{"title":"CRANBORNE AUDIO","description":"","products":[{"product_id":"cranborne-audio-n22-ca-n22","title":"CRANBORNE AUDIO N22","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCranborne N22Audio Distribution: A Neat and Affordable SolutionCranborne N22 is both an audio distribution system via C.A.S.T. and a 4-channel Cat5 multicore.Standalone Cable Management Tool Simply put, the N22 replaces 4 balanced XLR cables with a single Cat5 cable over distances up to 100m. Thanks to the C.A.S.T. system, the N22 is perfect for distributing audio in the studio or on stage with streamlined and affordable cabling, using a Cat5 cable to carry balanced analog audio signals to and from other compatible products (e.g., another N22).Advanced C.A.S.T. Breakout Box Studios already using a Cranborne Audio interface can simply connect the N22 to the C.A.S.T. IN port, and audio connected to the N22's inputs will appear directly on the audio interface, ready for recording. The same Cat5 C.A.S.T. connection can transmit a monitor mix generated by the interface directly to the balanced XLR and 1\/4” Jack outputs for monitoring or reamping.No Cable ClutterThe C.A.S.T. system replaces four balanced XLR cables with a single CAT5 cable.C.A.S.T (Cat5 Analogue Signal Transport) uses the internal copper pairs of a Cat5 cable to transmit 4 channels over distances up to 100 meters. Cranborne developed C.A.S.T. to create the perfect platform for audio distribution in studios and on stages, reducing cable clutter, improving sound performance, lowering costs, and enhancing flexibility in distributing audio channels. The C.A.S.T. system allows you to transform classic cable spaghetti into an artistic, clean, and tidy cabling setup.C.A.S.T. ExpanderConnect the N22 to the C.A.S.T. IN ports of a 500R8 or 500ADAT: audio present at the N22's inputs will be sent directly to the interface for recording. Meanwhile, a stereo monitor mix generated by the 500R8\/500ADAT will be routed from the same C.A.S.T. connection directly to the 1\/4” jack and line XLR outputs.Standalone Cat5 MulticoreYou can replace bulky and expensive analog multicores by using two N22 units to transmit and receive audio between two different locations. For example, you can use an N22 connected to an audio interface to distribute signals to a vocal booth, a live room, or perhaps temporarily, to a hallway that needs sound, using a single CAT5 cable.Headphone Audio Distribution with N22HThe N22's big brother is the N22H. Equipped with all the features of the smaller model, but with reference quality and a high-power headphone amplifier.Using the same design as the flagship 500R8, the N22H headphone amplifier is a crucial tool for engineers who want to drive their headphones properly.By connecting an N22 with an N22H, the C.A.S.T. system can be used to carry headphone amplification wherever needed, with just one CAT5 cable. With an output impedance of 0.33 Ohms, up to 500mA of power per channel, and low distortion (THD = 0.0003% at 1kHz), the N22H’s headphone amplifier offers clean amplification with enough volume to drive any type of headphones. It can also be powered by a 9v battery or an external 9v power supply.Key Features Two Combo InputsTwo 1\/4” Jack Headphone Outputs∙ Two XLR OutputsC.A.S.T IN Port (RRTT)C.A.S.T OUT Port (TTRR)Advanced connectivity with 500R8, 500ADAT, and Camden EC2Cat5 connectivity with a second N22 or N22HFully passive operationCompatible with any shielded Cat5 cable for distances up to 100mImproved crosstalk using Cat6 and Cat7Robust metal casingMounting holes for permanent installations","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001684365657,"sku":"CA-N22","price":114.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/n22_f.jpg?v=1778099086"},{"product_id":"cranborne-audio-n8-ca-n8","title":"CRANBORNE AUDIO N8","description":"\u003ch2\u003eDescription\u003c\/h2\u003eN8 is an audio signal distribution device that uses Cranborne Audio's C.A.S.T. system to transform network cables (Cat 5e, Cat 6, or Cat 7) into 4-channel analog snakes and breakout boxes, which can be used to route signals in the studio or on stage. N8 features 25-pin DSub input\/output connectors and converts 8 analog inputs and 8 analog outputs into Cranborne Audio's proprietary C.A.S.T. system. This creates an ingenious plug-and-play signal routing with any other C.A.S.T.-enabled product. With 4 C.A.S.T. ports, the N8 allows you to connect up to 4 Cranborne Audio breakout boxes simultaneously for 16 channels. Since each C.A.S.T. port is bidirectional, 2 inputs and 2 outputs are sent\/received with each C.A.S.T. connector and cable. By connecting a Cranborne Audio N22H* to an N8, you can place an artist with 2 microphones and headphones in one room, receiving the microphone signal and sending the headphone mix from a completely different room. All with a single network cable! Or you can use the N8 with 4 N22Hs to send a headphone mix to musicians located in the live room or the next room. Since C.A.S.T. works over distances up to 100m, you can truly connect anywhere. Thanks to dedicated switches for C.A.S.T. output routing on the front panel, each C.A.S.T. connection on the N8 can send the same stereo signal from inputs 1-2 to all connected C.A.S.T. devices (or separate stereo signals to each of them) if artists need to hear their own mix. C.A.S.T. is a high-quality plug-and-play system for transporting audio from point A to point B in an organized manner without complicated cabling. Additionally, it supports +48V Phantom power, to power active DI boxes and condenser microphones. Given that network cables are now commonplace even in home environments, wiring an entire studio with Cat5, Cat6, Cat7 and C.A.S.T. cables is much more economical than traditional XLRs. Thanks to a completely passive design (no power is needed to use it) N8 is ideal for the stage, small enough to be hidden in the rack or rack-mountable with the appropriate kit (optional). It is a cabling solution designed to transform your open-space into a real studio. *N22H sold separatelyKey features•\tC.A.S.T. distribution hub and audio over network cable system•\tCompletely passive operation•\tBalanced and high-quality audio signal path•\t8 inputs and 8 outputs on DSub 25Pin (Tascam pinout) (sold separately)•\tC.A.S.T. IN A, B, C and D ports on RJ45 with 2 dedicated input and output paths for each.•\tCompatible with any shielded Cat 5e\/Cat 6\/Cat 7 cable with distances up to 100m•\tBetter crosstalk performance with high-performance Cat 6 and Cat 7 cables (recommended)•\tRobust metal enclosure•\tCompatible with all Cranborne Audio C.A.S.T. devices, including N22, N22H, Camden EC1 and Camden EC2•\tFull support for +48V Phantom power•\tRack-mountable with the optional Half Rack kit (OBDRK001)","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001684660569,"sku":"CA-N8","price":174.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/n8_f.jpg?v=1778099092"},{"product_id":"cranborne-audio-carnaby-500-ca-carnaby500","title":"CRANBORNE AUDIO Carnaby 500","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCarnaby 500 is a 3-band parametric equalizer for the 500 series format, with a unique and revolutionary equalization concept, conceived and created by Cranborne Audio. Carnaby 500 is the world's first Harmonic EQ™, an analog equalizer that uses saturation to boost and cut harmonic content across various frequency bands. This allows you to enhance sources, stems, and mixes with authentic analog harmonic saturation, offering the feel, familiarity, and control of an equalizer.Carnaby 500 features 3 interactive Harmonic EQ™ bands, with each band offering 10dB of boost\/cut and overlapping, adjustable frequency controls. Each band of the Carnaby 500 has a unique blend of harmonic content suited to its frequency band, allowing for maximum musicality. The HI band covers the range from 5kHz to 25kHz and uses homogeneous saturation to naturally extend high frequencies beyond the audio band, giving air and breath to vocals and acoustic instruments. The LO band operates in the range from 20Hz to 420Hz and uses hard-clipping saturation to extend sub-harmonic frequencies into the audible low-end range: perfect for a subtle low-end boost or extreme sub-harmonic saturation. The MID band is a peak filter with a fixed Q and a wide range of adjustable frequencies from 200 Hz to 6.2 kHz. It uses saturation to add harmonic emphasis to the source anywhere in the frequency range. Unlike other EQs, the Carnaby 500 has a very dynamic response and increases total boost\/cut and harmonics as the circuits are saturated. An input and output level control on each band allows for ±20dB level adjustment, enabling you to drive Carnaby 500 harder with the input control for saturation and distortion effects, or reduce it for cleaner equalization when needed.The Carnaby 500 not only features a unique equalization circuit, but also an innovative stereo linking function called OPTOSYNC, which allows two Carnaby 500 units to function as a perfect stereo pair for mixes and stereo sources. With OPTOSYNC, all controls are synchronized from the left unit to the right without internal cables or wiring. If you set OPTOSYNC to ON for all slave units, their controls will synchronize with the master unit without additional cables. You can also use OPTOSYNC to link multiple units and apply the same sonic footprint to entire summing mixers or multi-channel surround mixes.Thanks to a robust and exclusive chassis, all 41-position stepped potentiometers, and automatic calibration of all analog saturation paths, Carnaby 500 is a timeless processor, designed to be a constant aid in your studio for years to come.Key Features3-band Harmonic EQ for the 500 SeriesTM meticulously developed by the Cranborne Audio team in the UKCustom analog equalization circuit and unique \"saturation-core\" technology for harmonically enriched equalization effectsParametric shelving LO and HI bands with ±10dB cut\/boost and harmonic saturationParametric MID band with ±10dB cut\/boost, fixed Q and harmonic saturationLO, MID, and HI LED indicators to display saturation level±20 dB input and output level for dense harmonic saturation or more natural equalization effectsOptoSync communication between modules for simultaneous controls during stereo operation⅛\" TRS jack for connecting non-adjacent modulesAutomatic circuit calibration for perfect stereo matching between all modulesTrue-bypass IN\/OUT switching with full or post input trim mode available via DIP switchStepped front panel controls for quick recall and precise feel","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001684988249,"sku":"CA-CARNABY500","price":579.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/carnaby-500-harmonic-eq.jpg?v=1778099098"},{"product_id":"cranborne-audio-camden-500-ca-camden500","title":"CRANBORNE AUDIO Camden 500","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCranborne CAMDEN 500500 Series Preamp and Signal ProcessorThe best of both worldsCamden 500 is a clean, linear, and transparent preamplifier. But it also has its own sonic character: you can apply two custom discrete analog saturation circuits.Clean, precise, and naturalCamden 500 offers maximum clarity and sonic detail. Its custom topology allows for incredible performance with low background noise and minimal distortion: -129.8dB EIN (150ohm) and THD+N 0.0002%. The Camden also sets a new standard for frequency and phase linearity: ±0.7dB frequency response from 5Hz to 200kHz at maximum gain, and \u003c2° phase shift @ 50Hz-20kHz. The end result is an extremely natural-sounding preamplifier.Vintage, warm, and colorfulThe Camden 500 features \"Mojo,\" a custom analog saturation circuit that can transform it into the warmest, most colorful, and fullest preamplifier in your arsenal. Designed to introduce the characteristic harmonics of the most famous vintage products, the \"Mojo\" parameter can intervene both discreetly and with sonic aggression (and can, of course, be bypassed).Custom topologyThanks to a transformerless topology with 68.5dB of gain, the Camden 500 provides incredible performance in terms of background noise, distortion, sequence response, and phase shift across all 12 gain positions.Three-way input switchAdequate input impedance and headroom for Microphone, Line, and high-impedance sources allow for full-range and gritty recordings with +26.5dBu input, as well as a lively and natural D.I. sound with its unique BJT design and an input impedance of 1.5M Ohm.Manufactured in the UKTo ensure that every Cranborne product can boast the extraordinary performance mentioned, all products are carefully manufactured and tested in the UK under the company's direct supervision.","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001685184857,"sku":"CA-CAMDEN500","price":371.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/cranborne-camden-500_f.jpg?v=1778099100"},{"product_id":"cranborne-audio-camden-ec1","title":"CRANBORNE AUDIO Camden EC1","description":"\u003ch2\u003eDescription\u003c\/h2\u003eWinner's PedigreeCamden EC1 features one of the cleanest and most transparent preamplifiers on the market, in a standalone, desktop-friendly chassis that can integrate with any audio interface.Designed to compete with the best, the Camden preamp achieves unprecedented performance in terms of extremely low noise and distortion, as well as frequency and phase response linearity, at any gain value. The newcomer from Cranborne captures sound sources with the utmost transparency; it amplifies low-sensitivity microphones without adding noise and coloration; it captures transients instantly and consistently, without adding phase distortion, which often causes anomalies during summing. Camden EC1 boasts performance and technical specifications that surpass the most revered \"transparent\" preamplifiers on the market. The 12-step gain potentiometer allows for easy recall of settings, while the dedicated mic, line, and hi-z input selector makes Camden EC1 not only your preferred preamp for many sources, but also a saturator for line signals or a very convenient high-level DI Box, thanks also to the handy ¼” jack Link output connector.Vintage PersonaUsing the analog saturation control \"Mojo\", Camden EC1 transforms from a transparent, natural, and crystal-clear sounding preamp into a vintage-feeling machine, fat, dirty, and rich in harmonics, as the dedicated potentiometer is adjusted. With two different Mojo styles, named Thump and Cream, Camden EC1 perfectly recreates the feel of both transformers and tubes used in the most classic vintage preamps. The Mojo circuit is fully adjustable, allowing you to easily find the right amount of harmonic saturation for every type of source. Use it around 3-4 to recreate the authentic saturation of a vintage preamp, or push it up to 11 for truly exaggerated effects! A great advantage (which we cannot have on vintage machines...) is that, when that characteristic sound is not needed for a particular project and perhaps we want an absolutely transparent and detailed response, with EC1 it is enough to deactivate the Mojo circuit (by making the potentiometer click slightly at its minimum travel) and eliminate it (true-bypass) from the signal path, to reveal the purity of the Camden preamplification circuit design. Record with Mojo active to instantly get the desired harmonic coloration during recording or route a line signal from tracks or stems of your DAW to the Mojo circuit, to enrich them with the typical saturation of vintage analog machines during mixing.An Advanced Device for Tracking and ReampingThe high-quality headphone amplifier of the Camden EC1 and the independent 4-channel line mixer allow for zero-latency direct monitoring of the Camden preamp, by connecting headphones to the front panel. You can monitor the preamp with headphones while positioning the microphone to find the sweet spot of the sound source, or create a zero-latency analog headphone mix using the preamp with external playback from a dedicated Stereo Aux and external Mono Line Inputs. The Camden EC1 also has a Hi-Z D.I. circuit for instruments with a dedicated jack Link output, which makes this product perfect for reamping basses and electric guitars in the studio or on stage. Simply connect instruments to its Hi-Z inputs and connect the preamp's 1\/4” Link output to amplifiers\/effect pedals for wet\/dry recording and reamping.C.A.S.T. Enabled for TransmissionThe Camden EC1 uses Cranborne Audio's C.A.S.T. system to distribute audio in the studio or on stage using Cat 5e, Cat 6, or Cat 7 cables, while maintaining the highest sound performance. By connecting the C.A.S.T. OUT to Cranborne Audio’s 500R8 or 500ADAT, you can send the Camden EC1 preamp directly to the interface input for recording or processing the sound. At the same time, with the same cable, 500R8 and 500ADAT can transmit their monitor mix directly to the EC1 headphone mixer for listening. This allows users of 500R8\/500ADAT to place the EC1 preamp with its headphone amp in the live room using a single network cable, thus freeing up the 500 slots of the 500R8\/500ADAT and having more space for EQs, compressors, and processing modules before reaching the converters.Meticulously Designed and Engineered In UKWith the remarkable amount of I\/O available, Camden EC1 ensures maximum flexibility with all audio interfaces and third-party recorders, including dedicated XLR outputs, impedance-balanced 1\/4” jack outputs with a 10dB PAD, and a Link output when Camden EC1 is used as a DI. Camden EC1 is another Cranborne Audio product engineered and designed by an attentive and vigilant team. Camden EC1 offers high-level audio features linked to the type of application, challenging every price range and being available for professional sound engineers, project studios, and home studios.Technical SpecificationsDiscrete mic\/line\/hi-z preamp with the award-winning 'Camden' typology derived from the Camden 500 series preamps and the Signal Processor produced for the 500 seriesFreq. Response: ±0.7dB (\u0026lt;1 Hz to \u0026gt;1000 kHz, 35dB gain), ±1dB (\u0026lt;5 Hz to \u0026gt;200 kHz, Max Gain)Phase Shift: \u0026lt;2.75° (20Hz to 20kHz, 40dB gain), \u0026lt;6° (20Hz to 20kHz, Max Gain)Intermodulation Distortion: \u0026lt;0.0006% (50Hz and 7kHz, 35dB gain, +20dBu output)THD+N: \u0026lt;0.00025% (1kHz, 35dB gain, +24dBu output)EIN: \u0026lt;-129.5dBu, 150 Ohm per source, unweighted, \u0026lt;-135.5dBu, Common input, unweightedAudio performance close to the theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings.Headphone mixer with separate level control for Ch1, Ext, and Aux inputsMonitor Camden preamps directly with headphones while positioning microphones to find the sweet spot of instruments or sourcesCreate zero-latency mixes for recording by combining the Camden preamp with external playback from the Aux Inputs, 1\/4” jacks, on the rear panel of the Camden EC1Use the headphone amplifier as a reference for critical listening, by sending mixes from the interface to the Aux inputs and monitoring directly from the Camden EC1 headphone outputsHigh-power, reference-quality headphone amplifierFreq. Response: \u0026lt;±1dB, \u0026lt;1 Hz to \u0026gt;100 kHzOutput Impedance: 0.33 OhmsTHD: 0.0003%, 1kHzOutput Wattage: 2x250mW @ 600 Ohm, 2x450mW @ 220 Ohm, 2x250mW @ 100 Ohm","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001685315929,"sku":"CA-CAMDENEC1","price":596.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/camden-ec1.jpg?v=1778099106"},{"product_id":"cranborne-audio-camden-ec2","title":"CRANBORNE AUDIO Camden EC2","description":"\u003ch2\u003eDescription\u003c\/h2\u003eCranborne CAMDEN EC2Camden EC2Two-channel preamp, signal processor, and dual headphone mixerHigh-quality preamp in 1u rackCamden EC2 is a two-channel microphone preamplifier in a 19” rack format with the same circuitry as the renowned Camden 500, \"mojo\" analog saturation circuits, and two high-quality headphone amps for monitoring the 2 auxiliary line inputs, providing zero-latency monitoring.Award-winning sonic pedigreeThanks to two separate preamps with \"Camden\" technology, developed for the Camden 500, the Camden EC2 offers incredible performance, reduced background noise and minimal harmonic distortion, as well as unparalleled linearity (in frequency and phase response) at any gain setting. The result is -129.8dB EIN (150ohm), THD+N 0.0002%, frequency response of ±0.7dB from 5Hz to 200kHz at gain and \u0026lt;2° phase shift @ 20Hz – 20kHz.Vintage personalityBy incorporating our custom \"Mojo\" analog saturation circuit, the Camden EC2 can emulate the sound of famous British preamps (and their beloved transformers). Bypassing the \"Mojo\" circuit, however, it becomes an incredibly clean and natural tool. Using the preamps in \"Line\" mode, the Mojo saturation circuit can apply vintage coloration to your stems and even to stereo mixes.Dual-channel preamplification and D.I. for instrumentsThanks to a transformerless topology and a 68.5dB gain stage, the Camden EC2 provides incredible performance in terms of background noise, distortion, frequency and phase response at any gain value (12 steps). Each EC2 pre-amplification channel has an input impedance and headroom tailored for microphone, line, and high-impedance sources, thanks to a 3-position switch for each channel.Dual headphone mixerTwo reference-quality headphone amps with discrete line mixers allow direct monitoring of both Camden preamps using headphones connected directly to the front panel of the Camden EC2.You can listen to the preamps while positioning microphones to find the sweet spot of a guitar cabinet, drum, or acoustic instrument; or you can configure them to create a completely analog, zero-latency monitor mix by combining the Camden preamps with playback from an external source via the Aux Inputs on the rear panel.Technical Specifications The Camden EC2 has channels of one of the cleanest, most linear, and transparent preamplifiers on the market. Our new Camden preamp topology pushes the limits of frequency response, phase shift, and harmonic distortion performance.EIN: \u0026lt;-129.5dBu, 150 ohm source, unweighted\u0026lt;-135.5dBu, Inputs common, unweightedPhase Shift: \u0026lt;2.25°, 40dB gain, 20Hz to 20kHz\u0026lt;4°, Max gain, 20Hz to 20kHzTHD+N: \u0026lt;0.0004%, 1kHz, 35dB gain, 24dBu outFreq. Response: \u0026lt;±1dB, \u0026lt;5 Hz to \u0026gt;200 kHz, all gain settingsCMRR: \u0026gt;70dB, typ \u0026gt;85dB, 35dB Gain, 10-20kHz, 100mV Common modeFor a detailed look at the performance of the Camden EC2 preamps, you can consult the Camden 500 technical sheet","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58001685414233,"sku":"CA-CAMDENEC2","price":1268.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/Camden_EC2_Front_HiRes_TrnsBG_PNG.png?v=1778099109"},{"product_id":"cranborne-audio-brick-lane-500-ca-b50010pk","title":"CRANBORNE AUDIO Brick Lane 500","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Brick Lane 500 is an analogue PWM compressor in the 500 series format, featuring 6 operational modes and variable Stress control for harmonically rich compression effects. The Brick Lane 500 represents a genuine quantum leap in analogue compression: an all-analogue PWM compressor that transcends traditional dynamic control methodologies thanks to its revolutionary Modal PWM Compression architecture. In POLISH mode, the Brick Lane 500 becomes the fastest and cleanest analogue compressor ever made, thanks to its exclusive ANALOGUE LOOKAHEAD function and top-tier PWM circuit — ideal as a mastering-style limiter. By changing modes and quickly adjusting the STRESS control, the Brick Lane 500 can transform into a \"vintage-style\" analogue compressor, or into a modern, aggressive compressor perfect for crushing drums in parallel. At the heart of the Brick Lane 500 lies its innovative Modal PWM Compression technology — a radically new approach that offers audio professionals unparalleled compression flexibility. Unlike conventional compressors, this design allows for unlimited shaping of envelopes and compression styles, without compromise. Imagine a single compressor that encapsulates an entire arsenal of compression in one revolutionary module. The Modal PWM Compression of the Brick Lane 500 is equivalent to having six legendary hardware compressors at your fingertips, each with its own personality, sonic signature, and dynamic DNA. Each mode is not just a setting: it is an entirely different compression philosophy. Each mode effectively reconfigures your \"virtual patchbay\", offering a totally different compression style, with unique ballistic characteristics that radically transform the unit's behaviour. Attack and release controls mutate drastically between modes — from slow, Vari-Mu-style curves to lightning-fast FET-type responses. Compression ratios range from gentle 2:1 interventions to aggressive 20:1 sonic destruction. Even the knee behaviour transitions from soft, rounded profiles to sharp precision. The Stress control becomes a true chameleon, radically altering the harmonic character and saturation profile in each mode. What adds a slight tube warmth in VELVET, becomes a transient destroyer in SMASH, a mix glue in GLUE, and a loudness\/clipping finalizer in POLISH. It's not just a function: it's a sonic transformer that redefines compression as a creative tool for sound design and mixing. Key Features: ● 500 series Modal PWM compressor developed by the Cranborne Audio team in the UK ● Custom PWM circuit and “Stress” control for harmonically enriched compression effects ● 6 modes: Velvet, Float, Smash, Tame, Glue, Polish ● Variable Threshold, Attack, and Release controls per mode ● 12-segment LED meter for level and gain reduction ● 4 HPF sidechain filters: OFF, 60Hz, 100Hz, 200Hz ● ±20dB Input and Output\/Make-up Gain ● Wireless OptoSync for stereo operation ● 1\/8” TRS jack for linking non-adjacent modules ● Auto-calibration for perfect stereo matching ● True-bypass IN\/OUT with post-trim mode ● Stepped front panel controls for precise recall","brand":"CRANBORNE AUDIO","offers":[{"title":"Default Title","offer_id":58043965342041,"sku":"CA-B50010PK","price":862.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/bricklane500_f.png?v=1778580404"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/cranborne_audio_f_jfyn_t2kw_s.jpg?v=1779267981","url":"https:\/\/yourmusiconline.it\/en\/collections\/cranborne-audio.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}