{"title":"Other Signal Processors","description":"","products":[{"product_id":"solid-state-logic-fusion-sslfus","title":"SOLID STATE LOGIC Fusion","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eSOLID STATE LOGIC Fusion\u003c\/p\u003e\u003cp\u003eSolid State Logic Fusion is a 2U all-analog rack processor created for the modern hybrid studio. Fusion introduces five completely new analog coloring tools, designed to add to the mix (or stems) the perfect combination of tonal coloring, substance, and spaciousness with the details: the warmth and finesse that only real analog circuits can provide. The SSL sound, derived from its highest quality components, has characterized generations of studio consoles; the first examples that come to mind are the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the SSL summing. Fusion brings SSL into a new era with the introduction of a suite of innovative analog tools that offer exceptional sonic characterization, as well as versatility of use. This opens up a world for owners of hybrid studios and is a superb partner for the SSL Stereo Bus Compressor.Solid State Logic Fusion is a 2U all-analog rack processor created for the modern hybrid studio. Fusion introduces five completely new analog coloring tools, designed to add to the mix (or stems) the perfect combination of tonal coloring, substance, and spaciousness with the details: the warmth and finesse that only real analog circuits can provide. The SSL sound, derived from its highest quality components, has characterized generations of studio consoles; the first examples that come to mind are the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the SSL summing. Fusion brings SSL into a new era with the introduction of a suite of innovative analog tools that offer exceptional sonic characterization, as well as versatility of use. This opens up a world for owners of hybrid studios and is a superb partner for the SSL Stereo Bus Compressor.\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":58001945985369,"sku":"SSLFUS","price":1482.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/sslfusion.jpg?v=1778101855"},{"product_id":"isa-one-gfoc2000198","title":"Focusrite ISA ONE","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eIn the mid-1980s, Sir George Martin commissioned legendary console designer Rupert Neve to build a series of no-compromise, innovative console modules for AIR Studios. These modules were hugely successful and formed the basis of Focusrite studio consoles, widely regarded as the best-sounding analog recording consoles of all time. Today, products derived from these modules are used in top studios worldwide, and the sought-after Focusrite Heritage Sound is at the heart of thousands of hit records. Focusrite's current ISA series brings the classic Focusrite sound to your studio or live performances.\u003c\/p\u003e\u003cp\u003eFeaturing a portable and robust chassis, the ISA One combines Focusrite's classic microphone preamplifier with a flexible, independent DI channel and optional 192kHz precision A\/D conversion.\u003c\/p\u003e\u003cp\u003eThe heart of the ISA series is the microphone preamplifier and its Lundahl input transformer – virtually the same circuit based on the original ISA110, used in all Focusrite designs for 30 years. The input transformer gives a special character to the sound that cannot be emulated otherwise: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But, unlike the original design, this mic pre has a special feature that makes it much more versatile: 4 carefully selected impedances that allow you to match an input microphone in different ways. You can bring out the character of a classic microphone or emphasize a particular characteristic, or achieve a completely transparent modern sound – the choice is yours.\u003c\/p\u003e\u003cp\u003eWhether you are a musician, sound engineer, or producer, you will appreciate the versatility of the ISA One, with its front-panel DI input. The DI channel includes a low\/high impedance switch and an amplifier output, separate power supply for the optional A\/D converter, and a separate XLR output on the rear panel.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3-year warranty\u003c\/strong\u003e on all new \u003cstrong\u003eFocusrite\u003c\/strong\u003e products purchased from January 1, 2018 onwards. The Focusrite Warranty is synonymous with peace of mind for the user, representing a professional service that minimizes waiting times should a manufacturing defect occur, and confirms that the British company's products are built to high quality standards.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eKEY FEATURES\u003c\/strong\u003e\u003c\/h3\u003e\u003ch4\u003e\u003cstrong\u003eISA Series Transformer-based Preamp\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eHoused in a rugged, portable chassis, the ISA One delivers the classic Focusrite microphone preamp in a highly convenient and flexible format.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eFlexible, Independent DI Channel\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eThe ISA One is ideal for both engineers and demanding artists, thanks to independent gain control, an amplifier link output, an independent XLR output on the rear, and routing to the optional A-D converter.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eSelectable Impedance\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eChoose one of 4 carefully selected impedances, including the original ISA110 setting, to get the best from every microphone.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eHeadphone Output with Volume Control\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eThe ISA One can feed the sum of the two inputs to the headphone output, or to an external stereo cue mix (like a stereo signal from an interface) via 2 TRS jack inputs on the back of the unit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDedicated Insert Points\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAllow you to insert external processors such as an EQ or compressor between the preamp, or DI, and the optional converter.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eOptional 192kHz Stereo A-D Converter\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eYou can choose to upgrade the unit with an optional digital card that guarantees best-in-class A-D performance, with a dynamic range of 118dB.\u003c\/p\u003e  \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3HzyPdkq5mE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vu_hEdgn8Pw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003ch4 align=\"center\"\u003eFocusrite Isa One Digital\u003c\/h4\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/73uGN_kxGVc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003c\/p\u003e\u003ciframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/rHw0zg0m3zk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":58003738362201,"sku":"GFOC2000198","price":570.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/26-focusrite-isa-one-gfoc2000198_0.jpg?v=1778131147"},{"product_id":"isa-two-gfoc2000199","title":"Focusrite ISA TWO","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\u003cp\u003eThe history of ISA modules dates back to 1985, when Sir George Martin commissioned legendary designer Rupert Neve to create new modules for the AIR Montserrat console. They were so successful that many more were commissioned for AIR London. These original modules form the basis for today's Focusrite ISA series - delivering the legendary Focusrite sound to leading studios, artists, producers, and engineers worldwide. Hundreds of hit records have been created - and continue to be created - with the Focusrite ISA Range.\u003c\/p\u003e\u003cp\u003eThe Focusrite ISA Two brings together a pair of legendary, fully independent ISA microphone preamps, derived from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve - the Lundahl LL1538. Two is a pleasant number - ideal for recording vocals and instruments, or a stereo piano. And even if you only need 2 microphone preamps, you absolutely must choose the best. (And if you need more, we also have the 4-channel ISA 428 Mk II and 8-channel ISA 828 units).\u003c\/p\u003e\u003cp\u003eFocusrite has made a small change to the microphone preamp. The original ISA 110 had a unique input impedance, ideal for the microphones of the time. The ISA Two boasts 3 additional impedances, allowing you to get the best out of all your microphones, vintage or modern. Give a vintage microphone the input it expects, and you'll get a warm, traditional sound. Pair the ISA Two with modern microphones, and you'll get the most transparent sound imaginable. Or experiment, bringing out the hidden character from each microphone. Combine all this with up to 80dB of gain, and you're ready for anything.\u003c\/p\u003e\u003cp\u003eIn addition to the microphone preamps, there are instrument inputs on the front panel for quick access, and line inputs on the rear panel. There is also a balanced insert point on the rear panel, activatable with a button on the front panel for inserting EQs, dynamic effects, and other processors. Add an 8-LED user-calibratable meter and a high-pass filter with variable cutoff, and you have everything you need to achieve the best quality in your audio recordings.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e3-year warranty\u003c\/strong\u003e on all new \u003cstrong\u003eFocusrite\u003c\/strong\u003e products purchased from January 1, 2018 onwards. The Focusrite Warranty is synonymous with peace of mind for the user, it represents a professional service that minimizes waiting times in the event of a manufacturing defect, and confirms that the products of the British company are built to high quality standards.\u003c\/p\u003e\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eKey features\u003c\/strong\u003e\u003c\/h3\u003e\u003ch4\u003e\u003cstrong\u003eLundahl LL1538 input transformer\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eRupert Neve originally chose the Lundahl LL1538 as the input transformer for the ISA 110. It remains the best input transformer available and is used in every microphone preamp in the ISA series.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eUp to 80 dB of gain\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eThe ISA Two offers up to 80 dB of clean, distortion-free gain. The ISA design ensures low noise, even at the highest gain levels. The transformer provides 20 dB of gain, while the ISA input stage offers up to an additional 60 dB, for a total of 80 dB of maximum gain on the microphone input.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eVariable input impedance\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003e4 selectable input impedances, including the original ISA 100 setting, allow you to match the preamp to your microphone, even if it's vintage, to get the best possible sound. The impedance is selected via the switch on the front panel, and the chosen value remains in memory even after turning the unit off and on again.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eUser-calibratable meter\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eEach channel has an 8-LED row that clearly shows the level of your 2 signals. Align the levels of your ISA Two by matching them to your DAW converters with the calibration knob on the rear panel.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eFront panel instrument inputs and rear panel line inputs\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eTwo \u0026frac14;-inch jack sockets on the front panel of the ISA Two provide immediate access to a transparent DI input. TRS line inputs are also present on the rear panel, and you can switch through them directly to select what you want.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eHigh-pass filter with variable cut-off\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eIntegrated and easily accessible thanks to the large knob and illuminated button, it is the same extremely smooth-sounding 18dB per octave high-pass filter as the original ISA 110 module. It is ideal for removing rumble, thumps, and other unwanted low-frequency sounds, and with a range from 16 to 420 Hz, it is easy to decide what to eliminate and what to keep.\u003c\/p\u003e\u003ch4\u003e\u003cstrong\u003eBalanced inserts on the rear panel\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003eEach channel of the ISA Two has its own balanced insert point. Thanks to the 1\/4 TRS connections, you can connect the signal processor of your choice and activate\/deactivate it via the illuminated switch on the front panel.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTechnical specifications:\u003c\/strong\u003e\u003cbr \/\u003e2 transformer-based preamplifiers from the ISA Series\u003cbr \/\u003e2 front panel instrument inputs\u003cbr \/\u003eSelectable impedance\u003cbr \/\u003eDedicated analog insert points for each channel\u003cbr \/\u003e80 dB of clean gain\u003cbr \/\u003eVariable high-pass filter\u003cbr \/\u003e8-segment LED meter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003cbr \/\u003e+24dBu with a THD +N \u0026lt;0.01% at 1kHz measured with a 0dBu input, with a 150 Ohm impedance source and 22Hz -22KHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaximum level obtained from the transformer on the microphone input\u003c\/strong\u003e\u003cbr \/\u003e+7dBu with a THD +N \u0026lt;0.7% at 1KHz measured at 0dB gain, with a 150 Ohm impedance source and 22Hz -22KHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cu\u003e\u003cstrong\u003eMicrophone input response\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003cbr \/\u003e0dB to +60dB in 10dB steps, plus 0dB to +20dB of continuously variable trim\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003cbr \/\u003eSelectable impedance settings\u003cbr \/\u003eImpedance setting equivalent value at 1kHz\u003cbr \/\u003eLow 600?\u003cbr \/\u003eISA110 1400?\u003cbr \/\u003eMed (Medium) 2400?\u003cbr \/\u003eHigh 6800?\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEIN \u003c\/strong\u003e(Equivalent Input Noise)\u003cbr \/\u003e-127dB, measured at 60dB gain, with a 150 Ohm impedance source and 22Hz -22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr \/\u003e-97dBu, output noise, at unity gain (0dB) and 22Hz -22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003cbr \/\u003e121dB, relative to maximum output of +24dBu, measured with a 150 Ohm impedance source and 22Hz -22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion + Noise\u003c\/strong\u003e\u003cbr \/\u003e\u0026lt;0.0007% at 1 kHz, measured with a -20dBu signal, at +30dB gain with a 150 Ohm impedance source and 22Hz -22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003cbr \/\u003eFrequency response at minimum gain (0dB): -0.5dB at 10Hz and \u0026ndash;1dB at 135kHz, relative to 1kHz\u003cbr \/\u003eFrequency response at maximum gain (60dB): \u0026ndash;6dB at 10Hz and \u0026ndash;1dB at 115kHz, relative to 1kHz\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003cbr \/\u003e-94dB for microphone input at 60Hz for maximum output = +24dBu\u003cbr \/\u003e-91dB for microphone input at 10kHz for maximum output = +24dBu\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eChannel-to-channel crosstalk\u003c\/strong\u003e\u003cbr \/\u003eMic input, with I\/P=0dBu, gain=0dB, at 1kHz with input on channel A, output on Channel B =-85dB\u003c\/p\u003e\u003cp\u003e\u003cu\u003e\u003cstrong\u003eLine input response\u003c\/strong\u003e\u003c\/u\u003e\u003cbr \/\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003cbr \/\u003e-20dB to +10dB in 10dB steps, plus 0dB to +20dB of continuously variable trim\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003cbr \/\u003e10Kohm from 10 Hz to 200 KHz\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr \/\u003e-97dBu, noise on the main output, at unity gain (0dB) measured with a 50 Ohm impedance source and 22Hz – 22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003cbr \/\u003e121dB, relative to maximum output of +24dBu, measured with a 50 Ohm impedance source and 22Hz – 22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion + Noise\u003c\/strong\u003e\u003cbr \/\u003e\u0026lt;0.002% at 1 KHz, measured with a 0dBu signal, at +10dB gain and 22Hz -22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003cbr \/\u003eFrequency response at unity gain (0dB): -0.3dB at 10Hz and \u0026ndash;1dB at 80kHz, relative to 1kHz\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eChannel-to-channel crosstalk\u003c\/strong\u003e\u003cbr \/\u003eLine input, with I\/P=0dBu, gain=0dB, at 1kHz with input on channel A, output on Channel B =-91dB\u003c\/p\u003e\u003cp\u003e\u003cu\u003e\u003cstrong\u003eInstrument input response\u003c\/strong\u003e\u003c\/u\u003e\u003cbr \/\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003cbr \/\u003e+10dB to +40dB with continuously variable trim\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003cbr \/\u003e\u0026gt;2Mohm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr \/\u003e-95dBu, at minimum gain (+10dB) measured with 22Hz 22kHz bandpass filter\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003cbr \/\u003eFrequency response at minimum gain (+10dB): -0.1dB at 10Hz and \u0026ndash;1dB at 115kHz, relative to 1kHz\u003cbr \/\u003eFrequency response at maximum gain (+40dB): \u0026ndash;2.5dB at 10Hz and \u0026ndash;1dB at 110kHz, relative to 1kHz\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003cbr \/\u003eSlope = 18dB per octave\u003cbr \/\u003eFrequency response = continuously variable between 16Hz and 420 Hz (-3dB)\u003c\/p\u003e \u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3HzyPdkq5mE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vu_hEdgn8Pw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003c\/p\u003e\u003ciframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/rHw0zg0m3zk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"FOCUSRITE","offers":[{"title":"Default Title","offer_id":58003738493273,"sku":"GFOC2000199","price":969.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/26-focusrite-isa-two-gfoc2000199_0.jpg?v=1778131156"},{"product_id":"karma-cvs908-convertitore-di-segnale","title":"Karma Cvs908 Convertitore Di Segnale","description":"\u003ch2\u003eDescrizione\u003c\/h2\u003e\u003cp\u003eKARMA CVS908 CONVERTITORE DI SEGNALE\u003c\/p\u003e\u003cp\u003eConvertitore di segnale audio. Consente di trasformare un segnale di tipo microfonico o  phono  in segnale di  linea . Ad esempio, nel caso in cui vogliate collegare un microfono ad un amplificatore stereo sprovvisto di apposito connettore, questo apparecchio farebbe al caso vostro evitando di dover acquistare un mixer.Impedenza in ingresso: 50K ohm - 1KHzLivello in ingresso: 0,5mV MIC - 3mV PHONOGuadagno: 50db MIC - 34db PHONORapporto segnale rumore: \u0026gt;48db MIC - \u0026gt;55db PHONORisposta in freq. (MIC) : +1db a -bdb 70Hz - 20kHzEqualizzazione (PHONO): RIAA +1db a -3db 30Hz - 20kHzLivello d uscita: 150mV RMSImpedenza di carico: \u0026gt;10K ohmsMargine di sovraccarico: 23db \/ Crosstalk: 55dbAlimentazione: 12-15V DC 100mA - Polo + centrale\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecifiche\u003c\/h2\u003e\u003cp\u003eConvertitore di segnale audio. Consente di trasformare un segnale di tipo microfonico o phono in segnale di linea . Ad esempio, nel caso in cui vogliate collegare un microfono ad un amplificatore stereo sprovvisto di apposito connettore, questo apparecchio farebbe al caso vostro evitando di dover acquistare un mixer.Impedenza in ingresso: 50K ohm - 1KHzLivello in ingresso: 0,5mV MIC - 3mV PHONOGuadagno: 50db MIC - 34db PHONORapporto segnale rumore: \u0026gt;48db MIC - \u0026gt;55db PHONORisposta in freq. (MIC) : +1db a -bdb 70Hz - 20kHzEqualizzazione (PHONO): RIAA +1db a -3db 30Hz - 20kHzLivello d uscita: 150mV RMSImpedenza di carico: \u0026gt;10K ohmsMargine di sovraccarico: 23db \/ Crosstalk: 55dbAlimentazione: 12-15V DC 100mA - Polo + centrale\u003c\/p\u003e","brand":"KARMA","offers":[{"title":"Default Title","offer_id":58012427026777,"sku":"CVS908","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/CVS908.jpg?v=1778231841"},{"product_id":"harrison-audio-d510r-harrison-500-series-chassis-723730x1","title":"HARRISON AUDIO D510r Harrison 500-series chassis","description":"\u003ch2\u003eDescription\u003c\/h2\u003eThe Harrison D510r is an extremely flexible 10-slot 500 Series chassis, expandable with an analog summing mixer, Dante AoIP interface, or USB interface. Built on the legacy that defined the sound of legends like Michael Jackson, Led Zeppelin, and Steely Dan, Harrison continues to push the boundaries of music and audio production. In the studio, on stage, or on the big screen, Harrison's design philosophy remains focused on sonic excellence and maximum flexibility for today's artists, producers, and engineers.High-performance tracking rig with analog summingBring the depth and three-dimensional sound image of Harrison analog summing to your studio or live console with the D510r chassis and optional D510mx mixer card. Install eight 32Cpre+ 500 Series microphone preamplifiers and create your ultimate portable Harrison tracking rig, or combine EQ and dynamics modules to configure a custom 8-channel Harrison mixer, all in just 3U.Whether it's a high-performance summing mixer to add analog warmth to digital stems, sum separate outputs from drum machines and samplers, or access console-grade performance in a compact format, the D510r perfectly adapts to every production need, one module at a time.The only 500 Series system with AoIP interfaceThe D510r is the only 500 Series chassis with an optional Dante interface, ideal for integration into live and studio workflows based on the AoIP protocol. With the Dante interface, the Harrison D510 system becomes a complete platform for analog mic preamps, dynamics processors, EQs, or any 500 Series module in a hybrid workflow.Built to lastThe D510r is designed to withstand the demands of professional touring and installations. The robust steel chassis easily mounts into standard 19\" racks, offering reliability in the studio and durability on tour. The integrated power supply provides 30% more power per module than the standard 500 Series specification, ensuring stability, headroom, and optimal performance for every installed module.USB + ADAT moduleThe USB + ADAT interface module compatible with the Harrison D510 500 Series system is currently under development.D510r Technical SpecificationsDimensions:Length (L): Standard 19” = 48.26 cmHeight (H): 3U (5.25”) = 13.34 cmDepth (D): 7.2” = 18.29 cmPower input: 50\/60Hz \/ 80–246VAC \/ 1.8–0.55APower per slot: 170 mAPassive: 10.4 lbs = 4.72 kgOptional expansions: D510mx analog mixer card, D510dante interface, USB+ADAT module (under development)","brand":"HARRISON AUDIO","offers":[{"title":"Default Title","offer_id":58043014807897,"sku":"723730X1","price":834.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/files\/harrison-500-series-chassis.jpg?v=1778576392"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/3633\/6985\/collections\/cat_altri_processori_a58g_uu8y_s.jpg?v=1778072170","url":"https:\/\/yourmusiconline.it\/en\/collections\/altri-processori-di-segnale.oembed","provider":"yourmusiconline.it","version":"1.0","type":"link"}