt;Boneyard\u0026lt;\/strong\u0026gt; by \u0026lt;strong\u0026gt;Radial Engineering\u0026lt;\/strong\u0026gt; is a pedalboard with an original wedge-shaped design and a large surface, designed to meet the needs of professional guitarists.\u0026lt;\/h1\u0026gt;\u0026lt;h2\u0026gt;Main features of \u0026lt;strong\u0026gt;Boneyard\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The pedalboard features a large 35\" wide x 15\" deep work surface, angled for easy access to multiple rows of pedals for quick setup changes on stage. Pedal arrangement is guaranteed by the pre-drilled top panel, allowing pedals to be positioned as desired while concealing cables and power supplies in the space below, for a clean and organized result. The surface is covered in super-grippy carpet, equipped with Velcro to keep pedals firmly in place even during transport, which also means reduced setup and teardown times. Boneyard is made entirely of sturdy furniture-grade plywood, so it won't disintegrate when exposed to moisture like other similar accessories made with chipboard panels. It features a durable PVC T-molding that protects the edges from transport damage and further contributes to the professional appearance of the pedalboard.\u0026lt;\/p\u0026gt;\u0026lt;h3 style=\"text-align: justify;\"\u0026gt;\u0026lt;strong\u0026gt;Technical specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;ul\u0026gt; \u0026lt;li\u0026gt;35W X 89L x 15D cm\u0026lt;\/li\u0026gt; \u0026lt;li\u0026gt;Weight 5.3 Kg\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58010810188121,"sku":"GRAD8001073","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-boneyard-pedalboard-grad8001073_0.jpg?v=1778216932"},{"product_id":"radial-sb4-piezo","title":"Radial Sb4 Piezo","description":"\u003ch2\u003eDescrizione\u003c\/h2\u003e\u003cp\u003e\u003cb\u003eRadial Sb4 Piezo\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eDI BOX ATTIVA OTTIMIZZATA PER PICKUP PIEZO\u003c\/p\u003e\u003cp\u003eIl Radial StageBug SB-4 è una direct box attiva compatta ottimizzata per l'utilizzo con trasduttori piezoelettrici. Ciò consente a violino, dobro, mandolino, violoncello, contrabbasso e altri strumenti di essere amplificati meglio, usando un piezo che non compromette il suono o la risposta in frequenza. La progettazione inizia con un input jack da 1\/4\" per il pickup dello strumento. Diversamente dalle normali direct box che hanno una impedenza di ingresso di 1MOhm, l'SB-4 presenta un'impedenza molto elevata da 10 Mega Ohm per levigare quei picchi fastidiosi che danno ai piezo una cattiva reputazione. L'impedenza superiore amplia anche la risposta in frequenza per un suono più naturale e piacevole. il circuito attivo esegue la conversione da alta a bassa impedenza e bilancia il segnale per usare cavi lunghi fino a 100 metri senza perdite, offrendo una spettacolare linearità e una bassa distorsione su tutta la gamma audio.\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifiche\u003c\/h2\u003e\u003cp\u003eSwitch: High Pass Filter, Phase, Ground Lift\r\n\u003c\/p\u003e\u003cp\u003eFiltro Taglia Basse: 150Hz\r\n\u003c\/p\u003e\u003cp\u003eFiltro Slope: 6dB \/ Ottava\r\n\u003c\/p\u003e\u003cp\u003eIngresso Strumento: Buffered 1\/4\" con carico ottimizzato per i piezo\r\n\u003c\/p\u003e\u003cp\u003eUscita Aux: Jack 1\/4\" buffered per effetti per chitarra, amplificatore o accordatore\r\n\u003c\/p\u003e\u003cp\u003eUscita bilanciata: Pin-1 terra, pin-2 (+), pin-3 (-)\r\n\u003c\/p\u003e\u003cp\u003eInversione di polarità: 180°\r\n\u003c\/p\u003e\u003cp\u003eGround lift: 100Ohm a massa\r\n\u003c\/p\u003e\u003cp\u003eDimensioni: 114 x 47 x 34mm\r\n\u003c\/p\u003e\u003cp\u003ePeso: 0,365kg\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e\u003cp\u003e\r\n\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58016612483417,"sku":"RAD8001840","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/sb4_thumb_768x420_lrsh_y8hn_o.png?v=1778258538"},{"product_id":"power-1-220-grad8007119","title":"Radial Engineering Power-1 220","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial Engineering Power-1\u003c\/strong\u003e is a \u003cstrong\u003epower stabilization\u003c\/strong\u003e unit housed in a rugged, rack-mountable metal enclosure. \u003cstrong\u003ePower-1\u003c\/strong\u003e is capable of providing efficient interference filtering and high surge protection. A valuable device for protecting audio equipment and electronic instruments for all touring professionals, from musicians to producers to sound engineers.\u003c\/h1\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003eUses MOV (Metal-Oxide Varistor) components, Made in USA\u003c\/li\u003e    \u003cli\u003eHigh rejection RF interference filter\u003c\/li\u003e    \u003cli\u003eFront panel USB charging port\u003c\/li\u003e    \u003cli\u003e3 front outlets, 10 rear outlets\u003c\/li\u003e    \u003cli\u003eConstruction guaranteed by Radial to withstand years of touring use\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eUncompromisingly designed by Radial\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eRadial Engineering Power-1\u003c\/strong\u003e offers musicians, engineers, producers, studio owners, commercial facilities, and anyone working with valuable electronic devices efficient surge protection, events that can cause irreparable damage to electronic musical equipment. \u003cstrong\u003ePower-1\u003c\/strong\u003e has \u003cstrong\u003e10\u003c\/strong\u003e outlets on the rear panel, along with another \u003cstrong\u003ethree\u003c\/strong\u003e outlets on the front panel and a \u003cstrong\u003eUSB charging port\u003c\/strong\u003e for easily powering personal devices. A sturdy on\/off switch, equally sturdy outlet connectors, and a steel construction ensure Power-1 operates for a long time without problems.\u003c\/p\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eHigh reliability, low noise\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eRadial Engineering Power-1\u003c\/strong\u003e uses high-quality \u003cstrong\u003eMOV (Metal-Oxide Varistor)\u003c\/strong\u003e components, made in the USA, capable of providing superior thermal protection with a longer lifespan than other similar products. This unit uses \"Shunt\" mode technology which reduces system noise. Furthermore, a highly effective RF interference filter is used to prevent interference and disturbances to audio signals induced by high frequencies and AM radio signals.\u003c\/p\u003e\u003cp\u003e\u003cimg alt=\"Power-1 has 10 rear panel outlets, along with another three front panel outlets and a USB charging port for easily powering personal devices. \" src=\"\/images\/uploads\/\/03_Power_1.jpg\" title=\"Power-1 has 10 rear panel outlets, along with another three front panel outlets and a USB charging port for easily powering personal devices. \"\u003e\u003c\/p\u003e\u003ch2\u003e\u003cem\u003e\u003cu\/\u003e\u003cstrong\u003eRadial Engineering Power-1\u003c\/strong\u003e units distributed in Europe are equipped with EU sockets. 10 on the rear panel - 3 on the front panel.\u003c\/em\u003e\u003c\/h2\u003e\u003chr\u003e\u003ch2\u003e\u003cu\u003e\u003cstrong\u003eRadial Engineering Power-1 Technical Specifications\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e: IEC Power: 120V, 50\/60Hz USB: 5V\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eLoad Capacity\u003c\/strong\u003e: IEC Power: 15A total, 15A per outlet USB: 1A\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eGeneral Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e    \u003cli\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e (L x W x D): 19″ x 6.38″ x 1.47″ (482.6mm x 162.0mm x 37.4mm).\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCable Length\u003c\/strong\u003e: 9.5' (290cm)\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 3.1kg (6.5lb) – cable included\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eSurge Protection\u003c\/strong\u003e: Metal Oxide Varistor (MOV), 15A circuit breaker\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eCompliance\u003c\/strong\u003e: Conforms to UL Std 1419, 60950-1 and 60065 in USA, CSA Std 60950-1, C22.2 No. 62368 in Canada\u003c\/li\u003e    \u003cli\u003e\u003cstrong\u003eOperating Conditions:\u003c\/strong\u003e For use in dry locations only between 5°C and 40°C\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58036222329177,"sku":"GRAD8007119","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-power-1-220-grad8007119_0.jpg?v=1778510608"},{"product_id":"stage-direct-grad8001560","title":"Radial Engineering STAGE DIRECT","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u0026lt;h1 style=\"text-align: justify;\"\u0026gt;With Radial Engineering's \u0026lt;strong\u0026gt;StageDirect active Direct Box\u0026lt;\/strong\u0026gt;, dedicated to guitarists and bassists, you can directly connect a setup consisting of two instruments, a tuner, and an amplifier with silent switching between various outputs, balance the signal, and send it to a Mixer or a recording system.\u0026lt;\/h1\u0026gt;\u0026lt;p\u0026gt;\u0026lt;img alt=\"With Radial Engineering's Stage Direct active Direct Box dedicated to guitarists and bassists, you can directly connect a setup consisting of two instruments, a tuner, and an amplifier with silent switching between various outputs, balance the signal, and send it to a Mixer or a recording system.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Stage-Direct-Top-1200x630.jpg\" title=\"With Radial Engineering's Stage Direct active Direct Box dedicated to guitarists and bassists, you can directly connect a setup consisting of two instruments, a tuner, and an amplifier with silent switching between various outputs, balance the signal, and send it to a Mixer or a recording system.\" \/\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;strong\u0026gt;Key Features\u0026lt;\/strong\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Active DI with footswitch mute and tuner output\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Silent instrument switching on stage\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Eliminates feedback when the instrument is not in use\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li\u0026gt;Remote control allows signal muting during switching\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;Radial's StageDirect is an active direct box, designed for musicians who need extra control on stage. It features a \u0026lt;strong\u0026gt;Hi-Z instrument input\u0026lt;\/strong\u0026gt;, a pass-through output for the stage amplifier, and a balanced Low-Z output for the PA system. StageDirect also has a second Hi-Z input, with a footswitch for instant switching between two instruments, a dedicated tuner output, and a footswitch mute switch that silences the direct signal to the PA and amplifier, leaving only the tuner output active. This allows the musician to mute the guitar when not in use or tune it between songs.\u0026lt;\/p\u0026gt;\u0026lt;p style=\"text-align: justify;\"\u0026gt;The innovative circuit design combines a Class-A FET input driver with a low-noise operational amplifier, delivering high-quality audio across the entire frequency range. It features a -10 dB attenuation pad for instruments with high output levels such as backing tracks or keyboards. The high-pass filter attenuates excessive bass while the 180° polarity reverse can be used to help phase alignment of the stage amp with the PA or to eliminate acoustic \"hot spots\" on stage.\u0026lt;\/p\u0026gt;\u0026lt;h3\u0026gt;\u0026lt;strong\u0026gt;StageDirect Applications\u0026lt;\/strong\u0026gt;\u0026lt;\/h3\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Acoustic Guitar\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"It is possible to switch freely from one instrument to another, sending a clean signal to the PA and the stage amplifier simultaneously. LEDs provide immediate visual feedback to indicate which instrument is active.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni-01.jpg\" title=\"It is possible to switch freely from one instrument to another, sending a clean signal to the PA and the stage amplifier simultaneously. LEDs provide immediate visual feedback to indicate which instrument is active.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;You can freely switch from one instrument to another, sending a clean signal to the PA and the stage amplifier simultaneously. LEDs provide immediate visual feedback to indicate which instrument is active.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Electric Bass\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"With StageDirect, you can silently switch between active and passive bass, sending a balanced DI signal to the PA while simultaneously powering a stage amplifier. The mute switch allows for silent tuning between songs.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni-02.jpg\" title=\"With StageDirect, you can silently switch between active and passive bass, sending a balanced DI signal to the PA while simultaneously powering a stage amplifier. The mute switch allows for silent tuning between songs.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;With StageDirect, you can silently switch between active and passive bass, sending a balanced DI signal to the PA while simultaneously powering a stage amplifier. The mute switch allows for silent tuning between songs.\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;Mandolin\/Dobro\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;\u0026lt;strong\u0026gt;\u0026lt;img alt=\"By using a remote switch such as the Radial JR1-M™ it is possible to deactivate the audio signal during tuning or changing instrument cables, making it easier for the musician to concentrate on their performance without other worries.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Applicazioni-03.jpg\" title=\"By using a remote switch such as the Radial JR1-M™ it is possible to deactivate the audio signal during tuning or changing instrument cables, making it easier for the musician to concentrate on their performance without other worries.\" \/\u0026gt;\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;p\u0026gt;By using a remote switch such as the Radial JR1-M\u0026amp;trade;, you can deactivate the audio signal during tuning or changing instrument cables, making it easier for the musician to concentrate on their performance without other worries.\u0026lt;\/p\u0026gt;\u0026lt;h2\u0026gt;\u0026lt;u\u0026gt;\u0026lt;strong\u0026gt;StageDirect Technical Specifications\u0026lt;\/strong\u0026gt;\u0026lt;\/u\u0026gt;\u0026lt;\/h2\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Audio Circuit Type\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Class A-FET\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Frequency Response\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;20 Hz \u0026amp;ndash; 20 kHz\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Gain\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;+5 dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Dynamic Range\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;100 dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Noise\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;-87 dBu\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Maximum Input\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;+13 dBu\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Total Harmonic Distortion\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;0.01%\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Intermodulation Distortion\u0026amp;nbsp;\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; \u0026amp;nbsp;0.012%\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Input Impedance\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;250 kOhm\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Output Impedance\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;250 Ohm\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Phase Deviation\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;8\u0026amp;deg; at 50Hz\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;\u0026lt;p style=\"margin-left:2.6pt;\"\u0026gt;\u0026lt;strong\u0026gt;General Features\u0026lt;\/strong\u0026gt;\u0026lt;\/p\u0026gt;\u0026lt;ul\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Instrument Input\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;frac14;\u0026amp;rdquo; unbalanced Hi-Z Jack connector\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Pad\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;-10 dB\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;3-position High Pass Filter\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Flat, -3 dB at 60 Hz, -3 dB at 200 Hz\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;AMP Output\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;\u0026amp;frac14;\u0026amp;rdquo; isolated unbalanced Hi-Z Jack connector\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;DI Output\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;XLR-M balanced Lo-Z connector\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;XLR Pins\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Pin 1 ground, Pin 2 (+), Pin 3 (-)\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Ground\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;XLR connector pin 1\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Polarity\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Reverses XLR Pin 2 with Pin 3\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Local Controls\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp;Footswitch Mute on all outputs except tuner\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Remote Controls\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp;\u0026amp;frac14;\u0026amp;rdquo; pulse contact closure\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Power\u0026lt;\/strong\u0026gt;\u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp; \u0026amp;nbsp;48V phantom power or from the included 15V external power supply\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Construction\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Steel\u0026lt;\/li\u0026gt; \u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026lt;li style=\"margin-left: 2.6pt;\"\u0026gt;\u0026amp;nbsp;\u0026lt;strong\u0026gt;Finish\u0026lt;\/strong\u0026gt;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp;\u0026amp;nbsp; \u0026amp;nbsp;Baked enamel\u0026lt;\/li\u0026gt;\u0026lt;\/ul\u0026gt;","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58041341608281,"sku":"GRAD8001560","price":122.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/44-radial-engineering-stage-direct-grad8001560_0.jpg?v=1778543353"},{"product_id":"hotshot-md-grad8007125","title":"Radial Engineering HotShot MD","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eHotShot MD\u003c\/strong\u003e by \u003cstrong\u003eRadial Engineering\u003c\/strong\u003e is a microphone control system for musical directors, technicians, and professional performers. It can \u003cstrong\u003esilently\u003c\/strong\u003e route a microphone signal to alternative outputs, facilitating private communications with the band or technical team.\u0026nbsp;Thanks to \u003cstrong\u003enoise-free footswitching\u003c\/strong\u003e and robust tour-proof construction, it allows managing \u003cstrong\u003ecues\u003c\/strong\u003e, indications, and backstage coordination without interfering with the main audio.\u003c\/h1\u003e\u003cp\u003e\u003cimg alt=\"HotShot MD by Radial Engineering is a microphone control system for musical directors, technicians, and professional performers. It can silently route a microphone signal to alternative outputs, facilitating private communications with the band or technical team.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Hotshot_MD_Stage_Step_1200x630.jpg\" title=\"HotShot MD by Radial Engineering is a microphone control system for musical directors, technicians, and professional performers. It can silently route a microphone signal to alternative outputs, facilitating private communications with the band or technical team.\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eKey Features of HotShot MD\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eRedirects microphone signal to communicate with techs, band members, or both\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eNoise-free switching for a flawless stage performance\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003ePreserves microphone audio quality\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003e100% passive circuitry requires no power\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eHotShot MD \u003c\/strong\u003eis a microphone signal switching system made of robust steel, particularly suitable for touring use; this tool simplifies communication from an artist, performer, or musical director to various sections of a stage, increasing efficiency.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eHotShot MD \u003c\/strong\u003eis the ideal solution for redirecting a dynamic microphone's signal on stage: it sends the signal to main output A when no pedals are pressed, powering the amplification system normally. However, by pressing pedals B or C, output A is muted and the signal is routed to Output B or C. This can be used to communicate with the band or technicians without the audience noticing anything. The pedals can also be pressed simultaneously to speak to all participants at once. As soon as one of the two pedals is released, the microphone is automatically redirected to the PA system, allowing the performance to continue.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cimg alt=\"HotShot MD is a microphone signal switching system made of robust steel, particularly suitable for touring use; this tool simplifies communication from an artist, performer or musical director to various sections of a stage, increasing efficiency.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Hotshot_MD_Stage2_1200x630.jpg\" title=\"HotShot MD is a microphone signal switching system made of robust steel, particularly suitable for touring use; this tool simplifies communication from an artist, performer or musical director to various sections of a stage, increasing efficiency.\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\u003cul\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT A: XLR output for the vocal channel to PA\/monitor. \u0026bull; OUTPUT B: XLR output for connection to a second station.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT C: XLR output for connection to a third station.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eINPUT: Lockable XLR input for connection to a dynamic microphone.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT B GROUND LIFT: The switch - disconnects pin 1 on output B.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT C GROUND LIFT: The switch - disconnects pin 1 on output C.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT B FOOTSWITCH: The momentary footswitch redirects the microphone signal to output B, automatically muting output A.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eOUTPUT C FOOTSWITCH: The momentary footswitch redirects the microphone signal to output C, automatically muting output A.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eMOMENTARY FOOTSWITCHES B\/C (if pressed together) route the signal to outputs B and C simultaneously, automatically muting output A.\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003ePassive electronics require no power\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003eROBUST 14-gauge STEEL cabinet\u0026nbsp;\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003e\u003cstrong\u003eDimensions:\u0026nbsp;\u003c\/strong\u003e11.7 x 9.5 x 5 cm\u003c\/li\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cli\u003e\u003cstrong\u003eWeight :\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e6.3 kg\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg alt=\"HotShot MD is used to communicate with the band or technicians, without the audience noticing anything. The pedals can also be pressed simultaneously to speak to all participants at once. As soon as one of the two pedals is released, the microphone is automatically redirected to the PA system, allowing the performance to continue.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/Hotshot_MD_Stage_Mic3_1200x630.jpg\" title=\"HotShot MD is used to communicate with the band or technicians, without the audience noticing anything. The pedals can also be pressed simultaneously to speak to all participants at once. As soon as one of the two pedals is released, the microphone is automatically redirected to the PA system, allowing the performance to continue.\" \/\u003e\u003c\/p\u003e\u003ch2\u003e\u003cstrong\u003eHotShot MD Applications\u003c\/strong\u003e\u003c\/h2\u003e\u003ch3\u003e\u003cstrong\u003eUsing HotShot MD for silent stage communications\u003c\/strong\u003e\u003c\/h3\u003e\u003ch3\u003e\u003cimg alt=\"Connect the microphone to HotShot MD and connect output A to the PA system. Connect outputs B and C to separate channels on the monitor console. By pressing footswitches B, C, or both simultaneously, the PA system output is muted and the signal is sent to the band, technical team, or both.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/HotShot_Applicazioni_1200x630_01.jpg\" title=\"Connect the microphone to HotShot MD and connect output A to the PA system. Connect outputs B and C to separate channels on the monitor console. By pressing footswitches B, C, or both simultaneously, the PA system output is muted and the signal is sent to the band, technical team, or both.\" \/\u003e\u003c\/h3\u003e\u003cp\u003eConnect the microphone to HotShot MD and connect output A to the PA system. Connect outputs B and C to separate channels on the monitor console. By pressing footswitches B, C, or both simultaneously, the PA system output is muted and the signal is sent to the band, technical team, or both.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing the MD as a cough silencer\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"No more coughing on stage. Connect the microphone to the HotShot MD input, output A to the sound system, output B to the monitor console for band communication, and leave output C disconnected. When you feel the need to cough or silence the system, simply press and hold footswitch C. Release it to return to normal operation.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/HotShot_Applicazioni_1200x630_02.jpg\" title=\"No more coughing on stage. Connect the microphone to the HotShot MD input, output A to the sound system, output B to the monitor console for band communication, and leave output C disconnected. When you feel the need to cough or silence the system, simply press and hold footswitch C. Release it to return to normal operation.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNo more coughing on stage. Connect the microphone to the HotShot MD input, output A to the sound system, output B to the monitor console for band communication, and leave output C disconnected. When you feel the need to cough or silence the system, simply press and hold footswitch C. Release it to return to normal operation.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing multiple MDs for greater flexibility in additional communications\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"Need to add technicians and other operators to the conversation? For two-way communication with multiple people in a production situation, using additional HotShot MDs increases the ability of musicians, technicians, and engineers to communicate clearly, respond to cues, and resolve issues more effectively.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/HotShot_Applicazioni_1200x630_03.jpg\" title=\"Need to add technicians and other operators to the conversation? For two-way communication with multiple people in a production situation, using additional HotShot MDs increases the ability of musicians, technicians, and engineers to communicate clearly, respond to cues, and resolve issues more effectively.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNeed to add technicians and other operators to the conversation? For two-way communication with multiple people in a production situation, using additional HotShot MDs increases the ability of musicians, technicians, and engineers to communicate clearly, respond to cues, and resolve issues more effectively.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eUsing MD to add effects to the microphone\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"HotShot MD allows you to add effects to your voice, enabling you to apply two separate effects channels and combine them as desired. Channels B and C can be set to activate effects such as echo and delay, respectively. Simply press and hold the corresponding footswitch to activate one effect or both footswitches to use them simultaneously. Just release the footswitch to return to normal mode.\" src=\"https:\/\/www.algameko.com\/images\/uploads\/HotShot_Applicazioni_1200x630_04.jpg\" title=\"HotShot MD allows you to add effects to your voice, enabling you to apply two separate effects channels and combine them as desired. Channels B and C can be set to activate effects such as echo and delay, respectively. Simply press and hold the corresponding footswitch to activate one effect or both footswitches to use them simultaneously. Just release the footswitch to return to normal mode.\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHotShot MD allows you to add effects to your voice, enabling you to apply two separate effects channels and combine them as desired. Channels B and C can be set to activate effects such as echo and delay, respectively. Simply press and hold the corresponding footswitch to activate one effect or both footswitches to use them simultaneously. Just release the footswitch to return to normal mode.\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58042387595609,"sku":"GRAD8007125","price":234.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/f_44-radial-engineering-hotshot-md-grad8007125_0.jpg?v=1778571604"},{"product_id":"radial-bass-boni-5-v2-usato","title":"Radial Bass Bones 5 V2 Used","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eUsed Radial Bassbone 5 V2\u003c\/p\u003e\u003cp\u003e2-CHANNEL BASS PREAMPLIFIER AND BOOST\u003cbr\u003e\u003cbr\u003eThe Radial Bassbone V2 is an extremely flexible pedal designed for bassists. It features two independent channels with dedicated equalization, selectable via a switch, and also integrates a DI (Direct Box) function, making it perfect for both live and studio use. This device combines high sound quality with great operational versatility, allowing every parameter to be adapted to one's needs.\u003cbr\u003e\u003cbr\u003eIt allows for seamless switching between acoustic and electric bass, shaping the sound with a three-band EQ, a high-pass filter, and a high-impedance input that preserves the natural timbre. It also features an effects loop with wet\/dry control to keep the original sound intact, an adjustable clean boost, and a mute function useful for silent tuning, features that make it ideal for professional contexts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003cp\u003eFrequency response: 20Hz - 20kHz ±1.5dB\u003cbr\u003eDynamic range: 102dB\u003cbr\u003eTotal harmonic distortion (THD): 0.01% @ 1kHz\u003cbr\u003eInput impedance: 220kΩ (Ch1), 10MΩ (Ch2, piezo)\u003cbr\u003eMaximum input level: +10dBu\u003cbr\u003eOutput impedance: 1kΩ\u003cbr\u003ePower supply: 15V DC 400mA (included)\u003cbr\u003eFeatures: 3-band EQ, high-pass filter, effects loop\u003cbr\u003eClean boost: +12dB\u003cbr\u003eMute: Configurable switch\u003cbr\u003eSwitch for selecting between two instruments or pickups\u003cbr\u003eBalanced DI output for direct connection to the mixer\u003cbr\u003eAdjustable boost for solos\u003cbr\u003eDedicated effects loop for external pedals\u003cbr\u003eRobust and reliable construction for professional use\u003cbr\u003eCompatible with active and passive basses\u003cbr\u003eDimensions (WxDxH): 108 x 186 x 45 mm\u003cbr\u003eWeight: 1 Kg\u003c\/p\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58043960459609,"sku":"US2026-00012A","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/a750006fcde87a99afedd9f3e0e9b3e1.jpg?v=1781263488"},{"product_id":"power-supply-r800941500-gr800941500","title":"Radial Engineering POWER SUPPLY R800941500","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003ch1 style=\"text-align: justify;\"\u003e\u003cstrong\u003eUniversal 15V DC 400mA switching power supply\u003c\/strong\u003e designed to power \u003cstrong\u003eRadial 15V\u003c\/strong\u003e devices with a \u003cstrong\u003ebarrel\u003c\/strong\u003e connector (center positive). It supports mains voltages from \u003cstrong\u003e100V to 240V AC\u003c\/strong\u003e and includes plug adapters for international use, making it suitable for gigs and installations in countries with different electrical standards.\u003c\/h1\u003e\u003ch3 style=\"text-align: justify;\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cp style=\"text-align: justify;\"\u003e• Type: External switching power supply 15V DC, 400mA\u003cbr\u003e• Output: 15V DC @ 400mA, barrel connector (center positive)\u003cbr\u003e• AC Input: 100–240V, 50\/60 Hz \u003cbr\u003e• Included plug adapters: USA, Europe, UK, Australia \u003cbr\u003e• Compatibility: Specified 15V Radial devices (e.g., interfaces, switchers, preamps)\u003cbr\u003e• Compatibility Note: Not suitable for some legacy Radial\/Tonebone devices such as specific distortion pedals\u003cbr\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003cbr\u003e• DC Output: 1 × 15V DC barrel connector, center positive\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003e• Universal AC Input: 100–240V AC, 50\/60 Hz \u003cbr\u003e• DC Output: 15V @ 400mA\u003cbr\u003e• International plug adapters included\u003cbr\u003e\u003cstrong\u003eUsage Notes\u003c\/strong\u003e\u003cbr\u003e• Ideal as a replacement or backup power supply for compatible Radial equipment. \u003cbr\u003e• Always check specific device compatibility before use to avoid damage. \u003c\/p\u003e\u003ch2 style=\"text-align: justify;\"\u003e\u003cu\u003e\u003cstrong\u003eCompatible Radial Models\u003c\/strong\u003e\u003c\/u\u003e\u003c\/h2\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eDevice Category Compatible Model\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eInterfaces\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003eDiNET DAN-TX (2-Channel Dante Network Transmitter)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eDiNET DAN-RX (2-Channel Dante Network Receiver)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eDiNET DAN-TX2 (2-Channel Dante Network Transmitter)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eDiNET DAN-RX2 (2-Channel Dante Network Receiver)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eTwinline (Effects Loop Interface)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eKey-Largo (Keyboard Mixer)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eSGI-44 (Guitar Signal Extender)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eSGI 15v (Guitar Interface System)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eJ+4 (Stereo Line Driver)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eSwitchers\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003eSW8-USB (USB Interface and Auto-Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eSW8 (Auto-Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eSW4 (4-Channel Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eBacktrack (Stereo Audio Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eRelay Xo (Active Output Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eVoco-Loco (Effects Switcher for Voice or Instrument)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eGold Digger (4-Channel Mic Selector)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eCherry Picker (4-Channel Preamp Selector)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eHeadbone VT (Amp Head Switcher)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eSwitchbone V2 (Amp Switcher \u0026amp; Booster)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eInstrument Preamp\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003ePZ-Pro (2-Channel Acoustic Preamp)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003ePZ-Deluxe (Acoustic Preamp)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003ePZ-Pre (Acoustic Preamp)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eBassbone V2 (Bass Preamp \u0026amp; Boost)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eBassbone OD (Bass Preamp \u0026amp; Overdrive)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eDirect Box (DI \/ DI Interfaces)\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003eJDX 48 (Amplifier Direct Box)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eJ33 (Phono Preamp \u0026amp; DI)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eHeadload Prodigy (Load Box and DI)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e500 Series – Reamp\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003eEXTC-SA (Guitar Effects Interface)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eX-Amp (Active Reamp)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eEXTC-Stereo (Stereo Guitar Effects Interface \u0026amp; Reamper)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eStudio Tools\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003ePhazer (Phase Adjuster)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eStudio-Q (Studio Talkback Controller)\u003c\/li\u003e     \u003cli style=\"text-align: justify;\"\u003eMC3 (Monitor Controller)\u003c\/li\u003e\u003c\/ul\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAccessories – Power Supplies\u003c\/strong\u003e \u003c\/p\u003e\u003cul\u003e     \u003cli style=\"text-align: justify;\"\u003eStageBug SB-48 (Phantom Power Supply)\u003c\/li\u003e\u003c\/ul\u003e","brand":"RADIAL ENGINEERING","offers":[{"title":"Default Title","offer_id":58044023144793,"sku":"GR800941500","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/radial-engineering-power-supply-r800941500-gr800941500-0.jpg?v=1778580944"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/83fdbf1dec79e39e362806eff4d187df845656c5_s.png?v=1779268946","url":"https:\/\/yourmusiconline.it\/en\/collections\/radial.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}